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The purpose of this article is to analyze the role of the historian Gonzalo Vial in the constuction of the Political Framework of the Report of the Chilean’s Comision Nacional de Verdad y Reconciliacion, known as Informe Rettig. This section of the document was dedicated to dealing with the events before the coup of 1973. The narrative contained in the Political Framework of the Report reinforces the idea of ​​the inevitability of the coup, using Vial's theory that the breakdown of democracy in Chile occurred from the “breakdown of consensus” that had been happening since the beginning of the century, but which intensified with the election of Allende in 1970. We will therefore seek to reflect on the uses of the recent Chilean past and on the role of the historian in the construction of an official memory that would allow the reconciliation between Chileans, necessary for the democratic consolidation of the Aylwin government.

The article analyzes the phenomenon of social protests that swept the United States in 2020. The article considers the evolution of the concepts of sacrifice and redemption in the modern public consciousness of the USA and Europe. The author analyzes the cause-and-effect relationships of what is happening, the phenomena accompanying the protests, in particular, looting, which is perceived by the protesters not as a marginal phenomenon, but as a necessary condition for restoring social justice.

Early childhood teachers’ professional learning and development (PLD) is a significant factor in the provision of quality early childhood education (ECE), yet gaining a full picture of PLD in the New Zealand ECE context is problematic. Information about government-funded PLD programmes is available through evaluations, however, teachers access PLD from a range of providers, many of whom are not government-funded, nor subject to regular monitoring for quality. Teachers’ reports, therefore, represent important sources of insight into PLD. We surveyed New Zealand early childhood teachers about their experiences of PLD, including topics, delivery, and facilitation. We analysed 345 responses. Workshops were the most commonly experienced PLD model. Many respondents had also experienced job-embedded support, but may not have experienced the types of facilitation strategies likely to prompt shifts in teaching practice. This article reports the survey results, examines implications and discusses features of PLD that support shifts in teaching practice.

The Canadian experience in managing the first wave of COVID-19 highlights the value of unified political leadership, belief in experts, evidence-informed decision making and social cohesion. Though far from perfect, Canada's response was built upon a foundation of universally accessible health care and faith in public health guidance. Community pharmacy has been an integral part of care delivery during COVID-19. As a second or third wave evolves, it is essential to learn from previous experiences to better prepare for what comes next.

Profound social, cultural and ecological re-thinking that has been taking place should have a strong dialogue and impact with and on the cultural and artistic field. As a curator and cultural worker who acts in awareness of and by using their white privilege, I feel the necessity to propose a transformed way of understanding the methods of working within the field of artistic practices as an important part of the social sector of care work. What would it mean if societies in the Global North valued the artists and cultural workers of all disciplines who are working on caring practices as if they belonged to the above-mentioned category of essential workers?

British theatre of the 1990s has witnessed the rise of a new angry young generation whose works have been labeled provocative, speculative, confrontational, sensational, shocking, taboo-breaking, brutal, bleak, gloomy and dark. These writers have a contemporary voice and pursue the aesthetics of 'In-yer-face' experiential theatre which launches rebellion against the classic well-made play, and against more recent literary traditions. Of those writers, contributing to (a)political drama in the 1990s, Phyllis Nagy emerged as one of the most influential figures, providing an experiential theatre with deeply shocking images. This paper is an attempt to explore the in-yer-face aesthetics in Nagy's The Strip by examining her manipulation of space and non-linear plot structures. Nagy creates isolated characters within oppressive worlds, and in the face of this seemingly undefeatable oppression, her characters share a bond that cannot be contained by traditional notions of space and time. Nagy bent the rules of physical space to give the audience a new and alienated perspective on traditional character relationships. In doing this, she makes it very difficult for an audience member to understand why the things on stage are happening. The Strip instead leaves audience members with a few clear impressions about life and society. Thus, this paper is an attempt to explore Phyllis Nagy's The Strip, and prove that she creates oppressive worlds onstage through unfamiliar, non-linear plot structures and that she connects the isolated characters through the distortion of onstage fictional space.

The author analyses what is happening to modern television news. While the Internet becomes more and more popular, driven by video-sharing sites and special mobile news apps, television viewing declines. The main part of the audience of modern TV-news programs consists now of older people, the new generation of viewers refuses to watch TV, preferring to learn the information about the world from the network. TV-managers are trying to find new ways to offer consumers the actual information, new formats of news, to reach younger audiences, as well as to discover a new philosophy of their own existence in a rapidly changing environment. The purpose of the author of the article - is to map recent changes in traditional television viewing, and to initiate discussion on one of the most controversial issues of the practice of development of modern mass communication channels: how will news broadcasting look in 10 or 20 years and whether anything can replace it. The relevance of this topic is high due to the rapid development of the Internet space as an alternative source to other media channels.

The article analyzes the classifications assigned to the Strait of Magellan in the political-territorial configuration of the New World during the sixteenth century and related global dynamics happening at the time. The text is divided into three parts. The first is a theoretical reading of the historiographic problems and the temporalities surrounding the discovery of the Strait, which led to its identification as a “world-passage.” The second examines the facts, actors and territorialities that consolidated it as a geopolitical reference point between 1520 and 1560. And, finally, the third studies the variations in its strategic importance in the period between 1560-1580, variations that reveal its role in delineating, synchronizing and speculating on a series of continental issues that affected simultaneously local and global spaces.

