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202. Delighting in flotsam

203. Distant approach

204. Rural retreat

205. Wonderful potpourri. (Exhibitions 2)

207. Slowly but surely. (Exhibitions)

208. Cobra's heroic self-belief: Laura Gascoigne on the vibrant paitings showing at Gateshead's Centre for Cotemporary Art. (Arts)

209. Clash of talent

210. King of Fairyland. (Exhibitions 1)

211. In the shadow of Guernica

212. Snap happy

213. Double vision

214. Painting for pleasure. (Exhibitions 1)

215. Visual games

216. A time for living dangerously: Laura Gascoigne applauds the new cutting edge of watercolour. (Arts)

217. Dress to impress. (Exhibitions 2)

218. Wanted: painting, dead or alive: Laura Gascoigne urges galleries not to give disproportionate space to a minority of new media. (Arts)

219. Transition: The London Art Scene in the Fifties. (Exhibitions: each man for himself)

220. Sandra Blow. (Exhibitions 1 back to basics)

222. How to pick up a sponsor: Laura Gascoigne looks at the relationship between galleries and their corporate backers. (Arts)

223. Jekylls and Hydes

224. Double vision

225. Keeping the faith

226. 'An obsolete romantic'

227. Ahead of their time

228. Ancient and modern

229. In unsettled times, it's nice to find artistic continuity

230. Multiple choice

231. Library's silent majority

232. Water falling, rippling, bubbling, breaking on rocks or trapping layers of light in its depths is the focus of Christian Wharton's exhibition at Cattura Fine Art, Harlequin Centre, Exeter (until 22 November)

233. That elusive something

234. For those of us who prefer the American dream at second-hand, Danny Markey's new exhibition Desert Places (at the Redfern Gallery, 20 Cork Street, London W1, until 22 October) is just the ticket

235. Sargy Mann returns to Cadogan Contemporary, 108 Draycott Avenue, SW3 (until 6 May), with two years' worth of landscapes, seascapes, figures and--for the first time in a long while--interiors

236. Is there still life in still-life?

237. The sea, the sea

238. Unheroic Australian

240. When the English talents for watercolour and eccentricity come together, as in the work of Leonard Rosoman, RA, the results can be magic

241. Wrecks, hulks and dilapidated buildings are the inspiration for Leonard Bennetts's new exhibition. at New Zealand House, 80 Haymarket, London SW1 (until 18 October)

242. Tweaking and tinkering

243. Moments of the supernatural

245. Ahead of his time

246. Ever backwards. (Exhibitions)

247. Who is RPB?

248. The west of Ireland is the inspiration for Barbara Rae's latest exhibition, Paintings from Ireland (at Art First, 9 Cork Street, London W1 until 13 June). (Fine Arts Special)

249. David Hepher: (Flowers East, till 20 April). (Exhibitions: playing around)

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