151. ‘Productive Myopia’: Seeing Past History's Spectacle of Accuracy in Joe Sacco's Footnotes in Gaza.
- Author
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Viljoen, Jeanne-Marie
- Subjects
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HISTORY of war , *ACCURACY , *MEMORY , *VIOLENCE - Abstract
In disallowing the inaccuracies of memory to infiltrate stories of war, one condemns oneself to remain forever blinded by the obvious, shielded from the invisible violence that often lurks beneath the visible. Following Žižek, this article posits that invisible violence should be glimpsed indirectly, through aesthetic representations often excluded from the annals of the official history of war. The argument is made through a close reading of Joe Sacco's representation of the 1956 Khan Younis massacre as depicted inFootnotes in Gaza. In this text, Sacco himself and Omm Nafez – one of the protagonists of his story – express, in detail, their memories of the massacre, despite the initial reluctance of the media and publishing houses to publish their accounts. The position of Sacco and Omm Nafez is described as being that of ‘productive myopia’ because the inaccuracies and confusions that their accounts accommodate – instead of being limiting – are considered an avenue through which they may approach what has hitherto been invisible in other accounts of this massacre. Nora's validation of memory as way of producing knowledge and Žižek's notion of invisible/objective violence as an important driver of the visible/subjective cycle of violence are used to show how these memories may be inserted into the realm of history by embracing their shadows and complexities rather than disallowing them. It is conjectured that doing this may allow one to glimpse aspects of violence that have remained hitherto unseen. [ABSTRACT FROM AUTHOR]
- Published
- 2015
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