The various social outbursts and revolts that accompanied the two great revolutions of modernity –the American Revolution and the French Revolution– which continued during the 19th and 20th centuries and which, far from having disappeared, are still taking place today, brought to the fore the main categories of political action, such as “equality”, “freedom”, “social justice”, “universal human rights”, “sovereignty of the people”, “political representation”, etcetera, but always in a conflicting and problematic manner. All of them happened and are happening critically. They are categories that in their universal character are, however, from the beginning crossed by difference. In this article we would like to show that the staging of these categories has been inseparable from the emergence of peoples. We propose to show that this “apparition” has been internally strained by the “aporias of the logic of modern representation”. We will confront, from the Kantian concept of “amphibology”, this “logic of representation” –referred to an ontological dimension– and the apparent apparition peoples –referred to a spectral dimension.

The paper outlines the game preconditions of artistic creativity of the artist Valera Cherkashin (Valery T.Cherkashenko, was born 1948 in Liptsy village, Kharkiv region, USSR) during the 1960s–1980s, as well asthe first period of his collaboration with Natasha Cherkashin (Natalia S. Polyakova, born 1958 in Damascus, Syria). From the first half of the 1960s to the 1980s, V.Cherkashin organized a number of art events in Kharkiv, using elements of Soviet and Western mass culture. Cherkashin’s artworks blur the boundaries between traditional genres and styles in the visual arts. While experimenting with the art form, Cherkashins in addition to the language of art action have been using the language of photography, of cinema, painting, graphics and video. Artists continue to create art in different media. Currently, Cherkashin’s artworks are in the collections of the leading museums and corporate collections around the world. The aim of the research is to reveal the ontological, methodological and axiological bases of Cherkashin’s artistic creativity. During the analysis the playing preconditions in Cherkashins’ creativity. Feelings of tension and joy, as well as sense of otherness are inherent in all the artistic work of the Cherkashins. V.Cherkashin creates a new conceptual meaning—the image of the “other” in the early photographic series of 1965–1966 and the image of a social outcast who is between two worlds in 1972. During Cherkashin’s play, the seriousness is eliminated, it becomes funny. The funny side of Cherkashins’ artworks is rooted in harmless nonsense. Artists turn ideological and verbal codes and images into “funny nothing”. Joyful life-affirming laughter in the Cherkashins’ works is the second “actor,” along with the ‘new plasticity.’ Biographical, conceptual, descriptive-phenomenological methods of analysis, comparative studies and hermeneutics were used during the research., Розглянуто ігрові передумови творчості художника Валери Черкашина (Валерія Тимофійовича Черкашенка, нар. 1948) упродовж 1960–1980-х років, а також першого періоду сумісної художньої творчості Валери та Наташи Черкашиних (Наталії Станіславівни Полякової, нар. 1958). Роботи Черкашиних розмивають межі традиційних жанрів та стилів образотворчих мистецтв. Експериментуючи зхудожньою формою, Черкашини використовують, крім мови художньої акції та фотографії, мови мистецтва кіно, живопису, графіки та відео. Художники досліджують можливість існування мистецтва у різних середовищах. Наразі роботи Черкашиних перебувають у провідних музейних та корпоративних колекціях всього світу. Предметом дослідження є онтологічні, методологічні та аксіологічні підстави художньої творчості Черкашиних. Виявлено ігрові передумови художньої творчості Черкашиних. Під час ігрової дії Черкашиних відбувається «зняття» серйозності, напруження перетворюється на смішне. Радісний життєствердничий сміх у художній творчості Черкашиних є другою «дійовою особою», поруч із «новою протяжністю». Під час дослідження було застосовано біографічний, концептуальний, дискриптивно-феноменологічний методи аналізу, компаративістику та герменевтику.

Can a camera do a better job than humans at creating a minute-by-minute record of drilling activity? Or evaluate damaged drill bits better? Based on two papers at the SPE/IADC International Drilling Conference and Exhibition, the answer might soon be yes. Schlumberger researchers showed that video from a camera on the drill floor and on the drilling cuttings shaker kept an accurate record of what the rig was doing at the time, also known as the rig state (SPE 204086). A paper from The University of Texas-Austin (UT-Austin) showed a camera phone could create images for use in their bit-evaluation program to assess the damage and offer a reasonable explanation for what caused it (SPE 204124). A year ago Teradata announced its Bit-Box, which houses cameras and lights to create 3D bit images. It is now on the market; other companies are working on competing products. Cameras have gotten small and cheap at a time when innovations like self-driving cars have driven tech companies to speed development of computer-vision tools. Schlumberger’s goal is to convert video from rig cameras into a constant record of the rig state. It is being done with data gathered by sensors while drilling, or by people if the sensors stop working or generate bad data. The system leaves gaps when sensor issues are missed or workers are otherwise occupied, which is a maddening problem for those who need to know what is going on at any moment to interpret drilling data. “We need to understand what the rig was doing when we look at and try to solve problems” using digital analysis, said Crispin Chatar, a drilling subject matter expert for Schlumberger, who presented the paper at the virtual conference. The bit-evaluation program used phone camera images as a lower-cost substitute for 3D imaging, like the system sold by Teradata. Mobile phone images come with the risk of bad lighting and varying angles, which the authors said affected the analysis. But those devices are small, and there are plenty of backups available. “Everybody has a mobile phone at a rig site,” said Pradeep Ashok, a research scientist in the petroleum engineering department at UT-Austin. He believes cameras on mobile devices are the future because “if you could build something that requires no added equipment it will allow more rapid adoption.” Mobile phone owners also worry about breaking their phone. They may not be so concerned about rig equipment, which is a concern to those selling more-complex imaging devices. Both projects were early efforts to test what can be done with camera data, which is likely to expand over time. Schlumberger’s goal of tracking the rig state more reliably and cheaper than when using sensors may not be enough to convince users to change their ways at a time when sensors are proliferating to support more digitally controlled activities. The Schlumberger data were gathered at a test well for an automated rig.

