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In a letter from May 10, 1852, to Adam von Doß, Arthur Schopenhauer declared himself to be a Buddhist. From 1825 until his death, he never stopped searching for more information on Buddhism, with his thirst for knowledge of it growing over time. Schopenhauer's Buddhism: A Historical-Philosophical Inquiry is the first study to do justice to Schopenhauer's passion for Buddhism, reconstructing the notions of Buddhism he acquired through his readings on Buddhism as well as their influence on his thought. Laura Langone examines what Buddhism meant for Schopenhauer, what kind of Buddhism Schopenhauer had in mind, and how Buddhism shaped his philosophy. This book examines how the assimilation of Buddhist tenets through his Buddhist sources led him to incorporate the Buddhist concept of palingenesis into his philosophical system, which introduced a radically new metaphysical framework. Ultimately, Schopenhauer's incorporation of Buddhist palingenesis illustrates how Buddhism deeply spurred him to develop new and innovative ideas previously unthinkable in Western philosophy.

Following its meteoric rise, the Emmy award-winning series Schitt's Creek (2015-2020) has become a cultural force with its catchphrases and meme-able moments. In Class, Identity, and Finding the Right Wine in Schitt's Creek: A Place To Love, contributors focus on three central themes explored in the series: love, place, and identity. While considering the intersections of these themes, chapters analyze the representation of class, sexuality, community, self-growth, fashion, and fans, putting the show in dialogue with classic literature from Thomas Hardy and Charles Dickens, as well as contextualizing it alongside its television peers and predecessors. The book argues that Schitt's Creek, at its core, derives its power and impact from telling the story of a family whose members reconnect with each other while discovering their own individual selfhoods in the process. Employing philosophical and psychological interpretations, engaging with fan studies, trauma theory, and place studies, and applying feminist and queer readings, chapters offer a variety of lenses through which to read the show. Ultimately, the book argues that Schitt's Creek's inclusive ideologies and strongly formed characters encourage a process of self-growth and acceptance with an emotional and intellectual depth that recognizes the value of self and community.

A Locus Award Finalist NATIONAL BESTSELLER December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this “superb” (Publishers Weekly) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don't Fear the Reaper is the “adrenaline-filled” (Library Journal, starred review) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

Now in its 12th edition, this core text is the most comprehensive and widely used textbook on editing in journalism. Thoroughly revised and updated to incorporate more online and multimedia formats, this hands-on guide offers a detailed overview of the full process of journalistic editing, exploring both the'micro'aspects of the craft, such as style, spelling and grammar, and'macro'aspects, including ethics and legality. Recognizing the pronounced global shift toward online multimedia, the authors continue to stress the importance of taking the best techniques learned in print and broadcast editing and applying them to online journalism. This new edition also includes an in-depth discussion of the role editors and journalists can play in recapturing the public's trust in the news media. Additional chapters examine how to edit for maximum visual impact and how to edit across media platforms, teaching students how to create a polished product that is grounded in the best practices of journalism.The Art of Editing, 12th edition, remains an essential resource for students of journalism across all media and levels interested in editing, design and media writing, as well as for professionals seeking to refine and refresh their skill set. Accompanying online features include instructor PowerPoints and student exercises.

One of the defining novels of Jazz Age literature, Carl Van Vechten's Firecrackers encapsulates the extravagance and freedom of New York City in the Roaring 20s. Paul Moody's life is almost completely uneventful. The gigolo is bored and desperately seeking a sense of purpose. When a mysterious, attractive young man, Gunnar O'Grady, enters Paul's life he becomes fascinated with his new friend. Gunnar represents the sexual freedom of the Jazz Age and soon becomes the object of many of the characters'desires. As he becomes integral to Paul's social circle, Gunnar flicks between seeking and avoiding the vying eyes of those around him. This entertaining and ironic novel was first published in 1925. Now in a brand new edition, this volume is not one to be missed by fans of Carl Van Vechten or F. Scott Fitzgerald's The Great Gatsby.

