366 results on '"palladio"'
Search Results
52. La 'Madonna del Castello' a Lentini: un’icona-palladio dalla Sicilia federiciana, fra storia, memoria e leggenda
- Author
-
Piazza, Simone
- Subjects
Federico II ,Lentini ,Sicilia ,pittura su tavola ,Settore L-ART/01 - Storia dell'Arte Medievale ,Madonna del Castello, icona, palladio, San Luca, Lentini, Sicilia, Federico II, pittura su tavola, arte bizantina ,Madonna del Castello ,icona ,San Luca ,palladio ,arte bizantina - Published
- 2022
53. Маньеристические черты фасада палаццо Вальмарана Андреа Палладио. К вопросу об академизме и инновации в ордере
- Subjects
palazzo ,Палладио ,Palladio ,mannerism ,палаццо ,гигантский ордер ,итальянский Ренессанс ,Italian Renaissance ,giantorder ,маньеризм - Abstract
В статье рассматриваются маньеристические черты фасада палаццо Вальмарана в Виченце Андреа Палладио., The article deals withthe mannerist features of palazzo’s Valmarana façade of Andrea Palladio.
- Published
- 2022
- Full Text
- View/download PDF
54. Architecture et dignité
- Author
-
Basbous, Karim, BASBOUS, Karim, Editions Conférence, and Christophe Carraud
- Subjects
dignité ,Artigas ,Michel-ANge ,ornement ,Aalto ,ordre ,Palladio ,triade ,décor ,démocratie ,représentation ,Cicéron ,Vitruve ,projet ,Loos ,portique ,hellénique ,Wright ,grandeur ,Chareau ,colonnade ,Corbusier ,panétius ,[SHS] Humanities and Social Sciences ,magnificence ,tempérance - Abstract
Le prestige de l’architecture se mesure à l’aune d’une notion qui, à la différence du beau, de l’utile ou de la construction, est restée dans l’ombre des traités. C’est dans le berceau de l’architecture occidentale, à l’époque où l’art de bâtir était avant tout une offrande, que la dignité se fait jour, avec la colonnade sous fronton, visage du temple hellénique. La force de cette figure du portique laissera une marque si profonde dans les esprits que la production architecturale s’en inspirera au cours des siècles pour entretenir l’image de la dignité, au bénéfice du prince, de l’évêque ou de la collectivité.Percer le secret de cette longévité et de cette universalité conduit à retracer la généalogie des multiples motivations derrière l’acte d’édifier. La dignité, qui a survécu à son premier visage, dont les maîtres modernes ont renouvelé l’expression, est ce au nom de quoi les pouvoirs ont occupé la scène et décoré la ville, mais aussi ce dont le projet architectural s’est nourri pour noyauter les savoirs constructifs, ennoblir la fonction pratique des murs et vaincre la disparité des lignes du plan, de la coupe et de l’élévation par la volonté d’un tout ordonnateur. Elle peut mobiliser un plan souverain, à l’image du naos détaché et autonome, comme l’illustrent la Nouvelle galerie nationale de Berlin de Mies van der Rohe ou la bibliothèque Exeter de Kahn, ou une certaine manière de défier la gravité, que l’on peut observer aussi bien dans les palais des communes italiennes du Duecento que dans la modernité brésilienne — comme la Faculté d’architecture de São Paolo d’Artigas —, ou encore l’art de soulever, dont certains projets corbuséens — notamment la Cité radieuse — sont l’éclatante manifestation.Des premières cités occidentales à la ville postmoderne, cette notion éclaire d’un jour neuf les fonctions sociales du beau, mais aussi d’autres concepts majeurs tels que l’utilité, la gravité, l’échelle, la structure, l’ordre ou le décor. La dignité permet également d’interroger sous un angle inédit les conditions de l’invention, la quête de sens depuis le siècle dernier, la place des modèles dans l’imaginaire des architectes, notre rapport au luxe et à la grandeur et notre attachement aux places dont les bâtiments ont la garde.
- Published
- 2022
55. I bianchi di Palladio
- Author
-
elisa coletta
- Subjects
red brick ,mattone rosso ,Palladio ,Arts in general ,white ,bianco ,Palladio, bianco, mattone rosso ,NX1-820 - Abstract
I dettagli in laterizio rinvenuti alla fine degli anni Novanta all���interno della chiesa di San Giorgio Maggiore a Venezia e le cromie degli intonaci rilevati dai restauri all���interno e all���esterno di alcuni degli edifici realizzati dall���architetto costituiscono il punto d���avvio di un���analisi volta a interrogare il candore che la tradizione associa all���architettura palladiana. Oltre a enucleare le matrici e la specificit�� di tale componente cromatica, l���analisi mira a rintracciare le ragioni che favorirono la nascita e il cristallizzarsi di quell���immagine di un Palladio ���bianco��� che ha vincolato la considerazione della sua architettura, quando non addirittura orientato gli interventi effettuati sulla stessa., ABside, Vol 3 (2021)
- Published
- 2021
- Full Text
- View/download PDF
56. El magistral equívoco. La interpretación de Palladio del atrio romano
- Author
-
Juan Calduch
- Subjects
revista ega ,palladio ,atrio romano ,Architecture ,NA1-9428 - Abstract
Sin resumen
- Published
- 2009
- Full Text
- View/download PDF
57. Centenarios de Vignola (2007) y Palladio (2008). Apuntes, acentos
- Author
-
Diego Suárez Quevedo
- Subjects
vignola ,palladio ,pirro ligorio ,vitruvio ,daniele barbaro ,egnatio danti ,perspectiva ,cardenal farnesio ,cardenal gambara ,cardenal montalto ,cardenal hipólito d’este ,giovanni battista crescenzi ,villa giulia ,caprarola ,bagnaia ,vicenza ,véneto ,Fine Arts ,Arts in general ,NX1-820 ,History of the arts ,NX440-632 - Abstract
Haciendo hincapié en algunos aspectos no atendidos o no suficientemente puestos de relieve por los estudiosos, se trata de realizar una serie de reflexiones sobre Vignola y Palladio, figuras claves de la cultura arquitectónica occidental, teoría y práctica, así como de la perspectiva en el Renacimiento, en razón del quinto centenario del nacimiento de ambos, 1507 y 1508, respectivamente.
- Published
- 2009
58. From Hermeneutics to Data to Networks: Data Extraction and Network Visualization of Historical Sources
- Author
-
Marten Düring
- Subjects
network analysis ,Palladio ,visualization ,data extraction ,History (General) ,D1-2009 ,Computer software ,QA76.75-76.765 - Abstract
Network visualizations can help humanities scholars reveal hidden and complex patterns and structures in textual sources. This tutorial explains how to extract network data (people, institutions, places, etc) from historical sources through the use of non-technical methods developed in Qualitative Data Analysis (QDA) and Social Network Analysis (SNA), and how to visualize this data with the platform-independent and particularly easy-to-use Palladio.
