Search

‘ As a boy Tony had drawn maps and diagrams and medieval battle scenes. He'd read fairy tales and been enchanted by local sites of Maori history. As a young man he was a vagrant on the streets of Paris, was twice imprisoned, spent time in a mental hospital, battled destructive addictions, and experienced unrequited love and loneliness. All of this would become the underworld of his art, the subterranean realm where he could dwell so as to create work that expressed something of the human condition. But it was always far wider than just his own story. Endlessly curious about Pacific and Maori history and art, and enchanted by European Renaissance art, he wanted to find a new visual language for what it meant to live in the Pacific; he wanted to make room at the back of our heads.'— From the introduction by the authorIn a career spanning three decades, Tony Fomison (1939 - 1990) produced some of New Zealand's most artistically and culturally significant paintings and drawings, the backdrop of which was a life - inseparable from his art - of enduring intrigue.A man of multitudes and a self-perceived outsider, Fomison was a son, sibling and lover; activist, archaeologist and scholar; trickster, addict and disrupter; and - above all else - an artist who shed light on the human condition and reimagined life in Aotearoa.In this compelling biography, developed over more than a decade, Mark Forman draws on archival material and interviews with more than 150 people including Fomison's family and close friends, leading contemporary artists, political activists, and art professionals. The result is a comprehensive yet lively and accessible biography that reveals the man and his art to a new generation of readers.

While the impacts of Irish emigration to America following the Great Famine of 1845–1852 have been well studied, comparatively little scholarly attention has been paid to the effects of reverse migration on Irish culture, society, and politics. Inspired by the work of historian David P. B. Fitzpatrick (1948–2019) and forming a companion to his final published work The Americanisation of Ireland: Migration and Settlement 1841–1925 (Cambridge, 2019), this volume explores the influence of America in shaping Ireland's modernisation and globalisation. The essays use the concept of Americanisation to explore interdisciplinary themes of material culture, marketing, religion, politics, literature, cinema, music, and folklore. America in Ireland reveals a late nineteenth and early twentieth-century Irish society that was more cosmopolitan than previously assumed, in which'Returned Yanks'brought home new-fangled notions of behaviour and activities and introduced their families to American products, culture and speech. In doing so, this book demonstrates the value of a transnational and global perspective for understanding Ireland's history.

The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages.

The primary objective of Reinforced Concrete Design, 10th Edition, is to provide a basic and thorough understanding of the strength and behavior of reinforced concrete members and structural systems. Featuring updated compliance with the ACI 318-19 Building Code for Structural Concrete, it covers details of reinforced concrete materials, mechanics of bending, slab systems and an in-depth analysis of continuous one-way and two-way floor systems, shear and torsion, and serviceability. There are also comprehensive chapters on structural walls, columns, foundations, and prestressed concrete fundamentals. Instructor ancillaries are also available. FEATURES:Features frequent references to the recent ACI Code updates, making it a vital companion for design and constructionIncludes practice-based examples and exercises to enhance real-world applications and understandingIllustrates procedures for the design of job-built forms for slabs, beams, and columnsCovers basic principles to advanced concepts like the design of deep beams and pile caps, prestressed concrete, and concrete formwork designAdds new material on pole footings and Sonutube foundations, different types of concrete floor systems, and numerous new photos and drawings

The unspeakable tragedy of the Titanic disaster can only be fully appreciated through the tales of the people who were aboard on the night the ship went down. The Irish Aboard Titanic gives those people a voice, focusing on the Irish who were aboard the'unsinkable'liner. In it are stories of agony, luck, self-sacrifice, dramatic escapes and heroes left behind. Senan Molony also records the heartache that continued long after that fateful night. In her wake the Titanic cast a long shadow over the families forced to endure the agonising wait to learn the fate of loved ones, over the lives of the survivors who had to start their lives anew and over those who lost relatives and friends. If you want to know about the Irish passengers and crew of the Titanic, this is the only book to have.

