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The article discusses the use of telephoto and super telephoto lenses in event videography. Telephoto lens zoom lengths are given including the 70 to 200 millimeter zooms available in f/2.8 and f/4 models while super telephoto zoom lengths come in 500, 600 and 800 millimeter options. The use of tight shots or close-ups in videography to create the best visual impact is described, such as creating strong emotional reactions from the audience. The disadvantages of using long telephoto lens are enumerated including handholding difficulty in lower lighting.

The article offers information on medium telephoto lenses. Ranging from sizes of 75 millimeters (mm) to approximately 135 mm, these lenses have mostly prime fixed focal length. The advantages of using these type of lenses include proportionality of classic portraiture, superior isolation of a person or object that are not too distant and creation of a characteristically tight, cinematic look.

The article focuses on camera lenses that could be used to achieve the cinematic look as the bokeh art is over. Several tips to have the best shoots include using the best video tripod, having a Steadicam-type gear when moving around and switching between stills and video. Classification of camera lenses include the wide, normal and telephoto while primes include the zoom and focal-length lenses and progressive zooms start with higher f-stop. Standard lenses are considered best as they auto-focus quickly.

Features the Precision Focus Assist system, a camera lens that addresses the precise focused issues in high definition production stemming from the format's shallow depth of focus from Fujinon Optical Inc. in the U.S. Application of the device in subject distance focusing; Depth of modulation produced by the device; Integration of the optical path difference signal in the design of the lens.

The article offers information on the Sigma 120-300MM F/2.8 DG OS HSM telephotograph glass from Sigma.

When you hire a detective, sometimes you find out things you don't want to know. That's true of smart power meters just as much as it is for the traditional gumshoe and telephoto lens variety. [ABSTRACT FROM AUTHOR]

The article offers brief information on several products related to broadcasting including MixPre-D portable audio mixer from Sound Devices LLC, FK-30-300 telephoto cine zoom lens from Canon Inc., and fiber-optic connector from Optical Cable Corp.

The article discusses telephoto lenses used on cameras, their components and functions, and technical specifications using the Tamron SP 70-300mm telephoto lens as an example. Lens specifications including focal length, aperture range, and weight are noted. Lens options discussed include light-gathering, extra-low-dispersion, and low-dispersion lenses.

The article offers brief information on several products related to hiking including the boots Ranger II Active GTX from Scarpa, the telephoto lenses Nikon 400mm f/2.8E VR FL from Nikon and the pro digital single-lens reflex (DSLR) cameras D5 from Nikon.

The article offers information on the Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR telephoto lense from photography equipment provider Fujifilm Corp. and details the specifications of the photography lens.

The article offers brief information on telephoto lens 50mm f/1.2 AS UMC from Rokinon.

The article offers information on cameras including the Lumix DMC-ZS50K from Panasonic, the EOS Rebel T5i digital single-lens reflex (DSLR) camera from Canon, and telephoto lenses from Moment.

The article presents information on the features of the lens of digital single-lens reflex (DSLR) camera. A lens's focal length, represented in millimeters, is the distance between the rear element of the lens and the focal plane, where the parallel beams of light entering a lens converge to a point. The focal length determines the lens's viewing angle, the shorter the focal length, the wider the field of view, and the more of a scene a camera can capture. The aperture is one of the mechanisms that control the amount of light that passes through the lens to the image sensor. The speed of a lens is described by its maximum aperture. The lens included with many DSLR kits takes one from a moderate wide-angle view to a slight telephoto.

This article describes several features and points to consider when buying digital single-lens reflex (D-SLR) cameras. As compared to point-and-shoot cameras, D-SLR cameras are considered more beneficial because they allow photographers to have control over the image that they wanted to capture. The exposure controls of a camera allows a user to manually control the aperture and shutter speed. Most D-SLR cameras offer limited optical zoom, which changes the focal lengths of the camera lens. It is advisable for camera users who are interested in macro photography to purchase a telephoto lens, which will be sold separately. Other significant considerations included the image sensors, megapixels and resolution.

The article evaluates the 1.5x Tele Converter designed for the lenses of compact high-definition camcorders, from 16x9 Inc.

Offers advice on how to take good photographs of children. Experimentation with camera angles; Ways to keep a photo shoot interesting for a child; Use of a telephoto lens; Lighting and ISO settings; Taking portraits of a parent and child.

Suggests several camera lenses. Zuiko Digital ED 7-14mm f/4 from Olympus; EF-S 10-22mm f/3.5-4.5 USM from Canon; 30mm f/1.4 EX DC HSM from Sigma. INSETS: BABY SOFT;OTHERS WE LIKE.

Discusses the usefulness of supplementary lenses for digital cameras. Solution to the lack of interchangeable lenses in point-and-shoot; Supplementary lenses for the Samsung Digimax V50 camera; Samsung's SCL-T3755 Telephoto Conversion Lens; Samsung's SCL-W3755 Wide Conversion Lens. INSET: FOCAL LENGTH COMPARISON..

Presents photography tips during parties and entertainment occasions. Suggestion to take pictures before, during and after the event to capture the occasion's essence; Suitability of the telephoto lens for photographing event details; Importance of using the surrounding features when taking group portraits; Strategies for indoor and outdoor shooting; Recommendation to take candid shots; Ideal photography equipment and settings.

