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This article from Guitar Techniques explores the guitar playing style of Johnny Cash, the iconic country music artist known as the "Man In Black." Cash's strumming patterns and simple yet effective rhythm guitar parts laid the foundation for country rhythm guitar. Growing up in Arkansas, Cash learned the tradition of the "work song" and began writing songs at a young age. With his band, the Tennessee Two, Cash combined his stripped-back, strumming-based accompaniment with Luther Perkins' lead guitar to create a harder approach to country music. The article provides insights into Cash's rhythm playing style, including the challenges of hitting the correct bass string and maintaining a relaxed strumming hand. The study piece in the article breaks down Cash's alternating bassnotes and his technique of muting the strings to emulate the sound of a snare drum or a train. [Extracted from the article]

Dr. William Robinson, a renowned figure in the pest management industry, has dedicated 60 years to the field. Starting as a termite technician, he went on to earn a bachelor's, master's, and doctoral degree in entomology. He conducted extensive research at Virginia Tech and published numerous papers on household and structural pests. Dr. Robinson also founded the International Conference on Urban Pests, which brings together professionals from around the world. He emphasizes the importance of pest control technicians and their problem-solving abilities. [Extracted from the article]

The article focuses on the importance of targeting natural cubbies for trapping furbearers, highlighting that these cubbies are abundant and attract curious scavengers looking for food sources. Topics include the types of cubbies, pre-season preparation, bait or lure choices, and strategies for patterning cubbies and setting traps effectively to catch animals crossing between habitats.

Mike and Sean both loved the big 409ci engine up front, as it just reeked of hot rod goodness. Once Mike and Sean took delivery of their new hot rod, things were quickly put into motion. While attending the Race of Gentlemen in 2018, identical twin brothers Mike and Sean Tucker were casually browsing an online automotive marketplace over breakfast. Fortunately, Mike and Sean were raised under the umbrella of the Tucker legacy and are fully versed in its robust history. [Extracted from the article]

Western and Indigenous perceptions of knowledge differ in many facets. The treatment of our gained knowledge defines the overall divide between these perceptions. As a mixed heritage educator of Cree-Settler descent, I see that Western and Indigenous knowledge is viewed differently. The way Western and Indigenous people conserve or disseminate knowledge defines our worldview and which sources we deem valid. When com- bined with the cyclical views of Indigenous communities concerning all things, we see a maintained fundamental respect for everything that surrounds us. The Western worldview differs greatly as knowledge is viewed as something to be obtained and then wielded for personal gain. With this respectful form of knowledge sharing, music then becomes a communal affair that enables all to share their personal expression in a welcoming circle. Drum circles in Indigenous cultures offer a collaborative venue for musical artists to develop their own songs. This aims to respect the knowledge contained in traditional songs that may have spiritual or personal connections for those outside of the circle. This promotes reciprocity for the created music and the source culture, with respect at the core. [ABSTRACT FROM AUTHOR]

The article focuses on Tommy Lee's use of Pearl Free Floating snares during Motley Crue's 1987 Girls, Girls, Girls Tour, highlighting their unique design and functionality. Topics include the history and evolution of Free Floating snares, the collaboration between Lee and music technologist Reek Havok to enhance the band's live sound with electronic drums, and the drum's journey from tour artifact to collector's item.

The article focuses on Yamaha's Hybrid Maple and Hybrid Oak drum kits, comparing their features and sound qualities. Topics include the unique shell compositions using Wenge and Phenolic, the innovative YESS III Tom Mounting System, and the sonic differences between the Oak and Maple drums in terms of warmth, depth, and projection.

