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351. Luisa Miller [Música notada] : opéra de Verdi

Author

Krüger, Wilhelm 1820-1883, Verdi, Giuseppe 1813-1901 Luisa Miller. La tomba è un letto arr., Verdi, Giuseppe 1813-1901 Luisa Miller. Ah! vieni meco arr., Krüger, Wilhelm 1820-1883, Verdi, Giuseppe 1813-1901 Luisa Miller. La tomba è un letto arr., and Verdi, Giuseppe 1813-1901 Luisa Miller. Ah! vieni meco arr.

Abstract

Port. litografiada firmada por A. Parent, Notación musical grabada por L. Parent, Ded.: "À son élève Mademoiselle Nathalie Adam", Op. 85, Fecha de publicación basada en el Dictionnaire des éditeurs de musique français, volume II, de 1820 à 1914, 1988

352. Parisina [Música notada]

Author

Donizetti, Gaetano 1797-1848, Truzzi, Luigi 1799-1864 arr., Donizetti, Gaetano 1797-1848 Parisina. Io sentii tremar la mano arr., Donizetti, Gaetano 1797-1848 Parisina. Dillo io tel chieggo in merito arr., Donizetti, Gaetano 1797-1848 Parisina. A che vieni? arr., Donizetti, Gaetano 1797-1848 Parisina. Forse un destin che intendere arr., Donizetti, Gaetano 1797-1848 Parisina. Sogno talor di correre arr., Donizetti, Gaetano 1797-1848 Parisina. Per veder su quel bel viso arr., Donizetti, Gaetano 1797-1848 Parisina. Ah! chi veggio? arr., Donizetti, Gaetano 1797-1848, Truzzi, Luigi 1799-1864 arr., Donizetti, Gaetano 1797-1848 Parisina. Io sentii tremar la mano arr., Donizetti, Gaetano 1797-1848 Parisina. Dillo io tel chieggo in merito arr., Donizetti, Gaetano 1797-1848 Parisina. A che vieni? arr., Donizetti, Gaetano 1797-1848 Parisina. Forse un destin che intendere arr., Donizetti, Gaetano 1797-1848 Parisina. Sogno talor di correre arr., Donizetti, Gaetano 1797-1848 Parisina. Per veder su quel bel viso arr., and Donizetti, Gaetano 1797-1848 Parisina. Ah! chi veggio? arr.

Abstract

Aria, Io sentii tremar la mano (11 p.) ; Duetto, Dillo io tel chieggo in merito (7 p.) ; Quartetto, A che vieni (15 p.) ; Cavatina, Forse un destin che intendere (10 p.) ; Romanza, Sogno talor di correre (10 p.) ; Scena e cavatina, Per veder su quel viso (10 p.) ; Duetto, Ah! chi veggio? (11 p.), Aria, Io sentii tremar la mano (11 p.) ; Duetto, Dillo io tel chieggo in merito (7 p.) ; Quartetto, A che vieni (15 p.) ; Cavatina, Forse un destin che intendere (10 p.) ; Romanza, Sogno talor di correre (10 p.) ; Scena e cavatina, Per veder su quel viso (10 p.) ; Duetto, Ah! chi veggio? (11 p.), Información del área de título tomada de la cabecera, Fecha de publicación basada en el año de estreno de la obra, Las partes de la obra con paginación independiente

353. I puritani

Author

Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O amato zio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A te o cara Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rito augusto Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Son vergin vezzosa Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ah dolor! Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. E di morte lo stra lnon sará lento Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal, Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O amato zio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A te o cara Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rito augusto Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Son vergin vezzosa Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ah dolor! Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. E di morte lo stra lnon sará lento Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, and Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal

Abstract

Este ejemplar contiene las partes cantadas del papel de "Giorgio", Preghiera religiosa, O di Cromwel guerrieri.- N. pl.: 8552 ; Duetto, Sai come arde il petto mio.- N. pl.: 8556 ; Seguito del Finale 1, Sulla virginea.- N. pl.: 8557 ; Coro e quartetto, A te o cara.- N. pl.: 8558 ; Finale 1º, Il rito augusto.- N. pl.: 8560 ; Polacca, Son vergin venozza.- N. pl.: 8561 ; Sequito del Finale 1, Sulla virginea.- N. pl.: 8562 ; Quartetto nel Finale 1º, Oh vieni al tempio.- N. pl.: 8563 ; Stietta del Final 1º, Ma tu già mi fuggi.- N. pl.: 8564 ; Introduzione dell'Atto 2do., Ah dolor, Ah terror.- N. pl.: 8565 ; E di morte lo stral non sará lento.- N. pl.: 8566 ; Scena ed Aria, Qui la voce sua soave.- N. pl.: 8568 ; Duetto, Il rival salvar tu dei.- N. pl.: 8569 ; Finale dell'Atto 3º, Ancor s'ascolta questo suon molesto.- N. pl.: 8577, Información del área de título tomada de etiqueta impresa en la cubierta, Fecha de publicación tomada del Dizionario degli editori musicali italiani, 1750-1930, 2000, Con doble secuencia de paginación

354. I puritani

Author

Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani. A per sempre Io te perdei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. E di morte lo stra lnon sará lento Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal, Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani. A per sempre Io te perdei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. E di morte lo stra lnon sará lento Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, and Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal

Abstract

Este ejemplar contiene las partes cantadas del papel de "Riccardo", Aria, Ah per sempre Io ti perdei.- N. pl.: 8554 ; Seguito del Finale 1, Sulla virginea.- N. pl.: 8562 ; Quatterto nel Finale 1mo., Oh vieni al tempio.- N. pl.: 8563 ; Stietta del Finale 1º, Ma tu già mi fuggi.- N. pl.: 8564 ; E di morte lo stral non sará lento.- N. pl.: 8566 ; Scena ed Aria, Qui la voce sua soave.- N. pl.: 8568 ; Duetto, Il rival salvar tu dei.- N. pl.: 8669 ; Finale dell'Atte 3, Ancor s'ascolta questo suon molesto!.- N. pl.: 8567, Información del área de título tomada de etiqueta impresa en la cubierta, Fecha de publicación tomada del Dizionario degli editori musicali italiani, 1750-1930, 2000, Con doble secuencia de paginación

355. I puritani

Author

Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O amato zio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A te o cara Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rito augusto Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Son vergin vezzosa Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Si redono delle persone armate Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal, Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O amato zio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A te o cara Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rito augusto Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Son vergin vezzosa Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Qui la voce sua soave Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Il rival salvar tu dei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Si redono delle persone armate Partitura vocal, and Bellini, Vincenzo 1801-1835 I puritani. Ancor s'ascolta questa suon molesto . Partitura vocal