Using contemporary theories drawn from health humanities, this volume analyses the nature and effects of disability, medicine, and health discourse in a variety of early Christian literature. In recent years, the'medical turn'in early Christian studies has developed a robust literature around health, disability, and medicine, and the health humanities have made critical interventions in modern conversations around the aims of health and the nature of healthcare. Considering these developments, it has become clear that early Christian texts and ideas have much to offer modern conversations, and that these texts are illuminated using theoretical lenses drawn from modern medicine and public health. The chapters in this book explore different facets of early Christian engagement with medicine, either in itself or as metaphor and material for theological reflections on human impairment, restoration, and flourishing. Through its focus on late antique religious texts, the book raises questions around the social, rather than biological, aspects of illness and diminishment as a human experience, as well as the strategies by which that experience is navigated. The result is an innovative and timely intervention in the study of health and healthcare that bridges current divides between historical studies and contemporary issues.Taken together, the book offers a prismatic conversation of perspectives on aspects of care at the heart of societal and individual'wellness'today, inviting readers to meet or revisit patristic texts as tracings across a map of embodied identity, dissonance, and corporal care. It is a fascinating resource for anyone working on ancient medicine and health, or the social worlds of early Christianity.

The groundbreaking contribution made by this unique book draws on the experiences recorded by five people who are facing death – Jenny Diski, Philip Gould, Christopher Hitchens, Michael Mayne and Cory Taylor.Analysing the key themes that emerge from a psychodynamic perspective, the book describes how the memoirists respond to the first shock of receiving a terminal diagnosis, how they meet the challenge of continuing an active life when the illusion of an open-ended future has gone, and finally, how they struggle with accepting death as it overtakes them. The author argues that the ability to accept personal death is the key to resolving the paradox of our need to survive at all costs, while at the same time, however much we might deny it, we know that we must die. In a society where death and dying occur largely out of sight, this book provides information about what it is like to die – physically, psychologically and emotionally – and invites us to think about coming to terms with death.Exploring End of Life Experience is an important contribution to the interdisciplinary literature on death and dying, relevant to scholars and practitioners in medicine, nursing, psychology, and the wider medical humanities.

In a time when looking into the past has become a socially unacceptable and illegal act in the Nation, a group of scholars are offered an attractive residency to allow them to pursue their projects. When the residency transpires to be a devastating trick, these Researchers go on the run, and soon discover that their projects all relate to one major event: the Isletese Disaster – the decline and subsequent devastation fifty years earlier of a long-forgotten roaming archipelago called The Islets. One figure emerges as central to all of their work: Hester Heller, a reformed cult musiker turned student recruited from the Institute for Transmission as an agent of the state and tasked with gathering reconnaissance on the Disaster by using her old band Vehicle as a cover. Heller is the key to the Researchers collective story, which they try to piece together while evading their pursuers. Compiled from the Researchers'disparate documentation, recollections, and even their imaginations, Vehicle is a timely and daring exploration of xenophobia, exploitation, the writing of histories and legacies, and the politics of translation.

Searching for Enough will help you see doubt not as an emotion to fear but as an invitation to discover the truth that God's presence is enough to hold us in space between faith and disillusionment.Do you ever find yourself thinking,'I'm not enough, and I'm never going to be. And I know I'm not supposed to say this, but God's not enough for me either.'Whether or not we attend church, deep down we wonder if the biblical story of faith is really enough for the complexity of the world in which we live. We fill our lives with other things, hoping that maybe the next experience or accomplishment will complete us. Yet with every goal we reach, we still feel discouraged and anxious.In Searching for Enough, Pastor Tyler Staton draws on ancient and modern insights to introduce us, as if for the first time, to Jesus'disciple Thomas: history's most notorious skeptic. Like Thomas, we are caught between two unsatisfying stories: We want to believe in God but can't reconcile his presence with our circumstances and internal struggles.But what if there's a better story than shame? What if there's redemption so complete that there's nothing left to hide? What if there is a God who can heal your resentments, fears, and loneliness in such a profound way that you feel whole?From a place of spiritual companionship and deep authenticity, Tyler shows us that it is not an empty tomb that will change our lives, but the presence of the living God. Whether you are a distant skeptic, an involved doubter, or a busy but bored Christian, Searching for Enough invites you to find enough in a God who offers the only promises that never disappoint.

