675 results on '"Millard, Rosie"'
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102. So, what would you burn? When fire swept through an east London warehouse in May, it turned art into ash. Some mourned the losses, but others couldn't hide their glee
103. Still defying the taste police
104. Estate agents: they also serve who only lie
105. Anthems for Essex: Spandau Ballet's Gary Kemp still thinks of himself as an aspirational kid--but don't call him a Thatcherite
106. Making friends in the north
107. Nudes under wraps
108. LIFE, LIKE.
109. Lighten up, professor
110. Like scaling Everest
111. Picture imperfect
112. Heston's new service
113. Masai warriors, non-doms and Rick Astley
114. Joy to the world: this is a great Christmas for family theatre--and not just for the children
115. The never-ending story: this minimalist play about a journalist comes across as dull, not innovative
116. Desperately seeking the exit: Blondie's sleek, sophisticated pop has no place in this cynical production
117. Get ready for lift-off: French soldiers fly high above King Hal in the RSC's latest production
118. An inconvenient truth: Rwandan actors force us to confront our responsibility for genocide
119. On the other end of the phone: this quirky play set in a call centre captures the grind of a dead-end job
120. Back to the drawing board: on stage, Alex remains as sketchy as the comic strip that inspired it
121. Catch it while you can: this Restoration comedy about syphilis is too nasty to be relevant today
122. Who's afraid of the dark? An interactive adaptation of Poe's stories is not for the faint-hearted
123. Bloody, bold and resolute: Patrick Stewart shines as Macbeth, but this is more than a one-man show
124. Odds and endgames: five short Beckett plays are great fun for enthusiasts--but not for anyone else
125. An American tragedy: Clifford Odets's tale of Depression-era hardship feels dated and creaky
126. In the name of the mother: Almodovar's film classic retains its unconventional power on the stage
127. The great dictator: superb acting and stage design boost this tale of a brutal ruler's downfall
128. The phoney revolution: British political history isn't quite brought to life, but it's a valiant effort
129. Middle England's dirty secret: Ayckbourn hides unpleasant truths under a shiny veneer of humour
130. Making a song and dance about it: Royal Festival Hall reopens with a breathtaking version of Carmen Jones
131. The crying game: a woman's lonely search for happiness mirrors the author's real-life tragedy
132. Publish and be damned: literary agents are selfish and grasping? Tell us something we don't know
133. Far from heavenly: top fringe venue hits a wrong note with this simplistic mystery play
134. Saints and sinners: Shaw's feminist icon is brought to life by the opportunists who surround her
135. Yankee doodles dandy: a quirky double bill takes satirical swipes at everyday American culture
136. No more Mr Nice Guy: not even David Suchet can rescue this dull tale of Catholic intrigue
137. Could it be magic? A cynical, silly version of Tolkien's fantasy is for obsessives only
138. Heart of darkness: the Old Vic has returned to form with a disturbing Victorian thriller
139. The end of the affair: thirty years on, Pinter's study of adultery remains as poignant as ever
140. Taking on the Jewish shtick: well-meaning folksiness isn't good enough for dealing with anti-Semitism
141. Shakespeare by numbers: a straightforward period production evokes memories of A-level English
142. In pursuit of the American dream: moody tale of black lives in Depression-era Chicago tries to tell too big a story
143. The man who fell to earth: A bitter-sweet play about mortality lies behind this elaborate production
144. You're not swinging any more: a timid production fails to capture the tension and the thrill of 1950s London
145. Laughter to raise the raftas: the Indian family has become the ideal template for British domestic drama
146. A change for the worse: The menopause is reduced to songs about hot flushes in a lightweight show
147. Tailor-made for the stage: bewitchingly real adaptation finds humanity amid the chaos of 1970s India
148. Through the looking-glass: a remarkable production takes us into the world of mental illness
149. They call it puppet love: one of the Bard's lesser-known works is vividly brought to life by marionettes
150. The battle is won, but the struggle goes on: two plays prove there's life after apartheid for South African drama
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