Photay, the working alias of producer Evan Shornstein, has released a new album called "Windswept" that combines acoustic instruments and electronic sounds to evoke the natural world. The album was inspired by the sound of the wind, and Shornstein crafted nine songs that blend synth-focused beatmaking with the exploratory spirit of jazz. In an interview, Shornstein discusses his musical background, studio setup, and production techniques. He also shares three production tips: listening to tracks in multiple environments, being at peace with imperfections, and embracing stereo mixes instead of stems. Shornstein plans to play solo shows, release an EP, and collaborate with other artists in the future. [Extracted from the article]

Motörhead's breakthrough song, "Overkill," was the result of drummer Phil Taylor's new drum kit with double kick drums. The band's self-titled debut album had been released in 1977, but it wasn't until their appearance on Top of the Pops with a cover of "Louie Louie" that they gained attention. "Overkill" became the title track of their second album, which reached No. 24 on the UK charts. The song's double kick drums had a lasting impact on the metal genre, influencing bands like Metallica. [Extracted from the article]

The article offers KIT Plugins' new virtual drum instrument, KIT Drums - Connor Denis, which features a high-quality, versatile drum kit sampled from a Gretsch USA Custom Kit, including its detailed articulation controls, impressive mixing capabilities, and the inclusion of MIDI grooves.

This article provides a round-up of soundware reviews from the journal "Computer Music." The reviews cover various soundware products, including drum loops, electronic sounds and samples, ghettotech and old-skool electro sounds, African percussion rhythms, choral drones, and synth sounds. Each review highlights the unique features and qualities of the soundware, providing ratings and recommendations for different genres and musical directions. The article aims to assist library patrons in finding suitable soundware for their tracks and projects. [Extracted from the article]

The article reviews the XTF17 Large Diaphragm Condenser Microphone, from the Telefunken Elektroakustik USA.

The article focuses on the development and production of Maroon 5 band's breakout hit "This Love," which was added to their debut album "Songs About Jane" after its initial demo. Topics include the production process led by record producer Matt Wallace; the changes made to the song's structure; and the final mixing adjustments that contributed to its success.

GLO:161i/01jul23:22n1.jpg PHOTO (BLACK & WHITE): George Harrison naps on the plane to New York, February 7, 1964; gl GLO:161i/01jul23:22n2.jpg PHOTO (BLACK & WHITE): fans gl GLO:161i/01jul23:22n3.jpg PHOTO (BLACK & WHITE): and photographers in Central Park gl GLO:161i/01jul23:24n1.jpg PHOTO (BLACK & WHITE): The crowd on West 58th Street gl GLO:161i/01jul23:25n1.jpg PHOTO (BLACK & WHITE): The Ronettes' Ronnie Spector in The Beatles' Plaza Hotel suite; gl GLO:161i/01jul23:25n2.jpg PHOTO (BLACK & WHITE): John Lennon; gl GLO:161i/01jul23:25n3.jpg PHOTO (BLACK & WHITE): DJ Murray the K gl GLO:161i/01jul23:26n1.jpg PHOTO (BLACK & WHITE): Ringo Starr sets up his drum kit during rehearsals for The Ed Sullivan Show. gl The photographs from New York show the commotion that followed our arrival in the city. These photos contrast with those from our hotel suite, which show unguarded, quiet moments. [Extracted from the article]

The article discusses Ed Sheeran's current Mathematics tour, which follows his successful Divide tour. The tour features an in-the-round setting, cutting-edge audio equipment, and a clean staging design that prioritizes unobstructed sight lines. It also highlights the use of real physical rack units for audio processing, live mixing without playback or timecode, and the integration of Klang immersive in-ear mixing for the monitor mixes.