En estos tiempos, cuando oímos hablar de macrodatos, inteligencia artificial y plataformas, pensamos en aplicaciones de rastreo de personas para luchar contra el COVID-19, en la “curva” de muertos y muertas, en coches-termómetro y en sistemas de reconocimiento facial. Nuestra bandera ha sido “aplanemos la curva”. Nunca habíamos estado tan pendientes de los datos; nunca los gráficos habían sido lingua franca. Pero el poder de las visualizaciones de datos todavía se comprende poco. No sólo los gobiernos y plataformas como Google y Facebook manejan macrodatos, y no sólo se usan para la vigilancia. Muchas personas y organizaciones en todo el mundo emplean datos, mapas y algoritmos para ofrecer diagnósticos y soluciones a problemas sociales. Este libro las saca a la luz, y analiza metódicamente –por primera vez– sus repertorios de acción y su impacto. Basándose en decenas de casos y entrevistas con profesionales del diseño, ciencia de datos, arte, periodismo y activismo, la autora aborda –con rigor científico, pero de forma amena– las contradicciones y los aciertos del emergente activismo de datos. Su contribución es el mensaje de que, en un mundo cada vez más datificado, todas las personas están llamadas a convertirse en activistas si quieren ejercer sus derechos y defender los valores democráticos.Miren Gutiérrez es doctora en Comunicación, directora del Programa de postgrado «Análisis, Investigación y Comunicación de Datos», e investigadora y profesora de Comunicación de la Universidad de Deusto. Asimismo, es Investigadora Asociada del Overseas Development Institute (ODI), en Londres, generando informes basados en big data e inteligencia artificial; de Datactive, de la Universidad de Amsterdam, y de MediaData, de la Universidad Politécnica de Valencia. Ha sido periodista y editora durante veinte años desde lugares como Hong Kong, Panamá, Nueva York y Roma, con responsabilidades internacionales, para medios como la Agencia EFE y El País. El tema central de sus investigaciones tiene que ver con el activismo de datos o de cómo las personas y la sociedad organizada utilizan la infraestructura de datos, en combinación con otras tecnologías, para el cambio social.

The second of an extraordinary two-volume work chronicling forty-five years of painting by our most important artist, Colin McCahon. Colin McCahon (1919–1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, and the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer, and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.

Today, many churches and their related agencies and ministries are shrinking. Often a large portion of those who remain are older adults. Celebrating the Graying Church suggests that this is an opportunity for a new and different kind of ministry—a ministry to, with, and from older adults who may have wisdom to pass on to the legacy of the future generations. This book offers opportunities, ideas, and guidance for this new vision and practice of ministry, while also describing how aging adults in ministry can support each other and their faith communities.

Die Roadmap für ein erfülltes Altern bis zum Ende — gefüllt mit tiefgründigen Einsichten und bewegenden, wahren Geschichten. Die preisgekrönte Journalistin Katy Butler führt ihre Leser in Die Kunst gut zu sterben Schritt für Schritt durch die verschiedenen Phasen des Alterns. Für jede Herausforderung, sei sie emotional, medizinisch, gemeinschaftsbezogen oder alltagspraktisch, gibt sie konkrete Anleitungen. Beantwortet werden von Butler die zentralen Fragen: • Wie findet man Erfüllung gerade in den späten Lebensjahren? • Warum sollte ein jüngerer Hausarzt gewählt werden und wie lässt sich offen mit ihm sprechen? • Wann ist es keine gute Idee, den Notruf zu alarmieren? • Wie lässt sich das Sterben zu einem selbstbestimmten Übergangsritus machen und nicht zu einem medizinischen Großereignis? Die Autorin berichtet auch über eigene Erfahrungen mit der Pflege ihrer Eltern und lässt Menschen, die ihre Angehörigen erfolgreich beim Sterben begleitet haben, sowie zahlreiche Spezialisten aus dem Gesundheitswesen zu Wort kommen. Butlers Leitfaden inspiriert dazu, die letzte Reise frei von Angst, friedlich und geborgen bewältigen zu können. „Unkompliziert, gut aufgebaut, nicht deprimierend... Butlers Sprache ist frei von Plattitüden und macht den beängstigendsten Lebensabschnitt – den des Sterbens – zugänglich. Ihre geradlinige, bodenständige Art macht diesen Ratgeber umso bedeutungsvoller.“ — PUBLISHERS WEEKLY

Longford Folk Tales is a treasure trove of wonderful stories of saints and deities, fairies and devils, kings and ghosts, shoemakers and other engaging characters. Read about The Blake Millions, butter stealing, the Wooing of Étaín, and'The Walking Gallows', Hempenstall – all your favourite legends and many more. This selection of tales and stories from every corner of the county of Longford reflects the wisdom of the countryside and its people. Legends, folk customs and local lore from earliest times up to the county's more recent past are expertly told by storyteller Philip Byrne.

We all want to be happy, although'happiness'can mean very different things to different people. But what if I don't feel happy? Is my life less worthwhile? And is there such a thing as lasting happiness anyway? Western society places great emphasis on the pursuit of health, wealth, and pleasure, with a general expectation that having these in abundance will lead directly to'The Good Life.'But anxiety, depression, and loneliness are rife in our communities, and it is common for people to struggle with relationships and to feel they have a low sense of meaning and lasting fulfilment. Is there a better way for us to try to live? Andrew Parnham believes that there is, but such a way may take us in unexpected directions. In Lasting Happiness he invites us to explore this path in his company, looking beyond our immediate perceptions to consider our universal longings, the extraordinary way in which our brains engage with the world and ourselves, how healthy relationships develop and can be restored, and how meaning and fulfillment may actually be attained.