#MeToo and Modernism offers a blend of cultural, historical, literary, and pedagogical responses applied to the themes behind today's ongoing #MeToo Movement. This volume is organized into four sections: a three-part chronological response in which scholars analyze literary understandings of how ripples of the #MeToo Movement began to emerge in Modernist literature, followed by a pedagogical section on how to incorporate such teachings in university classrooms. Editors Robin E. Field and Jerrica Jordan foreword the collection with an introduction answering the question of why such a volume is necessary in today's educational landscape. The introduction summarizes the current scholarship regarding #MeToo and Modernism, while also uncovering the omissions, particularly in approaching nonbinary or queer writers, as well as writers of color, that still exist; as a response, many of these essays attempt to approach these gaps. Furthermore, the introduction shows how more traditional Modernist writers--including Woolf, Forster, Wells, and Joyce--served as forerunners of early glimmers of the #MeToo Movement in Modernist Literature.

Effective Teaching Methods shows you how to apply research-based, proven teaching practices that are up to date, practical, and realistic for use in today's diverse classrooms. Supplemental classroom videos, written classroom dialogues, and case studies clearly show you how to engage students in the learning process, manage the classroom effectively, and increase student achievement.

Firecrackers: A Realistic Novel (1925) is a novel by Carl Van Vechten. Published in the same year as F. Scott Fitzgerald's The Great Gatsby and Anita Loos'Gentlemen Prefer Blondes, Van Vechten's novel has been recognized as an important document of the Jazz Age, a decade of bohemian excess and artistic experimentation that changed the shape of American and European culture. “You must think of a group of people in terms of a packet of firecrackers. You ignite the first cracker and the flash fires the fuse of the second, and so on, until, after a series of crackling detonations, the whole bunch has exploded, and nothing survives but a few torn and scattered bits of paper, blackened with powder.” In Van Vechten's novel, an explosive group of friends welcomes a handsome young man into their midst. Gunnar O'Grady, an athlete and a jack of all trades, soon becomes an object of obsession for men and women alike. As he tries to satisfy their needs and desires while working to support himself, he begins to question the meaning of friendship itself. Firecrackers: A Realistic Novel, Van Vechten's fourth novel, is a fascinating work of fiction from a man who was always one step ahead of the rest. This edition of Carl Van Vechten's Firecrackers: A Realistic Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of'primitive art'was invented.

Explore the real science behind the Cartoon Network phenomenon Rick and Morty—one of television's most irreverent, whip-smart, and darkly hilarious shows—and discover how close we are to Rick's many experiments becoming a reality. Adult Swim's Rick and Morty is one of the smartest (and most insane) shows on television. Genius alcoholic Rick Sanchez and his hapless grandson Morty have explored everything from particle physics to human augmentation and much more in their intergalactic adventures through the multiverse. With biting humor and plenty of nihilism, Rick and Morty employs cutting-edge scientific theories in every episode. But, outside of Rick's garage laboratory, what are these theories truly about and what can they teach us about ourselves? Blending biology, chemistry, and physics basics with accessible—and witty—prose, The Science of Rick and Morty equips you with the scientific foundation to thoroughly understand Rick's experiments from the show, such as how we can use dark matter and energy, just what is intelligence hacking, and whether or not you can really control a cockroach's nervous system with your tongue. Perfect for longtime and new fans of the show, this is the ultimate segue into discovering more about our complicated and fascinating universe.

Blumen sind mehr als Blumen: Sie kodieren historisch und kulturell bedingte Nachrichten, die entziffert und gelesen werden können. Was zeichnet eine solche Kommunikation durch die Blume aus? Der Band erkundet erstmals das Feld der kulturwissenschaftlich informierten Pflanzenkunde und fragt nach den Medien floraler Kommunikation. Die Beiträge aus Kunst-, Tanz- und Literaturwissenschaft, Medientheorie und Biologie untersuchen die kodierten Botschaften, die mit Blumen versendet werden, und fragen nach der Vermittlungsposition, die die Blume als hybrides Natur-Kultur-Objekt zwischen unterschiedlichen Wissensbereichen einnimmt. In drei Sektionen – Dissemination, Animation und Zirkulation – wird aufgezeigt, inwiefern das jeweilige Verständnis einer Blumenkommunikation durch die eingesetzten Medien bestimmt wird und welche Konsequenzen dies für die Konzeption des Vegetabilen nach sich zieht.

