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Copyright of Pegada is the property of Pegada and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Urbana (19820569) is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article's goal is to understand how lesbian women's spaces of sociability were constituted during the military dictatorship in Florianópolis - SC, Brazil. These lesbians were part of LGBT group considered subversive at the time of the military regime. The female experience of the dissident sexualities of heteronormativity was investigated in this research through indepth interviews with four women who experienced the dictatorship during their youth. The discourse systematization was performed through content analysis as proposed by Bardin, 1977 and Silva e Silva, 2016). The discourse semantic structure of the women who collaborated with the research brings identities into temporal and spatial movements, as well as the simultaneity of spatial visibility / invisibility as a way of living in times of dictatorship. [ABSTRACT FROM AUTHOR]

This article analyzes the adaptation of the story "Family life" by Alejandro Zambra, taken to the cinema by Jiménez and Scherson in 2016. Rather than exhaustively analyzing all those elements that are transferred from the text to the image, I am interested in observing certain transformations that occur at the narrative level, such as the disappearance of the narrator. I will also analyze some of the main additions of the film version that are the spatial dimension and corporeality, and some intermedial practices, both in the story and in the film. [ABSTRACT FROM AUTHOR]

This article aims to analyze the configuration of space in Milton Hatoum's novel Two Brothers. In order to do so, it will be investigated, mainly, the way in which the wandering and the exile, lived by the personages, are related to the configuration of the space in the narrative. The methodology contemplates the theoretical-critical studies formulated by Certeau (2014), Bhabha (2013), Maffesoli (2001), Said (2003), among others. The results of analysis point to a problematization about the relationship between the subject and the socially constructed space by those who, in search of an identity, are affected by the feeling of non-belonging. From this perspective, therefore, Hatoum's novel evidences the space of the exile and the immigrant to think the sense of identity in contemporary times. [ABSTRACT FROM AUTHOR]

The community is built from the integration and different exchanges between collectives. As a human form of groupment, it is defined by two central elements: politics and space. Thus, with modernity, the dependence from what is outside outweighs what is within, where the hegemonic actors manage to renew the social relations, the means of production and even the understanding about these spaces. Human sciences are also responsible in reproducing different views about the concept of community and its' applications. In Brazil, the political relations stand out on the conformation of communities. The authoritarianism of hegemonic classes imposed in the daily living and the discourse based on local relevance hide the conflicts lived within the communities and hinder internal and external political action of the populace. This paper discusses these questions from a theorical review of authors who work with the theme in order to explain a given local reality. It is stressed the necessity of a political and historical analysis about how the communities spatialize, their dynamics and transformations. [ABSTRACT FROM AUTHOR]

The article's goal is to understand how lesbian women's spaces of sociability were constituted during the military dictatorship in Florianópolis - SC, Brazil. These lesbians were part of LGBT group considered subversive at the time of the military regime. The female experience of the dissident sexualities of heteronormativity was investigated in this research through indepth interviews with four women who experienced the dictatorship during their youth. The discourse systematization was performed through content analysis as proposed by Bardin, 1977 and Silva e Silva, 2016). The discourse semantic structure of the women who collaborated with the research brings identities into temporal and spatial movements, as well as the simultaneity of spatial visibility / invisibility as a way of living in times of dictatorship. [ABSTRACT FROM AUTHOR]

En este trabajo, serán analizados tres cuentos de Henriette Effenberger: Linhas Tortas, Monólogo y Seja feita a sua vontade. Para tal, algunas perspectivas deben ser valoradas: la crítica literaria feminista, que tuvo como una de sus precursoras la teórica Elaine Showalter; los conceptos de no lugar X lugar antropológico, desarrollados por Marc Augé, en el libro Não lugares: introdução a uma antropologia da sobremodernidade; y la dicotomía entre espacios de flujo X espacios de los lugares, idealizada por Manuel Castells. La finalidad es observar, en los textos literarios seleccionados, los contextos en que los no lugares y los espacios de flujo son frecuentados por las protagonistas, a fin de reflejar sobre a pérdida de la individualidad femenina en una sociedad patriarcal y capitalista. [ABSTRACT FROM AUTHOR]

In this article, we propose an analysis of the variations of the double myth in Milton Hatoum's novel Two Brothers, published in 2000. Based on the theoretical and critical assumptions from Bravo (1997), Rank (2013), Bachelard (1993), Rosset (1999) and Freud ( 1996), it is intended to demonstrate that in addition to the theme of the twin brothers the double, in Two Brothers, can be read in two other aspects of duplicity: the narrator configuration, which tries to define its identity as mirror other; and the image of the house in ruins, a space that doubly reflects the decadence of the Lebanese family, as well as the immigrant's cultural identity on the land of others. [ABSTRACT FROM AUTHOR]