- Published
- 2015
59. GOETHE Y LA ARQUITECTURA TEATRAL.
- Author
-
Garrido, Alberto Rubio and Cervera, Juan Calduch
- Subjects
- *
THEATER architecture , *THEATER design & construction , *GERMAN architecture , *ARCHITECTURAL designs , *ARCHITECTURAL design - Abstract
As a playwright and theatre director in Weimar, Goethe became interested in theatre architecture. He proved it in his architectural drawings. He channeled his ideas through theatre type described by Vitruvius and its modern time adaptation by Palladio in his Teatro Olímpico in Vicenza. All this was reflected in several sketches and the project developed together with architect Coudray after the fire in Weimar theatre in 1825. [ABSTRACT FROM AUTHOR]
- Published
- 2016
- Full Text
- View/download PDF
60. Parametric Notations: The Birth of the Non-Standard.
- Author
-
Carpo, Mario
- Subjects
21ST century architecture ,ARCHITECTURAL notation ,NONSTANDARD mathematical analysis ,ARCHITECTURAL design ,TWENTY-first century - Abstract
The use of scripted parameters that define objects in architecture is generally regarded as a recent phenomenon, associated with digital design. Mario Carpo, Reyner Banham Professor of Architectural Theory and History at the Bartlett School of Architecture, University College London (UCL), describes how parametric notations are part of an enduring architectural lineage that has its roots in the theses of classical antiquity and the Middle Ages, previous to printing, when the only means of disseminating the proportions and combining of elements was to describe them, writing them out by hand without the aid of illustration. [ABSTRACT FROM AUTHOR]
- Published
- 2016
- Full Text
- View/download PDF
61. Villa Saraceno de Palladio: Veinte años tras su restauración.
- Author
-
Doglioni, Francesco
- Abstract
Copyright of Loggia, Arquitectura & Restauración is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2016
- Full Text
- View/download PDF
62. Migrating architectures: Palladio’s legacy from Calcutta to New Delhi
- Author
-
P.Maria Guerrieri and P.Maria Guerrieri
- Abstract
Palladianism, which originated in Italy, is a style of architecture which spread widely across the world and has been extensively studied. It is known that it migrated to the UK during the eighteenth century at the same time as it did to Germany through Georg Knobelsdorff, to Russia through the work of Charles Cameron and Giacomo Quarenghi, to the US through Thomas Jefferson between the eighteenth and nineteenth centuries, and was adopted in Poland, Sweden, and elsewhere. Palladianism became a tool of politicians and a status symbol for the elites to differentiate themselves from the common man. There are a few studies on the migration and adoption of Palladianism in India, primarily in relation to Calcutta’s architecture between the eighteenth and nineteenth centuries. In particular, there is specific research focusing on Lord Wellesley’s Palladian building programme, frequently highlighting the relationship between Government House, Calcutta and Kedleston Hall in Derbyshire. This essay focuses on the subject of the migration of Palladian architecture and, in particular, on its adoption by the capitals of India, Calcutta and Delhi, on the basis of primary archival material.
- Published
- 2021
63. Palladio and the Mediterranean heritage the patio, atrium and portico as geometrical and well-being strategies
- Author
-
Justo De Jorge-Moreno and Virginia De Jorge-Huertas
- Subjects
Mediterranean heritage ,Architectural engineering ,Engineering ,Portico ,Visual Arts and Performing Arts ,Underline ,business.industry ,patio ,Collective intelligence ,Vernacular ,Constructive ,Urban Studies ,Frontier ,Palladio ,Architecture ,portico ,Patio ,lcsh:Architecture ,business ,atrium ,lcsh:NA1-9428 - Abstract
Palladio?s heritage has aspects that are interrelated with the vernacular architectural heritage of the Mediterranean, and it entails a collective knowledge. The aim of this research is to analyse his work and its evolution over time, paying specific attention to three architectural design elements: the patio, the portico and the atrium in relation to their proportions and ratios. This work will highlight how geometry shapes the space and the form of these three elements, producing architecture for well-being. The main results may constitute a possible new frontier of research where these three design elements make a connection between interior and exterior spaces, strengthen a greater visibility of the geometry, create ?intermediate spaces? and enhance the idea of a ?Continuous Monument?. The paper will underline how mathematical factors such as proportions, ratios and constructive geometry, together with climatic reasons, are important in architecture for both its configuration and geometry and they are a constant in Palladio?s heritage and his Mediterranean cultural influence.
- Published
- 2019
64. Palladio: introduzione
- Author
-
Rizzi, M, Minonne, Francesca, Francesca Minonne (ORCID:0000-0002-4787-6953), Rizzi, M, Minonne, Francesca, and Francesca Minonne (ORCID:0000-0002-4787-6953)
- Abstract
N/A
- Published
- 2020
65. A PARADATA DOCUMENTATION METHODOLOGY FOR THE UNCERTAINTY VISUALIZATION IN DIGITAL RECONSTRUCTION OF CH ARTIFACTS.
- Author
-
Apollonio, Fabrizio I. and Giovannini, Elisabetta C.
- Subjects
PRESERVATION of antiquities ,THREE-dimensional imaging ,PRESERVATION of monuments - Abstract
The virtual reconstruction of no longer existing historic structures is obviously a subjective process that simplifies a visualization of the historical original monument. In this paper we define a methodological procedure focused on the validation of the 3D reconstructive model. The case study reported, cause of its complexity and overabundance of informations, allows to focus the attention to the level of subjectivity that concern the 3D modelling process trying to find a methodological solution to visualize the uncertainty level of the reconstruction process: the goal is to create an hypothetical virtual reconstruction based on a 3D model scientifically correct in morphological and dimensional terms derived from the integration of 3D recording, historical documentation and renaissance representations. A methodological workflow from data acquisition to the formulation of reliable hypotheses related to the 3D virtual-model of Porta Aurea ables to allow the verification of the assumptions used during the reconstruction pipeline is proposed. [ABSTRACT FROM AUTHOR]
- Published
- 2015
- Full Text
- View/download PDF
66. Identifying confidentiality violations in architectural design using palladio
- Author
-
Seifermann, S., Walter, M., Hahner, S., Heinrich, R., Reussner, R., and Heinrich R., Weyns D. Weyns D., Mirandola R. [Hrsg.]