Abstract

Este ejemplar contiene las partes cantadas del papel de "Elvira", Preghiera religiosa, O di Cromwel guerrieri.- N. pl.: 8552 ; Duetto, Sai come arde il petto mio.- N. pl.: 8556 ; Coro e quartetto, A te o cara.- N. pl.: 8558 ; Finale 1º, Il rito augusto.- N. pl.: 8560 ; Polacca, Son vergin venozza.- N. pl.: 8561 ; Sequito del Finale 1, Sulla virginea.- N. pl.: 8562 ; Quartetto nel Finale 1º, Oh vieni al tempio.- N. pl.: 8563 ; Stietta del Final 1º, Ma tu già mi fuggi.- N. pl.: 8564 ; Scena ed Aria, Qui la voce sua soave.- N. pl.: 8568 ; Introduzione, Romanza e Duetto, Si redono delle persone armate.- N. pl.: 8573 ; Finale dell'Atto 3º, Ancor s'ascolta questo suon molesto.- N. pl.: 8577, Información del área de título tomada de etiqueta impresa en la cubierta, Fecha de publicación tomada del Dizionario degli editori musicali italiani, 1750-1930, 2000, Con doble secuencia de paginación

356. Il re pastore. Le nozze di Figaro. Deh, vieni, non tardar

Author

Mozart, Wolfgang Amadeus 1756-1791 compositor, Mozart, Wolfgang Amadeus 1756-1791 Il re pastore. L'ameró, saró costante, Mozart, Wolfgang Amadeus 1756-1791 Le nozze di Figaro. Deh, vieni, non tardar, Schumann, Elisabeth 1888-1952 cantante, Hayward, Marjorie 1885-1953 instrumentista, Mozart, Wolfgang Amadeus 1756-1791 compositor, Mozart, Wolfgang Amadeus 1756-1791 Il re pastore. L'ameró, saró costante, Mozart, Wolfgang Amadeus 1756-1791 Le nozze di Figaro. Deh, vieni, non tardar, Schumann, Elisabeth 1888-1952 cantante, and Hayward, Marjorie 1885-1953 instrumentista

Abstract

Etiqueta negra con logo de "La Voz de su Amo" en color y texto en dorado, "Italiano", "Sopr. ac. orq.", Grabado un triángulo junto a las matrices, Fecha de publicación basada en catálogo, Incluido en "Catálogo general de discos marca "La Voz de su Amo", julio de 1930", Elisabeth Schumann ; con obligado de violín por Hayward ; y orquesta, Datos de grabación tomados de base de datos (Kellydatabase), el 7-6-1926 (1ª obra) y el 4-2-1927 (2ª obra), en Londres

357. I puritani

Author

Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani. Allerta Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Al re che fece il di l'inno dei puri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A per sempre Io te perdei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal, Bellini, Vincenzo 1801-1835, Bellini, Vincenzo 1801-1835 I puritani. Allerta Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani O di Cromwel guerrieri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Al re che fece il di l'inno dei puri Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. A per sempre Io te perdei Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Sulla virginea Partitura vocal, Bellini, Vincenzo 1801-1835 I puritani. Oh vieni al tempio Partitura vocal, and Bellini, Vincenzo 1801-1835 I puritani. Ma tu già mi fuggi Partitura vocal

Abstract

Este ejemplar contiene las partes cantadas del papel de "Bruno", Introduzione dell'Atto 1º, All'erta.- N. pl.: 8551 ; Preghiera religiosa, O di Cromwel guerrieri.- N. pl.: 8552 ; Seguito e stietta dell'Introduzione Atto 1º, Al re che fece il di l'inno dei puri.- N. pl.: 8553 ; Aria, Ah per sempre Io te perdei.- N. pl.: 8554 ; Seguito del Final 1º, Sulla virginea.- N. pl.: 8562 ; Quatertto nel Finale 1º, Oh vieni al tempio.- N. pl.: 8563 ; Stietta del Final 1º, Ma tu già mi fuggi.- N. pl.: 8564, Información del área de título tomada de etiqueta impresa en la cubierta, Fecha de publicación tomada del Dizionario degli editori musicali italiani, 1750-1930, 2000, Con doble secuencia de paginación

358. Luisa Miller [Música notada] : opéra de Verdi

Author

Krüger, Wilhelm 1820-1883, Verdi, Giuseppe 1813-1901 Luisa Miller. La tomba è un letto arr., Verdi, Giuseppe 1813-1901 Luisa Miller. Ah! vieni meco arr., Krüger, Wilhelm 1820-1883, Verdi, Giuseppe 1813-1901 Luisa Miller. La tomba è un letto arr., and Verdi, Giuseppe 1813-1901 Luisa Miller. Ah! vieni meco arr.

Abstract

Port. litografiada firmada por A. Parent, Notación musical grabada por L. Parent, Ded.: "À son élève Mademoiselle Nathalie Adam", Op. 85, Fecha de publicación basada en el Dictionnaire des éditeurs de musique français, volume II, de 1820 à 1914, 1988

359. Parisina [Música notada]

Author

Donizetti, Gaetano 1797-1848, Truzzi, Luigi 1799-1864 arr., Donizetti, Gaetano 1797-1848 Parisina. Io sentii tremar la mano arr., Donizetti, Gaetano 1797-1848 Parisina. Dillo io tel chieggo in merito arr., Donizetti, Gaetano 1797-1848 Parisina. A che vieni? arr., Donizetti, Gaetano 1797-1848 Parisina. Forse un destin che intendere arr., Donizetti, Gaetano 1797-1848 Parisina. Sogno talor di correre arr., Donizetti, Gaetano 1797-1848 Parisina. Per veder su quel bel viso arr., Donizetti, Gaetano 1797-1848 Parisina. Ah! chi veggio? arr., Donizetti, Gaetano 1797-1848, Truzzi, Luigi 1799-1864 arr., Donizetti, Gaetano 1797-1848 Parisina. Io sentii tremar la mano arr., Donizetti, Gaetano 1797-1848 Parisina. Dillo io tel chieggo in merito arr., Donizetti, Gaetano 1797-1848 Parisina. A che vieni? arr., Donizetti, Gaetano 1797-1848 Parisina. Forse un destin che intendere arr., Donizetti, Gaetano 1797-1848 Parisina. Sogno talor di correre arr., Donizetti, Gaetano 1797-1848 Parisina. Per veder su quel bel viso arr., and Donizetti, Gaetano 1797-1848 Parisina. Ah! chi veggio? arr.

Abstract

Aria, Io sentii tremar la mano (11 p.) ; Duetto, Dillo io tel chieggo in merito (7 p.) ; Quartetto, A che vieni (15 p.) ; Cavatina, Forse un destin che intendere (10 p.) ; Romanza, Sogno talor di correre (10 p.) ; Scena e cavatina, Per veder su quel viso (10 p.) ; Duetto, Ah! chi veggio? (11 p.), Aria, Io sentii tremar la mano (11 p.) ; Duetto, Dillo io tel chieggo in merito (7 p.) ; Quartetto, A che vieni (15 p.) ; Cavatina, Forse un destin che intendere (10 p.) ; Romanza, Sogno talor di correre (10 p.) ; Scena e cavatina, Per veder su quel viso (10 p.) ; Duetto, Ah! chi veggio? (11 p.), Información del área de título tomada de la cabecera, Fecha de publicación basada en el año de estreno de la obra, Las partes de la obra con paginación independiente

360. Don Juan [Música notada] : sérénade

Author

Herman, Adolphe 1863-1903, Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni. Deh vieni alla finestra arr., Herman, Adolphe 1863-1903, and Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni. Deh vieni alla finestra arr.