This “comforting…thoughtful” (The Washington Post) guide to maintaining a high quality of life—from resilient old age to the first inklings of a serious illness to the final breath—by the New York Times bestselling author of Knocking on Heaven's Door is a “roadmap to the end that combines medical, practical, and spiritual guidance” (The Boston Globe).“A common sense path to define what a ‘good'death looks like” (USA TODAY), The Art of Dying Well is about living as well as possible for as long as possible and adapting successfully to change. Packed with extraordinarily helpful insights and inspiring true stories, award-winning journalist Katy Butler shows how to thrive in later life (even when coping with a chronic medical condition), how to get the best from our health system, and how to make your own “good death” more likely. Butler explains how to successfully age in place, why to pick a younger doctor and how to have an honest conversation with them, when not to call 911, and how to make your death a sacred rite of passage rather than a medical event. This handbook of preparations—practical, communal, physical, and spiritual—will help you make the most of your remaining time, be it decades, years, or months. Based on Butler's experience caring for aging parents, and hundreds of interviews with people who have successfully navigated our fragmented health system and helped their loved ones have good deaths, The Art of Dying Well also draws on the expertise of national leaders in family medicine, palliative care, geriatrics, oncology, and hospice. This “empowering guide clearly outlines the steps necessary to prepare for a beautiful death without fear” (Shelf Awareness).

The first of an extraordinary two-volume work chronicling forty-five years of painting by New Zealand's most important artist, Colin McCahon. Colin McCahon (1919–1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, the introduction of words, and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer, and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. This will be the definitive work on New Zealand's leading artist for many years to come.

Historische Krimi-Spannung aus London: der zweite Fall für den »Opiumesser« Thomas De Quincey, eine der berüchtigtsten und brillantesten Persönlichkeiten des viktorianischen Englands Der trübe Schein der Gaslaternen wabert hinter dicken Nebelschwaden, und auf dem feuchten Kopfsteinpflaster klappern Pferdehufe... Willkommen im viktorianischen London! Wir schreiben das Jahr 1855, der Krimkrieg ist in vollem Gange und das britische Empire erlebt unruhige Zeiten, als ein kaltblütiger Mörder direkt aufs Herz der verunsicherten Nation zielt: Mitten während des Gottesdienstes in der noblen St. James? Church kippt Lady Cosgrove mit durchgeschnittener Kehle aus ihrer Kirchenbank. In der Hand hält sie einen Zettel, der Detective Inspector Sean Ryan und seinen Freund - den als »Opiumesser« verschrienen Thomas De Quincey - in höchste Alarmbereitschaft versetzt. Denn der Mörder macht deutlich, dass er eben erst angefangen hat, und dass sein letztes Opfer niemand anderes sein wird, als Queen Victoria selbst. David Morrell, der Erfinder von »Rambo«, beweist auch mit seinem zweiten historischen Kriminalroman um den berüchtigten Thomas De Quincey ein Händchen für das viktorianische Setting und unvergessliche Charaktere. Der Kriminalfall beruht auf historisch belegten Attentats-Versuchen auf Queen Victoria.David Morrell, 1943 geboren, ist promovierter Literaturwissenschaftler. Seit er die Figur des John Rambo erfand, gilt er als Vater des modernen Actionthrillers. Mit seiner Trilogie um den »Opiumesser«, Schriftsteller und Ermittler Thomas De Quincey im viktorianischen England zeigt er, dass er auch im historischen Kriminalroman ein Könner seines Fachs ist.

We all want to be happy, although ‘happiness'can mean very different things to different people. But what if I don't feel happy? Is my life less worthwhile? And is there such a thing as lasting happiness anyway? Western society places great emphasis on the pursuit of health, wealth and pleasure, with a general expectation that having these in abundance will lead directly to The Good Life. But anxiety, depression and loneliness are rife in our communities, and it is common for people to struggle with relationships, and to feel they have a low sense of meaning and lasting fulfilment. Is there a better way for us to try to live? Andrew Parnham believes that there is, but such a way may take us in unexpected directions. In Lasting Happiness he invites us to explore this path in his company, looking beyond our immediate perceptions to consider our universal longings, the extraordinary way in which our brains engage with the world and ourselves, how healthy relationships develop and can be restored, and how meaning and fulfilment may actually be attained.