As the sacred text of a modern religious movement of global reach, The Book of Mormon has undeniable historical significance. That significance, this volume shows, is inextricable from the intricacy of its literary form and the audacity of its historical vision. This landmark collection brings together a diverse range of scholars in American literary studies and related fields to definitively establish The Book of Mormon as an indispensable object of Americanist inquiry not least because it is, among other things, a form of Americanist inquiry in its own right--a creative, critical reading of'America.'Drawing on formalist criticism, literary and cultural theory, book history, religious studies, and even anthropological field work, Americanist Approaches to The Book of Mormon captures as never before the full dimensions and resonances of this'American Bible.'

The diaries and letters of Etty Hillesum (1914—1943) have a special place among the Jewish-Dutch testimonies of the Shoah, somuch so that Etty Hillesum studies has become its own field. This book offers the most important contributions from the pastfifteen years of international research into Hillesum's work and life, studying her ethical, philosophical, spiritual, and literary existential search.

Widely popular throughout the world, Hardy still seems to speak to us, in fiction and in poetry, as our contemporary. In this new edition of his popular study, Peter Widdowson identifies the elements in his work which enable Hardy to be read in this way: the focus on unstable class and sexual relations in a society undergoing rapid change; the highly-charged and contradictory representations of women at the heart of this dangerously ‘metamorphic'social process; the self-reflexive artifice of the writing itself as an aspect of Hardy's ‘satiric'worldview; his ironic humanism in the ‘new Dark Age'of the modern world. Drawing on contemporary approaches to literary study in an accessible way, the author shows where this radical and destabilizing Hardy is to be located in the texts; and similarly seeks to recast our conception of Hardy the Poet by showing how preconceived and selective it is. For this edition, Professor Widdowson has updated the Select Bibliography and has also included a ‘Postscript'on film and TV adaptation of Hardy's fiction, since many newcomers to Hardy may these days experience his work for the first time in this medium. This lucid and engaging study offers a comprehensive guide to reading Hardy anew as a writer who continues to challenge our assumptions about art and life.

A black, motherless loner tries to come to terms with her radically unfamiliar surroundings as a Yale freshman; 14-year-old church girl Tia runs away to the big city; a bright young man makes a last-ditch attempt to understand his loser father on the Million Man March in Washington DC; at summer camp, an all-black Brownie troop decide to teach a troop of white Brownies a lesson for a racial insult they think they overheard. Teeming with life, Drinking Coffee Elsewhere is a collection that explores what it is to be human. Never neatly resolved, these provocative and unforgettable stories resonate with honesty and wry humour and introduce us to a major new talent.

Hardy Deconstructing Hardy aims to add a new dimension of research which has been partly overlooked—a Derridean, Deconstructive reading of Hardy‘s poetry. Analyzing thirty-four popular and less popular poems by Hardy, this volume challenges current references to Derridean Deconstructionism. While Hardy is not conventionally considered a Modernist poet, he shares with Modernists an element that can be referred to as the linguistic crisis by which they try to get over the sense of anxiety against the backdrop of a chaotic world and problematized language. The forerunner of Deconstructionism, Derrida, exposes a long established history of logocentric thinking, which has continually been moving between binary oppositions and Platonic dualities. Derrida simply puts forward the idea that there is no logos, no origin, and no centre of truth. The centre is always somewhere else; he identifies this as a ―free play of signifiers.‖ Consequently, the anxiety of the poet with modern sensibility to find a point of reference inevitably results in a ―crisis of representation,‖ or, in a problematic relation between language and truth, the signifier and the signified. This crisis can be observed in Hardy‘s poetry, too. For this purpose, this research focuses on four key concepts in Hardy‘s poetry that expose this problematic relationship between language and truth: his agnosticism, his concept of the self, his language and concept of structure, and his concept of time and temporality. These aspects are explored in the light of Derrida‘s Deconstructionism with reference to poems by Hardy which heralded the Modernist crisis of representation.This text will fulfill the function of reconciling theory with practice and become the manifestation of the importance of Poststructuralist criticism.

The Art of Editing in the Age of Convergence remains the most comprehensive and widely used text on editing in journalism. This latest edition continues to shift the focus toward online multimedia as more and more people get their news that way. Amid these changes, the authors continue to stress the importance of taking the best techniques learned in print and broadcast editing and applying them to online journalism. The reality is that most people now often first learn of breaking news on Facebook or Twitter, and therefore the challenge for journalists in this new media world is distinguishing the quality and dependability of their work from all the fake news and propaganda memes, now so common online. This book is designed to help serious news providers produce a product that is well-edited and grounded in the best practices of journalism.