El presente trabajo de investigación tiene la finalidad de reflexionar sobre la evolución de la educación superior en México durante el Porfiriato, a través del análisis de lo que sucedía en Michoacán en este campo. Se utilizó como instrumento fundamental para lograr este objetivo la revisión y análisis de la Ley Orgánica de Instrucción Preparatoria y Profesional para el Estado, que fue publicada el 5 de mayo de 1902 por el entonces gobernador de esta entidad, general Aristeo Mercado. La temporalidad se ubica en el Porfiriato tardío, que fue una de las etapas de mayor importancia para el desarrollo económico del México actual, y en materia educativa, sin duda alguna, de gran avance para el logro de la conformación de los sistemas educativos, incluyendo el de instrucción superior. Aquí veremos cuáles eran las carreras profesionales que se ofrecían específicamente en Michoacán, las cuales eran semejantes a las ofrecidas a nivel nacional; podremos así analizar en las michoacanas sus características, reglamentación y funcionamiento, para conformarnos una idea de qué tanto se había avanzado en el desarrollo y consolidación del sistema nacional de educación superior.

espanolEste articulo pretende poner en relieve la importancia del estudio de la estetica enfocado a la moda como portadora de un mensaje, ademas de mostrar como el estudio teorico y a nivel filosofico de la moda ha atraido la atencion de diversos intelectuales desde el siglo XIX, tal como se muestra en la primera parte. En la segunda, se encuentran ejemplos para ilustrar los estudios teoricos, siendo los protagonistas el cambio constante, los disenadores, y sus disenos, los portadores de un mensaje escondido “entre las telas y las costuras” donde se reflejaba la realidad en el momento de su creacion, manifestando como en la forma de vestir se pueden leer movimientos culturales, politicos, economicos, o los cambios en la manera de pensar. EnglishThis article aims to showcase the importance of the study of aesthetics, focusing primarily on fashion and the way of dressing as the carriers of a message, as well as displaying how theoretical and philosophical studies of fashion have caught the attention of a plethora of intellectuals from the XIX century, as the first part of this article focuses. The second part contains examples that illustrate the theoretical studies, in which constant changes, designers and most importantly, their designs, 'in-between fabrics and seams', carry hidden messages that reflect the reality of what was happening in a particular moment in time, like the cultural, political, and economic movements of the era that may also reflect changes in the way people think.

Objetivo: reconocer y reflexionar sobre los impactos de la infección por coronavirus en ámbitos diversos en los que las mujeres viven y cómo afrontar los retos derivados de esta situación durante y después de la pandemia. Síntesis de contenido: este documento de reflexión expresa la experiencia y el sentir de mujeres, enfermeras y docentes frente a lo que está sucediendo en la vida de las personas, en particular de las mujeres, a partir de diciembre de 2019 con la aparición del SARS-CoV 2 y la COVID-19. Conclusión: se evidencian los cambios en diversas áreas de la vida de las personas, especialmente en las mujeres, haciendo evidente las inequidades, desigualdades y vulnerabilidades. A partir de ello, se propone la cuidadanía como una nueva forma de ciudadanía basada en el cuidado.

The current paper explores Arab societies through the lens of soccer rivalries. The rhetoric around soccer and identity in Arab countries illuminates a comprehensive overview on what is happening i...

The aim of this study is to challenge the widely-held assumption that members of the general board of a multinational corporation will not be aware of what is happening on the shop floor in their affiliates in other parts of the world, in particular when such actions have profound potential moral and/or legal implications. This assumption of ‘corporate ignorance’ is refuted by a case study documenting the information that members of the general board of a Dutch multinational received about crimes against humanity that were committed during the 1970s in Argentina, and, more specifically, in and around their local affiliate where workers were forcefully abducted and disappeared. In this historical case, members of the general board appear to have been fully aware of these crimes while knowingly ignoring and remaining indifferent to the involvement of their local affiliate. In hindsight, the multinational corporation they represented can, therefore, be viewed as ‘silently complicit’.

