Search

THEM BLOODY KIDS Radical Animals INDEPENDENT London agit alt-metallers bring out a sonic blunderbuss The raw, scrappy production of Them Bloody Kids' debut album lends itself perfectly to the record's [...]

EVILE Hell Unleashed NAPALM UK thrash revivalists return to the drawing board BLIGHTED BY TRAGEDY and misfortune, Huddersfield thrashers Evile have always faced an uphill battle to maintain their position [...]

THEY'VE RACKED UP millions of streams on YouTube with singles Holy Roller and Constance and are considered to be one of metal's hottest new bands -and they haven't even released [...]

DEVIN TOWNSEND Devolution Series #1 Acoustically Inclined, Live In Leeds INSIDEOUT MUSIC Canada's cosmic prog metal guru shows his intimate side Opening a live record with seven minutes of tuning [...]

OLDE Pilgrimage SEEING RED/SLUDGELORD Ontario's stoner metallers prove overly hard going Considering their adherence to the pounding rhythms of sludgy stoner/doom, it's probably no surprise that Olde take a little [...]

FRIGID TUNDRA AND frostbitten digits aren't usually the first things to spring to mind when it comes to Texas, but Frozen Soul are steadfast in their determination to be the [...]

LAMB OF GOD Live In Richmond, VA NUCLEAR BLAST NWOAHM champions relive their livestream WITH COVID-19 PUTTING a decided pause on any plans to tour and promote their self-titled eighth [...]

What's the worst thing about being in a band? 'Compromise. In and of itself it's not so bad--it's how society works. But in bands, you generally work with people who [...]

NINE TREASURES Awakening From Dukkha SELF-RELEASED Chinese-Mongolian folk metallers celebrate a decade well-spent FOR THE PAST decade, Nine Treasures have fought the good fight to share their own idiosyncratic take [...]

SANCTIONED Annexation DOWNTUNED Melbourne grind newcomers pick the sharpest blades Though modelled on the classic grindcore stylings of His Hero Is Gone and Disrupt, Melbourne newcomers Sanctioned feel altogether too [...]

ENFORCER Live By Fire II NUCLEAR BLAST Swedish heavy metal traditionalists go big south of the US border Having released just one studio album since the first Live By Fire, [...]

THE SIGNS WERE there from the beginning, when riff-merchants Boss Keloid transitioned seamlessly from Melvins-meets-Down sludge into Primus-flavoured madness on the track Spurt Reynolds from their debut EP, Angular Beef [...]

SCARRED Scarred KLONOSPHERE Luxembourg metallers gorge on a heavy metal pick'n'mix Scarred aren't taking any chances when it comes to the saying 'You miss 100% of the shots you don't [...]

KORPSE Insufferable Violence UNIQUE LEADER Dutch slam-death brutalists roll around in mankind's murk Korpse's existence within the BSDM scene ('brutal slamming death metal' --a tautological term up there with 'speed [...]

IN 2012, FRENCH musician James Kent changed the tone of the game with his ultra-slick synthwave project, Perturbator. Alongside the likes of GosT and Carptenter Brut, Perturbator challenged the preconception [...]

'CANDLEMASS WERE THE first heavy band I truly loved. There's just something about doom that is super-cool, so it was great when newer bands started appearing. I'd heard of PALLBEARER [...]

Judas Priest's latest album, "Invincible Shield," is being hailed as their most triumphant record yet. The band, known as the Metal Gods from Birmingham, has a long history of triumph and success in the heavy metal genre. The album showcases their signature sound and features powerful vocals from Rob Halford. With energetic tracks like "Panic Attack" and "The Serpent And The King," as well as melodic moments in songs like "Crown Of Horns," Judas Priest proves that they are still at the top of their game. Despite retirement rumors, the band has once again defied the odds and produced an album worthy of their legendary status. [Extracted from the article]

Bloodywood, an Indian metal band, was surprised when their song "Dana Dan" was chosen to soundtrack a major fight scene in the action/thriller film Monkey Man, directed by and starring Dev Patel. Dev discovered the band on YouTube and was impressed by their unique blend of Indian and metal music. Despite the film not being cleared for cinemas in India due to its political and religious themes, the band members were able to see it and appreciated its realistic action sequences. [Extracted from the article]

Pearl Jam recently performed at Co-op Live in Manchester, with lead singer Eddie Vedder battling illness throughout the show. Despite his struggles, the band persevered and delivered a successful performance. The crowd of 20,000 fans helped to carry the energy of the show, particularly during songs like "Daughter," "Once," and "Black." Guitarist Mike McCready also had a standout moment, showcasing his skills with an impressive solo. The band closed the show with a powerful encore, including songs like "State Of Love And Trust" and "Do The Evolution," and the crowd continued to sing along late into the night. [Extracted from the article]

The article discusses a rock concert by the Foo Fighters at Birmingham Villa Park Stadium, also known as The Home Of Metal. The band puts on an energetic and memorable performance, playing their popular anthems and even including snippets and covers of songs by other artists. The highlight of the show is when Geezer Butler, from the band Black Sabbath, joins them on stage for a performance of "Paranoid." Despite the lengthy three-hour set, the crowd remains jubilant and engaged throughout. The article praises the Foo Fighters for their ability to put on a massive and impressive rock show. [Extracted from the article]

