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The article showcases a list of art exhibitions featuring artists such as Erna Schilling, Francisco Sierra, Alice Channer in various locations across Switzerland.

The article lists several museums and galleries in the U.S. which includes Bonner David Galleries in Scottsdale, Arizona, Kim Eagles-Smith Gallery in Mill Valley, California, and Oceanside Museum of Art in Oceanside, California.

The article discusses making children queer with bubbles; presents the poem “Every Feel Unfurl", first Line: I was naked, last Line: are so impressive; and images of artist Candice Lin's paintings.

The article reviews the art exhibition Trigger: Gender as a Tool and a Weapon at New Museum of Contemporary Art in New York from September 27, 2017 to January 21, 2018, featuring works of artists Candice Lin, Troy Michie, and Pauline Boudry.

The article discusses processing food for ready-to-eat meals that do not require refrigeration, such as mashed potatoes and meat, and describes adding flavor back to processed food after sterilization. Commercial food lab Mattson is described, as well as their processing techniques which use vacuum sealers, nitrogen, and retorts, which are machines for boiling. Artificial flavor enhancers by companies such as Wixon and Edlong are described.

A 2022 guide and directory to various prominent art galleries, museums and artists is presented.

The article focuses on aspects of collaboration of artists and poets in order to writing a poem that corresponds to a painting of the artist. It gives definition of (Soma)tic rituals as a fusion of various artistic disciplines in which an artist and a poet works in collaboration for production of an artwork and a poem. It mentions that the author have created the rituals in order to collaborate with artists including Candice Lin, Jonas Slonaker and Yuh-Shioh Wong.

The article reviews the exhibition "Speaking Tree" at the Candice Madey gallery in New York City, which features paint-covered native plants by Brazilian Conceptualist Maria Thereza Alves, mixed-media pieces by artist Candice Lin and the sculpture "Porta 2," by artist Beatriz Cortez.

The annual visual arts program includes a series of curated contemporary art exhibitions, artist floor talks, workshops and events and provides opportunities for local artists and arts organisations to exhibit. Artists and curators floor talks, free admission: Friday 18 June, 1:30pm Penelope Davis - artist Wednesday 23 June, 1:30pm Charlie Sofo - artist Friday 25 June, 1:30pm Prudence Flint - artist Thursday 1 July, 1:30pm Deborah Walker - artist Friday 2 July, 1:00pm Diane Soumilas - curator 22 July-8 August Gallery Annexe: 26th Annual B'nai B'rith Jewish Youth Art Exhibition Local talent presented by the Glen Eira Artists Society. BLINDSIDE continued… Mitch Cairns, Studies for This is a poem, 2020, letraset on A4 paper. c The artist. filmmaker; Lisa Gorton, poet and writer; Lisa Radford & Sam George, artists; Lou Hubbard, artist; Michelle Nikou, artist Mitch Cairns, artist; Newell Harry, artist; Rose Nolan, artist; Sandra Parker, dancer and choreographer; Simryn Gill, artist. 9 July - 14 November This is a poem The participating artists and poets: Aleks Danko, artist; Alex Selenitsch, concrete poet; Bella Li, poet and artist; Brad Aaron Modlin, poet and writer; Everlyn Araluen, poet, descendant of the Bundjalung nation; Fayen d'Evie artist with Benjamin Hancock dancer; Jeanine Leane, Wiradjuri poet and writer; Justin Clemens, poet and writer; Kevin Brophy poet and writer with Oscar Weimar. Our curated exhibition program gives residents and visitors the opportunity to engage with inspirational work from renowned Australian and International artists, as well as showcasing the incredible wealth of artists in the Bayside area. [Extracted from the article]