- Subjects
Palladio ,DATA processing & computer science ,FOS: Arts (arts, history of arts, performing arts, music) ,ddc:004 ,Architectural Design ,Confidentiality - Abstract
Meeting confidentiality requirements in software systems is vital for organizations. Considering confidentiality in early development phases such as the architectural design phase is beneficial compared to late phases such as the implementation because fixing design issues is more cost-efficient in early phases. This tutorial introduces an approach for modeling and statically analyzing confidentiality in software architectures within the Palladio tool suite. Besides foundational knowledge, the tutorial provides a practical hands-on session using the tool. The goal is to show that it is already possible to consider confidentiality in the early design process and that this consideration can be integrated into existing architectural design tools.
- Published
- 2021
67. Domenico Tibaldi critica Palladio. Un parere inedito sulla facciata di San Petronio a Bologna
- Author
-
Ricci, Maurizio
- Subjects
Bologna, San Petronio, Domenico Tibaldi, Palladio ,Palladio ,Bologna ,San Petronio ,Domenico Tibaldi - Published
- 2021
68. Parametric Experiments on Palladio’s villas
- Author
-
Spallone, Roberta and Calvano, Michele
- Subjects
Parametric design ,Proportional analysis ,Visual Programming Language ,Palladio ,Building Information Modeling ,Parametric design, Visual Programming Language, Building Information Modeling, Proportional analysis, Palladio - Published
- 2021
69. Истоки вдохновения архитекторов, проектировавших московское метро (1935–1954)
- Subjects
ордер ,Палладио ,Vignola ,Palladio ,Виньола ,order ,метро ,metro - Abstract
Статья посвящена результатам исследовательской работы студентов 14 группы 1 курса МАРХИ. Под руководством преподавателей учащиеся провели сравнительный анализ ордерных форм станций московского метро (1935–1954 гг.) и канонических ордеров Виньолы, а также ордеров ряда известных исторических зданий. Был выявлен ряд закономерностей и особенностей, проявившихся при трансформации ордеров., The article is devoted to the results of the research work of the 14th group of the 1st year students of the Moscow Architectural Institute. Under the guidance of teachers, the students conducted a comparative analysis of the order forms of the Moscow metro stations (1935-1954) and the canon orders of Vignola, as well as orders of a number of famous historical buildings. A number of patterns and peculiarities were revealed that appeared during the transformation of orders.
- Published
- 2021
- Full Text
- View/download PDF
70. Model-driven Quantification of Correctness with Palladio and KeY
- Author
-
Reiche, Frederik, Schiffl, Jonas, Weigl, Alexander, Heinrich, Robert, Beckert, Bernhard, and Reussner, Ralf
- Subjects
Quantification ,Palladio ,DATA processing & computer science ,ddc:004 ,Formal Methods ,Modelling - Abstract
In this report, we present an approach for the quantification of correctness of service-oriented software systems by combining the modeling tool Palladio and the deductive verification approach KeY. Our approach uses Palladio for modeling the service-oriented architecture, the usage scenarios of the system (called services) in particular, and the distribution of values for the parameters provided by the users. The correctness of a service is modeled as a Boolean condition. We use Palladio to compute the probability of a service being called with critical parameters, i.e., in a way that its correctness condition is violated. The critical parameters are computed by KeY, a deductive verification tool for Java. The approach is not limited to KeY: Other techniques, such as bug finding (testing, bounded model checking) can be used, as well as other verification tools. We present two scenarios, which we use as examples to evaluate the feasibility of the approach. Finally, we close with remarks on the extension to security properties. Furthermore, we discuss a possible approach to guide developers to locations of the code that should be verified or secured.
- Published
- 2021
71. Sequendo le orme di Palladio - Villa Emo - Ein Dialog
- Author
-
Fischer, Melanie
- Subjects
Hotel ,Palladio - Abstract
Ein Ort, an dem Symmetrie auf großzügige Weite trifft, an dem Purismus sowie Schlichtheit, prunkvollen, farbenreichen Fresken gegenüberstehen und wo Linearität Geometrie begegnet. Die von Andrea Palladio entworfene Villa Emo bildet den Ausgangspunkt dieser Diplomarbeit. Eingebettet in die italienische Landschaft in Vanzolo di Vedelago (Treviso) gilt diese bereits seit 1996 als fester Bestandteil des UNESCO Weltkulturerbes. Die Villa Emo wird derzeit als Museum sowie als Eventlocation genutzt und steht im Besitz der italienischen Bank "Credito Trevignano".Ziel dieser Diplomarbeit ist es der Villa Emo und dem zugehörgen, parkartigen, knapp 87 Hektar großen Gelände durch die Entwicklung eines Hotels eine erweitete Nutzungsmöglichkeit anzubieten.Unabdingbar für diesen Entwurf ist es das Weltkulturerbe Villa Emo in seiner Perfektion, seinem Purismus und seiner Eleganz keinesfalls zu berühren.Durch das, aus der Analyse und Recherche hervorgehende klar strukturierte und unaufdringliche Konzept eines oder mehrerer weiterer Gebäude und deren Nutzung durch ein Hotel, soll für Palladios Villa Emo eine zusätzliche, außergewöhnliche Funktion angeboten werden, die sich für das Gesamtareal als touristische Wertschöpfung erschließt., A scene where symmetry meets generous wideness, where purism as well as simplicity, faces magnificent, colourful frescos and where linearity encounters geometry. Andrea Palladio ́s Villa Emo sets the origin point to this master thesis. Embedded into the Italian landscape of Fanzolo di Vedelago (Treviso), Villa Emo is presumed to be a permanent component of Unesco World Heritage. Nowadays Villa Emo is used as Museum as well as event location and is an acquired property of the Italian bank „Credito Trevignano“.Aim of this master thesis, is to offer Villa Emo and it ́s about 87 hectare park large area, a new possi-bilty of use, by developing a hotel. I ́ts indispensable for this project, to not touch the World Hertiage Villa Emo, in its perfection, purism, and elegance. The clear structured and low key concept, emerging out of analysis and research will contain one or more new buildings. Their utilization as a hotel should offer Palladios Villa Emo an additional and exceptional function, which opens up new uses for the overall area as touristic added value.
