182 results on '"Jensenius, Alexander Refsum"'
Search Results
152. 2003: Sonigraphical Instruments: From FMOL to the reacTable*
153. 2001: Problems and Prospects for Intimate Musical Control of Computers
154. 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy
155. 2003: Designing, Playing, and Performing with a Vision-Based Mouth Interface
156. 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing
157. 2002: The Plank: Designing a Simple Haptic Controller
158. 2003: Contexts of Collaborative Musical Experiences
159. 2012: To Be Inside Someone Else’s Dream: Music for Sleeping and Waking Minds
160. 2002: The Importance of Parameter Mapping in Electronic Instrument Design
161. 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
162. 2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard
163. 2015: Fourteen Years of NIME: The Value and Meaning of ‘Community’ in Interactive Music Research
164. 2007: Expression and Its Discontents: Toward an Ecology of Musical Creation
165. 2013: The Web Browser as Synthesizer and Interface
166. 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments
167. 2012: The Fingerphone: A Case Study of Sustainable Instrument Redesign
168. 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide
169. 2006: Mobile Music Technology: Report on an Emerging Community
170. 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives
171. 2007: Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control
172. 2001: Principles for Designing Computer Music Controllers
173. 2004: The Electronic Sitar Controller
174. 2006: Sensemble: A Wireless, Compact, Multi-user Sensor System for Interactive Dance
175. 2005: The Overtone Violin
176. 2005: Towards a Dimension Space for Musical Devices
177. 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
178. 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments
179. 2004: On-the-Fly Programming: Using Code as an Expressive Musical Instrument
180. 2005:The Overtone Violin
181. Expert Commentary: Turning the Piano Keyboard Inside Out
182. Proceedings of the International Conference on New Interfaces for Musical Expression:30 May - 1 June 2011, Oslo, Norway
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