CEM 11+ essential comprehensions guide.The ideal resource to prepare for the CEM 11+ and Common Pre-Test exams!Improve comprehension skills in both contemporary and classic literature; sharpen critical thinking and develop strong deduction and inference skills; recognise and become familiar with crucial question types; learn how best to manage time; and enhance vocabulary, comprehension and confidence!Engaging extracts are selected from classic literature, modern and contemporary writing, non-fiction and poetry, and set alongside realistic exam multiple choice options which develop and strengthen contextual vocabulary, personal opinions, inference and verbal agility.Hints and tips are included throughout the workbook!

Imagine a school with a diverse student body where everyone feels safe and valued, and all—regardless of race, culture, home language, sexual orientation, gender identity, academic history, and individual challenges—have the opportunity to succeed with interesting classes, projects, and activities. In this school, teachers notice and meet individual instructional needs and foster a harmonious and supportive environment. All students feel empowered to learn, to grow, and to pursue their dreams. This is the school every student needs and deserves. In Building Equity, Dominique Smith, Nancy Frey, Ian Pumpian, and Douglas Fisher, colleagues at San Diego's innovative Health Sciences High & Middle College, introduce the Building Equity Taxonomy, a new model to clarify the structural and interpersonal components of an equitable and excellent schooling experience, and the Building Equity Review and Audit, survey-based tools to help school and teacher leaders uncover equity-related issues and organize their efforts to achieve Physical integration Social-emotional engagement Opportunity to learn Instructional excellence Engaged and inspired learners Built on the authors'own experiences and those of hundreds of educators throughout the United States, this book is filled with examples of policy initiatives and practices that support high-quality, inclusive learning experiences and deliver education that meets critical standards of equality and equity.

First published in 1951, the two volumes of An Introduction to the English Novel discuss how and why the novel developed in England in the eighteenth century. The books look at the function and background of prose fiction, focusing its arguments around the study of carefully selected books that have had a significant impact on its development. The author examines the progress in the long struggle of the novelist to see life steadily and whole, and points out some of the problems and hazards that beset the writer still.

Because Thomas Hardy is so closely associated with the rural Wessex of his novels, stories, and poems, it is easy to forget that he was, in his own words, half a Londoner. Focusing on the formative five years in his early twenties when Hardy lived in the city, but also on his subsequent movement back and forth between Dorset and the capital, Mark Ford shows that the Dorset-London axis is critical to an understanding of his identity as a man and his achievement as a writer.Thomas Hardy: Half a Londoner presents a detailed account of Hardy's London experiences, from his arrival as a shy, impressionable youth, to his embrace of radical views, to his lionization by upper-class hostesses eager to fête the creator of Tess. Drawing on Hardy's poems, letters, fiction, and autobiography, it offers a subtle, moving exploration of the author's complex relationship with the metropolis and those he met or observed there: publishers, fellow authors, street-walkers, benighted lovers, and the aristocratic women who adored his writing but spurned his romantic advances.The young Hardy's oscillations between the routines and concerns of Dorset's Higher Bockhampton and the excitements and dangers of London were crucial to his profound sense of being torn between mutually dependent but often mutually uncomprehending worlds. This fundamental self-division, Ford argues, can be traced not only in the poetry and fiction explicitly set in London but in novels as regionally circumscribed as Far from the Madding Crowd and Tess of the d'Urbervilles.

This book shines bright light into the dim recesses of quantum theory, where the mysteries of entanglement, nonlocality, and wave collapse have motivated some to conjure up multiple universes, and others to adopt a'shut up and calculate'mentality. After an extensive and accessible introduction to quantum mechanics and its history, the author turns attention to his transactional model. Using a quantum handshake between normal and time-reversed waves, this model provides a clear visual picture explaining the baffling experimental results that flow daily from the quantum physics laboratories of the world. To demonstrate its powerful simplicity, the transactional model is applied to a collection of counter-intuitive experiments and conceptual problems.