Based on the post-1989 Cultural Geography studies and the Geographic studies of Religion, the present essay aimed to explore the relationship between religion and media in the age of 2.0, the age of social networks and the diffusion of media. In order to achieve this goal, we tried to understand how these new social relations occur through hypermodernity, which is characterized by the culture of excess, the intensification of values and a greater diversification of production aimed at consumption. We have also discussed how the process of development and propagation of the media and the cyberspace create new strategies for diffusion of faith. Through political, economic and local dimensions, we were able to understand the new connections between the sacred, the faith and the new dynamics of hypermodern society. The Roman Catholic Church in Brazil and the new spatial and territorial transformations through cyberspace and media are the empirical examples of the present research. [ABSTRACT FROM AUTHOR]

Copyright of I-LanD Journal - Identity, Language & Diversity is the property of Paolo Loffredo Iniziative Editoriali Srl and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of I-LanD Journal - Identity, Language & Diversity is the property of Paolo Loffredo Iniziative Editoriali Srl and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Synesis is the property of Synesis and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Maguaré is the property of Universidad Nacional de Colombia, Departamento de Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Gama is the property of Revista Gama and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Gama is the property of Revista Gama and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Croma is the property of Revista Croma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Arquitectura (1657-0308) is the property of Universidad Catolica de Columbia, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanitas: Revista de Estudos Greco-Latinas is the property of Universidade Federal do Espirito Santo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Amazônia, Organizações e Sustentabilidade (AOS) is the property of Amazon, Organizations & Sustainability - AOS / Amazônia, Organizações e Sustentabilidade (AOS) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper addresses temporality and spatiality, a subject that concerned important philosophers and mathematicians, but also thinkers such as Jaspers and Freud. It focuses on Jaspers who delimited time and space as guarantors of the internalization of the world, and on Freud, who, familiarized with the semiology of the psychiatric clinic of his time and relying on his knowledge of the hidden meaning of words, constructed a psychic apparatus that was rather based on the inventive temporality of timelessness, a circular and retroactive temporality. [ABSTRACT FROM AUTHOR]

The purpose of this paper is to discuss the way of social configuration of the internal space of the house in "Esboço de uma casa" and "Vende a casa", by Carlos Drummond de Andrade. For this purpose, we have based ourselves in the assumption that this configuration projects itself through the intersection among the discursive expression of experience, ability and intimacy of the chronicler with the place in which he inhabits and the visual and sensorial impressions of the reader, respecting the representation of dwelling. In this regard, the apprehension of the reader of the representation of the internal space of the house in both chronicles is nothing more than the synthesis image of the experience of dwelling reported by the chronicler and the reception of such report by the reader. [ABSTRACT FROM AUTHOR]

Copyright of Revista Brasileira de Estudos Urbanos e Regionais is the property of Associacao Nacional de Pos-Graduacao e Pesquisa em Planejamento Urbano e Regional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The purpose of this paper is to expose what one might call "the aesthetics" of determining judgment, namely the judgment in its cognitive task. I propose to develop the idea that the Transcendental Aesthetic only presents itself as a doctrine precisely by the presence of the phenomenon to be known, who goes to work the entire typical cognitive apparatus of the imagination. Indeed, leaving aside here the Analytic of Principles, the triple synthesis is, in this sense, the preview 'construction' of this aesthetic doctrine, especially if we take as a starting point the statements of Kant, according to which space and time are products imagination. [ABSTRACT FROM AUTHOR]

How is media space occupied in radiojournalism as a place of dispute for meaning by social voices? The article analyzes the programming of CBN Rio over a week with the mapping of the selected sources to discuss the social themes. To do so, one starts with concepts of geography, such as space, place and territorial configuration to understand the dynamics of dispute in the journalistic scenario in the global South. It presents a spiral cartography with high areas of discussion from the perspective of primary sources and low zones with secondary ones. The study seeks to contribute with possibilities for dialogue on research that links the geographies of communication and the diversity of sources in radiojournalism. [ABSTRACT FROM AUTHOR]

The relationship between Geography and Cinema is, increasingly, more expressive. When one observes the number of publications, specially since the 80s, it is possible to perceive that the interest towards the moving images has become considerably plural. The research problems built by researchers fascinates by its diversity and enchantes by the conceptual refinement achieved. In this sense, this article main objetive is to reflect about the new problematization regarding the concepts of space, landscape and place which were created from the approximation between Geography and Cinema. For such was conducted a research to look for text that discuss Cinema in Geographic journal and, throught those, were built the reflections regarding cinematic space, filmic space and narrative space, as well as cinematic place and the multiple ramifications of the landscape that are the focus of interest in this paper. [ABSTRACT FROM AUTHOR]

