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Copyright of South Architecture / Nanfang Jianzhu is the property of South Architecture Editorial Office and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present study focuses on the activities and efforts of the National Mission for Manuscripts (NMM) in the Uttar Pradesh region, which is known for its vast area, population, and rich cultural heritage. The aim is to examine the digitization work carried out by the NMM in this area, as digitization plays a crucial role in preserving our country’s rich ancient heritage. The importance of safeguarding cultural heritage is universally acknowledged, and digitization serves as a vital tool in this endeavor. Through digitization, we can protect and preserve our heritage for future generations. The government has implemented several commendable initiatives for manuscript digitization, and the NMM stands as a prominent organization dedicated to the conservation of cultural heritage. The NMM possesses a diverse range of cultural heritage resources, including photographic slides, photographs, digital images, photo-negatives, motion pictures, audio spools, microfiche, LP records, endangered manuscripts, audio and videotapes, digital images, microfilms, digital audio and video files, and more. The mission has undertaken extensive digitization efforts to conserve and provide access to a significant portion of its collection. This study is unique as it explores the digital conservation and digitization practices of a premier institute working in the field of art and cultural heritage in Uttar Pradesh. With its extensive network of institutions, the mission aims to cover all manuscripts, digitize them, and consolidate them on a common platform for easy access and utilization. [ABSTRACT FROM AUTHOR]

Copyright of Bylye Gody is the property of Cherkas Global University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this work, nanocellulose aqueous dispersions were studied as a bio-inspired consolidating agent for the recovery and conservation of ancient wood and compared with two of the most used traditional consolidants: the synthetic resins Paraloid B-72 and Regalrez 1126. The morphology of crystalline nanocellulose (CNC), determined using Scanning Electron Microscopy (SEM), presents with a rod-like shape, with a size ranging between 15 and 30 nm in width. Chemical characterization performed using the Fourier-Transform Infrared Spectroscopy (FT-IR) technique provides information on surface modifications, in this case, demonstrating the presence of only the characteristic peaks of nanocellulose. Moreover, conductometric, pH, and dry matter measurements were carried out, showing also in this case values perfectly conforming to what is found in the literature. The treated wood samples were observed under an optical microscope in reflected light and under a scanning electron microscope to determine, respectively, the damage caused by xylophages and the morphology of the treated surfaces. The images acquired show the greater similarity of the surfaces treated with nanocellulose to untreated wood, compared with other consolidating agents. Finally, a colorimetric analysis of these samples was also carried out before and after a first consolidation treatment, and after a second treatment carried out on the same samples three years later. The samples treated with CNC appeared very homogeneous and uniform, without alterations in their final color appearance, compared to other traditional synthetic products. [ABSTRACT FROM AUTHOR]

Today's social and political movements against dominant Western narratives call for a re-contextualization of cultural heritage (CH) toward inclusivity, multiperspectivity, and sensemaking. Our work approaches this challenge from a Human–Computer Interaction (HCI) perspective, questioning how HCI approaches, tools and methods can contribute to CH re-contextualization. Through collaborative reflection on our research practice, we identified four diverging case studies highlighting the different roles of HCI and its increasing entanglement with CH. Case studies 1–3 focus on HCI as a medium for CH, case 4 on digital CH, and thereby on the HCI–CH entanglement. Our reflections contribute to CH re-contextualization by highlighting the need for co-design and slow design approaches, the role of HCI technologies in preserving, communicating, and shaping CH, and open questions and challenges related to the increasing HCI–CH convergence. [ABSTRACT FROM AUTHOR]

This review, through the collection and comparative analysis of the most recent literature, aims to analyze the new trends in archaeometric analysis and some selected laboratory techniques aimed at determining the provenance, the physical–chemical characteristics, and the state of decay of archaeological finds of different types (ancient manuscripts, paintings, frescoes, and ceramics). In particular, the methodologies and analytical techniques relating to Raman spectroscopy, X-ray fluorescence, laser ablation, IR spectroscopy, LIBS, and Thz spectroscopy were compared and tabulated, with the aim of determining the appropriateness of each technique applied to various archaeological items. This will provide guidelines for the right conservation and restoration strategies. The work was also based on the construction of comparative tables of the consulted scientific literature and on the analysis of the research trends by using the Google Trends app. [ABSTRACT FROM AUTHOR]

This paper explores the symbiotic relationship between placemaking and the authenticity of traditional architecture in the realm of city branding, using Surakarta City in Indonesia as a pivotal case study. It posits that the conscious integration of placemaking initiatives with the preservation and celebration of traditional architectural authenticity can significantly amplify any city's brand identity, rendering it distinct and resonant on the global scale. Surakarta, with its rich cultural heritage and commitment to preserving Javanese architectural motifs, exemplifies how traditional elements can coalesce with contemporary urban development strategies to foster a sense of place and community identity. Through a qualitative analysis of Surakarta's urban planning and community engagement practices, this study underscores the transformative impact of authentic architectural preservation in placemaking processes. The findings suggest that such an approach not only enhances the aesthetic and cultural landscape of cities but also strengthens their branding, attracting tourism and investment by offering a unique narrative. The paper concludes with strategic recommendations for urban policymakers and planners, advocating for a balanced integration of cultural authenticity and innovative place-making to achieve sustainable and impactful city branding. This study contributes to the broader discourse on urban development, highlighting the indispensable role of architectural authenticity in crafting compelling city narratives. [ABSTRACT FROM AUTHOR]

The corrosion problem affecting ancient Chinese bronze relics and the protective measures required post-excavation are crucial for the study of historical cultural heritage and for ensuring heritage revitalization and sustainable development. This work includes a statistical analysis, clusters information, and thoroughly examines international research on bronze relic corrosion and protection. It delves into the timeline and trends of research, the main countries leading the research efforts, the research content, and the relationships between these factors. A comprehensive review is provided on the corrosion principles, materials, detection methods, and protection techniques for bronze. The study explores the corrosion principles and processes of bronze from a materials science perspective both before and after excavation. It summarizes non-destructive detection methods and examines specific factors that influence corrosion. Furthermore, the article reviews current corrosion protection methods for bronze and related protection materials, including commonly used strategies such as surface corrosion inhibitors and organic resin coatings for protection. It also discusses the potential application of advanced corrosion protection methods in the realm of metal materials in recent years to safeguard bronze. Proposing innovative solutions, the study suggests the possibility of constructing biomimetic superhydrophobic surfaces to create a barrier isolating humid air from contacting bronze materials, thereby reducing the adhesion of corrosive media to the substrate and significantly diminishing the likelihood of corrosion. In conclusion, the article looks towards the future, considering the challenges and potential development directions for the corrosion protection of bronze and related protection materials. [ABSTRACT FROM AUTHOR]