- Published
- 2021
- Full Text
- View/download PDF
72. An industrial case study on quality impact prediction for evolving service-oriented software.
- Author
-
Koziolek, Heiko, Schlich, Bastian, Bilich, Carlos, Weiss, Roland, Becker, Steffen, Krogmann, Klaus, Trifu, Mircea, Mirandola, Raffaela, and Koziolek, Anne
- Abstract
Systematic decision support for architectural design decisions is a major concern for software architects of evolving service-oriented systems. In practice, architects often analyse the expected performance and reliability of design alternatives based on prototypes or former experience. Model-driven prediction methods claim to uncover the tradeoffs between different alternatives quantitatively while being more cost-effective and less error-prone. However, they often suffer from weak tool support and focus on single quality attributes. Furthermore, there is limited evidence on their effectiveness based on documented industrial case studies. Thus, we have applied a novel, model-driven prediction method called Q-ImPrESS on a large-scale process control system consisting of several million lines of code from the automation domain to evaluate its evolution scenarios. This paper reports our experiences with the method and lessons learned. Benefits of Q-ImPrESS are the good architectural decision support and comprehensive tool framework, while one drawback is the time-consuming data collection. [ABSTRACT FROM AUTHOR]
- Published
- 2011
- Full Text
- View/download PDF
73. Challenges to Modernism in Europe 1959–1967.
- Author
-
Mallgrave, Harry
- Abstract
One thing is certain: if society at large fails to come to terms with its people – what a paradox – people will spread over the globe and be at home nowhere, for it is in the nature of countless pseudo places made today that they are all the same. ciam and Team 10 Throughout the 1930s and 1940s ciam had remained very much in the hands of Le Corbusier and Giedion. The fourth ciam congress, held aboard the S.S. Patris II in 1933, produced (ten years later) the document published by Le Corbusier as the “Athens Charter,” which became the definitive statement of the organization's objectives and planning policies. It was in many of its details synonymous with Le Corbusier's “Radiant City” proposals. With the collapse of modernism in Germany in the mid-1930s, Le Corbusier assumed an even more powerful role. The fifth ciam congress was held in Paris in 1937, and Le Corbusier arranged his Pavillon des Temps Nouveaux at the Paris Exposition as a propaganda display for the organization. The theme was the functional city. The Spaniard José Luis Sert and the Dutchman Cornelis van Eesteren joined the inner circle of the organization in these years, but the German occupation of much of Europe in the 1940s dispersed once again the remnants of ciam. The saving grace for ciam turned out to be England, which after the founding of mars (Modern Architecture Research Group) in 1933 had grown increasingly active. [ABSTRACT FROM AUTHOR]
- Published
- 2005
- Full Text
- View/download PDF
74. Epilogue.
- Author
-
Mallgrave, Harry
- Abstract
We are in the presence of anachronism, nostalgia, and, probably, frivolity. 1968 Architectural theory is conventionally said to be a phenomenon born out of a tradition and therefore one that generally operates by evolution rather than by revolution. In quiet times this is generally the case. Very little, if anything, is ever new to architectural theory, and often generations of architects grapple with the very same issues, albeit within a changing historical context. But theory, too, is almost always visibly shaken by momentous intellectual, political, and economic events. The intellectual foment surrounding the Enlightenment defined one such moment within the course of Western history. World War I made its mark on theory, and the Great Depression ushered in a new era of thought. The year 1968 seems to define another such moment. Nineteen sixty-eight was above all a year of political convulsion and violence. In Europe the year opened and closed with the uplifting and disheartening events in Czechoslovakia. In early January, Antonín Novotný, the first secretary of the Communist Party, was ousted from his position by the Slovak Alexander Dubček (1927–93), who promised “socialism with a human face.” With the further removal of Novotný loyalists from the cabinet in March, the “Prague Spring” became a cause of worldwide celebration. The country's censorship laws were quickly revoked, and people in the streets reveled in their newfound freedom of expression. [ABSTRACT FROM AUTHOR]
- Published
- 2005
- Full Text
- View/download PDF
75. The Enlightenment and Neoclassical Theory.
- Author
-
Mallgrave, Harry
- Abstract
Suddenly a bright light appeared before my eyes. I saw objects distinctly where before I had only caught a glimpse of haze and clouds. The Enlightenment in France The relative lull in architectural debate in the first decades of eighteenth-century France mirrors a more pervasive lethargy that both shifted and sapped intellectual performance at large. Rococo theory, on the one hand, turned the focus of architectural attention from monumental practice toward residential planning – a trend discernible in the three editions (the second and third each greatly expanded) of Augustin-Charles d'Aviler's Cours d'architecture (Course of architecture; 1691, 1710, 1738) and Jacques-François Blondel's De la distribution des maisons de plaisance, et de la décoration des edifices en general (On the layout of country seats, and the decoration of edifices in general; 1737–8). French rococo theory, on the other hand, was a body of thought planted on soft political and economic underpinnings. The great promise of the early reign of Louis XIV soon dissipated. The fate of his cultural renaissance in France was largely sealed by the revocation of the Edict of Nantes in 1685, which sent tens of thousands of productive Huguenots into permanent religious exile. The whimsical overbuilding at Versailles and the disastrous War of Spanish Succession (1701–13) further depleted state coffers and undermined French morale, so much so that when the corpse of the monarch was wheeled to its burial place at Saint Denis in 1715, it was jeered along the way by angry mobs. [ABSTRACT FROM AUTHOR]
- Published
- 2005
- Full Text
- View/download PDF
76. British Theory in the Eighteenth Century.
- Author
-
Mallgrave, Harry
- Abstract
But it appears very clearly to me, that the human figure never supplied the architect with any of his ideas. The Legacy of Jones and Wren There are many reasons for Great Britain's relatively independent course of intellectual development in the eighteenth century. Politically, the two most significant events were the revolution of 1688 and the Treaty of Utrecht of 1713. The former resulted in constitutional reforms that enhanced liberty of expression and stabilized the governing process, while the latter concluded a dozen years of war with France and instilled in the British both pride and an ambition for international political standing. The ascension of the House of Hanover in 1715 further consolidated these gains and led to a period of unmatched colonial expansion and economic prosperity that lasted until midcentury. Attention to such luxuries as art and architecture was of course congenial with these developments. Thus Britain over the course of the century increasingly competed with France and Italy on the European cultural stage, yet with some unique traits in its national makeup. Until late in the century, it possessed no academic structure in the arts and hence had no organizational means of defining a unified set of artistic beliefs. British architects learned their trade either as apprentices in offices or through self-education by reading the principal texts of the Italian Renaissance or French classicism. Where advanced schooling was desired, one embarked on a tour of the south to imbibe the classical tradition firsthand. [ABSTRACT FROM AUTHOR]