El coronavirus se ha convertido en una pandemia que ha condenado al confinamiento a 3.000 millones de ciudadanos de todo el mundo. En España, el virus afecta a más de 200.000 personas y ha provocado la muerte de casi 23.000, es por ello, que la presente investigación tiene por objeto realizar una reflexión sobre el papel de la prensa escrita durante la cobertura informativa del primer mes del Covid-19 en nuestro país. Para llevarla a cabo hemos realizado un análisis de los elementos de primera lectura, como son titulares y otros elementos que conforman el grupo de titulación, publicados en El Mundo y La Vanguardia, los dos diarios digitales con un mayor número de lectores. Partiendo de la hipótesis de que las informaciones relativas al nuevo virus son poco divulgativas y un tanto sensacionalistas, hemos recurrido al estudio de caso como método de investigación para analizar un total de 2.513 titulares publicados entre el 24 de febrero y el 24 de marzo. Pese a que en su mayoría son de índole informativo, se aprecia un estilo de redacción centrado en la expansión del virus, los fallecimientos y las repercusiones negativas que está teniendo en ámbitos tan alejados de la salud como son el económico, el cultural y el deportivo, por lo que hemos comprobado que los titulares de ambos diarios se centran en aspectos sensacionalistas en vez de intentar explicar a los ciudadanos lo que está sucediendo y promover un conocimiento que dé cuenta de la complejidad del fenómeno.

Title: New Communication of The Architecture Firms in Pandemic Era; Following the Homi K Bhabha Post Colonial View A new order called the new normal is a central issue at this time. The period before the pandemic which became a standard value and became a reference suddenly was not compatible with the arrival of the Covid-19 pandemic outbreak. This is happening in Indonesia and around the world. Everyone is in a pandemic situation for a certain period time and there is no certainty that it will end. This of course also affects how to communicate in all aspects including the architectural bureau. New ways of communicating are carried out at architectural bureaus related to social distancing and physical distancing which are considered as effective prevention methods from the COVID-19 pandemic. The types of communication that have changed are communication with clients, communication with the team and communication with interns. There are significant differences in how to communicate from offline activities to online activities where we can still be connected both ways but not in the same place. This situation is a momentum to free the bonds of limitations that have occurred in terms of communication. We want to interpret this in the postcolonialism approach of Homi K Bhabha which is very relevant to the views of hybridity, ambivalence and the third space as a way of communicating new normal discourses.

No presente artigo, pretendemos evidenciar como o romance Um amor incômodo, de Elena Ferrante, é atravessado por um abuso sexual que resvala na relação entre uma filha e sua mãe. Na medida em que se articula à violência de gênero, esse acontecimento apresenta-se como um ponto cego da cultura, configurando-se como traumático. Ao final do livro, após reconstituir a história de sua mãe, é possível para a narradora, Delia, lembrar do abuso que sofreu quando criança e significar pontos de sua trajetória que se apresentam como um mal-estar. O incômodo do título, que diz respeito à relação mãe e filha, atravessa a trama ressoando o incômodo da violência que é desvelada no final do romance. Como aporte teórico, tomamos as considerações da crítica literária Shoshana Felman acerca de literatura, testemunho e traumas culturais. Com o intuito de relacionar o trauma com a violência de gênero, retomamos a perspectiva de Sigmund Freud sobre o tema, assim como a discussões mais atuais, através de Cathy Caruth e Gayle Rubin. Assim, propomos que o romance de Elena Ferrante permite um esgarçamento das possibilidades narrativas do trauma do abuso sexual e da violência de gênero, enquanto pontos cegos da cultura.

Mentorship is one of the most important founding elements of academia. In fact, it can be easily argued that mentorship was born with academia. An effective mentorship in training and teaching programs results in the recruitment and retention of qualified students and early-career researchers. However, what are the current best practices of mentoring? And is mentorship currently a priority in academic and research institutions? The purpose of this paper is to provide a brief overview of the current model of mentorship in academia and highlight some of the key qualities of an academic mentor.

Bizans Dönemi tasvirlerinde sıklıkla işlenen on iki yortudan biri olan “İsa’nın Mabede Takdimi” sahnesinin uygulandığı mozaikler ve farklı teknikte işlenen, on iki eserdeki betimlemeler incelendiğinde, Batı üretimi eserlerle Bizans üretimlerinde temel kompozisyonun paylaşıldığı ancak imgelemede belli farklılıkların bulunduğu görülmektedir. Aynı anda gerçekleşen iki önemli olay olan İsa’nın Simeon ile buluşması ve Meryem’in arınmasını içinde barındıran törenlerin, Doğuda ve Batıda, farklı içerik ve tarihlerde kutlandığı izlenmektedir. Doğuda Epifani’den kırk gün sonra “İsa’nın Mabede Takdimi” olarak kutlanan bayram, Batıda “Meryem’in Arınması” onuruna kutlanılmaktadır. Çalışmamız kapsamında, bu sahnenin betimlendiği eserlerden seçilen bazı örnekler incelenerek, ikonografik açıdan ortaklıklarının ve farklılıklarının saptanması amaçlanmıştır., In Byzantine mosaics, frescoes and handicrafts, the scene of the Presentation of Christ in the Temple, which is one of the twelve feasts of Orthodoxy, was often depicted. It is seen that the basic composition of this scene is shared with western works, but some differences are observed in the imagery. Two important events happening at the same time; “The Meeting of Christ With Simeon” and “the Purification of Virgin Mary”, were celebrated in different contents and dates in the Byzantine East and West. Unlike the West, The Presentation of Christ in the Temple was celebrated forty days after Epiphany in the East. The feast is celebrated in honor of the Purification of Mary in the West. In this study, some selected artworks which have the Presentation scene were examined. It is aimed to determine some characteristic and different features of the artworks iconographically.