This paper addresses temporality and spatiality, a subject that concerned important philosophers and mathematicians, but also thinkers such as Jaspers and Freud. It focuses on Jaspers who delimited time and space as guarantors of the internalization of the world, and on Freud, who, familiarized with the semiology of the psychiatric clinic of his time and relying on his knowledge of the hidden meaning of words, constructed a psychic apparatus that was rather based on the inventive temporality of timelessness, a circular and retroactive temporality. [ABSTRACT FROM AUTHOR]

Copyright of Revista Iberoamericana de Turismo is the property of Revista Iberoamericana de Turismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyses the political economy of Henri Lefebvre's concept of ‘state space’ with specific attention directed towards the Monument to the Revolution in Mexico City, completed in 1938. The conditions of modernity can be generally related to the spatial ordering of urban landscapes within capital cities conjoining the specifics of national identity with imitative processes. Antonio Gramsci captured such sentiments through his understanding of the condition of ‘passive revolution’. The key contribution of this article is to draw attention to forms of everyday passive revolution, recognising both cosmopolitan and vernacular aspects of modern architecture in relation to the Monument to the Revolution. A focus on the Monument to the Revolution thus reveals specific spatial practices of everyday passive revolution relevant to the codification of architecture and the political economy of modern state formation in Mexico. These issues are revealed, literally, as vital expressions in the architecture of everyday passive revolution in modern Mexico. [ABSTRACT FROM AUTHOR]

Understanding space as something open, unfinished, product and producer, but also material, visible and representation of social relations, thus, its production is a condition and product of spatial reproduction, being full of intentionalities. Therefore, in each historical moment, there is a space that is consistent with the current mode of production and, nowadays, capitalism is linked to the processes of commodification and metropolization, which increasingly exclude and segregate society - since the space is due to political-economic needs and not to the reproduction of social life. The everyday life, on the other hand, has been characterized by the amplification of the reproduction focused on the consumption; appearing then as the place of the reproduction of traditions and values, of the banal, of the programmed and of the permanence and maintenance of alienated and alienating situations. This article seeks to demonstrate that tensions, interactions and struggles between domination and resistances materialize at the space, based on the everyday life - since in this is kept the possibility of changes, since it is in him that human existence is performed. Is possible to see the commons - understood as material or immaterial resources collectively shared, used and managed by a community - would be spaces appropriate collectively by the society and configure a perspective of transition for a city and a society more just. [ABSTRACT FROM AUTHOR]

Con el fin de comprender el movimiento de la (re)producción de las ciudades contemporáneas y el fenómeno urbano, es necesario analizar como es la producción del espacio. Es a través del espacio que ocurren las relaciones sociales y que el hombre se (re)produce. Al realizar este movimiento de la reproducción de la vida, el hombre, en consecuencia produce el espacio. El espacio como un proceso de relaciones sociales no se cierra nunca o simplemente porque está siempre en un proceso continuo de construcción. La espacialidad contiene, además de la materialidad, una parte abstracta, subjetiva una vez que la vivencia de los espacios no sucede de la misma manera para todos los individuos. En nuestro trabajo nos dirigimos a la esfera cotidiana, porque entendemos que se obtiene una centralidad creciente en el mundo contemporáneo. Es en la esfera cotidiana que ocurren las prácticas sociales y donde están presentes las diferentes luchas y correlación de poder entre dominantes y dominados. [ABSTRACT FROM AUTHOR]

This article explores the use of the concepts of time, space and their affinities in a historical text about the railway in Portugal. This is the first report on the railway network in operation (1858), which reveals the positions of João Crisóstomo de Abreu e Sousa - engineer, military and politician (1811-1895) - regarding time savings and the reorganizing role of the railroad on the market, territory and civilization. [ABSTRACT FROM AUTHOR]

Geraldo Pereira comes up as an important name in the history of Brazilian Popular Music and of Samba for being considered the most brilliant upholder of syncopated rhythm. However, there are few studies about his work, composed of 77 samba songs, registered along 16 years of career (1939-1955). Among them, 69 are related to women or to loving universe, what evidences the importance of that theme in this samba composer's songbook. Considering that recurrence, the objective of this scientific article is to analyze the lyric love production of the composer from Minas Gerais State, aiming to reflect, in 3 of his lyrics, about human types found there and about relations established between female and male genders, as they happened in the historical context of his production. Three aspects are highlighted: the disorganization of male universe as a result of female home leaving, social space offered by him and culturally reserved to her, in opposition to the street (public), belonging to male figure; the use of a religious rhetoric as a way to solve or compensate female leaving suffered by men and relationships and misunderstandings triggered by uncommitted behavior of both, dwelt in Samba world. [ABSTRACT FROM AUTHOR]