This book efficiently contributes to our understanding of the interplay between data, technology and communicative practice on the one hand, and democratic participation on the other. It addresses the emergence of proactive data activism, a new sociotechnical phenomenon in the field of action that arises as a reaction to massive datafication, and makes affirmative use of data for advocacy and social change. By blending empirical observation and in-depth qualitative interviews, Gutiérrez brings to the fore a debate about the social uses of the data infrastructure and examines precisely how people employ it, in combination with other technologies, to collaborate and act for social change.

How politics and race shaped Baltimore's distinctive disarray of cultures and subcultures.Charm City or Mobtown? People from Baltimore glory in its eccentric charm, small-town character, and North-cum-South culture. But for much of the nineteenth century, violence and disorder plagued the city. More recently, the 2015 death of Freddie Gray in police custody has prompted Baltimoreans—and the entire nation—to focus critically on the rich and tangled narrative of black–white relations in Baltimore, where slavery once existed alongside the largest community of free blacks in the United States.Matthew A. Crenson, a distinguished political scientist and Baltimore native, examines the role of politics and race throughout Baltimore's history. From its founding in 1729 up through the recent past, Crenson follows Baltimore's political evolution from an empty expanse of marsh and hills to a complicated city with distinct ways of doing business. Revealing how residents at large engage (and disengage) with one another across an expansive agenda of issues and conflicts, Crenson shows how politics helped form this complex city's personality.Crenson provocatively argues that Baltimore's many quirks are likely symptoms of urban underdevelopment. The city's longtime domination by the general assembly—and the corresponding weakness of its municipal authority—forced residents to adopt the private and extra-governmental institutions that shaped early Baltimore. On the one hand, Baltimore was resolutely parochial, split by curious political quarrels over issues as minor as loose pigs. On the other, it was keenly attuned to national politics: during the Revolution, for instance, Baltimoreans were known for their comparative radicalism. Crenson describes how, as Baltimore and the nation grew, whites competed with blacks, slave and free, for menial and low-skill work. He also explores how the urban elite thrived by avoiding, wherever possible, questions of slavery versus freedom—just as wealthier Baltimoreans, long after the Civil War and emancipation, preferred to sidestep racial controversy. Peering into the city's 300-odd neighborhoods, this fascinating account holds up a mirror to Baltimore, asking whites in particular to reexamine the past and accept due responsibility for future racial progress.

Depressive Realism argues that people with mild-to-moderate depression have a more accurate perception of reality than non-depressives. Depressive realism is a worldview of human existence that is essentially negative, and which challenges assumptions about the value of life and the institutions claiming to answer life's problems. Drawing from central observations from various disciplines, this book argues that a radical honesty about human suffering might initiate wholly new ways of thinking, in everyday life and in clinical practice for mental health, as well as in academia.Divided into sections that reflect depressive realism as a worldview spanning all academic disciplines, chapters provide examples from psychology, psychotherapy, philosophy and more to suggest ways in which depressive realism can critique each discipline and academia overall. This book challenges the tacit hegemony of contemporary positive thinking, as well as the standard assumption in cognitive behavioural therapy that depressed individuals must have cognitive distortions. It also appeals to the utility of depressive realism for its insights, its pursuit of truth, as well its emphasis on the importance of learning from negativity and failure. Arguments against depressive realism are also explored.This book makes an important contribution to our understanding of depressive realism within an interdisciplinary context. It will be of key interest to academics, researchers and postgraduates in the fields of psychology, mental health, psychotherapy, history and philosophy. It will also be of great interest to psychologists, psychotherapists and counsellors.

The Little Book of Bray & Enniskerry is a compendium of fascinating, obscure, strange and entertaining facts. Here you will find out about Bray and Enniskerry's history, their famous faces, their buildings and streets, their sporting heritage and their myths and legends. Through main thoroughfares and twisting back streets, this book takes the reader on a journey through the area's past. A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about the people, the heritage and the secrets of these ancient settlements.