A major goal of current international urban development and construction is to lower carbon emissions. Synergies exist between the preservation of historic cities and the development of low-carbon cities; however, the relationship between preservation of historic cities and carbon emissions remains unclear. This study focuses on the cities in the "Yellow-Canal-Yangtze" watershed community, which includes the Yellow River Basin, Yangtze River Basin, and the Grand Canal region, and aims to verify the differences in CO2 emissions (CE) between historic and non-historic cities through multiple comparisons after ANOVA. Additionally, Ridge Regression was used to determine the impact and dimensions of the relevant variables associated with the preservation of historic cities on CE. Combined with national development goals, this study predicts changes in the CE of historic city preservation under different scenarios. This study found significant differences between historic and non-historic cities, as the total CE of historic cities is 2.42 times higher than that of non-historic cities. The dimension with the largest difference was the CE related to transportation, with aviation emissions of historic cities reaching 15.22 times higher than that of non-historic cities. Although the preservation of historic cities has led to an overall increase in the CE, there is significant potential for CE reduction in land use, transportation infrastructure, and tourism development related to historic city preservation. In the future, historic cities can contribute to China's carbon neutrality and the United Nation's development goals through the creation of larger historical preservation areas, more convenient public transportation, and more vibrant tourism. [ABSTRACT FROM AUTHOR]

Cultural heritage faces significant threats from environmental challenges and unchecked development. Sustainability has made its way into the field, and there is a growing interest in seeing it thrive. The particular field of the conservation and restoration of tangible movable cultural heritage is also being improved by new concepts and treatment options more aligned with environmental standards. This article investigates the integration of sustainability into the conservation and restoration of this specific cultural heritage by leveraging the SCOPUS and BCIN databases to examine the evolution of scientific content on the topic over the past 24 years. Key trends in research include assessing greener practices in conservation and education and guidance for the promotion of sustainable practices. These themes are also championed by organizations and initiatives that disseminate this message to conservation professionals through effective and less formal communication strategies. The findings emphasize the critical value of bridging the gap between scientific research and practical application, advocating for accessible resources and collaborative efforts to advance sustainable conservation practices. [ABSTRACT FROM AUTHOR]

The dissemination and preservation of cultural heritage has attracted much attention globally, and serious games play an important role in cultural heritage dissemination and preservation; however, it is not clear which experiences of serious games are effective in increasing people's attention to cultural heritage. This study combines the experience economy and stimulus–organism–response (SOR) theory to construct a theoretical model to explore which experiences of serious games influence users' behavioral intention to care about cultural heritage. We surveyed 302 users who experienced serious games and analyzed the data and measurement model using SPSS 27 and partial least squares structural equation modeling (PLS-SEM). The results showed that the four experiences of serious games (educational, entertaining, escapist, and esthetic) had a significant effect on users' perceived value and memory and that perceived value and memory significantly influenced users' participation. In addition, this study found that the entertainment experience was not only a key factor influencing perceived value and memory, but also the most significant factor directly affecting user participation. This finding provides specific recommendations for game developers and cultural heritage organizations to enhance user engagement. Enhancing the four experience dimensions and strengthening users' perceived value and memory can effectively encourage users to pay attention to cultural heritage through serious games and contribute to the preservation and sustainable development of cultural heritage. [ABSTRACT FROM AUTHOR]

In Chiang Mai, Thailand, there has been an increasing demand for lighting design strategies that enhance tangible and intangible values of cultural heritage destinations. This research explores the role of lighting design in enhancing the cultural experiences and promoting the cultural tourism of Lanna Buddhist architecture. Suan Dok Temple was selected as a case study due to its historical, social, and cultural significance. This research uses qualitative approaches such as field surveys, photographic documentation, and interviews with temple authorities, cultural heritage experts and tourism professionals for the formulation of initial users' requirements and lighting design criteria and concept. Data analysis suggested that cultural heritage and conservation, cultural tourism management, and operation and maintenance are important factors in heritage lighting design for cultural tourism. Realistic rendering images of lighting design scenes for the temple's chedis and vihara are generated based on the concept of luminance layers representing the Buddhist cosmology idea. In addition, lighting operation and installation details are developed and presented to stakeholders for discussion on contextual and operational appropriateness. Finally, the study discusses critical lighting design factors for the development of lighting design solutions for heritage sites, particularly Lanna Buddhist temples, contributing to sustainable cultural tourism. [ABSTRACT FROM AUTHOR]

This paper presents the results of theoretical and applied research that employs methodological experimentation in a project for the protection and integrated transformation of the downtown area of the city of Sharjah in the United Arab Emirates. The particular nature of this case relates to two factors: (a) strategies and policies to protect and enhance the cultural heritage as a driver for tourism and the cultural development of the entire Emirate, from archaeological goods to the urban fabrics in historical centres (Sharjah and Korfakkhan), in contrast to the surrounding Emirates; and (b) the client's request to define guidelines to manage the urban cultural heritage during a time of transition while awaiting the results of UNESCO candidacy. This unique fact denotes a sensitivity and long-term policies regarding the cultural heritage which views the recovery of the urban historical heritage, assuming the cultural component as the fourth dimension of sustainability. The methodological approach, the results of the research, and design are organized on the dual urban and building scale to understand the structure and elements of the historical centre. The actions and interventions are differentiated with respect to urban fabric, building, archaeological good, and landscape, and translate the strategies of the guidelines into short-/mid-/long-term design actions. [ABSTRACT FROM AUTHOR]

While disruptive technologies such as augmented reality (AR), virtual reality (VR), and mobile apps hold promise for enriching visitor experiences in heritage tourism, their integration necessitates a nuanced approach to ensure the sustainable development of the sector. This study addresses a critical gap in existing research by exploring this specific synergy within Thailand's unique tourism landscape. Through a comprehensive literature review, the study synthesizes existing knowledge on technology integration in heritage tourism, identifying both potential benefits (AR enhancing historical sites) and risks (overreliance on VR and social media's negative impacts). To bridge this gap and navigate these complexities, the research proposes a set of recommendations for a collaborative and sustainable approach. These recommendations prioritize community engagement, environmental consciousness, ongoing research, and collaborative governance. Additionally, they emphasize preserving the authenticity of heritage sites, ensuring technology serves as a tool for cultural preservation, not exploitation. By adopting these recommendations, stakeholders can leverage technology to create a thriving and sustainable heritage tourism sector in Thailand. This ensures both the safeguarding of the nation's rich cultural heritage for future generations and the creation of innovative and enriching experiences for visitors. [ABSTRACT FROM AUTHOR]

