Search

Your search keyword '"Sugranes, A."' showing total 405 results

Search Constraints

Start Over You searched for: Author "Sugranes, A." Remove constraint Author: "Sugranes, A."
405 results on '"Sugranes, A."'

Search Results

103. INFORMA: IBM's approach

104. Cerdanya basin geometry and its implication on the Neocene evolution of the Eastern Pyrenees

106. Evaluation of a Self-Paced Bibliographic Instruction Course

110. Departmental recital hour : Strings

111. General recital hour

112. Departmental recital hour : Strings

113. Peggy Mayer, harp [and] Ismael Sugranes, cello

114. Departmental recital hour : Strings

115. General recital hour

116. Ismael Sugranes, violoncello

117. Classical Guitar Ensemble

118. Departmental recital hour : Strings, guitar

120. From Interactive Digs to International Archaeology Day and Listening Sessions: Engaging Audiences Through the AIA’s Virtual Programs and Digital Outreach

121. The HERISTEM (STEM in Heritage Sciences) Project: Communicating Archaeology During the Pandemic

122. Discovering the Past of Switzerland Through Archaeological Sites, an Archaeotourism Project Using Digital Communication

123. Design for Science: A Cross-Disciplinary Approach to Disseminate Archaeology Online

124. The Digital Evolution of Interpretation and Destination Development at Archaeological World Heritage Sites: The Example of the Augtraveler Platform in India

125. 'They Move!' New Ways of Engaging Rock Art with Visitors at the Coa Museum, Portugal

126. From Ancient Corinth to Every Corner of the World: Teaching Archaeology Through Virtual Field Trips and Flipgrid Topics

127. A Historical Approach to Public Representation of Preventive Archaeology: The Case of the Regional French-Speaking Press of Switzerland

128. A Video Game-Based Learning Approach to Archaeological Knowledge: The Case of ‘Ancestors: Stories of Atapuerca’

129. Why Archaeology Matters? Digging Up Archaeology’s Role in Modern Societies: The ONLAAH: Online Learning on African Archaeology and Heritage Project. Engaging a New Generation of Researchers and the Public into African Archaeology

130. Ullastret 3D: Communicating an Archaeological Site to the Wider Public Through Storytelling, Immersion, and Virtual Reality

131. Introduction: From In-person to Virtual: Archaeology Moves Online

132. Which Tool for Which Fiber? Experimental Spinning Tests Using Bone, Glass and Amber Instruments

133. Residues of Activities: Towards an Analytical Protocol for Studying Residues on Textile Tools

134. Revealing the Unknown: How Multi-technical Approach Can Be Crucial in Identification of Dyes and Protein in Archeological Remains

135. The Effects of Carbonisation on the Morphology of Textile Fibres: Comparison Between Modern and Ancient Materials—The Example of Pompeii

136. Radiocarbon for the Dating of Fibres and Textiles: The Case Study of a Silk Knitted Fabric from Pompeii

137. Multi-analytical Approach for the Characterisation of Ancient Mineral Fibres: Tracing the Use of Asbestos in the Italic Peninsula

138. Using Scanning Electron Microscopy for the Study of Mineralised Textiles: The Case of Roman Venetia

139. Introduction: Towards Multidisciplinary Trajectories for the Study of Ancient Textiles and Fibres

140. A Button, a Hook and a Rug Paper Wrapping: Identifying Plant Fibre Finds from Hailuoto, Finland

141. Resolving the Mystery of the 2000-Year-Old Net Found in the 'Cave of Letters'

142. Slow Science But Fast Forward: The Political Economy of Rock Art Research in A Globalized World

143. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation

144. '… And Those Who Expect to Return to the Source Will Find Fog': Resonances of Prehistory in Modern Art

145. Understanding Rock Art: What Neuroscience Can Add

146. Regional Reponses to Global Climate Change: Exploring Anthropomorphic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe During the Late and Terminal Pleistocene

147. Replicated Temporality. Time, Originality, and Rock Art Replicas

148. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World

149. Local—National—Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony

150. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa

Catalog

Books, media, physical & digital resources