- Published
- 2005
- Full Text
- View/download PDF
77. Prelude.
- Author
-
Mallgrave, Harry
- Abstract
The taste of our century, or at least of our nation, is different from that of the Ancients. François Blondel and the French Academic Tradition Architectural thought in France at the start of the seventeenth century, like that in Italy and Spain, was predicated on the notion that the art of architecture participated in a divinely sanctioned cosmology or natural order: a stable grammar of eternally valid forms, numbers, and proportional relations transmitted to the present from ancient times. Jean Bautista Villalpanda, in his 1604 commentary on the prophet Ezekiel and Solomon's Temple, attempted to prove that these numbers and proportions not only were compatible with the Vitruvian tradition but were given to Solomon directly by God himself. Within a few years, this tenet, more broadly considered, would meet philosophical resistance in the person of René Descartes (1596–1650). In his Rules for the Direction of the Mind, written sometime before 1628, Descartes noted: “Concerning objects proposed for study, we ought to investigate what we can clearly and evidently intuit or deduce with certainty, and not what other people have thought or what we ourselves conjecture.” In this clash of two different systems of values – inherited tradition and the confident power of human reason – resounds the first stirrings of modern theory. Descartes's third “rule,” as he termed it, is even richer in its implications. [ABSTRACT FROM AUTHOR]
- Published
- 2005
- Full Text
- View/download PDF
78. Deborah Howard and Laura Moretti (eds.) Architettura e Musica nella Venezia del Rinascimento : Milan: Mondadori, 2006
- Author
-
Duvernoy, Sylvie, Wassell, Stephen R., editor, and Williams, Kim, editor
- Published
- 2008
- Full Text
- View/download PDF
79. Camere Azzurre. Costruzione di un'antologia mediterranea: da Palladio a Peter Märkli
- Author
-
Vincenzo Moschetti
- Subjects
composizione ,Palladio ,casa ,Peter Märkli ,Aldo Rossi ,Mediterraneo, Palladio, Aldo Rossi, Peter Märkli, casa, composizione ,Mediterraneo - Abstract
The Mediterranean world has been seen for centuries as a ‘hyperbaric chamber’ in which the production of idyllic images by Grand Tour travellers has led its actual architectural evolution to the abysses, as a result of compromises in space. This has involved the construction of a (counter-)Atlas within which the architectures have acted by transfers, thus redefining the notion of geography according to space. This work investigates this 'encroaching' through the theme of the bourgeois dwelling, seeking a logical principle between the Mediterranean and the architectures by Palladio, Rossi and Märkli, united by a system of invisible distances able to demonstrate the temporariness of the 'maps'. Therefore, if it is true that the construction of space is able to change the geographical maps, it is legitimate to ask in this sense where the Mediterranean ends, a question to which this work tries to find an answer by means of the architectural project and its compositional phenomena.
- Published
- 2020
80. Visual relationship between monuments from the past and contemporary architecture. Masterpieces by Andrea Palladio and new spatial connections
- Author
-
Pietrogrande, Enrico and DALLA CANEVA, Alessandro
- Subjects
Memory ,Imaginary cities ,Palladio ,Palladio, Memory, Imaginary cities - Published
- 2020
81. Египетский стиль в архитектуре XX–XXI вв. Эволюция египетских ордерных форм. Сравнительный анализ
- Subjects
ордер ,order system ,Палладио ,ордерная система ,неоклассика ,Vignola ,Palladio ,Egipt ,Виньола ,order ,Египет ,neoclassic - Abstract
Под руководством преподавателей учащиеся 15 группы 1 курса МАРХИ провели сравнительный анализ египетских ордерных форм с каноническими ордерами Палладио и Виньолы, а также с ордерами некоторых известных исторических зданий России, Европы и США. Был выявлен ряд тенденций, закономерностей и особенностей, проявившихся при трансформации ордеров., Under the guidance of teachers, students of the 15th group of the 1st course of MARCHI conducted a comparative analysis of Egyptian order forms with the canonical orders of Palladio and Vignola, as well as with the orders of some famous historical buildings in Russia, Europe and the USA. A number of trends, patterns, and features were revealed that manifested themselves during the transformation of orders.
- Published
- 2020
- Full Text
- View/download PDF
82. Palladio: introduzione
- Author
-
Minonne, Francesca
- Subjects
Palladio ,Mistica ,Settore L-FIL-LET/07 - CIVILTÀ BIZANTINA ,Settore L-FIL-LET/06 - LETTERATURA CRISTIANA ANTICA - Published
- 2020
83. Modeling and Simulation of Message-Driven Self-Adaptive Systems
- Author
-
Schmid, Larissa and Henß, Jörg
- Subjects
message-driven systems ,message-oriented middleware ,AMQP ,model-driven software development ,MOM ,DATA processing & computer science ,simulation ,performance prediction ,self-adaptive systems ,Palladio ,RabbitMQ ,ddc:004 ,software engineering - Abstract
Dynamische, sich selbst rekonfigurierende Systeme nutzen Nachrichtenwarteschlangen als gängige Methode zum Erreichen von Entkopplung zwischen Sendern und Empfängern. Das Vorhersagen der Qualität von Systemen zur Entwurfszeit ist wesentlich, da Änderungen in späteren Phasen der Entwicklung sehr viel aufwändiger und teurer sind. Momentan gibt es keine Methode, Nachrichtenwarteschlangen auf architekturellem Level darzustellen und deren Qualitätseinfluss auf Systeme vorherzusagen. Existierende Ansätze modellieren Warteschlangen nicht explizit sondern abstrahieren sie. Warteschlangeneffekte sowie Details der Nachrichten-Infrastruktur wie zum Beispiel Flusskontrolle werden nicht beachtet. Diese Arbeit schlägt ein Meta-Modell vor, das eine solche Repräsentation ermöglicht, und eine Simulations-Schnittstelle zwischen einer Simulation einer komponentenbasierten Architekturbeschreibungssprache und einer Nachrichtenaustausch-Simulation. Das Meta-Modell wurde als Erweiterung des Palladio Komponentenmodells realisiert. Die Schnittstelle wurde implementiert für den Palladio-Simulator SimuLizar und eine von RabbitMQ inspirierte Simulation, die dem AMQP 0.9.1 Protokoll folgt. Dies ermöglicht architekturelle Repräsentation von Nachrichtenaustausch und das Vorhersagen von Qualitätsattributen von nachrichtengetriebenen, selbst-adaptiven Systemen. Die Evaluation anhand einer Fallstudie zeigt die Anwendbarkeit des Ansatzes und seine Vorhersagegenauigkeit für Punkt-zu-Punkt-Kommunikation. Außerdem konnten andere qualitätsbezogene Metriken, wie etwa Nachrichtenwarteschlangenlänge, Ein- und Ausgangsraten von Nachrichtenwarteschlangen, sowie Speicherverbrauch korrekt vorhergesagt werden. Das ermöglicht tiefere Einsichten in die Qualität eines Systems. Wir argumentieren weiterhin, dass der Ansatz in dieser Arbeit selbst-adaptive nachrichtengetriebene Systeme, die sich basierend auf verschiedenen Metriken rekonfigurieren, simulieren kann.
- Published
- 2020
84. Discoveries for a Community
- Author
-
Gregores, Megan Kesler, Architecture, Galloway, William U., Pittman, V. Hunter, and Thompson, Steven R.