Former Iron Maiden frontman, Paul Di'Anno, has released a new album titled "Warhorse" after a nearly decade-long hiatus from the studio and stage. Teaming up with Croatian musicians, Di'Anno showcases his best work on tracks like "The Doubt Within" and "Forever Bound," capturing the spirit of old-school heavy metal. However, the album is marred by lackluster tracks such as "Go," "Stop The War," and "Tequila," which detract from its overall triumph. [Extracted from the article]

Ice Nine Kills, a horror-themed metalcore band from Boston, recently performed at The Civic in Wolverhampton, UK. The band's theatricality and horror gimmick, complete with props and costumes, added flair to their performance. While their set was impressive, some aspects, such as a cover song and the length of their set, showed room for improvement. However, Ice Nine Kills' infectious hooks and catchy choruses suggest that they have the potential to become a future festival headliner. [Extracted from the article]

Enkhsaikhan 'Enkush' Batjargal, the morin khuur-wielder of the band The Hu, shares the songs that have influenced his life. He recalls how hearing HATESPHERE's "Reaper Of Life" in 2006 was a breath of fresh air in the Mongolian music industry at the time. DISSECTION's "Black Dragon" sparked his curiosity about combining traditional Mongolian elements with modern rock music. LAMB OF GOD's "Ruin" helped him form the opinion that "nicer things aren't always better." LINKIN PARK's "Faint" and SIX FEET UNDER's "Knife, Gun, Axe" helped him overcome stage fright and find bravery. DIMMU BORGIR's "Sorgens Kammer - Del II" and GUANO APES' "Lords Of The Boards" captivated him with their melodic and storytelling qualities. NIRVANA's "Come As You Are" provided comfort during the Covid pandemic, and MESHUGGAH's "ObZen" confronts the bare truth of life. The Hu's live album at Glastonbury is now available. [Extracted from the article]

This document is a list of music recommendations from the Metal Hammer magazine staff. The staff members each provide a brief description of a song or album they have been enjoying. The recommendations cover a range of genres within the metal and rock music scene, including Canadian trailblazers Kittie, Nifelheim's ex-frontman Hellbutcher, Eivør, Lowlives, Gatecreeper, and Orange Goblin. The staff members express their enthusiasm for the music in their descriptions. [Extracted from the article]

Canadian rock band Nickelback recently embarked on their first UK tour in six years, showcasing their capacity for hits that transcend the rock genre. Despite the band's evolution and departure from their earlier heavy metal sound, their concerts continue to sell out due to their status as Big Rock Stars. The audience eagerly sings along to their popular ballads, demonstrating the band's ability to deliver a crowd-pleasing rock show on a grand scale. Nickelback's rise to stadium-level performances is seen as long overdue. [Extracted from the article]

Ville Valo, a gothic metal icon, performed his final show at the Royal Albert Hall in London. Despite the black-clad audience, the atmosphere was more celebratory than funereal, with fans enthusiastically joining in on the songs. Valo showcased his talent with a setlist that included hits from his band HIM and songs from his recent album "Neon Noir." The new material felt revitalized and tighter, while still maintaining Valo's signature goth-metal sound. Valo expressed his gratitude for the support and hinted at the possibility of more music in the future. [Extracted from the article]

Nothing More, a rising radio rock band, has had mixed success in their pursuit of becoming rock's Next Big Thing. Despite Grammy nominations and a US Top-20 finish for their 2017 album, their most recent release, "Spirits," failed to make an impact. However, their latest album, "Carnal," is seen as a triumph, featuring crowd-pleasing characteristics of peak nu metal. While some tracks stand out, others are considered generic and diminish the album's potential. [Extracted from the article]

The article discusses the latest album by L.A. Edwards, titled "Pie Town." The band, originally rooted in Americana, has evolved to incorporate a more polished sound influenced by post-Born To Run Springsteen. The album features a mix of rockers with driving bass and stadium synths, soulful numbers, and staid country rock. While some songs capture the earnest warmth of their earlier releases, others feel too slick and lack emotional depth. Overall, the album offers a blend of 80s pop tendencies and heartland rock, appealing to a range of musical tastes. [Extracted from the article]

The article discusses the impact of Alice In Chains's breakout single, "Man In The Box," on the grunge music scene in 1991. The song, characterized by its heavy sound and dark lyrics, showcased the metal side of the Seattle scene. The inspiration for the song's lyrics came from a conversation about veal and government censorship. "Man In The Box" gained popularity through radio and MTV play, helping Alice In Chains secure a spot on the Clash Of The Titans tour. The success of the song and their debut album, "Facelift," paved the way for the grunge movement and influenced bands like Nirvana. [Extracted from the article]

Orange Goblin, a stoner metal band that has been around for almost 30 years, is preparing to release their 10th album. After being underwhelmed with the promotion of their previous album, they have signed with Peaceville Records. The band maintains their core influences of Black Sabbath and Motörhead while incorporating progressive elements and exploring various lyrical concepts. They draw inspiration from real-world events and literature, and their upcoming album, "Science, Not Fiction," reflects their rejuvenation and commitment to their music. [Extracted from the article]

The article discusses the Roadburn Festival in the Netherlands, which has evolved from a stoner/doom music festival to an alternative music mecca over the past 25 years. The festival offers unique experiences with specially commissioned sets and album-in-full play-throughs. While transgressive acts like Chelsea Wolfe are successful, more mainstream acts struggle to attract audiences. However, there are still triumphs at the festival, such as Dutch doom progressives Dool and The Keening, who deliver emotional and captivating performances. The Jesus And Mary Chain, a victim of the festival's shift away from mainstream sounds, initially have a slow start but ultimately succeed with their alt.rock music. [Extracted from the article]