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Diplomsko delo z naslovom Zastopanost kiparskih likovnih tehnik v vrtcu Gornja Radgona je sestavljeno iz teoretičnega in empiričnega dela. V teoretičnem delu smo na kratko predstavili umetnost v Kurikulumu za vrtce, na kratko opisali likovno ustvarjalnost. Nadaljevali smo s likovnimi področji, ki smo jih na kratko predstavili, področje kiparstva pa smo še dodatno razširili. Navedli smo pomembnejše cilje in naloge posameznega likovnega področja, ter opisali vrtec Manka Golarja Gornja Radgona. Podrobneje smo prikazali kiparske likovne tehnike, kiparske likovne materiale, orodja, pripomočke in podlage, s katerimi lahko v predšolskem obdobju otroci manipulirajo. V empiričnem delu smo prikazali raziskavo, s katero smo želeli ugotoviti prisotnost kiparskih likovnih tehnik, materialov, pripomočkov, orodij in podlag v vrtcu Manka Golarja Gornja Radgona. Uporabili smo deskriptivno metodo pedagoškega raziskovanja. Verjetnostni vzorec so bile vzgojiteljice in pomočnice vzgojiteljic vrtca Manka Golarja Gornja Radgona. rezultate smo statistično obdelali in jih na podlagi raziskovalnih vprašanj tudi utemeljili. S pomočjo anketnega vprašalnika smo ugotovili, da so pri delu v vrtcu zelo prisotne likovne dejavnosti. Najbolj pogosto je risanje, vzgojiteljice pa se pri svojem delu s kiparskimi likovnimi materiali največkrat poslužujejo plastelina in papirja, najpogostejše orodje za obdelovanje kiparskega likovnega materiala pa so različne modelirke, čopiči in škarje. This diploma thesis with the title Representation of Sculpture Art Techniques in Gornja Radgona Kindergarten is composed of two parts theoretical and empirical. The theoretical part briefly presents the art in the Kindergarten curriculum and describes artistic creativity in short. It continues with fine arts fields which are presented in short, except the sculpture art which is presented exhaustively. It follows a brief description of more important aims of individual artistic fields as well as the description of the Manko Golar Kindergarten in Gornja Radgona. Sculpture art techniques, sculpture art materials, tools, accessories and bases which may be manipulated by children in the pre-school period are presented in further detail. The empirical part presents the research carried out with the purpose of determining the representation of sculpture art techniques, materials, accessories and bases in the Manko Golar Kindergarten in Gornja Radgona. We applied the descriptive method of pedagogic research. Random sample were the childcare workers and their assistants in the Manko Golar Kindergarten in Gornja Radgona. The results were statistically treated and also substantiated on the basis of the research issues. By means of a survey questionnaire, it was established that artistic activities are very present at work in the kindergarten. The most frequently applied fine arts field was drawing, and the childcare workers mostly used plasticine and paper, when working with sculpture art materials, and the tool most often used for modelling sculpture art material were different sculpting, brushes and scissors tools.

Tetoviranje je dejavnost, stara kot človeštvo samo. Je dejavnost, ki ni nikoli nehala delovati in obstajati, bila je prisotna na različnih delih sveta, ponekod v večji meri, drugod v manjši. Še danes je izredno aktivna in popularna. V prvem, teoretičnem delu smo spoznavali in odkrivali dokaze o začetkih tetoviranja, o tehniki, orodju in motivih. Zanimali so nas razlogi za tovrstno krašenje telesa in še drugačni načini krašenja, kot je kavterizacija (namerno povzročene opekline) in skarifikacija ali brazgotinjenje. Na temelju poglobljenega študija literature smo raziskovali umetnost tetoviranja skozi čas in se spraševali, od kod je nastala beseda tattoo. V empiričnem delu smo izvedli anketo in uporabili tehniko vezane ankete, podatke pa smo obdelali s frekvenčno distribucijo (grafični prikazi). Raziskavo v obliki ankete smo izvedli marca in aprila 2012. Anketa je bila narejena v računalniškem programu Google docs in je bila razposlana preko družabnega omrežja Facebook na anonimne naslovnike. Ugotavljali smo, ali je tetoviranje še danes aktivno, koliko so v povprečju stari posamezniki, ko se odločijo za tatu, zakaj se odločijo oziroma zakaj jih to ne zanima, če niso tetovirani. Na temelju vprašalnika smo spoznali, da je tetoviranje še danes močno prisotno v družbi, sploh v zgodnjih dvajsetih letih. Še vedno pa imajo tatuji nek slabšalen prizvok in marsikdo misli, da se tako označujejo kvečjemu motoristi, kriminalci ali pripadniki nižjega razreda. Z afirmacijo tatujev pri filmskih, športnih zvezdah in drugih medijskih osebnostih tetovaže pridobivajo na vrednosti. Veliko je tetovaž, ki so samo dekorativnega značaja, ker je posamezniku določen tatu samo všeč. A kljub temu še ima večina tetovaž neko globlje ozadje, nek morebiti izrazito intimno zavezujoč pomen, za katerega ve le tisti, ki tetovažo nosi. Tattooing is a practice which has been practiced for centuries and is as old as humankind itself. It is a practice that will never cease to exist and it has been found throughout the world, in some places to a larger extent, while in others to a lesser extent. Still, it continues to be a very active and popular form of body modification. In the first, theoretical part, we have been identifying and revealing the proofs regarding the beginnings of tattooing, the technique, instruments and themes. We laid special interest in the reasons and motives for such body decoration and also others ways of decorating such as cauterization (intentionally caused burns) and scarification. Based on an in-depth study of literature we have been researching the art of tattooing over time and we have been examining on the origin of the word tattoo. In the empirical part, we carried out a survey and we used a technique of bound survey, the obtained data were processed by a frequency distribution (graphical presentations). The research was carried out in form of a survey in March and April 2012. The survey was conducted by a software program Google docs and was sent to anonymous addressees throughout the social network Facebook. We examined whether tattooing is still active, how old are the individuals who decide on getting a tattoo, why do they make such decision or why are they not interested in getting a tattoo. Based on the questionnaire, we concluded that tattooing is strongly present in today’s society, especially in the early twenty years. However, the tattoos still have some hint of negativity and a lot of people think that bikers, criminals or people of lower class are wearing tattoos. The tattoos are becoming increasingly popular with the affirmation of the tattoos by the movie stars or the sports stars and other media personalities. There are many decorative tattoos, because an individual just prefers a specific tattoo. However, most tattoos have a certain deeper background, probably an expressly intimate compelling meaning that is known only to the person wearing the tattoo.