MAY/JUNE 2021 James Street, McClelland Drive, Flinders Lane, Gertrude Street, Sturt Street, Federation Square, Dodds Street, Punt Road, Rokeby Street, Lyttleton Street, Dunns Road, Nicholson Street, Willis Street, Abbotsford Street, Little Malop Street, Tinning Street, Cureton Avenue, Alma Road, Langford Street, Lydiard Street North, Albert Street, Horseshoe Bend, Bourke Street, Whitehorse Road, Vere Street, Barkers Road, Roberts Avenue, Templestowe Road, Church Street @14 www.at14.com.au 14 Langridge Street, Collingwood, VIC 3066 [Map 3] 03 9088 2222 Tues to Sat 11am-5.30pm. The annual visual arts program includes a series of curated contemporary art exhibitions, artist floor talks, workshops and events and provides opportunities for local artists and arts organisations to exhibit. The group of artists featured in this exhibition are participating in a facilitated Studio Art program at the George Gray Centre Inc. which helps artists to develop individual expression and creativity in a variety of mediums. Shown in Australia for the very first time, this exhibition contains original sketches and rare artworks from 1928 to the present day, including the latest release Raya and the Last Dragon, exclusive to Melbourne. From 15 June 20th ANNIVERSARY EXHIBITION A curated exhibition in celebration of the gallery's 20th Anniversary, featuring paintings, works on paper, graphics, and sculpture by John Olsen, Michael Johnson, Dean Home, Jim Thalassoudis, Dianne Gall, and other selected represented and invited artists. [Extracted from the article]

The article previews various art biennials to be held in early 2021 including Transmediale in Berlin, Germany, the Gwangju Biennale in Gwangju, South Korea, and Desert X in Coachella Valley, California.

A conversation between artist Fields Harrington and gender studies professor Katherine McKittrick about the intersection between poetry and science is presented. Harrington tells about his installation "Redox Drip" and his work that involved the aesthetics of science, a performance called "An Approximation of the Mix." McKittrick shares insights on how African Americans do science, link between scientific knowledge and creative thinking or scientific aesthetics, and African American inventors.

The article reviews several art exhibitions in 2020-2021, including an exhibition by Carolina Caycedo at the Museum of Contemporary Art in Illinois, an exhibition by Arthur Jafa at Louisiana Museum of Modern Art in Denmark, and an exhibition by Purvis Young at Flint Institute of Arts in Michigan.

FEATURES On a late Friday afternoon in February, Nadia and Rajeeb Samdani - the mega art-collecting couple based in Dhaka, Bangladesh - had just placed their Haegue Yang commission, a tall, almost Seussian-looking sculpture titled North of the Mountain, by a floor-to-ceiling window on the fifth floor of their six-story house in the capital's fashionable Gulshan neighborhood. The Polish artist, a close friend of the couple's, also gifted Rajeeb his favorite artwork in their collection, a painting we are not at our offices, Rajeeb and I are either having dinner or seeing a show with a bunch of artist friends, just like how we started learning about contemporary art in the first place." Nadia caught the collecting bug from her parents, though the art of her own childhood was a far cry from a sound installation or an interactive sculpture. [Extracted from the article]

The article discusses an art exhibition by Kyungmi Shin titled "Monsters, Vases and the Priest" at Sperone Westwater in New York. Shin's work challenges colonial languages and explores the beauty and dignity of the Asian experience. The artist uses photography as a basis for her paintings, creating a dialogue between the two mediums. Shin also juxtaposes Western and Korean religious icons to question the impact of globalization on native belief systems. She draws inspiration from the Pictures Generation and collage traditions, and her artwork combines elements of different cultures to explore themes of globalization and cultural connections. [Extracted from the article]

The article reports on awards given to artists, including Tyree Guyton, Kapwani Kiwanga, and Amy Sherald.

The article discusses the Cultural Capital Cooperative Object (CCCO) License Agreement drafted by a group of artists, including Nikita Gale, Nour Mobarak and Patrick Staff. The document was made after nearly two years of cooperative effort between the artists. Themes of the project include visual identity, social capital and aesthetics. Artist, curator, and writer Eric Golo Stone provided input for the project.