1970 yılından beri otuzu aşkın hikâye kitabına imza atan Mustafa Kutlu, çağdaş Türk hikâyesinin üretken kalemlerinden biridir. 2013 yılında yayımlanan Sıradışı Bir Ödül Töreni adlı uzun hikâyede, Ege kıyılarında yer alan bir kasabada yaşananlar anlatılırken yerel bir şenliğin ulusal boyuta taşınması ve bu süreçte meydana gelen olaylara odaklanılır. Yazarın kasaba hikâyeleri arasında yer alan metnin temel problemi ise başkişi Nezaket üzerinden bireyin anlam arayışıdır. Modern dönemin, özellikle iletişim çağının, kitleleri geleneksel yaşantıdan uzaklaştırıp dönemsel eğilimlere yöneltmesi hikâyede çalışma, imaj kavramları ve karnaval imgesi ile betimlenmiştir. Bu çalışmada Mustafa Kutlu’nun Sıradışı Bir Ödül Töreni adlı hikâyesi klasik inceleme yöntemiyle ele alınmıştır. Metnin giriş bölümünde kısaca Mustafa Kutlu hakkında bilgiler verilmiş, inceleme bölümünde klasik anlatı yöntemi unsurları ele alınmış, sonuç bölümünde de metne dair değerlendirmelere yer verilmiştir., Mustafa Kutlu, who has written more than thirty story books since 1970, is one of the productive authors of the contemporary Turkish story. In the long story called “An Extraordinary Award Ceremony” published in 2013, whilst what is happening in a town on the Aegean shores is being told, a local festivity’s transformation into a national one and the events that took place in the process have been the focus. The main topic of this text, which is among the author's town stories, is the search for meaning by the individual through courtesy of the main character, Nezaket. The fact that the modern era, especially the communication age, draws the masses away from traditional life and pulls them towards popular trends is described in the story with the concepts of work, image, and carnival.In this study, the story of Mustafa Kutlu's “An Extraordinary Award Ceremony” was analysed with the classical examination method. In the introduction part of the text, brief information about Mustafa Kutlu has been given, the elements of classical narrative method have been dealt with in the analysis part, and the evaluations about the text have been included in the conclusion part.

O slogan “ideologia de gênero” ganhou centralidade nas discussões políticas e educacionais brasileiras, estabelecendo-se uma disputa de narrativas entre grupos reacionários que se autodenominam defensores da família e pesquisadores/as, que tomam a Educação como um dos eixos centrais na promoção da equidade de gêneros e do respeito à diversidade sexual. Como recorte de uma pesquisa maior que investigou como a licenciatura produz futuros/as docentes para atuar nesse cenário, o presente trabalho volta-se para essa disputa narrativa. Os discursos que circulam no contexto investigado atuam na produção de subjetividades em consonância com o que a agenda ultraconservadora tem apresentado discursivamente no país. Levantamos a urgência em discutir gênero, sexualidade e seus entrelaçamentos com a Educação, em todos os níveis de ensino.

Greta Thunberg sayesinde, iklim değişikliği sorunu dünya çapında ana gündem maddelerinden biri haline gelmiştir. Bu konudan hareketle, sorun odaklı gençlik yazını açısından etkinci Thunberg’in hikayesi ile K. Boie’nin eseri arasında konusal bağlar kurulmaya çalışılmıştır. Gençlik yazınının bir alt türü olarak sınıflandırılan sorun odaklı gençlik yazınında çocuk ve gençlerin dünyalarında karşılaştıkları çeşitli problemler, genellikle roman türünde işlenir. Bu çalışmada, Almanya’da çocuk ve gençlik yazınının önemli yazarlarından Kirsten Boie’nin “Jeder Tag ein Happening” adlı ergenlik romanı incelenip, sorun odaklı gençlik yazını açısından değerlendirilmiştir. Almanya’da yerel bir çevre sorununu işleyen bu roman çerçevesinde gençlerin çevrelerindeki sorunları bir alt-kültür oluşturarak çözmeye iten nedenler irdelenmiştir. Ayrıca günümüzde dünyaca ün kazanan genç iklim etkincisi Greta Thunberg’in3 başlattığı küresel ısınma konusundaki farkındalık oluşturma çabasının toplumdaki yankılarına da değinilmiştir.

