533 results on '"triads"'
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502. Tips in Four-Part Harmony (Continued)
503. Music's Ternary Form as Organizing Principle for Monologues II-XI of Robert Browning's "The Ring and the Book"
504. Hybrid Modes and Interval Sets as Formal Determinants in Piano Sonatas of Albrecht, Scriabin, and Prokofiev
505. CABEZÓN'S AVE MARIA — PARODY, ARRANGEMENT OR FANTASÍA?
506. SOME OBSERVATIONS ON THE COMPOSITION OF THE "CORE CHAPTERS" OF THE MOZI
507. A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament
508. Black and White and Red All Over
509. Schenker and Schoenberg on Harmonic Tonality
510. A Critical Re-examination of Schenker's Thought
511. Neighboring Motion as a Unifying Feature in Stravinsky's "Le Sacre du Printemps"
512. Moritz Hauptmann: "Ein Haupt Mann" in Nineteenth Century Music Theory
513. Perceptual, Thematic and Taxonomic Relations in Children's Mental Representations: Responses to Triads
514. Triadic Comparison Judgements and Place Significance
515. Teaching Beginning Improvisation as Part of Keyboard Instruction
516. Please Stop Teaching College Theory in High School
517. Basic Musicianship For The Pre-College Student
518. Perceived Structure of Triads
519. Detection of Implied Harmony Changes in Triadic Melodies
520. Ives's "Piano-Drum" Chords
521. THE PLACE OF ECSTASY IN "THE MERCHANT OF VENICE"
522. Analysis and Analytic Techniques in African Music: A Theory of Melodic Scales
523. The First Triad of Nemean I
524. "Harpsdichord," the Formal Principle of HCE, ALP, and the Cad
525. A Theory of Three
526. From "The Triads of Ireland"
527. The Triads No. XIV
528. TRENDS IN MUSIC THEORY TEXTBOOKS
529. THE PLOTINIAN FALL OF THE SOUL IN ST. AUGUSTINE
530. Triads
531. Ohio Music Education Association
532. The Problem of Modern Music
533. Tips in Four-Part Harmony (Concluded)
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