This study explores the increasing global interest in the preservation and management of cultural heritage, emphasizing the need for innovative tools in urban planning and design to address this critical issue. As cultural heritage gains international attention, particularly through the concept of cultural routes, there is a growing demand for urban planning strategies that are both flexible and forward-thinking. The shift from traditional planning approaches to advanced digital systems, particularly those driven by artificial intelligence, marks a significant transformation in the field. This study aims to introduce an innovative application recommendation, designed to optimize urban environments by leveraging the dynamic potential of cultural routes. Central to this approach is the Ant Colony Optimization (ACO) technique, enhanced with the 2-Opt algorithm based on the Traveling Salesman Problem (TSP), a highly effective method widely used for solving complex routing problems. By integrating this improved ACO, the recommendation not only generates optimal routes tailored to user preferences but also enhances efficiency in both time and budget management. Beyond its technical merits, this optimization-based solution offers a holistic approach to urban planning by integrating cultural heritage management with contemporary technological advancements. By doing so, the recommendation is expected to contribute to the sustainable development of cities, ensuring that cultural heritage is preserved while also addressing the practical needs of urban environments. This research presents a forward-thinking proposal that aligns with global trends in cultural preservation, offering a functional and adaptable tool for the challenges faced by the user. The findings of this study show that the proposed cultural route planning and design model can create specific routes according to individual interests, thus helping to personalize travel experiences and determine the most appropriate routes. [ABSTRACT FROM AUTHOR]

The Indian subcontinent is well known for its rich geological and cultural diversity. The Magadh region, with its plethora of heritage sites, stands as a living testament to the rich tapestry of India's cultural and geological history. The geodiversity of the Gaya-Rajgir area of Bihar, India comprises of volcano-sedimentary sequences juxtaposing with Rajgir meta-sediments and volcano sedimentary sequence of Bathani, anorthosite-gabbro and granites suites of Barabar-Nagarjuni area. The present report highlights some of the important geological and cultural sites of this region. The pillow basalt site of Churi Hill, Gaya is proposed to be classified as a geoheritage site which needs immediate conservation in addition to the already classified Barabar caves geoheritage site having been known for its remarkable architectural antiquities, relics and inscriptions of the rich historical past of Mauryan dynasty as engraved in the granite of the cave. The area is also characterized by the presence of its rich natural, geological, geomorphological, and significant historical and cultural heritage especially the Churi hills, Mahabodhi Temple, Vishnupad Temple, Nalanda University relict site, Caves of Barabar Hill, Rajgir area, cyclopean walls, hot water spring of Brahmakund, peace pagoda etc. From the ancient ruins of Nalanda to the spiritual sanctuaries like Vishnupad Temple and Mahabodhi Temple, each site narrates a unique story of the past. The Barabar Caves and Rajgir add further layers to this narrative, offering a glimpse into the diverse facets of the region's history. As we explore and celebrate these heritage sites, it is essential to prioritize their preservation and promote sustainable tourism, ensuring the livelihood promotion of the local indigenous people and also conserving the beauties and significance that endure for generations to come. [ABSTRACT FROM AUTHOR]

Unmanned aerial vehicles (UAVs) are primarily used in the field of cultural heritage for mapping the exteriors of larger objects and documenting the roofs and façades of tall structures that cannot be efficiently or feasibly measured using conventional terrestrial technologies and methods. However, due to the considerable diversity of cultural heritage, there are practical demands for the measurement of complex and inaccessible objects in interior spaces. This article focuses on the use of two different off-the-shelf UAVs for partial photogrammetric reconstruction of the attic of a mining house, which was only visible through a window in the gable wall. Data from both UAVs were compared with each other and with terrestrial laser scanning. Despite the lower quality of the results from the DJI Mini 4 Pro compared to the DJI Mavic 3 Enterprise, the results from both UAVs would still be suitable for documenting the interior attic spaces. However, a detailed analysis of the photogrammetric data indicates that, when selecting a UAV for this purpose, it is necessary to consider the limitations of the camera system, which may lead to a reduction in the geometric accuracy and completeness of the point clouds.

Ancient monumental complexes need continuous analysis and monitoring operations to preserve a good conservation status. For this reason, the analysis of decay and alteration phenomena represents one of the main activities for their preservation. At the same time, the diffusion of Heritage Building Information Modelling (HBIM) methodology opens new scenarios for the management of Architectural Heritage. The paper describes the workflow based on a Scan-to-BIM approach for the generation of a decay map in an HBIM model. The workflow was applied to a significant case study, the church of “Santa Maria della Grotta” in Marsala (Italy). This church, partially excavated in a sandstone bank, is part of a larger heritage site consisting of a series of hypogea and a Punic necropolis dating back more than a thousand years. The Scan-to-BIM process, relying on an integrated survey combining mobile laser scanning and photogrammetric technologies, enabled the achievement of a complete 3D parametric model of the monument and, altogether, a detailed decay map in a BIM environment. The mapping process focused on the production of thematic maps of perimetral walls according to an abacus of decays implemented in a BIM system, useful for the analysis and conservation of the church. The work demonstrates how the Scan-to-BIM process is an efficient approach for 3D data collection and how it could facilitate the identification and mapping of pathogenic phenomena. Furthermore, the inclusion of this kind of information in the BIM model represents an effective tool for the maintenance and restoration of built heritage.

Building on our previous work presented at the Eurographics GCH conference, this paper further explores the characteristics of an “authentic experience”, developing a framework that can be applied to the development of XR and hybrid applications in the field of cultural heritage. While recognising the broader concept of authenticity, we have not focused on an in-depth analysis of it. Instead, we focus specifically on “authentic experiences”. Here, we have extended the definition of authenticity beyond realism or sense of presence, proposing instead a multi-dimensional approach to engaging users cognitively, emotionally, and sensorially (the “Self” dimension) and, at the same time, including two other fundamental dimensions (the “Others” and the “World”) intrinsically connected to the “Self”. We have then further detailed these three dimensions, which are the pillars of the perception of authenticity, identifying their “components” and “elements”. Finally, we transformed the elements into “actionable” design indications, setting the ground to further develop specific design (UI and UX) strategies for digital heritage and serious game applications.

The structural diagnosis of monumental buildings necessitates organizing diverse cross-disciplinary data. The H-BIM procedure employs 3D digital models to create a comprehensive virtual repository, offering advantages in documentation access, interoperability, intervention design, cost evaluation, and maintenance management. This work proposes an approach to combining different models while addressing interoperability challenges by best exploiting their positive characteristics. After evaluating the advantages and limitations of textured-mesh and NURBS-based models, and virtual reality environments based on specific comparison criteria, an integrated system of these models within the H-BIM framework is proposed. The latter is applied to study the relevant case of the Baptistery of San Giovanni in Pisa, Italy. The integrated H-BIM model is designed primarily to facilitate the structural diagnosis of the monument, and illustrates how combining different 3D representations, each providing multiple information with different levels of detail, enhances its capabilities. This integration results in a more effective tool for the multidisciplinary conservation of cultural heritage, accommodating a wide range of data beyond structural aspects, thus fostering collaboration among professionals from various fields of expertise.