This study aims to explore political, economic and daily life in Serres on the eve of the Balkan Wars through the lenses of the first Turkish newspapers of Serres. Siroz was first published in 1910 and then changed its name into Hançer in 1911 and continued to be published until 1912. Additionally the study tries to show how the intellectuals of the city reflect different events and political developments explained in official documents and correspondences of the period to the the city dwellers, and how a provincial intellectual considers political events happening in the capital city of the Empire and reflects his readers through the newspapers as well. This study also tries to explore how columnists of these newspapers consider representatives of the central authority and elected authority in the town, and their proposals for solving the problems that affect the town and their efforts to be the voice of the people., Bu çalışma, 14 Kasım 1910’da Serez’de “Siroz” adıyla yayına başlayıp ardından “Hançer” adını alarak yaklaşık iki yıl yayına devam eden ilk Türkçe gazetelerin gözünden, Balkan Savaşları arifesinde Makedonya bölgesinde siyasi ve ekonomik açıdan oldukça canlı bir Balkan kenti olan Serez’de yaşanan siyasi ve ekonomik olayları, gündelik hayatı ele alarak, savaş öncesi kentin canlı bir fotoğrafını sunmayı amaçlamaktadır. Ayrıca resmi yazışmalar ve belgelere de yansıyan çeşitli gelişme ve olayları Serezli aydınların bu gazete aracılığıyla halka nasıl aktardıkları, taşranın merkeze nasıl baktığı veya İstanbul’da yaşanan olayları nasıl gördüğü ortaya konulmaya çalışılacaktır. Kentte yaşayanların merkezi idareyi temsil eden atanmış idari birimlerle kendilerini temsil eden seçilmiş yerel yönetim ve yöneticilere bakışlarına; kentin sorunlarına yönelik çözüm önerileri ile halkın sesi olmaya yönelik çabalarına da ayrıca dikkat çekilmektedir.

Uno de los objetivos prioritarios de este trabajo es el de mostrar la relación de la alta política con el servicio francés de las cocinas de la reina, intentando mostrar hasta qué punto fue importante para París y Madrid vigilar la influencia francesa alrededor de María Luisa de Orleans, lo que incluía, por supuesto, a sus propios cocineros. En este sentido, durante los diez años de María Luisa de Orleans como reina consorte, hubo una presencia francesa verdaderamente activa en la Corte de Madrid. Esta circunstancia afectó también a sus cocinas, donde hubo cocineros franceses entre 1679 y 1689. A lo largo de estas páginas, se presentará, además, un análisis de los cocineros que fueron sucediéndose, así como las circunstancias que rodearon sus nombramientos.

International audience; This essay to celebrate and honour Ari Sitas draws on my research experience on the development of South African labour studies as a counter hegemonic current. It highlights Ari's theoretical contributions to the field of labour studies, as well as to general sociology. The article discusses with some detail The flight of the Gwala-Gwala bird (2016) as well as Voices that reason, theoretical parables (2004).

The purpose of the study is to determine the main features of the appearance of the actor and show that he is an indispensable carrier of today’s stage art. In the article, focusing on the skill of the actor, universal human values and the specifics of theatrical art are also considered. The content of the concept of the phrase «Theater for people» is determined and demonstrated in the actor’s special mission: to convey the feelings, excitement of a living person and give true feelings of the whole atmosphere of what is happening. The idea is substantiated that nothing can overshadow the game of a professional actor, as a material of live communication between him and the audience, allowing you to feel all the nuances of the action. Scientific novelty lies in the study of the degeneration and development of acting skills against the backdrop of a developing age of technology and the introduction of innovative special effects. As a result, the fact that innovative technologies should help the viewer understand the essence of the production is highlighted and characterized, and the actor’s skill should be directed towards the universal values of the viewer.

This study aims to determine the process of cultural inheritance in society. This study also aims to determine the community's response to cultural phenomena and economic developments that are currently happening. The theory used to analyze this research is the theory of cultural inheritance from Hari Poerwanto about the processes and forms of inheritance and the theory from Pierre Bourdieu about habitus, capital, and arenas, which are related to the survival of a community group. This study uses a qualitative method with a descriptive approach in which data is obtained directly from the object of research. This data was collected using techniques: observation, interviews, and literature study. The research results found in Kelurahan Regol, Garut, West Java show that the process of cultural inheritance occurs where the environment in which there is a community group tends to dominate. Culture as the habitus of society has not yet supported the progress of the community's economy because the social capital they have is less able to bet on an increasingly competitive arena. Thus, it causes a weak economic culture related to society's passive response when it collides with cultural phenomena and economic development that is not progressing.

The paper deals with one of the modern methods of identifying key words in the text – quantitative markeme analysis performed on the material of the novel by V. V. Nabokov: «Mashenka» with the help of quantitative data obtained as a result of using computer program (ProTemAl) and lemmatization of words in automatic mode with the help of ADD-2 program. Based on InTem and distribution analysis, there were distinguished 50 markemes of the novel by V. Nabokov, which takes into account contextual meanings and associative connotations of the words. To carry out the markeme-semantic analysis, the program «Const_2018_v3» detects the “attractiveness” of markemes (their ability to «attract» each other in the text), creates a table of attractive pairs, based on which a graph is built, visualizing the attraction connections of markemes in the novel «Mashenka» by sorting markemes in descending order of CoCon values. Based on the graph the conclusion is made about the existence of two semantic centers in the novel: «Coolness», which associatively refers to the feeling of «Cool haze» of what is happening, and «Snow», which correlates with the time of «Snow» the St. Petersburg’s period of love and with Russia.