This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Prepare to meet the challenges of today's diverse classrooms–and discover the opportunities for professional growth and advancement they provide–with this widely popular, market-leading text. In an accessible, conversational style, this book shows new and future teachers how to apply success-proven, research-based teaching practices that are up to date, practical and realistic for use in today's diverse classrooms. The material and teaching practices presented are supplemented with examples from classroom videos, written classroom dialogues, and case studies, many taken from years of research and observation of effective teaching practices in actual classrooms. Readers see clearly how to engage students in the learning process, manage the classroom effectively, and increase student achievement. The new edition of Borich's Effective Teaching Methods helps prepare teachers for the challenges of today's diverse classrooms through coverage of such topics as Common Core curriculum standards, differentiated instruction, new educational technologies, special populations in the general education classroom, cognitive and academic language proficiency, and new legislative initiatives such as Race to the Top and Response to Intervention.

For courses in Literature for Composition, Writing About Literature, and Introduction to Literature. The definitive source for composition and introduction to literature courses With an emphasis on critical thinking and argument, Literature for Composition offers superior coverage of reading, writing, and arguing about literature along with an anthology organized around eight thought-provoking themes. Throughout, the authors demonstrate that the skills emphasized in their discussions of communication are relevant not only to literature courses, but to all courses in which students analyze texts or write arguments. Also available with MyLiteratureLab®This title is also available with MyLiteratureLab – an online resource that works with our literature anthologies to provide engaging experiences to instructors and students. Students can access new content that fosters an understanding of literary elements, which provides a foundation for stimulating class discussions. This simple and powerful tool offers state-of-the-art audio and video resources along with practical tools and flexible assessment. NOTE: You are purchasing a standalone product; MyLiteratureLab does not come packaged with this content. If you would like to purchase both the physical text and MyLiteratureLab search for: 0134272528 / 9780134272528 Literature for Composition Plus MyLiteratureLab without Pearson eText — Access Card Package, 11e Package consists of: · 0133931269 / 9780133931266 MyLiteratureLab without Pearson eText — Access Card · 0133931277 / 9780133931273 MyLiteratureLab without Pearson eText — Inside Star Sticker · 0134099141 / 9780134099149 Literature for Composition

A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women'.This book will be of interest to students of nineteenth-century literature and women in literature.

First published in 1977, this book studies three important nineteenth-century novelists: Mrs Gaskell, William Hale White and Thomas Hardy. They are all provincial novelists who wrote about social change and the attendant problems and pressures this brought with it. Unlike previous critics, who have tended to concentrate on her ‘social-problem'novels, here the author treats Gaskell's Sylvia's Lovers and Cousin Phillis as central texts. However a chapter also examines Gaskell and Engels perception of social change in Manchester. This book also seeks to correct Hale White's neglect, anointing Revolution in Tanner's Lane and Clara Hopgood major works. The survey of women in Hardy's novels represents an illuminating new angle and leads on to a discussion of love and marriage in later Victorian fiction.

The royal judge was an archetypal character in French tragedy during the 17th century. This figure impersonated the king by asserting his judicial authority and bringing order to an otherwise chaotic world. In Passing Judgement, Hélène Bilis examines how an overlooked character-type—the royal judge—remained a constant of the tragic genre throughout the 17th century, although the specifics of his role and position fluctuated as playwrights experimented with changing models of sovereignty onstage. Her readings analyze how this royal decision-maker stood at the intersection of political and theatrical debates, and evolved through a process of trial and error in which certain portrayals of kingship were deemed obsolete and were discarded, while others were promoted as culturally allowable and resonant. In tracing the royal judge's persistent presence and transformation, Bilis argues that we can better grasp the weighty political stakes of theatrical representations under the ancien régime.