Cultural heritage is, today, particularly exposed to the devastation resulting from natural phenomena, but it is even more exposed to the destruction caused by man-made ones. Consequently, it is critical to adopt suitable and concrete provisions for its preservation and conservation. The conflict that has been raging in Ukraine since February 2022 has spotlighted problems related to cultural heritage, which is increasingly considered a military target. Digital transformation and technologies integrated with legal tools can contribute to making the system of protection and recovery of cultural assets more effective and efficient by redefining methodologies to safeguard and interact with them. This paper proposes a framework for integrating legal and digital tools that are functional for the preservation, conservation, and enhancement of cultural heritage. To define it, on the one hand, the legal instruments in force were analysed, and on the other, a literature review on the digital technologies currently available was carried out. The role of digital transformation in the cultural sphere was also examined, especially in light of Ukraine’s experience with the application of digital technologies to protect and recover cultural heritage during the current conflict.

Artificial intelligence has significant applications in computer vision studies for cultural heritage. In this research field, visual inspection of historical buildings and the digitization of heritage using machine learning models stand out. However, the literature still lacks datasets for the classification and identification of Brazilian religious buildings using deep learning, particularly with images from the historic town of Ouro Preto. It is noteworthy that Ouro Preto was the first Brazilian World Heritage Site recognized by UNESCO in 1980. In this context, this paper aims to address this gap by proposing a new image dataset, termed ImageOP: The Image Dataset with Religious Buildings in the World Heritage Town of Ouro Preto for Deep Learning Classification. This new dataset comprises 1613 images of facades from 32 religious monuments in the historic town of Ouro Preto, categorized into five classes: fronton (pediment), door, window, tower, and church. The experiments to validate the ImageOP dataset were conducted in two stages: simulations and computer vision using smartphones. Furthermore, two deep learning structures (MobileNet V2 and EfficientNet B0) were evaluated using Edge Impulse software. MobileNet V2 and EfficientNet B0 are architectures of convolutional neural networks designed for computer vision applications aiming at low computational cost, real-time classification on mobile devices. The results indicated that the models utilizing EfficientNet achieved the best outcomes in the simulations, with accuracy = 94.5%, precision = 96.0%, recall = 96.0%, and F-score = 96.0%. Additionally, superior accuracy values were obtained in detecting the five classes: fronton (96.4%), church (97.1%), window (89.2%), door (94.7%), and tower (95.4%). The results from the experiments with computer vision and smartphones reinforced the effectiveness of the proposed dataset, showing an average accuracy of 88.0% in detecting building elements across nine religious monuments tested for real-time mobile device application. The dataset is available in the Mendeley Data repository.

This study is concerned with the restoration of painted pottery images from the Yangshao period. The objective is to enhance the efficiency and accuracy of the restoration process for complex pottery patterns. Conventional restoration techniques encounter difficulties in accurately and efficiently reconstructing intricate designs. To address this issue, the study proposes an AI-assisted restoration workflow that combines Stable Diffusion models (SD) with Low-Rank Adaptation (LoRA) technology. By training a LoRA model on a dataset of typical Yangshao painted pottery patterns and integrating image inpainting techniques, the accuracy and efficiency of the restoration process are enhanced. The results demonstrate that this method provides an effective restoration tool while maintaining consistency with the original artistic style, supporting the digital preservation of cultural heritage. This approach also offers archaeologists flexible restoration options, promoting the broader application and preservation of cultural heritage.

Abstract Neutron tomography is gaining popularity particularly in cultural heritage research, for non-destructively analysing the inner structure of bulk metal artefacts, such as bronzes, but the induced temporary decay radiation is often considered as a drawback. However, this delayed gamma-emission can be put to good use: by performing gamma spectroscopy after neutron tomography, the interior elemental composition of artefacts can be obtained “for free”. Inspired by this, we propose a ray-tracing approach to non-invasively quantify both interior geometry and elemental composition using only a single neutron tomography experiment. This strategy aligns well with both the aim for efficient use of neutron beam time and the expectation from curators and conservators for minimal neutron irradiation. Here, we outline the core principle of this method, demonstrate the extent of its quantification capability on bulk objects of known composition by fusing neutron tomography and delayed-gamma spectroscopy data sets. We also showcase its practical application on an ancient solid-cast Indonesian bronze statuette, by which we gain insights into how the pristine inner bronze segregated into a different composition than the surrounding shell. Similarly, the method allows us to quantify the composition of a hidden offering in the statuette that consecrates the bronze for worship purposes.

Abstract Our objective, as part of the planned conservation work, was to identify culturable fungi related to the formation of various deterioration symptoms occurring on the Spectatius family marble tomb, the largest monument of the Roman Necropolis in Šempeter, Slovenia. By using fluorescent microscopy, microbial cultivation methods and standard DNA sequencing we were able to identify 21 fungal isolates, 16 being filamentous moulds, primarily dominated by xerophilic Cladosporium spp. (mainly Cladosporium langeronii RN 28) and some Alternaria species; and 5 yeast or yeast like species namely Torula fici, Filobasidium wieringae, Rhodotorula babjevae and Blastobotrys peoriensis. Locations on the tomb, which are well sheltered against rainfall, contained higher concentrations of xerophilic fungi to those, which are completely or partially exposed to rain. The black fungal species of Cladosporium spp. and Alternaria spp. formed the bulk of melanized-greyish patina present on the bottom reliefs and within the cracks of the inner dome of the Spectacius tomb. Moreover, the red coloured yeast R. babjevae caused a thick red pigmentation right under the top roof of the monument’s left side. The obtained results indicated that not only moulds but also yeasts can cause significant biodeterioration. Lastly we isolated indigenous mycoparasitic strains of F. wieringae (RN 37 and RN 38) that could potentially be used in biocontrol formulations applicable in situ for the sustainable preservation of the Spectatius family tomb monument.

This study analyzes the production process of traditional Chinese velvet flowers and their cultural inheritance and innovative applications. Through literature review, case studies, and field research, it explores the historical evolution of velvet flower craftsmanship, its technical characteristics, and its application in modern design. The research shows that velvet flower craftsmanship has been revitalized with the help of intangible cultural heritage protection and modern design, demonstrating new vitality in the fashion and home decor fields. This paper proposes strategies for promoting the global dissemination and sustainable development of velvet flower craftsmanship, guiding the modernization of traditional handicrafts.