espanolLos investigadores cuyo primer idioma no es ingles se enfrentan a grandes dificultades cuando tratan de publicar en esa lengua. Al enviar sus manuscritos a revistas en ingles, dichos investigadores generalmente reciben comentarios de los revisores que critican las estructuras retoricas que adoptan. Una de estas criticas se refiere a como manejan la relacion entre el autor y el destinatario potencial, esto es, como los autores expresan su actitud y certeza ante los reclamos, y crean solidaridad entre ellos y sus lectores. Este estudio intenta examinar como los manuscritos escritos por investigadores iranies y evaluados favorablemente difieren de las versiones originales con respecto a los cambios que ocurren en el sistema de compromiso (engagement) de los textos. El estudio demuestra que el conocimiento inadecuado por parte de los escritores iranies de las ponderaciones interpersonales de las estructuras lexicogramaticales utilizadas —con lo que otorgan un indebido credito a otros investigadores del campo— se mitiga si se le da mas peso especifico a las citas de distancia, no logrando de esta manera una argumentacion solida y rigurosa. EnglishNon-native English speaking (NNES) scholars face great hardship when they attempt to publish in English. Upon submitting their manuscripts to English-language journals, these scholars usually receive comments from the reviewers criticizing the rhetorical structures they adopt. One of these criticisms is concerned with how they manage the relationship between the author and the potential addressee; that is, the scholars’ expression of their attitude and the way they adjust the certainty of their claims and establish a relationship with their readers. This study attempted to examine how the acceptably revised manuscripts written by Iranian scholars differ from the originally submitted versions regarding the changes happening to the Engagement system of the texts. Findings showed Iranian scholars’ inadequate knowledge of the interpersonal weightings of the lexico-grammatical structures they used —hence giving undue credit to other researchers in the field— was mitigated by giving more space to the feature of distance citations, thereby failing to achieve a typically sound and rigorous argumentation.

After the transfer of Instytut Literacki from Rome to Paris, the break of the nineteen-forties and the nineteen-fi fties turned out to be formation time for the editorial strategy of Jerzy Giedroyc. During these days, the monthly Kultura acquired the leading part in the activities of the Instytut, and in this role it published, fervent at times, polemics, concerning the political line of the periodical. The printing of the fi rst part of the documentary by Aleksander Janta-Polczynski “Wracam z Polski 1948” (Upon my return from Poland, 1948) was received with indignation by the majority of the Polish emigre milieu. It also revealed the differences in the attitude of the “Polish” London and the Parisian Kultura towards post-war Poland. Kultura, upon the instructions of General Anders, was withdrawn from sale in Great Britain. Under such pressure, Giedroyc refused to publish the second part of the documentary in Kultura, but, fi nanced the edition of the complete book in early 1949. Giedroyc, and the Kultura team, refused to support the June 1947 resolution of the Union of Polish Writers, which in reality prohibited the publishing of “older and current works” in Poland. Giedroyc was also sceptical of the stance assumed by the London based journal Wiadomości, directed by Mieczyslaw Grydzewski, which cut itself completely off from what was happening in Poland, and criticised the persons who decided to return home, in particular the writers. The publishing of Janta’s article resulted in an exchange of letters between Jozef Czapski, General Wladyslaw Anders, and Jerzy Giedroyc, in October and November 1948. Each of them presented his own views, but no compromise was reached. Nevertheless, the most vehement turned out to be the so called “Pastoral” letter by Jan Lechon to Jerzy Giedroyc, written by the poet, after having read the book in May 1949. At the time, Lechon belonged to the closest collaborators of Mieczyslaw Grydzewski and the London Wiadomości. In his highly emotional dispatch, Lechon accused Janta of conscious, or unconscious, writing for the Bolshevik cause, and the defence of Janta’s attitude by the Kultura milieu, in Lechon’s eyes, was “most scandalising and extremely damaging with respect to the already disoriented and demoralised Polish emigre opinion”. However, Giedroyc refused to respond to the letter. In his opinion, the publishing of Janta’s book closed the issue. Lechon’s letter is one of the most representative texts for the “indomitable” and “uncompromising” wing of the Polish emigration after World War II.

The following essay proposes to seek reflection on some difficulties that have been happening in the school and social sphere, such as mistreatment of students and teachers, technological harassment between schoolchildren, the absence of parental work or neglect emotional of gifted students, and this from data that speaks of a significant group of children with a school phobia. In addition, it emphasizes the role of education and teachers as agents of change to improve the situation and try to regain joy and hope in addition to going to learn at school, assist to properly link us and be happy. The work is divided into 5 points as sections: a. introduction; b. present problems; c. what we should promote; d. to bring out the best in us; e. conclusion: regaining hope.

‘Twitter is not a technology, it’s a conversation. And it’s happening with or without you.’ 1 As Leadership takes its first steps into the realm of social media, we should think about why we are doing this and what we might hope to achieve. Far from being merely a decision about which platforms and tools to use to advertise our work, the establishment of a social media presence is a spur to reflect on the qualities of our relationships both within and beyond our community of authors, readers, reviewers and editors. In this essay, I link our approach to social media to broader concerns about the state of our discipline, our alienation from practice, and our responsibilities as both scholars and practitioners of leadership. Although framed in relation to social media, I hope these reflections have resonance for our involvement in social, political and institutional commentary more generally, even amongst those who have no interest in Twitter per se!

Reseña del libro de Richard Hornton.