- Subjects
Caribbean ,Investigation ,Residence ,Column ,Tropics ,Context ,Wall ,Aesthetics ,Community ,Discovery ,Beach House ,Prototype ,Marina ,Private ,Beauty ,Remnant ,Insular ,Drawing Study ,Palladio ,Order ,Uniform ,Master Plan ,Form ,Concrete - Abstract
This thesis investigates the design of a new, private residential community on the undeveloped island, Thatch Cay, in the U.S. Virgin Islands. Architectural issues explored include the use of load bearing walls versus free standing columns for the primary structure of the individual buildings as a means of ordering space and a way to frame the context of the Caribbean. Architectural decisions involve how to make openings in the walls, how much of the walls remain, and how the remaining portions of the walls are articulated, as best suited for the specific building type, a prototype residence, in this particular setting in the tropics. Master of Architecture
- Published
- 2019
85. Palladio
- Author
-
Carboni Maestri, Gregorio, Gonella, Elia, Gatti, Giacomo, Carboni Maestri, Gregorio, Gonella, Elia, and Gatti, Giacomo
- Abstract
Je me préoccupe de la diffusion et vulgarisation de contenus d’histoire et conception théoriques implexes vers le grand public et le monde estudiantin, démocratisant des contenus parfois cryptés par un langage hermétique et limitées au seul milieu académique. Terrains de partage (congrès, revues scientifiques, débats internes, etc.) fondamentaux pour l’avancement de l’investigation, certes, mais dont l’enfermement en systèmes clos stérilise, hélas, le possible et immense potentiel social. En ce sens, en 2017, une société de production m’a demandé d’être directeur scientifique, auteur et objet principal d’un documentaire sur Palladio. J’ai fait en sorte que le projet évolue vers une forme expérimentale nouvelle :sorte d’article scientifique pour le grand public. Travail duré plus de deux ans permettant de réaliser le premier long métrage documentaire d’histoire d’architecture pour le grand écran. Premier documentaire de niveau scientifique à être sorti, simultanément, en 450 salles de cinéma. Premier à avoir eu un tel succès de public :5ème au box-office national lors de la projection, dépassant plusieurs blockbusters états-uniens. Traitant, pourtant, de questions enchevêtrées, souvent reléguées aux initiées, ce succès prouve la pertinence de mon objectif culturel. Film qui n’est pas de simple divulgation, mais qui pose thèses, hypothèses et interrogations. Comme, par exemple, la relation entre nouvelles typologies productives et Révolution agricole Vénète (K. Takeuchi, 1968); la relativité des significations politiques des formes construites dans la phase finale de la Renaissance (F. Buttay, 2008); la naissance de ce que j’appelle dans le film la première Modernité et son lien avec les premiers états nation ;leur relation au proto-capitaliste ;le lien architectonique-politique ;la corrélation entre architecture, nation étasunienne et idéalité républicaine Vénète… En toile de fond, le film s’interroge sur la crise que vivent historiographie, pédagogie et doctrines de, 0, info:eu-repo/semantics/published
- Published
- 2019
86. The culture of cities.
- Author
-
Pounds, N. J. G.
- Abstract
Funny you can be so lonely with all these folks around. When I come out of the country hither to the City methinks I come into another world, even out of darkness into light. The popular culture of cities and towns is, by its nature, a derived culture. Towns were a relatively late development; they could arise only when agriculture had been sufficiently developed to yield a surplus for their support, and the ratio of urban to rural population in traditional societies has always been low. Towns derived not only their basic food supply from the countryside, but also their population. Urban death-rates were generally higher, and birth-rates lower than in the countryside, and the net reproduction rate was for much of the time less than unity. There thus had to be a migration from the country to the town, and the vast number of locative personal names, indicating a village or place of origin, gives some idea of the distances covered by the migrants. Many towns had no precisely known point of origin. They had grown in response to human needs, and in some form or other seemed to have existed from time immemorial. Some had been established by the Romans, had decayed and had been abandoned, leaving only an infrastructure of roads and the rumour that there had once been a city. [ABSTRACT FROM AUTHOR]
- Published
- 1994
- Full Text
- View/download PDF
87. ÍNDICE.
- Published
- 2008
88. Tide Prediction Machines, Prosopography and Digital Humanities: what are they and how do they fit together?
- Author
-
Rawsthorne, Helen Mair, Centre François Viète - Brest (CFV UBO), Institut Brestois des Sciences de l'Homme et de la Société (IBSHS), Université de Brest (UBO)-Université de Brest (UBO)-Centre François Viète : épistémologie, histoire des sciences et des techniques - EA1161 (CFV), Université de Nantes - UFR des Sciences et des Techniques (UN UFR ST), Université de Nantes (UN)-Université de Nantes (UN)-Université de Brest (UBO)-Université de Nantes - UFR Lettres et Langages (UFRLL), Université de Nantes (UN)-Université de Nantes (UN)-Université de Nantes - UFR des Sciences et des Techniques (UN UFR ST), Université de Nantes (UN)-Université de Nantes (UN)-Université de Nantes - UFR Lettres et Langages (UFRLL), Université de Nantes (UN)-Université de Nantes (UN), DARIAH, Centre François Viète : épistémologie, histoire des sciences et des techniques - EA1161 (CFV), Université de Nantes (UN)-Université de Nantes (UN)-Institut Brestois des Sciences de l'Homme et de la Société (IBSHS), and Université de Brest (UBO)
- Subjects
tide prediction machines ,time.graphics ,prosopography ,dh tools ,centre françois viète ,dariah ,cfv ,[SHS]Humanities and Social Sciences ,université de bretagne occidentale ,digital humanities tools ,14. Life underwater ,digital humanities ,ubo ,ComputingMilieux_MISCELLANEOUS ,palladio - Abstract
Tide prediction machines, prosopography and digital humanities are the three main axes upon which my Master’s degree research project is constructed. This poster explains what these three most important components of my project are and how they link together, with a focus on the digital humanities tools used. I was awarded a travel scholarship to present this poster at the DARIAH Annual Event 2019 in Warsaw on 16 May 2019 as I won DARIAH's Digital Humanities tools and methods blog competition 2019.
- Published
- 2019
89. 'Practical and Pure, The Irish Palladian.'
