405 results on '"Sugranes, A."'
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102. Changes in Morphometry and Elemental Composition of Robinia pseudoacacia Pulvinar Motor Cells During Leaflet Movements
103. INFORMA: IBM's approach
104. Cerdanya basin geometry and its implication on the Neocene evolution of the Eastern Pyrenees
105. Gravity and compressive nappes in the central southern Pyrenees (Spain)
106. Evaluation of a Self-Paced Bibliographic Instruction Course
107. Poster 343: Sexuality and Urinary Incontinence Among 143 Patients With Spina Bifida: A Randomly Prospective Study
108. Cirugía coronaria sin circulación extracorpórea y estabilizador cardíaco Octopus®
109. Cerdanya basin geometry and its implication on the Neocene evolution of the Eastern Pyrenees
110. Departmental recital hour : Strings
111. General recital hour
112. Departmental recital hour : Strings
113. Peggy Mayer, harp [and] Ismael Sugranes, cello
114. Departmental recital hour : Strings
115. General recital hour
116. Ismael Sugranes, violoncello
117. Classical Guitar Ensemble
118. Departmental recital hour : Strings, guitar
119. Gravity and compressive nappes in the central southern Pyrenees (Spain)
120. From Interactive Digs to International Archaeology Day and Listening Sessions: Engaging Audiences Through the AIA’s Virtual Programs and Digital Outreach
121. The HERISTEM (STEM in Heritage Sciences) Project: Communicating Archaeology During the Pandemic
122. Discovering the Past of Switzerland Through Archaeological Sites, an Archaeotourism Project Using Digital Communication
123. Design for Science: A Cross-Disciplinary Approach to Disseminate Archaeology Online
124. The Digital Evolution of Interpretation and Destination Development at Archaeological World Heritage Sites: The Example of the Augtraveler Platform in India
125. 'They Move!' New Ways of Engaging Rock Art with Visitors at the Coa Museum, Portugal
126. From Ancient Corinth to Every Corner of the World: Teaching Archaeology Through Virtual Field Trips and Flipgrid Topics
127. A Historical Approach to Public Representation of Preventive Archaeology: The Case of the Regional French-Speaking Press of Switzerland
128. A Video Game-Based Learning Approach to Archaeological Knowledge: The Case of ‘Ancestors: Stories of Atapuerca’
129. Why Archaeology Matters? Digging Up Archaeology’s Role in Modern Societies: The ONLAAH: Online Learning on African Archaeology and Heritage Project. Engaging a New Generation of Researchers and the Public into African Archaeology
130. Ullastret 3D: Communicating an Archaeological Site to the Wider Public Through Storytelling, Immersion, and Virtual Reality
131. Introduction: From In-person to Virtual: Archaeology Moves Online
132. Which Tool for Which Fiber? Experimental Spinning Tests Using Bone, Glass and Amber Instruments
133. Residues of Activities: Towards an Analytical Protocol for Studying Residues on Textile Tools
134. Revealing the Unknown: How Multi-technical Approach Can Be Crucial in Identification of Dyes and Protein in Archeological Remains
135. The Effects of Carbonisation on the Morphology of Textile Fibres: Comparison Between Modern and Ancient Materials—The Example of Pompeii
136. Radiocarbon for the Dating of Fibres and Textiles: The Case Study of a Silk Knitted Fabric from Pompeii
137. Multi-analytical Approach for the Characterisation of Ancient Mineral Fibres: Tracing the Use of Asbestos in the Italic Peninsula
138. Using Scanning Electron Microscopy for the Study of Mineralised Textiles: The Case of Roman Venetia
139. Introduction: Towards Multidisciplinary Trajectories for the Study of Ancient Textiles and Fibres
140. A Button, a Hook and a Rug Paper Wrapping: Identifying Plant Fibre Finds from Hailuoto, Finland
141. Resolving the Mystery of the 2000-Year-Old Net Found in the 'Cave of Letters'
142. Slow Science But Fast Forward: The Political Economy of Rock Art Research in A Globalized World
143. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation
144. '… And Those Who Expect to Return to the Source Will Find Fog': Resonances of Prehistory in Modern Art
145. Understanding Rock Art: What Neuroscience Can Add
146. Regional Reponses to Global Climate Change: Exploring Anthropomorphic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe During the Late and Terminal Pleistocene
147. Replicated Temporality. Time, Originality, and Rock Art Replicas
148. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World
149. Local—National—Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony
150. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa
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