459 results on '"Telotte, J."'
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52. Felix in—and out of—Space
53. Doing Science in Machine Age Horror: "The Mummy'"s Case
54. 'Complementary Verses': The Science Fiction of Twin Peaks
55. The Pulps in the Consumer’s Republic
56. Movies, Modernism, and the Science Fiction Pulps
57. Introduction
58. Convergence and the Rhetoric of Scientifilm
59. Of War and Beyond
60. Cover Stories
61. The Real Thing
62. Verhoeven, Virilio, and "Cinematic Derealization"
63. Lindbergh, Film, and Machine Age Dreams
64. Two-stage dilute-acid and organic-solvent lignocellulosic pretreatment for enhanced bioprocessing
65. Rounding up "The Usual Suspects": The Comforts of Character and Neo-Noir
66. "So Big": The Monumental Technology of "Things to Come"
67. "Just Imagine-ing" the "Metropolis" of Modern America
68. Tim Burton’s 'Filled' Spaces: Alice in Wonderland
69. Dystopia and Dispossession in the Hollywood Science-Fiction Film, 1979-2017: The Aesthetics of Enclosure by Harry Warwick (review)
70. Space Opera TV: Seeing the World of Tomorrow
71. Disney Noir
72. Robot Ecology and the Science Fiction Film
73. The Space of Today and the World of Tomorrow: Hybrid Film and "Sky Captain and the World of Tomorrow"
74. Animating Space: Disney, Science, and Empowerment
75. La Bute's "Frankenstein", or the Postmodern Prometheus
76. Commodity Futures.
77. Narratives of Resistance: Verhoeven's "Soldier of Orange"
78. Robot Monster and the “Watchable … Terrible” Cult/SF Film
79. Introduction: Science Fiction Double Feature
80. 'The World of Tomorrow' and the 'Secret Goal' of Science Fiction.
81. The Blair Witch Project Project: Film and the Internet
82. Enframing the Self: The Hardware and Software of "Hardware"
83. Narration, Desire, and a Lady from Shanghai
84. The Displaced Voice of "In a Lonely Place"
85. The Seductive Text of "Metropolis"
86. Self-Portrait: Painting and the Film Noir
87. Human Artifice and the Science Fiction Film
88. Language and Perspective in James's "The American"
89. Science Fiction TV
90. Science Fiction Film
91. Disney Noir: 'Just Drawn That Way'
92. Space Opera TV: Seeing the World of Tomorrow
93. What’s Up—And Down—Doc?
94. The Stereoscopic Mickey
95. Conclusion
96. Winsor McCay’s Warped Spaces
97. Early Animation
98. Digital Effects Animation and the New Hybrid Cinema
99. Introduction
100. Toontown Spaces and the New Hybrid World
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