- Subjects
Eighteenth Century ,Sir Edward Lovett Pearce ,Palladio ,Richard Castle ,Ireland - Abstract
In the eighteenth century, growing international building trends introduced Palladianism to Europe. Growing in Britain and Prussian circles, the symmetrical and simplistic classical style established itself as a part of the language of power and refinement. Sites like the Berlin State Opera, built in 1742, was commissioned by Frederick II of Prussia shortly after his accession to the throne, appears to be based on designs from Colen Campbell’s Vitruvius Britannicus. When the style was falling out of favor in Europe, it experienced a surge in North America at places like Drayton Hall in South Carolina, the Redwood Library in Newport, Rhode Island, and Monticello in Charlottesville, Virginia. Initially, Palladianism had a pure origin when introduced to England by Inigo Jones in the early seventeenth century. However, when the style lost popularity due to the English Civil war, the Baroque and other influences from the continent could fill the vacuum until the style reappeared in the early eighteenth century. The Burlington circle was fluent in Palladian vocabulary but had other aesthetic options to incorporate when designing new architectural features. Architects in Ireland applied Palladianism in a purer form than their precedents or contemporaries, adhering strictly to the rules of symmetry and decoration regarding plan and appearance. Edward Lovett Pearce and Richard Castle, the two leading architects in Ireland at the time, chose to ignore other design options, despite their education suggesting a potential for other influences. Irish patrons also did little in comparison to their English counterparts in landscaping due to the lusher environment. As a result, the Irish Palladian country house was closer to Palladio’s own creations in materials and construction, adherence to the rules laid out by Palladio, and their situation in a functional landscape.
- Published
- 2019
- Full Text
- View/download PDF
90. Adaptation-Aware Architecture Modeling and Analysis of Energy Efficiency for Software Systems
- Author
-
Stier, Christian and Reussner, R.
- Subjects
Software Architecture ,Self-Adaptivity ,Energy Efficiency ,Entwurfszeitanalyse ,Palladio ,DATA processing & computer science ,Software Quality Engineering ,Software-Architektur ,ddc:004 ,Energieeffizienz ,Selbst-Adaptivität ,Design-Time Analysis - Abstract
This thesis presents an approach for the design time analysis of energy efficiency for static and self-adaptive software systems. The quality characteristics of a software system, such as performance and operating costs, strongly depend upon its architecture. Software architecture is a high-level view on software artifacts that reflects essential quality characteristics of a system under design. Design decisions made on an architectural level have a decisive impact on the quality of a system. Revising architectural design decisions late into development requires significant effort. Architectural analyses allow software architects to reason about the impact of design decisions on quality, based on an architectural description of the system. An essential quality goal is the reduction of cost while maintaining other quality goals. Power consumption accounts for a significant part of the Total Cost of Ownership (TCO) of data centers. In 2010, data centers contributed 1.3% of the world-wide power consumption. However, reasoning on the energy efficiency of software systems is excluded from the systematic analysis of software architectures at design time. Energy efficiency can only be evaluated once the system is deployed and operational. One approach to reduce power consumption or cost is the introduction of self-adaptivity to a software system. Self-adaptive software systems execute adaptations to provision costly resources dependent on user load. The execution of reconfigurations can increase energy efficiency and reduce cost. If performed improperly, however, the additional resources required to execute a reconfiguration may exceed their positive effect. Existing architecture-level energy analysis approaches offer limited accuracy or only consider a limited set of system features, e.g., the used communication style. Predictive approaches from the embedded systems and Cloud Computing domain operate on an abstraction that is not suited for architectural analysis. The execution of adaptations can consume additional resources. The additional consumption can reduce performance and energy efficiency. Design time quality analyses for self-adaptive software systems ignore this transient effect of adaptations. This thesis makes the following contributions to enable the systematic consideration of energy efficiency in the architectural design of self-adaptive software systems: First, it presents a modeling language that captures power consumption characteristics on an architectural abstraction level. Second, it introduces an energy efficiency analysis approach that uses instances of our power consumption modeling language in combination with existing performance analyses for architecture models. The developed analysis supports reasoning on energy efficiency for static and self-adaptive software systems. Third, to ease the specification of power consumption characteristics, we provide a method for extracting power models for server environments. The method encompasses an automated profiling of servers based on a set of restrictions defined by the user. A model training framework extracts a set of power models specified in our modeling language from the resulting profile. The method ranks the trained power models based on their predicted accuracy. Lastly, this thesis introduces a systematic modeling and analysis approach for considering transient effects in design time quality analyses. The approach explicitly models inter-dependencies between reconfigurations, performance and power consumption. We provide a formalization of the execution semantics of the model. Additionally, we discuss how our approach can be integrated with existing quality analyses of self-adaptive software systems. We validated the accuracy, applicability, and appropriateness of our approach in a variety of case studies. The first two case studies investigated the accuracy and appropriateness of our modeling and analysis approach. The first study evaluated the impact of design decisions on the energy efficiency of a media hosting application. The energy consumption predictions achieved an absolute error lower than 5.5% across different user loads. Our approach predicted the relative impact of the design decision on energy efficiency with an error of less than 18.94%. The second case study used two variants of the Spring-based community case study system PetClinic. The case study complements the accuracy and appropriateness evaluation of our modeling and analysis approach. We were able to predict the energy consumption of both variants with an absolute error of no more than 2.38%. In contrast to the first case study, we derived all models automatically, using our power model extraction framework, as well as an extraction framework for performance models. The third case study applied our model-based prediction to evaluate the effect of different self-adaptation algorithms on energy efficiency. It involved scientific workloads executed in a virtualized environment. Our approach predicted the energy consumption with an error below 7.1%, even though we used coarse grained measurement data of low accuracy to train the input models. The fourth case study evaluated the appropriateness and accuracy of the automated model extraction method using a set of Big Data and enterprise workloads. Our method produced power models with prediction errors below 5.9%. A secondary study evaluated the accuracy of extracted power models for different Virtual Machine (VM) migration scenarios. The results of the fifth case study showed that our approach for modeling transient effects improved the prediction accuracy for a horizontally scaling application. Leveraging the improved accuracy, we were able to identify design deficiencies of the application that otherwise would have remained unnoticed.