Physicians’ stories of their illness attempt to bridge the divide between a professional doctor and a patient’s narrative by combining both the versions. This research paper undertakes a narratological analysis of latest illness narrative written by a physician-turned-patient Paul Kalanithi in his When Breath Becomes Air. The present study also finds out the role reversal happening between a clinician, patient and writer. It further aims to analyze Paul Kalanithi’s autobiographical memoir as a literary narrative of his last stage fatal lung cancer. The paper highlights the link between literature and the medical world and in this way generates a better understanding of the present interdisciplinary relation of both the disciplines i.e. literature and medicine. This research is qualitative and descriptive while textual analysis has been used as a research method. This study ends with the findings and recommendations for further research.

Nowdays, family as the union of persons are in fragile condition and in crisis. These things are happening as the effect of a strong cultural changing: from modernity to a fragile culture called postmodernity. What to do? How families handle this crisis? As the main actor in the mission and responsibility for children's moral educations, families are facing great challenges. To be able to do this mission and face this problem, families have to renew themselves continuously, find and create a model for their moral education for their children which comes from realities faced in particular time. It means, the families must know their reality because each family has different reality. Another invitation is to find way to integrate the values from modern and post-modern culture. Whith this solution hopefuly the crisis in the families will be lessen or solve in proper way.Â

The United States of America is at a crossroads, one that we have been at before. This is not the first time that we have battled a pandemic while experiencing an economic downturn, state sanctioned violence and racial terror against Blacks, the boiling over of racial tensions encouraged by the president of the United States, and a movement focused on forcing America to reckon with its endemic racism, anti-Blackness, and state-sanctioned violence against Blacks. This article provides a brief overview of that history and its striking parallel to what is happening today. It pushes White social workers to understand how they are beneficiaries of racism. It reminds social workers of their ethical obligation to be change agents. Finally, it provides basic suggestions for those who are willing to see their complicity and are still willing to work on dismantling the injustice that impacts Black people in America.

In the middle of a global pandemic, hospitals created policies for visitor restrictions to reduce the transmission of coronavirus to protect patients and staff and developed protocols allowing only one support person to call the critical care unit for patient updates. Late on a Tuesday afternoon, the Manager of Patient Experience received a phone call asking her to call Karri, the wife of one of our patients who was on a ventilator. Karri was struggling with updating her mother-in-law because she was very upset with the news she received, making it difficult to call her husband’s mom. Karri asked the nurse on the phone if her mother-in-law could call in to get updates and was bluntly advised, “No we only allow one family member to call in to get updates.” Although Karri understood the protocol, she wished it had been a different response. This narrative describes the feelings and emotions experienced by Karri, along with what the Middlesex Health did to put people before policy to reduce the suffering for Karri and provide family-centered care. Experience Framework This article is associated with the Patient, Family & Community Engagement lens of The Beryl Institute Experience Framework. (http://bit.ly/ExperienceFramework) Access other PXJ articles related to this lens. Access other resources related to this lens.

International audience; Religious minorities are increasingly present in the public sphere. Often pointed out as a problem, we argue here that the establishment of these minorities in Western societies is happening through struggles for recognition. Communities or individuals belonging to different minorities are seeking recognition from the society in which they are living. In Section 1, we present, briefly, our perspective, which differs from the analyses generally presented in the sociology of religion in that it adopts a bottom-up perspective. In Section 2, we present and discuss articles dealing with case studies in the cities of Barcelona, Geneva, and Montreal. In Section 3, we discuss two articles that present a process of individualization of claims for recognition. Finally, we present an article that discusses the case of an unrecognized minority in the Turkish school system.

The face of the Prague Quadrennial (PQ) has been slowly changing from the traditional gallery style presentation with national competitions toward an immersive experiential event, a festival. But the key question and the main mission of PQ is still the same: finding engaging ways to present and exhibit performance design/scenography. As the curator of the PQ 2019 and also for the next event that will happen in 2023, I present in this brief essay the changings that have been happening along the years, and not only by one curatorship but by a team of curators that work to discuss the artistic vision, where we collaboratively developed an overall concept for all projects of the festival - an example of the teamwork we sought in our exhibitions and performances. Keywords Curator. Curatorship. PQ 2019. Prague Quadrennial.

Stanley Kubrick’s 1980 film The Shining has been examined and analyzed countless times up until today. Even though 40 years have gone by since its release, the film’s full meaning and the events happening to the Torrance family are still unclear. The film unfolds in a limbo-like state, between dream and reality. While writing the script, Kubrick states that he was inspired by Sigmund Freud’s Das Unheimlich (1919) essay. According to Freud, things or people that arouse feelings of dread and horror belong to the realm of the uncanny. The uncanny is related to what is frightening, but more importantly it entails a duality, an ambiguity because it encompasses the familiar with the unfamiliar. This study aims to locate the uncanny elements in The Shining, while also examining how conflicting desires that have been repressed can come to the surface through the dream-like setting of the Overlook Hotel.

This article examines the global response to the Covid‐19 pandemic. It argues that we urgently need to look beyond the virus if we want to understand the real seriousness of what is happening today. How did we end up in a space of thinking, acting, and feeling that has normalized extremes and is based on the assumption that biological life is an absolute value separate from politics? The author suggests that today's fear is fueled by mathematical disease modeling, neoliberal health policies, nervous media reporting, and authoritarian longings.