For two decades in Christchurch, New Zealand, a cast of extraordinary men and women remade the arts. Variously between 1933 and 1953, Christchurch was the home of Angus and Bensemann and McCahon, Curnow and Glover and Baxter, the Group, the Caxton Press and the Little Theatre, Landfall and Tomorrow, Ngaio Marsh and Douglas Lilburn. It was a city in which painters lived with writers, writers promoted musicians, in which the arts and artists from different forms were deeply intertwined. And it was a city where artists developed a powerful synthesis of European modernist influences and an assertive New Zealand nationalism that gave mid-century New Zealand cultural life its particular shape. In this book, Simpson tells the remarkable story of the rise and fall of this'Bloomsbury South'and the arts and artists that made it. Simpson brings to life the individual talents and their passions, but he also takes us inside the scenes that they created together: Bethell and her visiting coterie of younger poets; Glover and Bensemann's exacting typography at the Caxton Press; the yearly exhibitions and aesthetic clashes of the Group; McCahon and Baxter's developing friendship; the effects of Brasch's patronage; Marsh's Shakespearian re-creations at the Little Theatre. Simpson re-creates a Christchurch we have lost, where a group of artists collaborated to create a distinctively New Zealand art which spoke to the condition of their country as it emerged into the modern era.

A history of the New Zealand Film Archive and its founding director.Jonathan Dennis (1953–2002), was the creative and talented founding director of the New Zealand Film Archive. As a Pakeha (non-Maori/indigenous New Zealander) with a strong sense of social justice, Dennis became a conduit for tension and debate over the preservation and presentation of indigenous and non-indigenous film archival materials from the time the Archive opened in 1981. His work resulted in a film archive and curatorship practice which differed significantly from that of the North American and European archives he originally sought to emulate. He supported a philosophical shift in archival practice by engaging indigenous peoples in developing creative and innovative exhibitions from the 1980s until his death, recognizing that much of the expertise required to work with archival materials rested with the communities outside archival walls. This book presents new interviews gathered by the author, as well as an examination of existing interviews, films and broadcasts about and with Jonathan Dennis, to consider the narrative of a life and work in relation to film archiving.

Enhance your awareness, achieve higher focus and happiness, and improve all levels of your health with the supportive practices in this guide to mindful living. Featuring over twenty-five leading meditation and mindfulness experts, Llewellyn's Complete Book of Mindful Living shows you how to boost your well-being and overcome obstacles.With an impressive array of topics by visionary teachers and authors, this comprehensive book provides inspiration, discussion, and specific techniques based on the transformative applications of mindfulness: basic understanding and practices, better health, loving your body, reaching your potential, and connecting to subtle energy and spirit. Using meditation, breathwork, and other powerful exercises, you'll bring the many benefits of mindfulness into your everyday life.Contributors include Rachel Avalon, Michael Bernard Beckwith, Sarah Bowen, Jeanne Van Bronkhorst, Erin Byron, Robert Butera, Jack Canfield, Alexandra Chauran, Cyndi Dale, Sherrie Dillard, Guy Finley, Rolf Gates, Melissa Grabau, Servet Hasan, Ana Holub, Patricia Johnson, Shakta Khalsa, Melanie Klein, Danielle MacKinnon, Mark A. Michaels, William L. Mikulas, Thomas Moore, Keith Park, Deborah Sandella, Amy B. Scher, Tess Whitehurst, and Angela Wix.

The Little Book of Bray & Enniskerry is a compendium of fascinating, obscure, strange and entertaining facts.Here you will find out about Bray and Enniskerry's history, their famous faces, their buildings and streets, their sporting heritage and their myths and legends. Through main thoroughfares and twisting back streets, this book takes the reader on a journey through the area's past.A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about the people, the heritage and the secrets of these ancient settlements.

The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand's premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon's religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist's body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy.More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.

Legendary thriller writer David Morrell transports readers to the fogbound streets of London, where a killer plots to assisinate Queen Victoria. The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The Empire teeters. Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, Ryan and Becker, De Quincey finds himself confronted by an adversary who threatens the heart of the nation. This killer targets members of the upper echelons of British society, leaving with each corpse the name of someone who previously attempted to kill Queen Victoria. The evidence indicates that the ultimate victim will be Victoria herself.