Historic buildings represent an ensemble of related to architecture, materials and technology of the era in which they were built and contribute to the knowledge of contemporary ones. Materials resulting from the demolition of old buildings, such as: bricks, wood and vegetal materials, concrete, gravel, stone and sand, masonry and rubble, metals, plastic, glass, drywall, cardboard and paper, sanitary fixtures, fibers (asbestos, glass, steel, natural), can get a new life, becoming part of a new building, streets, facades or even a city, in the context of circular architecture and the Smart City concept. The case of the specimens based on polyurethane waste will be discussed in this paper, as partial substitutes in the composition of new building structures. Also, methods for characterization and testing of these new compositions will be discussed and evaluated.

Our article AI, cultural heritage, and bias examines the challenges and potential solutions for using machine learning to interpret and classify human memory and cultural heritage artifacts. We argue that bias is inherent in cultural heritage collections (CHCs) and their digital versions and that AI pipelines may amplify this bias. We hypothesise that effective AI methods require vast, well-annotated datasets with structured metadata, which CHCs often lack due to diverse digitisation practices and limited interconnectivity. This paper discusses the definition of bias in CHCs and other datasets, exploring how it stems from training data and insufficient humanities expertise in generative platforms. We conclude that scholarship, guidelines, and policies on AI and CHCs should address bias as both inherent and augmented by AI technologies. We recommend implementing bias mitigation techniques throughout the process, from collection to curation, to support meaningful curation, embrace diversity, and cater to future heritage audiences.

Abstract This study examines the impact of air pollution on Jordan’s cultural heritage sites, focusing on key pollutants (SO2, HNO3, O3, PM10) and climate conditions. Using 2019 data and future projections for 2040–2059 and 2080–2099, the research reveals significant material corrosion in urban areas like Amman and Irbid, driven by pollutants such as SO₂ and PM10. Random Forest Analysis identifies these pollutants as primary contributors to material degradation. Future scenarios indicate corrosion rates exceeding safe limits across Jordan, underscoring the need for proactive conservation strategies. This work highlights the critical role of air quality management in protecting cultural heritage, especially under climate change pressures, and provides guidance for national policy development.

Abstract With the rapid advancement of digital games, serious games have emerged as a significant medium for engaging with cultural heritage. As a primary visual element in cultural heritage, color plays a crucial role in users’ digital learning. However, there is currently a scarcity of serious game designs that specifically focus on cultural heritage colors, indicating potential for improvement in the user experience. To further enhance users’ perception of color and create a more engaging and enriching digital cultural heritage experience, this study proposes a virtual reality serious game (VR SG) design method specifically tailored to cultural heritage colors. Additionally, it explores the potential of VR SG in enhancing the education, entertainment, and dissemination aspects of these colors within cultural heritage. Specifically, we explore how to integrate relevant knowledge of cultural heritage colors into the application process of VR SG and assess users’ learning performance, engagement, and interactive willingness within these VR SG. The study employs the colors of the Dunhuang cave frescoes as a case study for design practice. A total of 30 participants took part in a between-group comparison experiment, utilizing a mixed-methods approach that combined quantitative and qualitative assessments to compare the performance of a VR SG with a VR exhibition game. The results indicate that both the VR SG and the VR exhibition game effectively enhance users’ understanding and retention of knowledge, with VR SG users demonstrating higher levels of task engagement, emotional engagement, willingness to explore, and willingness to share. This study confirms the potential of VR SG to enhance the education, entertainment, and dissemination aspects of cultural heritage colors and discusses the implications of VR SG in supporting digital cultural heritage experiences.

In recent decades, there has been a growing awareness of the importance and desirability of fostering the involvement of more actors, and in particular local communities, in the protection of cultural heritage. Since universities have long been asked to become promoters of actions aimed at increasing society’s general level of well-being through interventions with cultural, social, and educational implications via technology transfer and knowledge sharing, a mutual collaboration between different researchers of the Politecnico di Torino, public administrations, and local communities has been consolidated over the last few years to provide a proactive contribution to both the preservation of cultural heritage and the social and economic development of the territories. A new educational methodology with direct and mutual collaboration between teachers and students, local communities, and policymakers was tested. The experiences conducted so far testify to the university’s ability to fulfil its training, research, and “Third Mission” tasks, both by responding to the needs of the territory and by transmitting up-to-date work methodologies, disciplinary skills, attention to context, and dialogue with local communities. The work carried out, appreciated by citizens and municipal administration representatives, was able to provide hints and stimuli for new opportunities and actions to be undertaken, foreshadowing possible development trajectories of the contexts investigated.

Accurate documentation of the geometry of historical buildings presents a considerable challenge, especially when dealing with complex structures like the Metropolitan Cathedral of Valencia. Advanced technologies such as 3D laser scanning has enabled detailed spatial data capture. Still, efficient handling of this data remains challenging due to the volume and complexity of the information. This study explores the application of clustering techniques employing Machine Learning-based algorithms, such as DBSCAN and K-means, to automate the process of point cloud analysis and modelling, focusing on identifying and extracting floor plans. The proposed methodology includes data geo-referencing, culling points to reduce file size, and automated floor plan extraction through filtering and segmentation. This approach aims to streamline the documentation and modelling of historical buildings and enhance the accuracy of historical architectural surveys, significantly contributing to the preservation of cultural heritage by providing a more efficient and accurate method of data analysis.

Abstract This study describes the process of digitally reconstructing the ancient Korean city of Suwon Hwaseong in 3D utilizing Historic Building Information Modeling (HBIM) resources to accurately represent its wooden architectural heritage. Previous 3D reconstructions of cultural heritage have often prioritized appearance or remained partially disassembled. However, our reconstruction method offers a comprehensive representation of the appearance and the internal structure of wooden architectural heritage, which can be suitable for restoration maintenance. To ensure accuracy in digital restoration, we collected and utilized administrative records and historical materials, including the geography, fortress walls, folk houses, and Haenggung (the temporary palace of the Joseon Dynasty)—drawing from the archive of the Korean Cultural Heritage Service’s management records and the 1796 manuscript “Uigwe: Royal Protocols of the Hwaseong Fortress” which documents the construction of the ancient city of Suwon Hwaseong. Extensive architectural records were used to generate HBIM data, which digitized historical records, documents, and drawings to accurately represent the complex layout of the wooden architectural heritage. For the folk houses that lacked design records and the fortress walls that retained their original shape, we performed a digital restoration-based façade modeling. These elements of the ancient city of Suwon Hwaseong were assembled into a 3D model using Unreal Engine (version 5.1.1) to digitally reconstruct the city and enhance its visual representation. The digital restoration content, which utilizes visual effects and precise rendering from a game engine, can be used for the restoration, repair, and maintenance of both appearance and internal structures.

