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Anaalisi del ruolo delle PMI salentine nei processi di sviluppo locale e inquinamento ambientale

Il contributo offre una sintesi deelle conoscenze relative alle rotte, ai porti e agli approdi, ai relitti rinvenuti lungo la costa del Salento, da età arcaica ad età tardoantica.

Lo studio è indirizzato ad approfondire le problematiche di sviluppo industriale nel Salento con riferimento alle attività manifatturiere artigianali locali

Il saggio analizza il ruolo storico della coltivazione del tabacco nel Salento leccese, le dinamiche socio-economiche che ne hanno distinto la sua trasformazione e commercializzazione e le attuali politiche ad essa destinate

Analizza lo sviluppo della piccola e media impresa nel Salento e il suo impatto sull'ambiente

Contributi per la Carta Archeologica del Salento; dati scaturiti dalle attività di ricerca condotte dall'Unità Operativa Porti e approdi del Prog. Strategico CNR - Università di Lecce 251100.

Breve presentazione della carta Archeologica Subacquea del Salento.

Il volume comprende due parti. Nella prima, sulla base di un'analisi lessicale e morfologica di alcuni indefiniti, si presenta un riesame del quadro geolinguistico di tutto il territorio pugliese. Nella seconda si affronta lo studio degli stessi fenomeni in un'area più ristretta, il Salento, tenendo conto della variazione sociale, della dinamica dei modelli storico linguistici, della dimensione diacronica.

Studio di alcuni corografi salentini

Ricognizione dei rinvenimenti monetali del Salento e analisi della presenza e circolazione della moneta nell'area

The cumulative power of botanical and chemical analysis is demonstrated here by our authors, who succeed in opening a window on Europe's most obscure period, in the south as in the north, the time after the Roman and then the Byzantine empire lost its hold. The emphasis here is on the rise in production and trade of cash crops in the eighth century as detected by survey, pollen, charcoal and residues. Taken together, the new data show a community well on the road to economic recovery after two centuries of recession and monetary failure.

Le festival italien Notte della Taranta est un exemple très intéressant qui permet de comprendre le rôle et l’incidence des politiques culturelles locales et régionales mises en oeuvre afin d’attirer l’attention médiatique et touristique sur le territoire salentin. Pour ce faire, les opérateurs culturels, qui organisent le festival, ont recours à la force attractive d’une certaine image de l’identité musicale locale. C’est pourquoi nous avons réinterrogé la notion d’identité locale afin d’analyser comment cette notion devient opérationnelle dans le cadre du festival en contribuant à sa réussite et à son succès. Nous avons ainsi circonscrit les divers acteurs qui participent à cet événement, puis défini leur rôle et leurs stratégies respectives afin de dégager des outils d’analyse, voire peut-être un modèle de fonctionnement qu’il serait intéressant de mettre à l’épreuve d’autres contextes festivaliers similaires., Notte della Taranta, an Italian music festival, is a good example to understand the role and effect of local and regional cultural policies used to catch media and touristic attention on the Salento area. To do so, cultural operators who organize the festival have recourse to the attractive power of an image of the musical and local identity. We therefore reconsider the notion of local identity before analyzing how this notion is operational within the festival, contributing to its success. We first identify the festival’s actors, and then define their role and strategies, in order to bring out analytical tools, and even an operating model that we could use in similar musical and festival contexts., El festival italiano Notte della Taranta es un ejemplo muy interesante para comprender el rol y la incidencia de las políticas culturales locales y regionales instrumentadas con el propósito de atraer la atención mediática y turística hacia el territorio salentino. Para lograrlo, los operadores culturales que organizan el festival recurren a la fuerza de atracción de una imagen y de la identidad musical local. Por ello, cuestionamos la noción de identidad local, con el propósito de analizar cómo dicha noción deviene operacional en el cuadro del festival contribuyendo a su logro y a su éxito. Hemos así mismo circunscrito los diversos actores que participan a ese evento, definido su rol y sus estrategias respectivas, con el fin de mostrar algunos instrumentos para el análisis y tal vez, un modelo de funcionamiento que sería interesante probar en otros contextos festivaleros que podrían ser similares.