Your Complete Colin Farrell Biography. This book is your ultimate resource for Colin Farrell. Here you will find the most up-to-date 198 Success Facts, Information, and much more.In easy to read chapters, with extensive references and links to get you to know all there is to know about Colin Farrell's Early life, Career and Personal life right away. A quick look inside: Alexander (film) - Director's cut, Jennifer Aniston - 2010–present, 2002 in film - L-Q, 2003 MTV Movie Awards, John Fante - Film and theater adaptations, Pride and Glory (film) - Main cast (in credits order), 2003 MTV Movie Awards - Best Villain, The Way Back, Alan Doyle - Life and career, Kicking It (film) - Background, Alexander (film) - Criticism by film critics, Cillian Murphy - Personal life, British Independent Film Awards 2008 - Best Actor, Chris Parnell - Recurring characters on SNL, Winter's Tale (film), Jesse James - Films, In Bruges (film) - Critical response, American Outlaws - Cast, The Tree of Life (film) - Development, Josh Hutcherson - Continued success through The Hunger Games, Miami Vice (film) - Critical reception, Kiss Kiss Bang Bang - Plot, Alexander the Great - In film, 2012 MTV Movie Awards - Best On-Screen Dirt Bag, S.W.A.T. (movie) - Production, Daveigh Chase - Acting career, Robert Towne - Film, Ondine (film) - Awards and nominations, Heath Ledger - Posthumous films and awards, Irish Society for the Prevention of Cruelty to Children - Ambassadors, Heath Ledger - 2000s, San Diego Film Festival - Notability at Festival, Katie Holmes - 1997–2003: Dawson's Creek and career development, Fright Night (2011 film) - Plot, The Recruit - Plot, Boston Society of Film Critics Award for Best Cast - 2010s, and much more...

How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography'of the 70 years during which the Robert McDougall Art Gallery was Christchurch's civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, and indeed highlight, selection and presentation cultures derived from the core museological functions of collection and display. These, together with the framework's other concepts, are related to mainstream methodology in the social sciences, particularly political science. The latter is especially relevant to the study of a public art gallery – owned and funded by the public and its elected representatives, and controlled by these representatives and their appointed agents. Furthermore, the framework explores the concept of post-colonial tensions between heritages – specifically indigenous, transplanted and autochthonous ones. The significance of this becomes more apparent when the concepts used in relevant previous studies of specific public art galleries in New Zealand are reviewed. There is also a strong emphasis on the development of a public Maori art collection. It is a story, too, of vivid and influential personalities – the directors and curators who fought for the gallery and the artists represented in it. But the book is more than just the story of a single gallery's collection: it shines a light on concerns and patterns that will be familiar to galleries everywhere, and provides a unique perspective on New Zealand's cultural development over much of the twentieth century.

Resilient Downtowns provides a guide to communities in reviving and redeveloping their core districts into resilient, thriving neighborhoods. While the National Main Street program's four-point approach of organization, promotion, economic restructuring, and design has been standard practice for cities seeking to rejuvenate their downtowns for decades there is disquiet among downtown managers and civic leaders about the versatility of the program. Resilient Downtowns provides communities with the'en-RICHED'approach, a four-step process for downtown development, which focuses on residential development, immigration strategies, civic functionality, heritage tourism, and good design practice. Examples from fourteen small cities across the US show how this process can revitalize downtowns in any city.

A must have for anyone interested in The Titanic'. An encyclopedic collection of accounts of that ill-fated night from Irish passengers featuring letters, interviews, newspaper reports, family memories and White Star Line records. The unspeakable tragedy of the Titanic disaster can only be fully appreciated through the tales of the people who were aboard on the night the ship went down. The Irish Aboard Titanic gives those people a voice, focusing on the Irish who were aboard the ‘unsinkable'liner. In it are stories of agony, luck, self-sacrifice, dramatic escapes and heroes left behind. Senan Molony also records the heartache that continued long after that fateful night. In her wake the Titanic cast a long shadow over the families forced to endure the agonising wait to learn the fate of loved ones, over the lives of the survivors who had to start their lives anew and over those who lost relatives and friends. If you want to know about the Irish passengers and crew of the Titanic, this is the only book to have.

The British Biographical Index, 3rd cumulated and enlarged ed., contains information on more than 420,000 individuals from Great Britain and Ireland from the beginnings until the end of the 20th century. 760 sources, published between 1601 and 2002, have been cumulated.

“I knew I could stay in this town when I found the blue enamel pot floating in the lake. The pot led me to the house, the house led me to the book, the book to the lawyer, the lawyer to the whorehouse, the whorehouse to science, and from science I joined the world.” So begins Leslie Daniels's funny and moving novel about a woman's desperate attempt to rebuild her life. When Barb Barrett walks out on her loveless marriage she doesn't realize she will lose everything: her home, her financial security, even her beloved children. Approaching forty with her life in shambles and no family or friends to turn to, Barb must now discover what it means to rely on herself in a stark new emotional landscape. Guided only by her intense inner voice and a unique entrepreneurial vision, Barb begins to collect the scattered pieces of her life. She moves into a house once occupied by Vladimir Nabokov, author of the controversial masterpiece Lolita, and discovers a manuscript that may be his lost work. As her journey gathers momentum, Barb deepens a connection with her new world, discovering resources in her community and in herself that no one had anticipated. Written in elegant prose with touches of sharp humor and wit, Cleaning Nabokov's House offers a new vision of modern love and a fervent reminder that it is never too late to find faith in our truest selves.