Abstract Museums, which are among the most popular science institutions outside schools, are usually used to display and introduce historical culture and cultural relics to tourists. Text and audio explanations are used by traditional museums to popularize historical knowledge and science for tourists, and general interactive systems are based on desktops. This learning method is relatively boring in terms of experience. As a result, tourists have no desire or interest in actively exploring and learning about bronze ware, so they only have a basic understanding about bronze ware. Since most tourists are familiar with games, they are more likely to be attracted by game content and will actively explore and interact with it. In addition, a certain degree of reality is created by virtual reality technology and an immersive experience through head-mounted devices is provided to users. In this paper, we take Chinese bronzes as the research objects. We first use 3D laser scanners to obtain bronze models ; then, we build a virtual museum environment, and we finally design a virtual reality curation game based on this bronze digital museum. This game offers visitors an immersive museum roaming and bronze ware interactive experience. Through a combination of text, video learning, and games, visitors’ curiosity and desire to explore bronze ware are stimulated, and their understanding and ability to remember bronze ware knowledge can be deepened. In terms of cultural heritage, this game is also conducive to the spread of traditional Chinese bronze culture throughout the world.

Traditional costumes and crafts are a basic form and element of local culture and a vital pathway for perpetuating traditional art and design culture. They are an artistic form of historical and cultural significance. This paper focuses on three traditional costumes from Malta, Ireland, and Finland. The għonnella, worn by Maltese women of different social classes, consisted of a voluminous cape-like covering reinforced with whalebone and cardboard and was worn over the head and shoulders, reaching ankle length. Irish costumes were adorned with beautiful Irish lace, crochet, and embroidery. Celtic embroidery was added to clothing to develop a distinctive Irish dress style during the great cultural revival of the early 20th century. The Karelian costume from Finland was constructed using wool and linen. Ladies in Karelia wore handcrafted, highly embroidered gowns, and traditions were passed down from older ladies, including mothers and grandmothers. These costumes were collected in the late nineteenth and early twentieth centuries when Finnish Karelia was known as ‘The Old Finland’. This paper delves into the origins of these costumes and how social and cultural events, with their intriguing influence, shaped their styles, features, colors, and fabrics.

The introduction of generative AI has the potential to radically transform various fields of research, including archaeology. This study explores the potential of generative AI, specifically ChatGPT, in developing a computer application for analyzing aerial and satellite images to detect archaeological anomalies. The main focus was not on developing the application itself but on evaluating ChatGPT’s effectiveness as an IT assistant for humanistic researchers. Starting with a simple prompt to analyze a multispectral orthophoto, the application was developed through successive iterations, improved through continuous interactions with ChatGPT. Various technical and methodological challenges were addressed, leading to the creation of a functional application with multiple features, including various analysis methods and tools. This process demonstrated how the use of large language models (LLMs) can break down the barriers between humanities and computer science disciplines, enabling researchers without programming skills to develop complex applications in a short time.

The reviewed work represents the first instalment of a comprehensive project aimed at studying the historical toponymy of Western Circassia. This volume focuses on the geographical names of the Abadzekhia region. Since many of these toponyms have fallen out of use, their documentation, analysis, and interpretation rely primarily on the study of 18th and 19th-century Russian documents, including military maps, historical and ethnographic texts, and military and topographic descriptions of the area. Additionally, the author incorporates folklore references to geographical features of Abadzekhia. In total, approximately one thousand toponyms, encompassing both natural features and oikonyms, have been identified and mapped onto a modern representation of the North-West Caucasus. The dictionary entries, arranged alphabetically, consolidate all known spelling variants of each toponym, facilitating their semiotic reconstruction. Given the linguistic differences between Russian and Adyghe (Circassian), reconstructing the original pronunciation and etymology of the toponyms presents challenges. To address this, the author identified and utilised over five hundred Adyghe topographical elements frequently found in local place names. The work employs data and methodologies from various disciplines — linguistics, folklore, history, geography, ethnography, and archaeology — lending it an interdisciplinary nature. The scholarly apparatus of the publication, particularly the compilation of documents and literature, holds intrinsic value, offering a concise history of Circassian toponymy and providing a comprehensive overview of the book’s source material. This publication will undoubtedly be of significant interest to specialists in Adyghe toponymy as well as to local historians and guides.

Many crowdsourcing and citizen science projects are conducted collaboratively by galleries, libraries, archives and museums (GLAMs) and research teams, and result in transcription data that could be helpful to blind and low vision users. Through usability and accessibility testing with blind and low vision scholarly users, we identify changes to GLAM systems and data sharing that can increase crowdsourcing, citizen science, and GLAM data discovery and utility for many blind and low vision users.

This paper focuses on the research object of Tunpu, a traditional village in the Anshun area. Through extensive field investigation and by superimposing and classifying various spatial morphological characteristics, three types of spatial morphology are proposed: cluster-like concentration type, zonal continuous type, and radiation-intensive type. Finally, based on the original characteristics of Tunpu, the natural regional environment, and habitat adaptation aspects, an analysis and summary are provided regarding the reasons for the formation of its spatial form and type differences. By comprehensively understanding the spatial form and type characteristics, this paper offers valuable insights for researching and preserving Tunpu traditional village in Anshun area.

Often, artists of all time periods have unintentionally crystallized in their works the image of landscapes distant in time; of those landscapes, sometimes only faint traces remain, adding to the collection of so-called indirect sources. In many cases, a critical analysis carried out using the comparative method of those iconographic sources allows the inference of the relevant information regarding the layout of places, the structures housed there, and the practice of arts and crafts, or about customs and habits (e.g., dressing, eating, etc.); it is possible to recompose the so-called ‘buried landscapes’ by combining it with, and thanks to, the substantial contributions of other disciplines (such as history, archaeology, and anthropology). This contribution shows the first outcomes of research carried out within the Ghibertiana Project by CHMlab of DIDA (UNIFI), which aims to analyze the ‘landscape characterised by cultivated areas’ from the Florentine countryside in the early fifteenth century. In particular, it is maintained that Lorenzo Ghiberti (Pelago, 1378–Florence, 1455), just like other contemporary artists, depicted territories and architectures he had first experienced in some of the ten bronze panels of the Gates of Paradise of the Baptistery of Florence. He described in great detail the flora, fauna, and anthropic structures of the extra moenia territory. The focus of the early stage of analysis and this contribution is mainly on shelters: temporary structures functional to agricultural work. The encouraging results obtained may give rise to new research on other Florentine landscape elements artfully chiseled in Ghiberti’s workshop.

