2,267 results on '"Gardner, Lyn"'
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202. 'When you lead a theatre, you lead all of it. You don't pick and choose'.
203. Evolution or revolution? How drama schools are adapting to the times.
204. 'Change doesn't happen through talking, it happens by doing'.
205. National pride: how are the UK's flagship companies coping?
206. Questions hover over Edinburgh's future in fringe's fallow year.
207. 'Independents are like cockroaches - we're hard to squash'.
208. What does the Covid-19 lockdown mean for new writing?
209. 'I find the Little Englander attitude to theatre embarrassing'.
210. Smaller companies lost NPO funding too - who shouts for them?
211. Forged by fire: BAC rises from the flames to face a bold future.
212. West has a point about regional theatre, so let's ask more stars to do it.
213. Art and commerce: theatre’s a game of two halves and winners find a balance.
214. Theatre needs a long-term strategy if it is to survive these crisis years.
215. Sooner than later: 6.30pm show times could be a smart, responsive move.
216. Aviva forever? Manchester's new space needs more than good looks to succeed.
217. 'I want Open Clasp plays to stay with people, become part of their DNA'.
218. Theatre cannot pick and choose when it wants to be a climate-crisis ally.
219. We are at risk of losing future Debuts winners due to lack of arts access.
220. The RSC’s 37 Plays project is a timely tribute to a timeless artist.
221. Brexit's costly damage to European touring must be urgently reversed.
222. Don't believe the hype: a critical reply demands an honesty free of influence.
223. Opportunities knocked: creatives at all stages of their careers need support.
224. Inviting participation means thinking seriously about audience aftercare.
225. 'I sit in Wales, I write about Wales, but I don't have stuff on in Wales'.
226. 'We came from making something from nothing and we still enjoy that'.
227. "How to Plot a Murder": An Interview with J. B. Stanley.
228. Literacy: The Long View.
229. 'This is about changing the way students understand creativity'.
230. Contact at 50: the Manchester theatre that is a beacon for young people.
231. 'The pandemic was an opportunity to shake things up - that's still possible'.
232. GIRLS LIKE THAT.
233. RED FOREST.
234. A star rating is not a science or an art – shame theatre is so in thrall to it.
235. Nan, Me and Barbara Pravi.
236. Lovefool.
237. JM Coetzee's Life and Times of Michael K.
238. Stop talking and get cracking: here's what we need to fix the fringe.
239. An Alternative Helpline for the End of the World.
240. Dugsi Dayz.
241. Oh My Heart, Oh My Home.
242. Anything That We Wanted to Be.
243. Oat Milk & Honey.
244. The Last Show Before We Die.
245. Strategic Love Play.
246. Birthmarked.
247. Quantity over quality? It's time we rethink the EdFringe model.
248. YOU ARE GOING TO DIE.
249. Self-Raising.
250. Lightning Ridge.
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