Abstract

Notación musical grabada por Mlles. Field, Portada litografiada: "Barbizet, Imp. E. Delay", En la port. relación de obras que componen la serie, Fecha de publicación tomada del Dictionnaire des éditeurs de musique français, volume II, de 1820 à 1914, 1988

361. Effects of the number of removed lymph nodes on survival outcome in patients with sentinel node-negative breast cancer.

Author

Cipolla, Calogero, Galvano, Antonio, Vieni, Salvatore, Saputo, Federica, Lupo, Simona, Latteri, Mario, Graceffa, Giuseppa, and Valerio, Maria Rosaria

Subjects
*SURVIVAL rate, *SENTINEL lymph node biopsy, *BREAST cancer, *TREATMENT effectiveness, *SENTINEL lymph nodes, *LYMPH nodes, *LYMPH node cancer
Abstract

Background: Sentinel lymph node biopsy is the gold standard surgical technique for axillary staging in patients with clinically node-negative. However, it is still uncertain what is the optimal number of sentinel lymph nodes (SLNs) to be removed to reduce the false-negative rate. The aim of this study was to investigate whether patients with a single negative SLN have a worse prognosis than those with two or more negative SLNs. Methods: A retrospective review was conducted on a large series of SLN-negative breast cancer patients. Survival outcomes and regional recurrence rate were evaluated according to the number of removed SLNs. Secondly, the contribution of different adjuvant therapies on disease-free survival was explored. Statistical analysis included the chi-square, Wilcoxon–Mann–Whitney test, and Kaplan–Meier survival analysis. Results: A total of 1080 patients were included in the study. A first group consisted of 328 patients in whom a single SLN was retrieved, and a second group consisted of 752 patients in whom two or more SLNs were retrieved. There was no relevant difference in median DFS (64.9 vs 41.4) for SLN = 1 vs SLN > 1 groups (HR 0.76, CI 95% 0.39–1.46; p = 0.38). A statistically significant difference in mDFS was showed only for HT-treated patients who were SLN = 1 if compared to SLN > 1 (100.6 months versus 35.3 months). Conclusions: There is likely a relationship between the number of resected SNL and mDFS. Our results, however, showed no relevant difference in median DFS for SLN = 1 vs SLN > 1 group, except for a subset of the patients treated with hormone therapy. [ABSTRACT FROM AUTHOR]

Published
2021
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363. Laryngopharyngeal reflux as a potential cause of persistent local neck symptoms after total thyroidectomy.

Author

Cipolla, Calogero, Macaione, Ina, Vieni, Salvatore, Latteri, Mario, Vullo, Angela, Graceffa, Giuseppa, and Fiorentino, Eugenio

Subjects
*SYMPTOMS, *THYROIDECTOMY, *VOICE disorders, *PATHOLOGY, *NECK, *HOARSENESS
Abstract

Purpose: Local neck symptoms (LNS) may be related to goiter, but are also reported by patients suffering from laryngeal–pharyngeal reflux (LPR). The aim of this study was to investigate whether LPR could play a role in the persistence of some LNS after total thyroidectomy (TT). Methods: A consecutive case series of 160 patients with multinodular goiter (MNG) candidate for TT were included in this study. Each patient was closely studied for both the thyroid pathology and reflux disease before and 6 months after surgery to assess the persistence of LNS after surgery. Results: Only throat discomfort showed a significant improvement (p = 0.031) after surgery. On the other hand, swallowing and voice disorders persisted after surgery in 82.3% and 77.3% of patients, respectively (p = 0.250 and p = 0.062), such as the correlated reflux laryngopharyngitis (p = 0.5). Conclusions: LPR can be considered a predisposing factor or an important concurrent causa to the persistence of LNS after TT, in particular for swallowing disorders and voice disorders. In patients with non-toxic MNG who complain of local neck symptoms, the investigation of a possible coexistence of a reflux disease is appropriate before surgery. Patients should be informed about the possibility that some symptoms can persist even after removal of the goiter. [ABSTRACT FROM AUTHOR]

Published
2021
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364. IQ Angst.

Author

VIENI, V.

Subjects
INFORMATION technology, INTELLIGENCE levels, INTELLECT
Abstract

A letter to the editor is presented in response to "Editor's Letter: IQ and IT," which appeared in the December 5, 1994 issue.

Published
1995

365. The wide base bipedicled (WIBB) flap in nipple-sparing skin-reducing mastectomy.

Author

Cordova, Adriana, Rossi, Matteo, Roggio, Tiziana, Cammarata, Emanuele, Cipolla, Calogero, Vieni, Salvatore, and Toia, Francesca

Abstract

In this article, we present a modification of the NS/SRM technique in which the mastopexy design for skin reduction is undertaken with a wide-base bipedicled (WIBB) flap. The WIBB flap can be applied in both autologous and implant-based breast reconstruction. Our reconstructive algorithm is also presented. The clinical data of patients operated on from June 2017 to November 2022 were collected: 51 patients for a total of 71 breasts. Personal data, BMI, type and volume of implants used, and major and minor complications were analyzed by descriptive statistics. The mean age was 48.3 years. BMI ranged between 21.5 and 30.9 kg/m2. Thirty-one patients underwent unilateral mastectomy, while twenty patients underwent bilateral surgery. In 25 breasts, immediate reconstruction was performed with implants and ADM. In 40 breasts, reconstruction was performed with a subpectoral tissue expander, and in 6 breasts, reconstruction was performed with a DIEP flap. We observed only one case (1.4%) of periprosthetic infection requiring implant removal under general anesthesia. Minor complications occurred in 14.1% of patients. The use of both the WIBB flap and our algorithm maintained a low complication rate in our series, ensuring oncological radicality and a good aesthetic result at the same time. [ABSTRACT FROM AUTHOR]

Published
2024
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366. Letters.

Author

Anisfeld, Leon Simon, Abrams, Harvey A., Vieni, Miriam, and Joffe, Carole

Subjects
LETTERS to the editor, HUMAN services, SOCIAL policy, PUBLIC welfare, ADOPTIVE parents, CRIMINAL justice system, SOCIAL services
Abstract

Presents several letters to the editor. Comments of a reader on the article "Future Course of Corrections," by Brooke Spiro; Feedback of a reader on the article "Qualifying for Managerial Jobs in Public Welfare"; Comments of a reader on the article "Single Adoptive Mothers-A Study," by Sharon Ann Dougherty.

