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151. A pair of TV shows that evoke a bygone era of celebrity; BIGGER PICTURE

152. A powerful day for women, centuries in the making; OPINION

153. How Canadian TV and film production is succeeding in spite of the pandemic; BIGGER PICTURE

154. Vanessa Kirby on what pulled her to Pieces of a Woman; BIGGER PICTURE

155. Letterkenny co-writer and director Tierney has cracked the code of TV; BIGGER PICTURE

157. The bravery and vulnerability of Canadian actor Elliot Page's coming out; BIGGER PICTURE

160. Queen's Gambit thrills chess purists with attention to detail; BIGGER PICTURE

161. Thatcher comes off better than usual in The Crown; BIGGER PICTURE

162. AN EROSION OF TRUTH IN THE RUST BELT; OPINION

163. Three based-on-true-stories bring women roaring to the screen; BIGGER PICTURE

164. What we lose without a box office to guide us; BIGGER PICTURE

165. Female writers are changing how we view sexual assault; BIGGER PICTURE

166. Cop dramas face their reckoning; BIGGER PICTURE

167. THE NEW SCRIPT DOCTORS; BIGGER PICTURE

168. With After Life, Gervais shows his true self; OPINION

169. What do we want from celebrities during COVID? BIGGER PICTURE

170. Mississauga teen rises to new heights in Kaling's latest series; BIGGER PICTURE

171. COVID-19 shattered Canada's film industry, but we can piece it back together; BIGGER PICTURE

172. UP STAIRS DOWNSTAIRS

173. Rob Ford, Run This Town and why it's time for 'fat suits' to become a thing of the past; OPINION

174. The real reason Warren dropped out; OPINION

175. You can't fight city hall; OPINION

176. Using every cliche in the underdog sports-team playbook; REVIEW

177. A millennial update for Jane Austen's Emma; REVIEW

178. Ordinary Love is an extraordinary look at an enduring marriage; REVIEW

179. Ordinary Love's Lesley Manville was always ready 'to go all the way'; BIGGER PICTURE

180. To All the Boys fills the void of Hollywood rom-coms; REVIEW

181. Oscars 2020: Woke intentions vs. retro behaviour; BIGGER PICTURE

182. The Assistant takes aim at the structure that enables predators

183. A glitter bomb of missed opportunities; REVIEW

184. Morano's direction switches up the tempo; REVIEW

186. Guy Ritchie returns to his crime-caper roots; REVIEW

187. Let them talk: Why award-show speeches matter after all; OPINION

188. Drama draws on director's past, shining most in small moments; REVIEW

189. Bad Boys for Life revives franchise's tired tropes; REVIEW

190. Why aren't men going to see Little Women? OPINION

191. In celebration of Merritt Wever, Hollywood's refreshing rising star; OPINION

192. Kamala Harris's campaign is one to learn from; ANALYSIS

194. A new Nicole Kidman

195. Truly, madly, deeply

196. THE INTERVIEW.

198. In a world full of cynicism, Heller responds with kindness

199. Lilly Singh's A Little Late is also a little light; OPINION

200. Real people, real feelings, that's it

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