Vernacular architecture offers valuable technological and typological solutions rooted in knowledge systems that connect environmental, social, economic, and cultural contexts. This paper introduces the Heritage for People Platform, a collaborative digital tool developed under the VerSus+ project (Creative Europe Program), aimed at organising and disseminating vernacular architectural knowledge with a focus on sustainable practices that are both culturally and environmentally conscious. The platform builds upon lessons learned from similar projects, offering key improvements such as the adoption of a Case-Based Reasoning methodology, which organises examples by geographic location, materials, and intervention types. A structured classification system based on sustainability principles and strategies enables cross-disciplinary research and comparison. The design process was highly participatory, incorporating user feedback at every stage to ensure the platform is accessible to a wide range of users, including designers, scholars, craftspeople, and the general public. A cross-device, user-centered approach further broadens its accessibility. The platform provides a public, web-based geospatial repository where users can create, update, and explore a dynamic collection of artefacts, design models, people, and institutions from across the globe. This tool marks a significant advance in promoting and preserving both physical and intangible heritage, with strong educational and practical applications for sustainable architecture. The paper details the theoretical framework and real-world potential of the platform as a critical resource for promoting sustainability in the built environment.

A country’s development is crucially determined by its cultural and natural heritage, and it is reflected in its industrial structure and its success in the global marketplace. The present paper looks at the global performance of tourism, comparing its performance measured by the Normalised Revealed Comparative Advantage (NRCA) index to the components of natural and cultural heritage, analysing 117 countries of the world. Natural and cultural heritage indicators were derived from the tourism competitiveness reports of the World Economic Forum for the years 2011–2013–2015–2017–2019–2022. Panel regression analysis was applied, with NRCA as the dependent variable and eight indicators of natural and cultural heritage as independent variables, comparing regions of the world. The main findings show considerably differing patterns between regions; Europe and Eurasia being similar to the Americas, with decreasing competitive advantage associated with more focus on endangered species and observance of environmental treaties, while the Middle East and North Africa show a strongly opposite pattern. Cultural heritage has a positive impact only in Sub-Saharan Africa, while Asia and the Pacific benefit mainly from the increase of protected areas and abundance of species. These differences shed light on differences in tourism competitiveness in the global market and may guide policymakers towards utilising heritage items for improving tourism performance.

Recently, Virtual Reality (VR) has witnessed remarkable growth across various fields, such as education, gaming, and entertainment. In the cultural heritage domain, VR has demonstrated its significance by enabling digital reconstructions of buildings and objects. It allows the public to access virtual representations, interpreting and disseminating cultural heritage through virtual visual storytelling experiences. Despite its potential, VR remains underutilized in the cultural field. By leveraging VR’s extensive capabilities alongside on-site experiences, it offers a comprehensive exploration of architectural and museum environments, becoming a versatile tool for interpretation, learning, and knowledge dissemination. VR introduces innovative paradigms like proxemics, interactivity, and immersion in entirely new digital worlds. The study conducts an in-depth analysis of this ever-evolving technology, with a focus on its applications in two significant case studies: the Museo Egizio of Torino and the Basilica of Sant’Ambrogio in Milano. The investigation critically assess VR’s effectiveness, highlighting its potential to implement visitors’ experience and improve knowledge dissemination of both tangible and intangible aspects embedded in museums’ collections and historical buildings.

In Anatolia, where traditional lifestyles have been maintained for centuries, there are many traditional tangible or intangible elements that communities have developed and kept alive with their own culture and teachings. With the changing lifestyles due to globalization and technological developments, the fact that these elements are subject to change, deterioration and are under threat of extinction are current and frequently discussed issues. In this context, corruption can be prevented by documenting the unique features of clothing products, which are among our tangible/material cultural heritage, and will contribute to strengthening cultural awareness by transferring them to the future. In this study, it was aimed to determine the formal characteristics of the traditional women’s clothing of Çanakkale Karıncalık Village Tahtacı Turkmens. During the field study, direct observations were made by the researchers, source people were interviewed with a structured interview form, data on Tahtacı Turkmen clothing was determined and 12 original clothes were included in the scope of the research. Formal drawings of the clothes grouped under the title of those worn on the body and the head were made, and each piece of clothing was examined in terms of form, material, color and ornamentation features according to the field systematics, and the changes they underwent were interpreted, supported by the information obtained from the source persons. According to the results of the research, it has been seen that these clothes are used for nostalgic or cultural purposes on special occasions today, that the clothing pieces are the main pieces that make up the layered clothing style used by women in Turkish folk clothing, and that they reflect the basic characteristics of Turkish folk clothing with their cutting features. According to the results of the research, it has been seen that these clothes are used for nostalgic or cultural purposes on special occasions today, that the clothing pieces are the main pieces that make up the layered clothing style used by women in Turkish folk clothing, and that they reflect the basic characteristics of Turkish folk clothing with their cutting features. It has been determined that people’s wishes are effective in the changes in the clothes produced today and since the changes are accepted as a feature specific to the region, corruption continues.

Abstract The spatiotemporal distribution characteristics of cultural heritage reveal the trajectory of human activity changes, and a deep analysis of its natural and cultural factors holds significant reference value for the overall conservation and management of cultural heritages. This study focuses on the cultural heritage at the provincial level and above in Fujian, utilizing GIS spatial analysis to explore the spatiotemporal evolution of cultural heritages and their natural and human influencing factors. The research findings are as follows: (1) The distribution of cultural heritage in Fujian exhibits a clustering pattern, with dense areas transitioning from the upstream regions of the prehistoric and pre-Qin periods to the eastern coastal areas gradually. (2) The Ming and Qing dynasties have the highest number of cultural heritages, with the type of heritage transitioning from ancient sites in the early periods to ancient architecture, and in modern times, mainly important historical sites and representative architectural heritages. (3) The overall centroid coordinates of cultural heritage reveal a shift from the northern part of Fujian to the eastern and southern parts. (4) Natural factors significantly influence the distribution of cultural heritage, with a higher concentration in plain and hilly areas, on slight slopes with gradients between 0.5° and 2.0°, and on the southern and southeastern slopes, especially within a 1-kilometer radius of rivers. (5) The creation of cultural heritage during historical periods is closely linked to the regional history, culture, political, and economic environments. The positive development of these socio-cultural factors has a promotional effect on the quantity of cultural heritage. This study demonstrates the utility and applicability of GIS spatial analysis techniques in cultural heritage research, providing a methodological framework that can be adapted and applied internationally. The findings offer insightful data that can inform targeted conservation and development strategies for cultural heritage, ensuring their effective preservation and sustainable management across different regions.