Published
1978

367. Letters.

Author

Stratton, Ann W., van der Poel, William, Phillips, Maxine, Willims, Kevin James, Guttsman, W. L., Vieni, Miriam, and Edwards, Jane D.

Subjects
LETTERS to the editor, DEVELOPMENTAL biology, SOCIAL services, AGING, LONGEVITY
Abstract

Presents several letters to the editor. Critical analysis of the article titled "The Gift Relationship"; Comments on aging early; Reasons for failing to spell out the heavy bias toward residential care in that organization.

Published
1977

369. Low plasma PD-L1 levels, early tumor onset and absence of peritoneal carcinomatosis improve prognosis of women with advanced high-grade serous ovarian cancer.

Author

Fanale, Daniele, Brando, Chiara, Corsini, Lidia Rita, Cutaia, Sofia, Di Donna, Mariano Catello, Randazzo, Ugo, Filorizzo, Clarissa, Lisanti, Chiara, Magrin, Luigi, Gurrera, Vittorio, Romano, Raffaella, Dimino, Alessandra, Bazan Russo, Tancredi Didier, Olive, Daniel, Vieni, Salvatore, Pantuso, Gianni, Giordano, Antonio, Chiantera, Vito, Russo, Antonio, and Bazan, Viviana

Subjects
*PERITONEAL cancer, *PROGRAMMED death-ligand 1, *OVARIAN cancer, *TUMOR-infiltrating immune cells, *PROPORTIONAL hazards models, *RECEIVER operating characteristic curves, *PROGRESSION-free survival
Abstract

Background: The most common subtype of ovarian cancer (OC) showing immunogenic potential is represented by the high-grade serous ovarian cancer (HGSOC), which is characterized by the presence of tumor-infiltrating immune cells able to modulate immune response. Because several studies showed a close correlation between OC patient's clinical outcome and expression of programmed cell death protein-1 or its ligand (PD-1/PD-L1), the aim of our study was to investigate if plasma levels of immunomodulatory proteins may predict prognosis of advanced HGSOC women. Patients and methods: Through specific ELISA tests, we analyzed plasma concentrations of PD-L1, PD-1, butyrophilin sub-family 3A/CD277 receptor (BTN3A1), pan-BTN3As, butyrophilin sub-family 2 member A1 (BTN2A1), and B- and T-lymphocyte attenuator (BTLA) in one hundred patients affected by advanced HGSOC, before surgery and therapy. The Kaplan–Meier method was used to generate the survival curves, while univariate and multivariate analysis were performed using Cox proportional hazard regression models. Results: For each analyzed circulating biomarker, advanced HGSOC women were discriminated based on long (≥ 30 months) versus short progression-free survival (PFS < 30 months). The concentration cut-offs, obtained by receiver operating characteristic (ROC) analysis, allowed to observe that poor clinical outcome and median PFS ranging between 6 and 16 months were associated with higher baseline levels of PD-L1 (> 0.42 ng/mL), PD-1 (> 2.48 ng/mL), BTN3A1 (> 4.75 ng/mL), pan-BTN3As (> 13.06 ng/mL), BTN2A1 (> 5.59 ng/mL) and BTLA (> 2.78 ng/mL). Furthermore, a lower median PFS was associated with peritoneal carcinomatosis, age at diagnosis > 60 years or Body Mass Index (BMI) > 25. A multivariate analysis also suggested that plasma concentrations of PD-L1 ≤ 0.42 ng/mL (HR: 2.23; 95% CI: 1.34 to 3.73; p = 0.002), age at diagnosis ≤ 60 years (HR: 1.70; 95% CI: 1.07 to 2.70; p = 0.024) and absence of peritoneal carcinomatosis (HR: 1.87; 95% CI: 1.23 to 2.85; p = 0.003) were significant prognostic marker for a longer PFS in advanced HGSOC patients. Conclusions: The identification of high-risk HGSOC women could be improved through determination of the plasma PD-L1, PD-1, BTN3A1, pan-BTN3As, BTN2A1 and BTLA levels. [ABSTRACT FROM AUTHOR]

Published
2023
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370. Helicobacter pylori and Epstein–Barr Virus Co-Infection in Gastric Disease: What Is the Correlation with p53 Mutation , Genes Methylation and Microsatellite Instability in a Cohort of Sicilian Population?

Author

Giammanco, Anna, Anzalone, Rita, Serra, Nicola, Graceffa, Giuseppa, Vieni, Salvatore, Scibetta, Nunzia, Rea, Teresa, Capra, Giuseppina, and Fasciana, Teresa

Subjects
*HELICOBACTER pylori, *GASTRIC diseases, *EPSTEIN-Barr virus, *MICROSATELLITE repeats, *MIXED infections, *METHYLATION, *GENETIC mutation
Abstract

Genetic predisposition, environmental factors, and infectious agents interact in the development of gastric diseases. Helicobacter pylori (Hp) and Epstein–Barr virus (EBV) infection has recently been shown to be correlated with these diseases. A cross-sectional study was performed on 100 hospitalized Italian patients with and without gastric diseases. The patients were stratified into four groups. Significant methylation status differences among CDH1, DAPK, COX2, hMLH1 and CDKN2A were observed for coinfected (Hp-EBV group) patients; particularly, a significant presence of COX2 (p = 0.0179) was observed. For microsatellite instability, minor stability was described in the Hp-HBV group (69.23%, p = 0.0456). Finally, for p53 mutation in the EBV group, exon 6 was, significantly, most frequent in comparison to others (p = 0.0124), and in the Hp-EBV group exon 8 was, significantly, most frequent in comparison to others (p < 0.0001). A significant positive relationship was found between patients with infection (Hp, EBV or both) and p53 mutation (rho = 0.383, p = 0.0001), methylation status (rho = 0.432, p < 0.0001) and microsatellite instability (rho = 0.285, p = 0.004). Finally, we observed among infection and methylation status, microsatellite instability, and p53 mutation a significant positive relationship only between infection and methylation status (OR = 3.78, p = 0.0075) and infection and p53 mutation (OR = 6.21, p = 0.0082). According to our analysis, gastric disease in the Sicilian population has different pathways depending on the presence of various factors, including infectious agents such as Hp and EBV and genetic factors of the subject. [ABSTRACT FROM AUTHOR]

Published
2023
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371. An Overview of In Vitro Assays of 64 Cu-, 68 Ga-, 125 I-, and 99m Tc-Labelled Radiopharmaceuticals Using Radiometric Counters in the Era of Radiotheranostics.

