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The article focuses on the group work of textile artists in Great Britain as of 2014 with particular focus given to craft supporting individuals, organizations and structures. These include the Guild of Weavers, Spinners and Dyers, and Cockpit Arts. Special attention is paid to textile artists Jen Rowland, Maria Hatling, and Row Pinto.

The article profiles theater scholar and writer Todd London, artistic director of the New Dramatists playwrights' association and author of the book "The Artistic Home." The founding of New Dramatists by playwright Howard Lindsay, London's work for the U.S. theater organization Theatre Communications Group (TCG), and his research on U.S. theater culture in the 1980s are discussed, as well as his views on individual versus collaborative art.

The article looks at the meaning and significance of musical collaboration based on the views of musicians such as Colin Linden, Rose Cousins, and Stephen Fearing. Linden explains that the essence of collaboration is the musician's contribution to the record and the ability to learn from each other. Cousins also explores the key components in a successful collaboration which include the satisfaction of harmony, spontaneity and the willingness to share and be open to collaborative opportunities.

The article discusses the creative collaborations between skilled printmakers and photographers who want artfully rendered digital prints. It details the long-standing tradition of artists working with technicians to realize their visions. The article offers a look at the creative partnerships between artists Michael Ronnen Safdie and Jonathan Singer, Michelle Bogre and Yong Hee Kim, Andreas Gefeller and Jürgen Halfar, and Regina Deluise and Lesley Deschler Canossi and Andrew Buckland.

The article focuses on the artist Michael Dumontier and his work. It discusses his interest in working collaboratively with other artists and describes his style as subtle and minimalist. Artists mentioned for their collaboration with Dumontier include Tom Elliott, Drue Langlois, and Marcel Dzama. The comparisons to Dumontier's drawings and art by child artists are also noted.

The article features a discussion forum of artists, curators, art dealers, and people involved in the production of art, who concentrate on issues relating to the modern production and fabrication of art. The participants generally conclude that "production" is more connected to studio practice than to actually ordering art to be made, and discuss such topics as collaboration, the meaning of fabrication, and authorship of art.

The author focuses on industrial fabrication in art. The author provides a history of the relationship between industrial fabrication and the art world, discussing the collaboration of artists and industry, mass production, and specific artworks born of these processes. The author also discusses Carlson & Co., a company that provides art fabrication and engineering services to artists, and other similar companies.

This article focuses on the collaboration of artist Michael Anania with artist Ed Colker. Anania and Colker started collaborating in the early 1970s when they met in Chicago. Their first real collaboration was the "Esthétique du Râle." Anania's first poem to appear in an Ed Colker edition was "The Fall."

This article focuses on the collaboration of artists Michael Anania and Ed Colker. The two artists met in the early 1970s when Colker worked at the University of Illinois—Chicago, where Anania served as an Assistant Professor in the English Department. Their collaboration began and spanned a period of more than twenty-five years. The two artists produced various works including "The Fall," "Esthétique du Râle," and "Two Poems."

The article focuses on the role of artistic advisors in the creation of the photographic and music project entitled "Le Bleu du ciel" for Edouard Taufenbach and composer Régis Campo that won the Prix Swiss Life à 4 mains award. Topics include views of Taufenbach on how advisors' proposals change the quality of work; role of advisors in ensuring the match between photographic and musical elements; and views of Olivier Bouley, musical advisor of the award, on the technical skills of advisors.

Focuses on the team art curation or the collective activity in art exhibition-making. Emphasis of team curating; History of the team art curating; Art schools that adapted the template.

Focuses on the collaboration among architects, engineers and the client in the construction of a house in Monaro plains of southern New South Wales. Challenges posed by the remoteness of the architects, engineers and the client; Use of the Internet to bridge the gap between parties involved; Source of inspiration in creating the house.