This paper explores the symbiotic relationship between placemaking and the authenticity of traditional architecture in the realm of city branding, using Surakarta City in Indonesia as a pivotal case study. It posits that the conscious integration of placemaking initiatives with the preservation and celebration of traditional architectural authenticity can significantly amplify any city’s brand identity, rendering it distinct and resonant on the global scale. Surakarta, with its rich cultural heritage and commitment to preserving Javanese architectural motifs, exemplifies how traditional elements can coalesce with contemporary urban development strategies to foster a sense of place and community identity. Through a qualitative analysis of Surakarta’s urban planning and community engagement practices, this study underscores the transformative impact of authentic architectural preservation in placemaking processes. The findings suggest that such an approach not only enhances the aesthetic and cultural landscape of cities but also strengthens their branding, attracting tourism and investment by offering a unique narrative. The paper concludes with strategic recommendations for urban policymakers and planners, advocating for a balanced integration of cultural authenticity and innovative placemaking to achieve sustainable and impactful city branding. This study contributes to the broader discourse on urban development, highlighting the indispensable role of architectural authenticity in crafting compelling city narratives.

This research explores the potential of gastronomic tourism in the Lake Toba region of Indonesia, focusing on the unique culinary identity and traditions of the Batak tribe. Batak culinary practices are firmly rooted in local traditions and environmental conditions, with major traditional foods and drinks such as Tuak, Na Niura, and Mie Gomak having strong cultural values. Currently, Lake Toba gastronomic tourism has not become a leading tourism destination. The purpose of this study is to examine how environmental and cultural factors affect local cuisine and beverages in the Lake Toba region and to identify challenges and opportunities in promoting these gastronomic assets effectively. This qualitative research uses interviews, observations, and documentation to collect data. Key stakeholders, including local business owners and Batak cultural experts were interviewed using non-probability snowball sampling to gain comprehensive insights into the region's culinary identity. The results of the study highlight the cultural significance and potential tourist attraction of traditional Batak food and beverages. However, challenges such as tourists' lack of knowledge about local cuisine were identified. The study shows that a more structured and strategic approach, including annual food festivals and culinary tours, is needed to increase the demand for Lake Toba's Gatronomi tourism. This study underscores the need for an annual Lake Toba Gastronomy festival to utilize local culinary heritage, thereby increasing cultural preservation and tourism development in the Lake Toba region.

The ID10 beamline of the SESAME (Synchrotron-light for Experimental Science and Applications in the Middle East) synchrotron light source in Jordan was inaugurated in June 2023 and is now open to scientific users. The beamline, which was designed and installed within the European Horizon 2020 project BEAmline for Tomography at SESAME (BEATS), provides full-field X-ray radiography and microtomography imaging with monochromatic or polychromatic X-rays up to photon energies of 100 keV. The photon source generated by a 2.9 T wavelength shifter with variable gap, and a double-multilayer monochromator system allow versatile application for experiments requiring either an X-ray beam with high intensity and flux, and/or a partially spatial coherent beam for phase-contrast applications. Sample manipulation and X-ray detection systems are designed to allow scanning samples with different size, weight and material, providing image voxel sizes from 13 µm down to 0.33 µm. A state-of-the-art computing infrastructure for data collection, three-dimensional (3D) image reconstruction and data analysis allows the visualization and exploration of results online within a few seconds from the completion of a scan. Insights from 3D X-ray imaging are key to the investigation of specimens from archaeology and cultural heritage, biology and health sciences, materials science and engineering, earth, environmental sciences and more. Microtomography scans and preliminary results obtained at the beamline demonstrate that the new beamline ID10-BEATS expands significantly the range of scientific applications that can be targeted at SESAME.

Cultural heritage gives places meaning and an atmosphere called genius loci based on tangible and intangible values. Nowadays, we can observe a commercial and consumerist approach to the spirit of place: it is used as a promotional tool and a tourism product, reduced to a cliché satisfying popular consumers tastes. The aim of this study is to identify the values which determine the identity of a place and the dangers they face, trying to answer the question: how can genius loci be protected? We analyse the problem based on the example of selected open-air museums at defensive castles in Poland’s Jurassic Belt. These museums have become a field of commercial entertainment and fallen victim to irreversible transformations.

The Road of Tang Poetry in Eastern Zhejiang is a cultural route where nature and culture harmoniously intertwine. Mountain-type scenic areas play a vital role in providing core cultural ecosystem services (CES). To investigate the significance and distribution of landscape resources along the Poetry Road, a preliminary study was conducted in the densely concentrated areas of Shaoxing, Taizhou, and Ningbo. From these regions, six representative mountain-type scenic areas were selected for the research: Kuaiji Mountain, Qinwang Mountain, Wanwei Mountain, Tianmu Mountain, Tiantai Mountain, and Xuedou Mountain. Based on their designation status, these areas were categorized into national and non-national scenic areas. The research employed a combination of online and offline questionnaires, as well as semi-structured interviews. An importance-performance analysis (IPA) was introduced, and SPSS software was utilized to conduct U-tests on the statistical results. This analysis aimed to compare the differences in importance and performance of CES among the various mountain-type scenic areas. Furthermore, an overall evaluation of CES for the mountain-type scenic area was carried out using an optimization demand zoning approach, involving categories such as “Keeping up the good job”, “Concentrate here”, “Possible overkill”, and “Low priority”. Additionally, a comparative analysis was conducted between the two types of mountain-type scenic areas, considering aspects like aesthetic value, leisure tourism, cultural diversity, and nature education. The findings indicate that the overall importance of the core CES provided by mountain-type scenic areas significantly exceeds the performance score, implying that public expectations for these sites surpass the actual experience. Notably, the distinction between the two types of mountain-type scenic areas, national and non-national, lies primarily in their performance. Among the evaluation subcomponents, respondents’ perceptions are notably influenced by natural resource advantages, architectural style, recreation offerings, site iconicity, and historical heritage and preservation. The abundance of cultural activities emerges as a crucial factor contributing to the substantial performance disparity between the two types of scenic areas, underscoring the significant impact of cultural heritage on the development imbalance in mountain-type region. Furthermore, cultural heritage plays a pivotal role in promoting the establishment and enhancing the competitiveness and identity of mountain-type scenic areas. Consequently, prioritizing the protection and utilization of non-national mountain-type scenic areas cultural heritage can effectively elevate the level of CES supply and meet the demand in mountain-type scenic areas. The IPA has promoted the CES performance of mountain-type scenic areas to be closer to its importance, thereby fostering a more balanced CES of the Road of Tang Poetry in Eastern Zhejiang.