Author

Benfante, Viviana, Stefano, Alessandro, Ali, Muhammad, Laudicella, Riccardo, Arancio, Walter, Cucchiara, Antonino, Caruso, Fabio, Cammarata, Francesco Paolo, Coronnello, Claudia, Russo, Giorgio, Miele, Monica, Vieni, Alessandra, Tuttolomondo, Antonino, Yezzi, Anthony, and Comelli, Albert

Subjects
*SINGLE-photon emission computed tomography, *POSITRON emission tomography, *RADIOPHARMACEUTICALS, *DRUG labeling
Abstract

Radionuclides are unstable isotopes that mainly emit alpha (α), beta (β) or gamma (γ) radiation through radiation decay. Therefore, they are used in the biomedical field to label biomolecules or drugs for diagnostic imaging applications, such as positron emission tomography (PET) and/or single-photon emission computed tomography (SPECT). A growing field of research is the development of new radiopharmaceuticals for use in cancer treatments. Preclinical studies are the gold standard for translational research. Specifically, in vitro radiopharmaceutical studies are based on the use of radiopharmaceuticals directly on cells. To date, radiometric β- and γ-counters are the only tools able to assess a preclinical in vitro assay with the aim of estimating uptake, retention, and release parameters, including time- and dose-dependent cytotoxicity and kinetic parameters. This review has been designed for researchers, such as biologists and biotechnologists, who would like to approach the radiobiology field and conduct in vitro assays for cellular radioactivity evaluations using radiometric counters. To demonstrate the importance of in vitro radiopharmaceutical assays using radiometric counters with a view to radiogenomics, many studies based on 64Cu-, 68Ga-, 125I-, and 99mTc-labeled radiopharmaceuticals have been revised and summarized in this manuscript. [ABSTRACT FROM AUTHOR]

Published
2023
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372. Potential Activity of Albino Grifola frondosa Mushroom Extract against Biofilm of Meticillin-Resistant Staphylococcus aureus.

Author

Fasciana, Teresa, Gargano, Maria Letizia, Serra, Nicola, Galia, Elena, Arrigo, Ignazio, Tricoli, Maria Rita, Diquattro, Orazia, Graceffa, Giuseppa, Vieni, Salvatore, Venturella, Giuseppe, and Giammanco, Anna

Subjects
*BIOFILMS, *METHICILLIN-resistant staphylococcus aureus, *COMPOSITION of mushrooms, *ANTI-infective agents, *FOODBORNE diseases, *FUNCTIONAL foods
Abstract

Mushroom extracts are a rich source of natural compounds with antimicrobial properties, which are able to prevent, to some extent, the growth of foodborne pathogens. The aim of this study was to investigate the potential of extracts from albino Grifola frondosa (GF), commonly known as maitake, to inhibit the growth of some bacteria and the biofilm production by Staphylococcus aureus. We obtained not only a significant reduction of OD score between biofilm and biofilm plus albino G. frondosa extract group, but also a reduction of category of biofilm. In addition, we observed a significant presence of isolates with strong category for the biofilm group and a significant presence of isolates with absent category for the biofilm plus albino G. frondosa extract group. These results confirm that the use of albino G. frondosa extract reduces in significant way the presence of biofilm. Our results suggest and confirm that albino G. frondosa extracts could be employed as functional food and could be used as a natural additive for food process control and food safety. [ABSTRACT FROM AUTHOR]

Published
2021
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373. Navigating the liquid biopsy Minimal Residual Disease (MRD) in non-small cell lung cancer: Making the invisible visible.

Author

Gristina, Valerio, La Mantia, Maria, Peri, Marta, Iacono, Federica, Barraco, Nadia, Perez, Alessandro, Viscardi, Giuseppe, Cutaia, Sofia, Russo, Tancredi Didier Bazan, Anwar, Zubair, Incorvaia, Lorena, Fulfaro, Fabio, Vieni, Salvatore, Pantuso, Gianni, Graceffa, Giuseppa, Russo, Antonio, Galvano, Antonio, and Bazan, Viviana

Subjects
*NON-small-cell lung carcinoma, *EARLY detection of cancer, *BIOPSY, *EXPERIMENTAL design, *LIQUIDS
Abstract

Liquid biopsy has gained increasing interest in the growing era of precision medicine as minimally invasive technique. Recent findings demonstrated that detecting minimal or molecular residual disease (MRD) in NSCLC is a challenging matter of debate that need multidisciplinary competencies, avoiding the overtreatment risk along with achieving a significant survival improvement. This review aims to provide practical consideration for solving data interpretation questions about MRD in NSCLC thanks to the close cooperation between biologists and oncology clinicians. We discussed with a translational approach the critical point of view from benchside, bedside and bunchside to facilitate the future applicability of liquid biopsy in this setting. Herein, we defined the clinical significance of MRD, focusing on relevant practical consideration about advantages and disadvantages, speculating on future clinical trial design and standardization of MRD technology. • Minimal residual disease (MRD) detection provides earlier cancer diagnosis, and a more accurate prediction of relapse. • MRD detection must be standardized to increase sensitivity. • Liquid biopsies hold several advantages compared to solid tissue biopsies, including being less invasive, costly, and time-consuming. • Detection of MRD could improve cancer care by allowing earlier cancer detection, better prediction of recurrence, and assessing efficacy of treatments. [ABSTRACT FROM AUTHOR]

Published
2023
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374. 1094P The clinical potential of circulating-free DNA (cfDNA) for real-time longitudinally monitoring clinical outcomes in a real-world first-line non-small cell lung cancer (NSCLC) prospective study.

Author

Gristina, V., Barraco, N., Galvano, A., La Mantia, M., Cutaia, S., Iacono, F., Lisanti, C., Inguglia, S., Sardo, D., Perez, A., Cusenza, S., Castellana, L., Bazan Russo, T.D., Vieni, S., Fulfaro, F., Incorvaia, L., Badalamenti, G., Bazan, V., and Russo, A.

Subjects
*NON-small-cell lung carcinoma, *CELL-free DNA, *TREATMENT effectiveness, *LONGITUDINAL method
Published
2022
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375. BRCA1/2 variants of unknown significance in hereditary breast and ovarian cancer (HBOC) syndrome: Looking for the hidden meaning.

Author

Fanale, Daniele, Pivetti, Alessia, Cancelliere, Daniela, Spera, Antonio, Bono, Marco, Fiorino, Alessia, Pedone, Erika, Barraco, Nadia, Brando, Chiara, Perez, Alessandro, Guarneri, Maria Francesca, Russo, Tancredi Didier Bazan, Vieni, Salvatore, Guarneri, Girolamo, Russo, Antonio, and Bazan, Viviana

Subjects
*HEREDITARY cancer syndromes, *OVARIAN cancer, *GENETIC testing, *BREAST cancer, *BRCA genes, *SYNDROMES
Abstract