New excavations in the Torre S. Sabina bay, 25 km north of Brindisi, Apulia, along the Adriatic coast, are being carried out since 2007, by the Department of Cultural Heritage of Salento University, in an area partially investigated in the past (1972-1983). The seabed preserves the remains of various cargos and various wooden hulls. The best preserved one, Torre S. Sabina 1, already known in literature, lays at a depth of only 2.5 m in the Camerini inlet, few meters from the shore. It had been carried on the beach, perpendicular to the shore. The exceptional interest of the wreck is due to the partial preservation of the deck, with a few stanchions, deck beams and remains of overdeck beams, only rarely preserved in the wrecks. Furthermore, on the other side of the bay, the excavations focus on a limited, but still intact, deposit, which is densely stratified; it was thus possible to distinguish 2 layers, which, though disturbed by wave action, seem to be in place (i.e. in primary deposition). The upper layer yielded a large number of Salento wine and oil amphorae, produced in the well-known production facilities of the area around Brindisi. Apart from these, numerous amphorae of eastern production have been identified, mainly from the Aegean (Coan, Cnidian, Thasian, etc.), and an almost entire Punic amphora, which suggest the thriving nature of the commercial network in which the Salento area was involved between the end of the 2nd and the beginning of the 1st c. BC. Together with the amphorae, a large amount of other ceramic material has been recovered. Common wares of the Roman, and especially the Late Republican, period are found in substantial quantities. Fabrics can be connected to Aegean and eastern Adriatic productions. For example, quite impressive is the quantity of Megarian bowls possibly imported from sites of the Anatolian Coast. Based on stratigraphic observations, we hypothesize that a large part of the material recovered can be attributed to a Late Republican cargo, possibly comprising amphorae, and perhaps tiles (ballast to be sold?), of local production, as well as wine amphorae from the Aegean area, which travelled together with eastern fine and cooking wares. These products probably followed a redistribution trade pattern which must have been centred at Brundisium. The eastern imports, once at Brindisi, where shipped together with local productions to be redistributed to other destinations, probably following vertical routes along the Adriatic coast.

Dans cet article nous cherchons à dégager les critères opératoires qui régissent un répertoire de chants de travail du sud de l’Italie en reportant notre regard analytique sur la perception physique – et pas seulement acoustique et « proprement musicale » – qu’en ont les tenants de la tradition. Afin de mener à bien notre étude, ce qui nous intéresse est ainsi la compréhension du mode d’être du sujet dans son environnement, en cherchant à découvrir comment l’interaction d’un corps avec son espace physique et social peut être porteur d’un sens, du point de vue de la construction et de la mise en oeuvre d’une pratique vocale. L’étude des références expressives et conceptuelles, ainsi que des patterns de comportements corporels, devrait nous permettre de comprendre le principe constructeur à la base de la performance des arie dites « deltrainieri », chantées par les paysans d’un village au sud de l’Italie appelé Martano., In this article, we will try to draw the operating criteria that govern the repertory of southern Italy work songs by analysing physical perception – and not only acoustical and “purely musical” – experienced by the traditional singers. What is at stake in this study is the way the subject lives in his environment. We study how the interaction of the body with the physical and social space can be meaningful from the point of view of the construction and implementation of a vocal practice. The study of the expressive and conceptual references, as well as of the corporal behaviours patterns, should allow us to understand the generative principles on which the performance of arie called “del trainieri” sung by Martano peasants, a village of southern Italy, are based., En el presente artículo, tratamos de despejar los criterios operatorios que rigen un repertorio de cantos laborales del sur de Italia, nuestro acercamiento analítico se vuelca sobre la percepción física – y no solamente acústica y « específicamente musical » – propios a la tradición. Con el objetivo de realizar correctamente nuestro estudio, nos interesamos a la comprensión del modo de ser del sujeto en su entrono, tratando de descubrir cómo la interacción de un cuerpo con su espacio físico y social puede ser revelador, desde el punto de vista de la construcción y de la realización de una práctica vocal. El estudio de las referencias expresivas y conceptuales, así como de los modelos de comportamiento corporales, deberá facilitar la comprensión del principio constructor sobre el que se erige la producción de las « arie » llamadas « dei trainieri » entonadas por los campesinos de Martano un pueblo del sur de Italia