FEATURES N A WARM DAY IN SEPTEMBER 2022, ALONGSIDE 40 OR SO PRESS COLLEAGUES, I WAS TREATED TO AN ADVANCE DEMONSTRATION OF THE DOLBY ATMOS MIX OF THE BEATLES' REVOLVER, AT REPUBLIC STUDIOS ON BROADWAY IN NEW YORK CITY'S MIDTOWN. Above: The Beatles in Abbey Road Studios during recording of the Revolver album, 1966. When I do a stereo Beatles mix, like Revolver, it'll be mixed at 24/96. If I'm playing the Atmos mix, I'll do the stereo first, then Atmos, and Atmos original stereo, just to make sure I'm not missing anything. [Extracted from the article]

Ruffed grouse (Bonasa umbellus) populations are declining throughout their range, which has prompted efforts to understand drivers of the decline. Ruffed grouse monitoring efforts often rely on acoustic drumming surveys, in which a surveyor listens for the distinctive drumming sound that male ruffed grouse produce during the breeding season. Field‐based drumming surveys can fail to detect ruffed grouse when the birds drum infrequently or irregularly, making this species an excellent candidate for remote acoustic sensing with automated recording units (ARUs). An accurate automated recognition method for ruffed grouse drumming could enable effective and efficient use of ARU data for monitoring efforts; however, no such tool is currently available. Here we develop an automated method for detecting ruffed grouse drumming in audio recordings. Our detector uses a signal processing pipeline designed to recognize the accelerating pattern of drumming. We show that the automated recognition method accurately and efficiently detects drumming events in a set of labeled ARU field recordings. In a case study with 56 locations in Central Pennsylvania, we compared detections of ruffed grouse from 4 survey methods: field‐based acoustic drumming surveys, surveys conducted by humans listening to ARU recordings, and automated recognition for both a 1‐day and a 28‐day period. Field‐based surveys detected drumming at 9 of 56 locations (16%), while surveys conducted by humans listening to ARU recordings detected drumming at 8 locations (14%). Using automated recognition, the 1‐day recording period produced detections at 17 locations (30%) and the 28‐day recording period produced detections at 34 locations (61%). Our case study supports the idea that automated recognition can unlock the value of ARU datasets by temporally expanding the survey period. We provide an open‐source Python implementation of the recognition method to support further use in ruffed grouse monitoring efforts. [ABSTRACT FROM AUTHOR]

The article discusses the Legacy of the Beast tour by the heavy metal band Iron Maiden. It also discusses the challenges that came with the tour and the band's ability to overcome them, as well as the audio production and engineering aspects of the tour. It further focuses on the technical aspects of the tour, such as the band's audio requirements, the production's Clair Cohesion P.A., and the DiGiCo Quantum 7 console used for mixing.

The article discusses the Nigerian duo, The Cavemen, and their rise to success in the music industry. The Cavemen, known for their love of highlife music, have gained recognition for their unique sound and energetic performances. The article highlights their journey, from starting as a DIY project to collaborating with well-known artists like Davido. The Cavemen's music is seen as a way to connect with Nigeria's past and heal intergenerational trauma. Their success is seen as inevitable and important for the future of Nigerian music. [Extracted from the article]

This document provides concise summaries of several jazz albums. The first summary discusses Mike Monford's "The Cloth I'm Cut From," which features a multi-generational ensemble and incorporates various jazz styles. The second summary reviews Sam Norris's debut album, "Small Things Evolved Slowly," showcasing the influence of John Coltrane. The third summary describes Miles Okazaki's "Miniature America," which consists of 22 vignettes demonstrating his command of improvisation and new music composition. The document also highlights a live concert recording by Jordina Milla and Barry Guy, praising their individual sounds and ability to create a spontaneous conversation. [Extracted from the article]