Hereditary breast and ovarian cancer syndrome is caused by germline mutations in BRCA1/2 genes. These genes are very large and their mutations are heterogeneous and scattered throughout the coding sequence. In addition to the above-mentioned mutations, variants of uncertain/unknown significance (VUSs) have been identified in BRCA genes, which make more difficult the clinical management of the patient and risk assessment. In the last decades, several laboratories have developed different databases that contain more than 2000 variants for the two genes and integrated strategies which include multifactorial prediction models based on direct and indirect genetic evidence, to classify the VUSs and attribute them a clinical significance associated with a deleterious, high/low or neutral risk. This review provides a comprehensive overview of literature studies concerning the VUSs, in order to assess their impact on the population and provide new insight useful for the appropriate patient management in clinical practice. [Display omitted] • 10–20% of patients undergoing germline BRCA1/2 genetic screening harbor VUS. • Identifying potentially pathogenic BRCA1/2 VUSs may allow their re-classification. • Knowing the correct VUS meaning could improve the patient clinical management. [ABSTRACT FROM AUTHOR]

Published
2022
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376. Opera & concert arias

Author

Mozart, Wolfgang Amadeus, 1756-1791., Cercle de l'harmonie. Performer, Casadesus, Jean-Claude, 1935- Conductor, Damrau, Diana., Rhorer, Jérémie. Conductor, Mozart, Wolfgang Amadeus, 1756-1791. Clemenza di Tito. Non più di fiori., Mozart, Wolfgang Amadeus, 1756-1791. Clemenza di Tito. S'altro che lagrime., Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Mi tradì quell'alma ingrata., Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Non mi dir, bell'idol mio., Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Durch Zärtlichkeit und Schmeicheln., Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Martern aller Arten., Mozart, Wolfgang Amadeus, 1756-1791. Finta semplice. Senti l'eco ove t'aggiri., Mozart, Wolfgang Amadeus, 1756-1791. Mitridate, rè di Ponto. Al destin, che la minaccia., Mozart, Wolfgang Amadeus, 1756-1791. No, no, che non sei capace., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Deh vieni, non tardar., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Dove sono?, Mozart, Wolfgang Amadeus, 1756-1791. Vorrei spiegarvi, oh Dio., and Mozart, Wolfgang Amadeus, 1756-1791. Zauberflöte. Ach, ich fühl's, es ist verschwunden.

Published
2008

377. Opera arias

Author

Dimitrova, Gena Macheva, 1941-2005., Münchner Rundfunkorchester. Performer, Philharmonia Orchestra (London, England) Performer, Gardelli, Lamberto. Conductor, Guadagno, Anton. Conductor, Puccini, Giacomo, 1858-1924. Bohème. Selections., Puccini, Giacomo, 1858-1924. Madama Butterfly. Selections., Puccini, Giacomo, 1858-1924. Manon Lescaut. In quelle trine morbide., Puccini, Giacomo, 1858-1924. Manon Lescaut. Sola, perduta, abbandonata., Puccini, Giacomo, 1858-1924. Tosca. Vissi d’arte., Puccini, Giacomo, 1858-1924. Trittico. Gianni Schicchi. O mio babbino caro., Puccini, Giacomo, 1858-1924. Trittico. Suor Angelica. Senza mamma., Puccini, Giacomo, 1858-1924. Turandot. In questa reggia., Puccini, Giacomo, 1858-1924. Turandot. Tu che di gel sei cinta., Puccini, Giacomo, 1858-1924. Villi. Se come voi., Verdi, Giuseppe, 1813-1901. Aïda. Ritorna vincitor., Verdi, Giuseppe, 1813-1901. Attila. Oh! nel fuggente nuvolo., Verdi, Giuseppe, 1813-1901. Lombardi alla prima crociata. Salve Maria., and Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t’affretta!

Published
2006

378. The very best of Maria Callas.

Author

Callas, Maria, 1923-1977., Philharmonia Orchestra (London, England) Performer, Radiodiffusion française. Orchestre national. Performer, Société des concerts du Conservatoire. Orchestre. Performer, Teatro alla Scala. Orchestra. Performer, De Sabata, Victor, 1892-1967. Conductor, Karajan, Herbert von. Conductor, Prêtre, Georges. Conductor, Puccini, Giacomo, 1858-1924. Tosca. Vissi d'arte., Rescigno, Nicola. Conductor, Serafin, Tullio, 1878-1968. Conductor, Votto, Antonino. Conductor, Bellini, Vincenzo, 1801-1835. Norma. Casta diva., Bellini, Vincenzo, 1801-1835. Sonnambula. Come per me sereno., Bizet, Georges, 1838-1875. Carmen. Chanson bohème., Bizet, Georges, 1838-1875. Carmen. Habanera., Catalani, Alfredo, 1854-1893. Wally. Ebben? Ne andrò lontana., Donizetti, Gaetano, 1797-1848. Anna Bolena. Al dolce guidami., Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Regnava nel silenzio., Giordano, Umberto, 1867-1948. Andrea Chénier. Mamma morta., Gluck, Christoph Willibald, Ritter von, 1714-1787. Orphée et Eurydice. J'ai perdu mon Eurydice., Gounod, Charles, 1818-1893. Roméo et Juliette. Je veux vivre dans le rêve., Massenet, Jules, 1842-1912. Manon. Selections., Meyerbeer, Giacomo, 1791-1864. Pardon de Ploërmel. Ombre légère qui suis mes pas., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Porgi amor., Ponchielli, Amilcare, 1834-1886. Gioconda. Suicidio., Puccini, Giacomo, 1858-1924. Bohème. Donde lieta uscì., Puccini, Giacomo, 1858-1924. Bohème. Sì, mi chiamano Mimì., Puccini, Giacomo, 1858-1924. Madama Butterfly. Un bel dì, vedremo., Puccini, Giacomo, 1858-1924. Madama Butterfly. Vogliatemi bene., Puccini, Giacomo, 1858-1924. Trittico. Gianni Schicchi. O mio babbino caro., Puccini, Giacomo, 1858-1924. Turandot. In questa reggia., Puccini, Giacomo, 1858-1924. Turandot. Signore, ascolta., Rossini, Gioacchino, 1792-1868. Barbiere di Siviglia. Voce poco fa., Saint-Saëns, Camille, 1835-1921. Samson et Dalila. Mon cœur s'ouvre à ta voix., Saint-Saëns, Camille, 1835-1921. Samson et Dalila. Printemps qui commence., Verdi, Giuseppe, 1813-1901. Aida. Ritorna vincitor., Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t’affretta!, Verdi, Giuseppe, 1813-1901. Otello. Ave Maria., Verdi, Giuseppe, 1813-1901. Rigoletto. Caro nome., and Verdi, Giuseppe, 1813-1901. Traviata. Ah, fors’ è lui che l’anima.

