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53. Маньеристические черты фасада палаццо Вальмарана Андреа Палладио. К вопросу об академизме и инновации в ордере

54. Architecture et dignité

55. I bianchi di Palladio

57. Centenarios de Vignola (2007) y Palladio (2008). Apuntes, acentos

58. From Hermeneutics to Data to Networks: Data Extraction and Network Visualization of Historical Sources

59. GOETHE Y LA ARQUITECTURA TEATRAL.

60. Parametric Notations: The Birth of the Non-Standard.

61. Villa Saraceno de Palladio: Veinte años tras su restauración.

62. Migrating architectures: Palladio’s legacy from Calcutta to New Delhi

63. Palladio and the Mediterranean heritage the patio, atrium and portico as geometrical and well-being strategies

64. Palladio: introduzione

65. A PARADATA DOCUMENTATION METHODOLOGY FOR THE UNCERTAINTY VISUALIZATION IN DIGITAL RECONSTRUCTION OF CH ARTIFACTS.

66. Identifying confidentiality violations in architectural design using palladio

68. Parametric Experiments on Palladio’s villas

69. Истоки вдохновения архитекторов, проектировавших московское метро (1935–1954)

70. Model-driven Quantification of Correctness with Palladio and KeY

71. Sequendo le orme di Palladio - Villa Emo - Ein Dialog

72. An industrial case study on quality impact prediction for evolving service-oriented software.

73. Challenges to Modernism in Europe 1959–1967.

74. Epilogue.

75. The Enlightenment and Neoclassical Theory.

76. British Theory in the Eighteenth Century.

77. Prelude.

79. Camere Azzurre. Costruzione di un'antologia mediterranea: da Palladio a Peter Märkli

81. Египетский стиль в архитектуре XX–XXI вв. Эволюция египетских ордерных форм. Сравнительный анализ

82. Palladio: introduzione

83. Modeling and Simulation of Message-Driven Self-Adaptive Systems

84. Discoveries for a Community

85. Palladio

86. The culture of cities.

88. Tide Prediction Machines, Prosopography and Digital Humanities: what are they and how do they fit together?

89. 'Practical and Pure, The Irish Palladian.'

90. Adaptation-Aware Architecture Modeling and Analysis of Energy Efficiency for Software Systems

93. Breve viaggio nella storia dell’arte. Dal Rinascimento al Rococò

94. Jais rame e verde, ocelot e feltro nero al Teatro Olimpico. Alta moda e arte contemporanea tra SNIA Viscosa e Marzotto

97. Roberto Gargiani, Beatrice Lampariello: Il Monumento Continuo di Superstudio. Eccesso del razionalismo e strategia del rifiuto

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