Powerful and diligent, Peter O'Reilly played a role in shaping British Columbia in the last quarter of the 1800s. An immigrant from Ireland, O'Reilly landed in Victoria during the height of the Cariboo Gold Rush and was appointed gold commissioner for BC. He held the position of county court judge, and sorted settler and Native disputes, despite often having to function as an assistant land commissioner. From 1880 to 1898, O'Reilly was the federally appointed BC Indian Reserve Lands commissioner. Many of his decisions about the location and size of Native reserves continue to be challenged in the courts to this day.In Peter O'Reilly, we also see the private side of this industrious man, a man who enjoyed the vast wilderness for years, on horseback or by foot, on snowshoes or in a canoe. He had many acquaintances and two close friends, Sir Matthew Baillie Begbie and Edward Dewdney. He lived with his cherished wife, Caroline Trutch O'Reilly, and their children at Point Ellice House in Victoria, BC.

Volume III of Erin's Sons extends the period of coverage to 1858 and lists approximately 7,000 additional Irish-born residents of Atlantic Canada. Like the other volumes in the series, it is based on a wide variety of genealogical sources, including church records, cemetery inscriptions, marriage and burial records, newspapers, census records, and ships'passenger lists.

On the night of 29–30 October 1816 eight people were murdered by burning to death in a house known as Wildgoose Lodge in a remote part of County Louth, four miles from Ardee, nine miles from Dundalk and four miles from Carickmacross in County Monaghan. The perpetrators, who all belonged to a local agrarian secret society, were avenging three of their comrades hanged for a raid on the Lodge the previous April. Following the murders, the local community closed ranks. For months the authorities failed to arrest anyone. Then the state administration – in the form of Sir Robert Peel and Dublin Castle – took over. As a result of a combination of collusion, corruption and the use of paid informers, eighteen local men were tried and hanged. At least half of these men were innocent.

Progress in International Law is a comprehensive accounting of international law for our times. Forty leading international law theorists analyze the most significant current issues in international law and their critical assessments draw diverse conclusions about the current state and future prospects of international law. The material is grouped under the headings: The History and Theory of International Law; The Sources of International Law and Their Application in the United States; International Actors; International Jurisdiction and International Jurisprudence; The Use of Force and the World's Peace; and The Challenge of Protecting the Environment and Human Rights. The book draws its inspiration from a similar survey undertaken in 1932 by Harvard Law Professor and PCIJ Judge Manley O. Hudson. In his book Progress in International Organization, Hudson sought to demonstrate that what he perceived as an emerging international infrastructure, and as moves toward the rule of law in international affairs, were sure signs of human progress towards peace and cooperation. Progress in International Law critically engages with that claim as a normative matter and, at the same time, presents the evidence by which a judgment about our own progress towards peace and cooperation might be judged.

Approximately three fifths of the emigration from the United Kingdom to America arrived in the 19th century. The remainder came through Ellis Island between 1900 and 1924. Arrivals from the U.K. began to increase in the mid-1840's with the Irish Famine that led to very high mortality rates, rising prices and unemployment and a massive outflow of Irish population to the U.S. In the post-Famine period, England's industrial revolution progressed and emigration continued to grow between the prosperous 1850's and the mid-1890's. This series on Emigration from the United Kingdom to America concentrates on U.K. emigration in the period 1870-1897, listing migrants from the U.K. who arrived in New York. The original passenger lists transcribed by shipping agents and ship's officers and filed by all vessels entering U.S ports have been used in the preparation of Emigration from the United Kingdom to America. Presented in chronological order by each ship's date of arrival, these passenger lists provide the names of ships, ports of departure, and arrival and debarkation dates. The researcher can also locate data regarding a person's age, sex, and occupation, as well as village of origin and destination when reported. An important feature of Emigration from the United Kingdom to America is the extensive surname index of ships'passengers included in each volume. These indexes, containing approximately 3 million names for the period 1870-1897, will greatly facilitate the task of finding an ancestor's family name, especially when the exact date or port of arrival in the United States is unknown. In addition to the passenger lists and name indexes, Emigration from the United Kingdom to America includes an introduction to the history of the U.K. migratory movement to the U.S. This series is an invaluable reference work for anyone interested in studying family history or in genealogical research.