333 results on '"Gascoigne, Laura"'
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202. Delighting in flotsam
203. Distant approach
204. Rural retreat
205. Wonderful potpourri. (Exhibitions 2)
206. Figuration fights back: among privately sponsored painting prizes figurative art is dominant. (Arts)
207. Slowly but surely. (Exhibitions)
208. Cobra's heroic self-belief: Laura Gascoigne on the vibrant paitings showing at Gateshead's Centre for Cotemporary Art. (Arts)
209. Clash of talent
210. King of Fairyland. (Exhibitions 1)
211. In the shadow of Guernica
212. Snap happy
213. Double vision
214. Painting for pleasure. (Exhibitions 1)
215. Visual games
216. A time for living dangerously: Laura Gascoigne applauds the new cutting edge of watercolour. (Arts)
217. Dress to impress. (Exhibitions 2)
218. Wanted: painting, dead or alive: Laura Gascoigne urges galleries not to give disproportionate space to a minority of new media. (Arts)
219. Transition: The London Art Scene in the Fifties. (Exhibitions: each man for himself)
220. Sandra Blow. (Exhibitions 1 back to basics)
221. Paintings and drawings from the studio collection of Sir Matthew Smith. (Exhibitions 2: seductive world)
222. How to pick up a sponsor: Laura Gascoigne looks at the relationship between galleries and their corporate backers. (Arts)
223. Jekylls and Hydes
224. Double vision
225. Keeping the faith
226. 'An obsolete romantic'
227. Ahead of their time
228. Ancient and modern
229. In unsettled times, it's nice to find artistic continuity
230. Multiple choice
231. Library's silent majority
232. Water falling, rippling, bubbling, breaking on rocks or trapping layers of light in its depths is the focus of Christian Wharton's exhibition at Cattura Fine Art, Harlequin Centre, Exeter (until 22 November)
233. That elusive something
234. For those of us who prefer the American dream at second-hand, Danny Markey's new exhibition Desert Places (at the Redfern Gallery, 20 Cork Street, London W1, until 22 October) is just the ticket
235. Sargy Mann returns to Cadogan Contemporary, 108 Draycott Avenue, SW3 (until 6 May), with two years' worth of landscapes, seascapes, figures and--for the first time in a long while--interiors
236. Is there still life in still-life?
237. The sea, the sea
238. Unheroic Australian
239. One of the surprises of the RA's current show of illuminated manuscripts is a little sheet of 14 portrait
240. When the English talents for watercolour and eccentricity come together, as in the work of Leonard Rosoman, RA, the results can be magic
241. Wrecks, hulks and dilapidated buildings are the inspiration for Leonard Bennetts's new exhibition. at New Zealand House, 80 Haymarket, London SW1 (until 18 October)
242. Tweaking and tinkering
243. Moments of the supernatural
244. Paint what you know is sound advice for artists, but paint what you remember is sometimes better
245. Ahead of his time
246. Ever backwards. (Exhibitions)
247. Who is RPB?
248. The west of Ireland is the inspiration for Barbara Rae's latest exhibition, Paintings from Ireland (at Art First, 9 Cork Street, London W1 until 13 June). (Fine Arts Special)
249. David Hepher: (Flowers East, till 20 April). (Exhibitions: playing around)
250. The Constable of Clydesdale
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