Published
2002

379. Kindertotenlieder etc.

Author

Mahler, Gustav, 1860-1911., Nederlandse Opera. Performer, Wiener Philharmoniker. Performer, Baillie, Isobel, 1895-1983., Bruck, Charles. Conductor, Ferrier, Kathleen, 1912-1953., Moore, Gerald, 1899-1987. Instrumentalist, Walter, Bruno, 1876-1962. Conductor, Gluck, Christoph Willibald, Ritter von, 1714-1787. Orfeo ed Euridice. Selections., Greene, Maurice, 1696-1755. Select anthems. O God of my righteousness. I will lay me down in peace., Greene, Maurice, 1696-1755. Select anthems. Praise the Lord, O my soul. O praise the Lord, ye angels of his., Handel, George Frideric, 1685-1759. Ottone. Speranza è giunta in porto., Handel, George Frideric, 1685-1759. Ottone. Vieni, o figlio!, Mendelssohn-Bartholdy, Felix, 1809-1847. Duets, voices, piano, op. 63. Ich wollt’ meine Lieb’., Purcell, Henry, 1659-1695. Indian queen. We, the spirits of the air., Purcell, Henry, 1659-1695. King Arthur. Shepherd, leave decoying., and Purcell, Henry, 1659-1695. Sound the trumpet, beat the drum.

Published
2005

380. Live in concert.

Author

Callas, Maria, 1923-1977., Radiotelevisione italiana. Orchestra sinfonica di Milano. Performer, Radiotelevisione italiana. Orchestra sinfonica di Roma. Performer, Radiotelevisione italiana. Orchestra sinfonica di Torino. Performer, De Fabritiis, Oliviero. Conductor, Rescigno, Nicola. Conductor, Votto, Antonino. Conductor, Wolf-Ferrari, Manno. Conductor, Bellini, Vincenzo, 1801-1835. Pirata. Col sorriso d’innocenza., Charpentier, Gustave, 1860-1956. Louise. Depuis le jour où je me suis donnée., Delibes, Léo, 1836-1891. Lakmé. Où va la jeune Indoue?, Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Ardon gl’incensi., Meyerbeer, Giacomo, 1791-1864. Pardon de Ploërmel. Ombre légère qui suis mes pas., Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Martern aller Arten., Proch, Heinrich. Thema und Variationen, soprano, flute, orchestra, op. 164., Puccini, Giacomo, 1858-1924. Madama Butterfly. Un bel dì, vedremo., Rossini, Gioacchino, 1792-1868. Armida. D’amore al dolce impero., Spontini, Gaspare, 1774-1851. Vestale. Toi que j’implore avec effroi., Thomas, Ambroise, 1811-1896. Hamlet. À vos jeux, mes amis., Verdi, Giuseppe, 1813-1901. Ernani. Ernani, Ernani, involami., Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t’affretta!, Verdi, Giuseppe, 1813-1901. Nabucco. Anch’io dischiuso un giorno., Wagner, Richard, 1813-1883. Tristan und Isolde. Liebestod., and Phestival Athēnōn. Orchestra. Performer

Published
2005

381. Maria Callas, the RAI Recitals (1952/1954).

Author

Orchestra di Roma della Radio italiana, performer., Radiotelevisione italiana. Orchestra sinfonica di Milano, performer., Callas, Maria, 1923-1977, performer., De Fabritiis, Oliviero, conductor., Container of (work): Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t'affretta., Container of (work): Verdi, Giuseppe, 1813-1901. Nabucco. Anch'io dischiuso un giorno., Container of (work): Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Dolce suono., Container of (work): Delibes, Léo, 1836-1891. Lakmé. Où va la jeune Indoue? Italian., Container of (work): Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Martern aller Arten. Italian., Container of (work): Meyerbeer, Giacomo, 1791-1864. Pardon de Ploërmel. Ombre légère qui suis mes pas. Italian., Container of (work): Charpentier, Gustave, 1860-1956. Louise. Depuis le jour où je me suis donnée., and Container of (work): Rossini, Gioacchino, 1792-1868. Armida. D'amore al dolce impero.

Published
2006

382. Great singers of the 20th century. Vol. 1 : Benita Valente.

Author

Valente, Benita., Orchestra del Teatro dell'Opera di Roma. Performer, Teatro dell'opera (Rome, Italy). Coro. Performer, Patanè, Franco. Conductor, Brahms, Johannes, 1833-1897. Lieder und Gesänge, op. 63. no. 1. Junge Lieder,, Brahms, Johannes, 1833-1897. Romanzen und Lieder, op. 84. Vergebliches Ständchen., Debussy, Claude, 1862-1918. Ariettes oubliées. Selections., Handel, George Frideric, 1685-1759. Rinaldo. Lascia ch'io pianga mia cruda sorte., Mozart, Wolfgang Amadeus, 1756-1791. Moto di gioia mi sento., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Deh vieni, non tardar., Mozart, Wolfgang Amadeus, 1756-1791. Vorrei spiegarvi, oh Dio., Obradors, Fernando J. Songs. Selections., Schubert, Franz, 1797-1828. Songs. Selections., and Wolf, Hugo, 1860-1903. Italienisches Liederbuch. Selections.

Published
2009

383. Operatunity winners.

Author

Leigh, Denise, soprano. Performer, English National Opera. Orchestra. Performer, Daniel, Paul, 1958- Conductor, Gilchrist, Jane. Performer, Bellini, Vincenzo, 1801-1835. Norma. Casta diva., Bizet, Georges, 1838-1875. Carmen. Je dis que rien ne m'épouvante., Catalani, Alfredo, 1854-1893. Wally. Ebben? Ne andrò lontana., Delibes, Leo̓, 1836-1891. Lakme.̓. Sous le dôme ep̓ais., Dvořák, Antonín, 1841-1904. Rusalka. Mesícku na nebi hlubokém. English., Handel, George Frideric, 1685-1759. Samson. Let the bright seraphim., Humperdinck, Engelbert, 1854-1921. Hänsel und Gretel. Abends will ich schlafen gehn., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Sull'aria., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Deh vieni, non tardar., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Dove sono?, Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Porgi amor., Puccini, Giacomo, 1858-1924. Madama Butterfly. Un bel dì, vedremo., Puccini, Giacomo, 1858-1924. Trittico. Gianni Schicchi. O mio babbino caro., Puccini, Giacomo, 1858-1924. Turandot. Signore, ascolta!, Sullivan, Arthur, 1842-1900. Pirates of Penzance. Poor wand'ring one!, and Verdi, Giuseppe, 1813-1901. Rigoletto. Caro nome.