Presents information on the single-lens reflex (SLR) digital cameras. Concept behind the design of digital SLR; Difference of the focal lengths between the 35 millimeter and digital film cameras; Ability of several digital cameras to foster a modest telephoto effect; Efforts of several digital camera manufacturers to start marketing specific digital camera lenses.

Focuses on telephoto lenses when taking photographs of wildlife. Closure of the distance between the photographer and the subjects; Difference of telephoto lenses from camera lenses; Classification of telephoto lenses; Options and price ranges.

Discusses facts about wildlife photography in the U.S. Benefits of using telephoto lenses for cameras; Selection of locations ideal for wildlife photography; Preparations for taking photographs.

Introduces several photography equipment as of October 2001. Ultra-telephoto zoom lens from Tamron; Reefmaster CL underwater camera from Scientifics; PrimeFilm 1800 Silver film scanner from Pacific Image Electronics Inc.; Photographic greeting cards from DreamGraphics; Special-effects filter from Tiffen Co.

The article evaluates the Tamron SP 70-300 mm f/4-5.6 Di Ultrasonic Drive (USD) Vibration Compensation (VC) telephoto zoom lens.

The article evaluates the Nikon AF-S 105mm f/2.8 G IF ED VR telephoto lens.

The article evaluates the Canon EF 50mm f/1.4 USM telephoto lens.

The article evaluates the Sigma 50mm f/1.4 DG HSM/A telephoto lens.

The article evaluates the Sigma 150-600 mm f/5-6.3 Digital (DG) Optical Stabilizer (OS) Hyper Sonic Motor/Sport (HSM/S) telephoto zoom lens.

The article evaluates the Sigma 70-300 mm f/4-5.6 Digital (DG) Apochromatioc (APO) Macro telephoto zoom lens.

The article evaluates the Sigma 70-300 mm f/4-5.6 DG Macro telephoto zoom lens.

The article evaluates several camera lenses from Nikon including the Autofocus-Silent wave (AF-S) Nikkor 24 mm F/1.8G Extra-Low Dispersion (ED) lens, the AF-Nikkor 24-70 mm F/2.8E ED Vibration Reduction (VR) lens, and the AF-S Nikkor 200-500 mm F/5.6E ED VR lens.

The article presents a press release offering previews of the UA22x8 portable zoom lens and UA80X9 field lens in Fujifilm North America Corp.'s 4K Ultra HD Series.

The article presents questions and answers related to telephoto lenses is shown including definition of Apo lens, low cost mirror lenses and the role of focal length raise in affecting the maximum aperture of the lenses.

The article presents photography ideas for different seasons such as the quality of light, sunrises, using a telephoto lens to capture mist, and tips for capturing seasonal portraits.

Deals with the techniques in photographing fairs. Subjects of the photographs ; Use of a telephoto setting; Where to photograph subjects; Use of shutter speed; Information on the panning technique.

Focuses on the Sigma APO 70-200mm f/2.8 EX Hyper Sonic Motor (HSM) telephoto zoom for Canon EOS, Sigma and Nikon AF 35mm single-lens reflex (SLR) from Sigma Corp. Features and specifications of the product; Information on the test conducted on the product.

In this article, the author offers tips for photography in the national parks. The tips discussed include the use of telephotos from the company Canon for wildlife photography in Lake Clark National Park in Alaska, the use of wide-angle or telephoto lens for landscape and close-view photography, and change of camera settings for photography on foggy or overcast days.

The article presents an evaluation of the Tamron 14-150mm (millimeter) f/3.5-5.8 D1 III all-in-one camera lens for Micro Four Thirds cameras, and includes information on its lack of optical stabilization, its wide-to-long telephoto zoom, and the design of the lens.

The article offers brief information on the wildlife photography kit including a Telephoto, Tripod and Teleconverters.

The article previews the 16-300 millimeter f/3.5-6.3 Di II VC PZD MACRO superzoom lens, and 28-300 millimeter f/3.5-6.3 Di VC PZD superzoom lens from Tamron.

The article presents an evaluation of Sigma camera lens company's 24-105MM (millimeter) F/4 DG OS HSM wide-angle to medium telephoto zoom lens based on tests by "Popular Photography" as of February 2014, with topics including the design of the lens, its price, and its subject quality factor (SQR).

The article offers information on Olloclip's telephoto lens for capturing close-up photographs or videos.

In this article, the author offers suggestions on how to capture photographs in national parks. Topics discussed include importance of scale for a photographer which helps to capture entire dimensions of the scene, change in perspective that can be brought by capturing photographs from different lenses such as telephoto lenses and wide-angle lenses which are also used by portrait photographers, and creating a connection with the photograph which is the main outcome of the photography.

The article talks about telephoto lens use for landscape photos. Though using a telephoto lens for a landscape sounds kind of odd, a telephoto or zoom-telephoto lens is good for wildlife and sports images. A Internet blog has driven the author to change his mind about minimal use of his Canon 70-200 millimeter (mm) zoom. The 70-200 zoom is used by the author as much as he would his other lenses. The secret to capturing an inspiring landscape using a telephoto is explained.

A letter to the editor is presented in response to the cover of the September 2012 issue.

The article reviews several iPhone 4/4S lenses from Vtec, including 12 x telephoto lens, fisheye lens, and wide-angle lens.

The article provides information on how to use a 50 millimeter camera lens as a macro lens or as a telephoto lens. The author examines the quality of images taken using the techniques, aperture controls, and products which can be used including reverse ring adapters, extension tubes, and the Opteka 2.2x telephoto lens adapter.