“[This] beautifully restrained novel, a meditation on aging, marriage and loss, fictionalizes a well-known period in Thomas Hardy's life” (The New York Times).A November morning in the 1920s finds an elderly man walking the grounds of his Dorchester home, pondering his past and future with deep despondence. That man is the revered novelist and poet Thomas Hardy, and this is a fictionalized account of his final years from the celebrated author of The Elephant Keeper.The novel focuses on true events surrounding the London theater dramatization of Hardy's acclaimed novel Tess of the D'Urbervilles, including Hardy's hand-picked casting of the young, alluring Gertrude Bugler to play Tess. As plans for the play solidify, Hardy's interest in Gertie becomes a voyeuristic infatuation, causing him to write some of the best poems of his career. However, when Hardy's reclusive, neglected wife, Florence, catches wind of Hardy's desire for Gertie to take the London stage, a tangled web of jealousy and missed opportunity ensnares all three characters—with devastating results.Told from the perspectives of Hardy, Gertie, and Florence, Winter is “a meditation on love, regret, and an elusive yearning for happiness” (Kirkus Reviews, starred review).“A book for grown-ups, one that finds the acme of human happiness in a young mother looking out at a starry winter's night, while she holds her baby in her arms.” —The Washington Post“Winter is quietly intelligent and compassionate, but what stands out most is that it is gorgeously, gorgeously written in prose so elegantly crafted that it becomes, paradoxically, almost invisible. It never shouts, never startles, just moves lithely along with an almost miraculous sense of rightness.” —Minneapolis Star-Tribune

The Art of Editing continues to be the standard by which editing texts are judged, offering the most comprehensive and up-to-date discussion of editing available. Long viewed as the “classic” in the field of editing, The Art of Editing continues to evolve to meet the needs of today's students. In addition to a focus on traditional newspaper editing, the authors pay significant attention to the other areas in which students are increasingly finding jobs: online media, corporate magazines, broadcasting, public relations and advertising. The ninth edition of The Art of Editing details the major changes revolutionizing the media industry and prepares students to work in convergent environments, where skill in print, broadcast and online operations is essential.

New Perspectives on Thomas Hardy is a lively and varied collection of new essays on Thomas Hardy, contributed by some of the world's leading Hardy scholars. The essays range widely over Hardy's work, thought, creative methods and life, and show a variety of critical approaches. The essays collected here will appeal equally to scholars, students and non-academic Hardy enthusiasts.

First published in 1953, this book forms the second part of Arnold Kettle's An Introduction to the English Novel. In this second part, Kettle builds a discussion of the modern English novel around the study of various books that have a more than casual significance in its development. He begins with an analysis of James, Hardy and Butler: three late Victorian writers whose work points forward to the major preoccupations of twentieth-century novelists. In his discussion of a dozen or so of these points, the author examines their progress in the long struggle of the novelist to see life steadily and whole, and points out some of the problems and hazards that beset the writer still. ‘The selection both of novelists and their work is excellent… it is both shrewd and witty…'The Times Literary Supplement‘Altogether this is a refreshing, challenging and original work, wholly adult in tone, and never pedantic or dull'The Guardian

The author, a leading and influential critic of Thomas Hardy, brings together for the first time essays representing both his major critical work over the last fifteen years and three entirely new pieces. This volume allows readers to test the force of Widdowson's critical polemic in undispersed form. Readable, engaged and, no doubt, often infuriating, this is a book for all those who still regard Hardy as'our contemporary'.

Thomas Hardy Remembered assembles some 150 annotated interviews and recollections of Hardy, most of which are being reprinted for the first time. They range from close personal reflections by old friends such as Sir George Douglas, J.M. Barrie, and Edmund Gosse, to fleeting glimpses by strangers who saw Hardy at a London party or at his club. Martin Ray has selected items having the greatest literary or biographical significance, and annotated them with meticulous accuracy and a keen eye for the telling detail. As a result, the volume will be an invaluable resource to scholars who are interested not only in what concerned Hardy personally and professionally, but also in how he was perceived by others. Having these items collected in one volume reveals Hardy's contemporaneous opinions about his own writings and also makes it possible to trace the marked recurrence, over time, of certain preoccupations: ancient families, Hardy's hostility to reviewers, architecture, Roman relics, Wessex folklore and dialect, animal welfare, Napoleon, and hangings. With regard to his literary career, a portrait emerges of Hardy as the scrupulous professional, properly aware of his commercial rights, while at the same time appearing, to some who met him, unconscious of his own genius.

This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle'. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. William Wootten explores what these five poets shared in common, their connections, critical reception, rivalries and differences, and locates what was new and valuable in their work. The Alvarez Generation is an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness'was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide. A new Afterword contains important biographical information on Sylvia Plath and reflects on its implications both for the discussions contained in the book and for the study of Plath's work more generally.