A crowdfunding campaign has been launched to support the recovery of Jeff ‘Mantas’ Dunne, former Venom and current Venom Inc guitarist, who is currently recuperating at home in Portugal after a heart attack. Swedish pop-rockers Roxette have reunited with singer Lena Philipsson replacing Marie Fredriksson, who passed away from cancer five years ago. The Quireboys are releasing a new album, Wardour Street, featuring Thunder’s Luke Morley on guitar. Joe Elliott of Def Leppard has expressed his dislike for the term heavy metal and does not believe his band falls into that category. Heart has cancelled their upcoming European tour to allow singer Ann Wilson to undergo a routine medical procedure. Bruce Dickinson of Iron Maiden has become a patron of The Blake Cottage Trust, a charity restoring a house owned by poet William Blake. Promoter Andy Copping has hinted at a secret set by a "big band" at this year's Download Festival. Skid Row guitarist Dave ‘The Snake’ Sabo has ruled out the possibility of Sebastian Bach returning to the band. Alex Lifeson and Geddy Lee of Rush appeared together on stage at a tribute show for Canadian musician Gordon Lightfoot. Alex Van Halen is auctioning off 350 pieces of musical equipment, with a portion of the proceeds going to charity. [Extracted from the article]

This article is a reprint of a 1980 interview with jazz-rock fusion drummer Billy Cobham. Cobham discusses his career and ambitions at the time, including his refusal to be pushed in a commercial direction and his interest in pushing the capabilities of the acoustic drum kit. He also talks about his use of bass drums and special pedal arrangements, his use of effects and drum synthesisers, and his plans to return to acoustic jazz. The interview provides a snapshot of Cobham's mindset and musical interests during this period. [Extracted from the article]

The Retro Computer Museum, located in Leicester, England, has been a dedicated hub for retro gamers and computer enthusiasts since 2008. The museum recently moved to larger premises, offering a more relaxed and informative experience. It houses a collection of obscure systems, games, literature, and retro-gaming history. The museum is a registered charity and aims to make people smile, reminisce, and teach the next generation about the quality of older technology. It is open on weekends and hosts legendary gatherings with famous attendees. The museum is maintained by a dedicated committee and volunteers. Future plans include special events showcasing specific retro machines. [Extracted from the article]

MINDst Drums is a drum sample ROMpler that aims to bring real acoustic drumming to computer-based compositions. It offers a simple UI with a drum kit on the main page, allowing users to load sampled kit setups, play MIDI file grooves, and edit and mix each drum sound. The plugin comes with 50,000 samples and features smart playback algorithms, adjustable mic bleed levels, and the ability to adjust drum hit positions for added authenticity. It also includes effects per channel and five master effects for the overall kit. Despite its simple appearance, MINDst Drums offers a wide range of features and a professional sound. [Extracted from the article]

Korg Gadget 3 is a streamlined digital audio workstation (DAW) that allows users to quickly and easily create music. It offers over 40 synths, drum machines, samplers, and utilities, providing access to 6,000 quality sounds. The latest update, Gadget 3, includes new features such as VST3 and AUv3 compatibility, additional effects, and a search function. While the iOS version is more user-friendly, the Mac version offers better integration with existing DAWs. Overall, Gadget 3 is a valuable tool for music production, but users may prefer using it within their own DAWs. [Extracted from the article]

The article evaluates the V24 Stereo Condenser Microphone Kit offered by Vanguard Audio Labs.

The article focuses on the audio production team responsible for delivering high-quality sound for Noah Kahan's live performances. It is reported that FOH engineer, Joel Livesey and monitor engineer, Clark Wright work together to handle the complexities of Kahan's folk-inspired music and diverse repertoire, employing a range of gear and techniques to ensure clarity, detail, and dynamic range in the live mix.

Duke City Riots is a rock band that has been active since 2011, blending hard rock, punk, and rockabilly. They have released multiple albums and have won awards in New Mexico. The band started as a jam session between vocalist and bassist Charlton "Chuck" Parker and drummer Shannon Haworth, and they later added guitarist Ron Reust. They emphasize collaboration and maintaining a sense of humor. The band is focused on sharing their music with an audience that appreciates their style. Another band, Chill House, features drummer JD Davis, who recently returned to the band after heart surgery. Davis has a long history in music and has played with various bands. He and his wife settled in New Mexico in 2012, and he became involved in the local music scene. Davis emphasizes the importance of enjoying the music and appreciating the band's sound. [Extracted from the article]