- Published
- 2019
91. 'il tutto comprendere et in disegno ridurlo' Gli angoli di Palladio
- Author
-
Samperi, Renata
- Subjects
Economica ,Angoli, Ordini architettonici,Palladio ,Palladio ,Socio-culturale ,Ambientale ,Ordini architettonici ,Angoli - Published
- 2019
92. Nemo propheta in Padova. La fuga secolare dei talenti da Palladio a Morassutti
- Author
-
Narne, Edoardo
- Subjects
Padova ,Padova, Palladio, Morassutti ,Palladio ,Morassutti - Published
- 2019
93. Breve viaggio nella storia dell’arte. Dal Rinascimento al Rococò
- Author
-
Lumachi, F
- Subjects
Pinacoteca di Brera ,Van Dyck ,Perugino ,rococò ,rinascimento ,scultura ,Vaticano ,Bellini ,Palladio ,Vivarini ,Codussi ,Alberti ,Cappella Sistina ,Louvre ,Del Castagno ,Gallerie dell’Accademia ,Pontormo ,Donatello ,Vermeer ,Pordenone ,Salvi ,Serlio ,architettura ,Velasquez ,Cellini ,El Greco ,Cosmè Tura ,Ghiberti ,Storia, arte, rinascimento, pittura, scultura, architettura, manierismo, naturalismo, classicismo, barocco, rococò, Alberti, Algardi, Antonello da Messina, Beato Angelico, Bellini, Bernini, Borromini, Botticelli, Bramante, Bronzino, Brunelleschi, Cappella Sistina, Carvaggio, Carpaccio, Carracci, Cellini, Codussi, Correggio, De Zurbaràn, Del Castagno, Del Cosso, Donatello, El Greco, Fischer von Erlach, Ghiberti, Giambologna, Giorgione, Juvarra, Lanfranco, Leonardo da Vinci, Longhena, Maderno, Mantegna, Masaccio, Michelangelo, Mochi, Palladio, Paolo Uccello, Parmigianino, Perugino, Picasso, Piero della Francesca, Pontormo, Pordenone, Raffaello, Rembrandt , Reni, Romano, Rossetti, Rosso Fiorentino, Rubens, Salvi, Sansovino, Serlio, Tiepolo, Tintoretto, Tiziano, Cosmè Tura, Van Dyck, Vasari, Velasquez, Vermeer, Veronese, Vivarini, Watteau, Uffizi, Pinacoteca di Brera, Gallerie dell’Accademia, museo, Vaticano, National Gallery, Louvre, Galleria Borghese ,Reni ,Giambologna ,Rembrandt ,Brunelleschi ,Mantegna ,Bernini ,Del Cosso ,Maderno ,Vasari ,classicismo ,Rosso Fiorentino ,Tiepolo ,Tiziano ,Borromini ,Piero della Francesca ,Rossetti ,Parmigianino ,Juvarra ,Leonardo da Vinci ,arte ,Giorgione ,Sansovino ,Storia ,Fischer von Erlach ,Carracci ,Rubens ,Carpaccio ,Uffizi ,Picasso ,Veronese ,barocco ,Michelangelo ,Algardi ,Beato Angelico ,Carvaggio ,naturalismo ,Mochi ,Romano ,Watteau ,museo ,Tintoretto ,Paolo Uccello ,pittura ,Raffaello ,Lanfranco ,Botticelli ,Longhena ,Bramante ,Correggio ,De Zurbaràn ,Masaccio ,Galleria Borghese ,National Gallery ,manierismo ,Bronzino ,Antonello da Messina - Published
- 2019
94. Jais rame e verde, ocelot e feltro nero al Teatro Olimpico. Alta moda e arte contemporanea tra SNIA Viscosa e Marzotto
- Author
-
Portinari, Stefania
- Subjects
Venezia ,Simonetta ,Germana Marucelli ,Alberto Fabiani ,Lanificio Rossi ,arte, moda, Venezia, Vicenza, Teatro Olimpico, Palladio, Gaetano Marzotto, Giovan Battista Giorgini, Carlo Ludovico Ragghianti, Sorelle Fontana, Carosa, Simonetta, Alberto Fabiani, Emilio Schuberth, Noberasko, Germana Marucelli, Jole Veneziani, Biki (alias Elvira Leonardi), Lani ficio Marzotto, Vita Noberasko, Lanificio Rossi, SNIA Viscosa ,Carosa ,Settore L-ART/03 - Storia dell'Arte Contemporanea ,Carlo Ludovico Ragghianti ,Teatro Olimpico ,moda ,Vicenza ,Emilio Schuberth ,SNIA Viscosa ,Giovan Battista Giorgini ,Biki (alias Elvira Leonardi) ,arte ,Palladio ,Jole Veneziani ,Lani ficio Marzotto ,Noberasko ,Gaetano Marzotto ,Sorelle Fontana ,Vita Noberasko - Published
- 2019
95. Roots of ‘Parametric Thinking’ in Palladio’s Villas. Surveying, interpreting and visual programming the plates from I quattro libri di architettura
- Author
-
Spallone, R. and Calvano, M.
- Subjects
Parametric modeling ,Treatises ,Palladio ,BIM ,Villas ,Parametric modeling, VPL, BIM, Palladio, Villas, Treatises ,VPL - Published
- 2019
96. Building Collective Individualities: Residential Pavilions in the Italian Countryside
- Author
-
Malfona, Lina
- Subjects
individuality ,countryside ,Palladio ,collective ,single-family house ,pavilion - Published
- 2019
97. Roberto Gargiani, Beatrice Lampariello: Il Monumento Continuo di Superstudio. Eccesso del razionalismo e strategia del rifiuto
- Author
-
Canepa, Elisabetta
- Subjects
Kazimir Malevič ,Drawing Matter ,Adolfo Natalini ,Gian Piero Frassinelli ,Superstudio, Monumento Continuo, 1969, Adolfo Natalini, Gian Piero Frassinelli, Drawing Matter, architettura radicale, strategia del rifiuto, forza dell’eccesso, Kazimir Malevič, Land Art, Leonardo Benevolo, Palladio, Le Corbusier ,architettura radicale ,Monumento Continuo ,Leonardo Benevolo ,Palladio ,Le Corbusier ,Superstudio ,strategia del rifiuto ,Land Art ,forza dell’eccesso - Published
- 2019
98. So near so far. Venice, the Island of San Giorgio Maggiore, Fondazione Giorgio Cini
- Author
-
Molteni, Elisabetta
- Subjects
Venezia ,Palladio ,Ferdinando Forlati ,San Giorgio Maggiore ,Luigi Vietti ,Settore ICAR/18 - Storia dell'Architettura ,Vittorio Cini ,Venezia, San Giorgio Maggiore, Palladio, Ferdinando Forlati, Luigi Vietti, Vittorio Cini - Published
- 2018
99. Architettura sacra e celebrazione profana : la facciata palladiana della chiesa di San Pietro di Castello
- Author
-
Guerra, Andrea
- Subjects
Patriarcato Venezia ,Palladio ,San Pietro di Castello ,Palladio, San Pietro di Castello, Patriarcato Venezia - Published
- 2018
100. Così vicino, così lontano. Venezia, l'isola di San Giorgio Maggiore, la Fondazione Giorgio Cini
- Author
-
Molteni, Elisabetta
- Subjects
Venezia ,Palladio ,Ferdinando Forlati ,San Giorgio Maggiore ,Luigi Vietti ,Settore ICAR/18 - Storia dell'Architettura ,Vittorio Cini ,Venezia, San Giorgio Maggiore, Palladio, Ferdinando Forlati, Luigi Vietti, Vittorio Cini - Published
- 2018
Catalog
Discovery Service for Jio Institute Digital Library
For full access to our library's resources, please sign in.