Published
2003

384. Maria Callas live in Milan, 1956 & Athens, 1957.

Author

Callas, Maria, 1923-1977., Radiotelevisione italiana. Coro di Milano. Performer, Radiotelevisione italiana. Orchestra sinfonica di Milano. Performer, Simonetto, Alfredo. Conductor, Votto, Antonino. Conductor, Bellini, Vincenzo, 1801-1835. Puritani. Oh vieni al tempio, fedele Arturo., Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Regnava nel silenzio., Rossini, Gioacchino, 1792-1868. Semiramide. Bel raggio lusinghier., Spontini, Gaspare, 1774-1851. Vestale. Toi que j'implore avec effroi., Thomas, Ambroise, 1811-1896. Hamlet. À vos jeux, mes amis., Verdi, Giuseppe, 1813-1901. Forza del destino. Pace, pace, mio Dio., Verdi, Giuseppe, 1813-1901. Trovatore. D'amor sull' ali rosee., Wagner, Richard, 1813-1883. Tristan und Isolde. Liebestod., and Phestival Athēnōn. Orchestra. Performer

Published
2002

385. Maria Callas in rehearsal, Dallas, 1957.

Author

Callas, Maria, 1923-1977., Dallas Symphony Chorus. Performer, Dallas Symphony Orchestra. Performer, Rescigno, Nicola. Conductor, Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Martern aller Arten., Bellini, Vincenzo, 1801-1835. Puritani. Qui la voce sua soave., Bellini, Vincenzo, 1801-1835. Puritani. Vien diletto., Donizetti, Gaetano, 1797-1848. Anna Bolena. Selections., Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t’affretta!, and Verdi, Giuseppe, 1813-1901. Traviata. Ah, fors' è lui che l'anima.

Published
2002

386. Favourite Callas.

Author

Callas, Maria, 1923-1977., Chœurs René Duclos. Performer, Opéra de Paris. Orchestre. Performer, Philharmonia Orchestra. Performer, Radiodiffusion-Tel̓ev̓ision française. Orchestre national. Performer, Société des concerts du Conservatoire. Orchestre. Performer, Galliera, Alceo. Conductor, Prêtre, Georges. Conductor, Rescigno, Nicola. Conductor, Serafin, Tullio, 1878-1968. Conductor, Tonini, Antonio. Conductor, Berlioz, Hector, 1803-1869. Damnation de Faust. D'amour l'ardente flamme., Bizet, Georges, 1838-1875. Carmen. Habanera., Bizet, Georges, 1838-1875. Pêcheurs de perles. Comme autrefois dans la nuit sombre., Donizetti, Gaetano, 1797-1848. Elisir d'amore. Prendi, per me sei libero., Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Ardon gl’incensi., Donizetti, Gaetano, 1797-1848. Lucia di Lammermoor. Ardon gl'incensi., Massenet, Jules, 1842-1912. Manon. Je marche sur tous les chemins., Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Porgi amor., Rossini, Gioacchino, 1792-1868. Barbiere di Siviglia. Voce poco fa., Rossini, Gioacchino, 1792-1868. Cenerentola. Non più mesta., Saint-Saëns, Camille, 1835-1921. Samson et Dalila. Printemps qui commence., Verdi, Giuseppe, 1813-1901. Don Carlos. Toi qui sus le néant., Verdi, Giuseppe, 1813-1901. Macbeth. Vieni! t'affretta!, and Verdi, Giuseppe, 1813-1901. Otello. Ave Maria.

Published
2007

387. Verdi per due.

Author

Verdi, Giuseppe, 1813-1901., Berliner Philharmoniker. Performer, London Voices. Performer, Abbado, Claudio. Conductor, Alagna, Roberto., Gheorghiu, Angela., Verdi, Giuseppe, 1813-1901. Aïda. Fatal pietra., Verdi, Giuseppe, 1813-1901. Aïda. O terra addio., Verdi, Giuseppe, 1813-1901. Don Carlos. Au revoir dans un monde., Verdi, Giuseppe, 1813-1901. Don Carlos. E dessa!, Verdi, Giuseppe, 1813-1901. Lombardi alla prima crociata. Oh belle, a questa misera., Verdi, Giuseppe, 1813-1901. Masnadieri. Qual mare, qual terra., Verdi, Giuseppe, 1813-1901. Rigoletto. Addio, addio, speranza ed anima., Verdi, Giuseppe, 1813-1901. Rigoletto. È il sol dell’anima., Verdi, Giuseppe, 1813-1901. Simon Boccanegra. Cielo di stelle orbato., Verdi, Giuseppe, 1813-1901. Simon Boccanegra. Vieni a mirar la cerula., Verdi, Giuseppe, 1813-1901. Traviata. Libiamo ne lieti calici., Verdi, Giuseppe, 1813-1901. Trovatore. Miserere., and Verdi, Giuseppe, 1813-1901. Vêpres siciliennes. Pensando a me!

Published
1998

388. Strings in pink : from Bach to the Beatles.

Author

Kammerorchester Tempo Giusto, performer., Marti, Andreas, performer., Roggen, Dominique, conductor, arranger of music., Miller, Glenn, 1904-1944., Container of (expression): McCartney, Paul. Good night; arranged., Container of (work): Handel, George Frideric, 1685-1759. Solomon. Sinfonia., Container of (expression): Bach, Johann Sebastian, 1685-1750. Sonatas, flute, harpsichord, BWV 1031, Siciliano; arranged., Container of (expression): Bach, Johann Sebastian, 1685-1750. Präludium und Fuge, organ, BWV 532, Fuga; arranged., Container of (expression): Homilius, Gottfried August, 1714-1785. Schmücke dich, O liebe Seele; arranged., Container of (expression): Krebs, Johann Ludwig, 1713-1780. Suites, organ, Präludium; arranged., Container of (expression): Rameau, Jean-Philippe, 1683-1764. Pièces de clavecin (1729-1730). Poule; arranged., Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Variationen über Ah, vous dirai-je maman; arranged., Container of (work): Roggen, Dominique. Simelibärg., Container of (expression): Meacham, F. W. American patrol; arranged., Container of (expression): Mancini, Henry. Pink panther; arranged., Container of (work): Roggen, Dominique. Girl Michèle., Container of (expression): Ysaÿe, Eugène, 1858-1931. Variations sur un thème de Paganini; arranged., Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Deh, vieni alla finestra; arranged., and Container of (expression): Lennon, John, 1940-1980. Good night; arranged.

Published
1992

389. Opera arias

Author

Ramey, Samuel., Bayerischer Rundfunk. Orchester. Performer, Delacôte, Jacques. Conductor, Berlioz, Hector, 1803-1869. Damnation de Faust. Devant la maison., Donizetti, Gaetano, 1797-1848. Lucrezia Borgia. Vieni la mia vendetta., Meyerbeer, Giacomo, 1791-1864. Robert le diable. Nonnes, qui reposez., Meyerbeer, Giacomo, 1791-1864. Robert le diable. Valse infernale., Rossini, Gioacchino, 1792-1868. Barbiere di Siviglia. Calunnia è un venticello., Rossini, Gioacchino, 1792-1868. Comte Ory. Veiller sans cesse., Verdi, Giuseppe, 1813-1901. Don Carlos. Elle ne m'aime pas., Verdi, Giuseppe, 1813-1901. Ernani. Infelice! e tu credevi., Verdi, Giuseppe, 1813-1901. Nabucco. Del futuro nel bujo discerno., Verdi, Giuseppe, 1813-1901. Simon Boccanegra. Lacerato spirito., and Verdi, Giuseppe, 1813-1901. Vêpres siciliennes. Et toi Palerme.

Published
1989

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