This work intends to describe the space constituted in the rural district of Pelotas, located in Rio Grande do Sul, and that was permeated by cultures of diverse groups ethnics. During the nineteenth century, we highlight the presence of Portugueses, aboriginals and blacks, and in this context had a great animosity due to antagonistic interests. Approaching the assumptions of abolition, the authorities adopted as a strategy to occupy the territory the foundation of colonies, restricting the spaces used by blacks. Thus colonies of French, German, Pomeranian and Italian immigrants were founded. Cerqueira and Silva (2011), authors who help us in this reflection, write that the rural district in question was constituted by a cultural mosaic. In view of the above, we believe that it is necessary to discuss aboutacquaintanceship between ethnic groups cited, as well as the configuration of the borders established from these experiences. [ABSTRACT FROM AUTHOR]

This article assumes that the Puritan ethic, as an expression of value and attitudes to the general ascetic Protestantism would become primarily responsible for the English scientific development in the eighteenth and nineteenth centuries. This construction, developed by Robert K. Merton in his article Puritanism, pietism and science had as background the work The Protestant Ethic and the Spirit of Capitalism by Max Weber published in 1904. On that article Merton aimed to highlight some particular characteristics of the social behavior arising from the Puritan ethos which were clearly associated to the conduct of English scientists. In our construction we aimed to draw a parallel between the reflections of Merton and the reading of the "world system" present in the structure of Newtonian science. Finally we have sought to understand how Newtonian space ended up influencing the English Geography. [ABSTRACT FROM AUTHOR]

A peregrinação é uma prática humana que funda uma experiência espacial luminosa. Discorrer geograficamente sobre o belo de tal experiência prática é o que tenciona este ensaio científico. Assim, a peregrinação é percebida como um ato geográfico que pode ser interpretado por meio da tentativa de se aproximar da essência dos passos dados pelos corpos peregrinos, o que equivale refletir a respeito das qualidades simbólicas dos espaços tocados pelos pés de homens e mulheres peregrinas. Fundamentado nas práticas de peregrinos da Romaria de Nosso Senhor do Bonfim (Natividade-TO), chego à ideia de que o peregrino desenvolve uma espécie de poesia corporal pelo espaço, acreditando que as suas experiências podem ser, com algum esforço, apresentadas a partir de textos com tal tom de vida - poético -, como tento proceder. LAN-EN Pilgrimage is a human practice that founds a luminous space experience. To discuss geographically about the beauty of such practical experience is what this scientific essay intends to do. Thus the pilgrimage is perceived as a geographical act that can be interpreted through the attempt to approach the essence of the steps taken by the pilgrim bodies, which is equivalent to reflect on the symbolic qualities of the spaces touched by the feet of pilgrim men and women. Based on the pilgrimage practices of Our Lord of Bonfim's Pilgrimage (Nativity-TO), I come to the idea that the pilgrim develops a kind of corporal poetry for space, believing that his experiences can be, with some effort, presented from texts with such a tone of life - poetic - as I try to proceed. LAN-ES La peregrinación es una práctica humana que funda una experiencia espacial luminosa. Discutir geográficamente sobre lo bello de tal experiencia práctica es lo que pretende este ensayo científico. Así, la peregrinación es percibida como un acto geográfico que puede ser interpretado por el intento de acercarse a la esencia de los pasos dados por los cuerpos peregrinos, lo que equivale a reflexionar sobre las cualidades simbólicas de los espacios tocados por los pies de hombres y mujeres peregrinas. Fundado en las prácticas de peregrinos de la Romería de Nuestro Señor de Bonfim (Natividad-TO), llego a la idea de que el peregrino desarrolla una especie de poesía corporal por el espacio, creyendo que sus experiencias pueden ser, con algún esfuerzo, presentadas a partir de textos con tal tono de vida - poético -, cómo intento proceder. [ABSTRACT FROM AUTHOR]

Copyright of Geosaberes: Revista de Estudos Geoeducacionais is the property of GEOSABERES - Revista de Estudos Geoducacionais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Gama is the property of Revista Gama and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanitas: Revista de Estudos Greco-Latinas is the property of Universidade Federal do Espirito Santo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Boletin de Antropologia is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)