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Machine learning models are advancing circuit design, particularly in analog circuits. They typically generate netlists that lack human interpretability. This is a problem as human designers heavily rely on the interpretability of circuit diagrams or schematics to intuitively understand, troubleshoot, and develop designs. Hence, to integrate domain knowledge effectively, it is crucial to translate ML-generated netlists into interpretable schematics quickly and accurately. We propose Schemato, a large language model (LLM) for netlist-to-schematic conversion. In particular, we consider our approach in the two settings of converting netlists to .asc files for LTSpice and LATEX files for CircuiTikz schematics. Experiments on our circuit dataset show that Schemato achieves up to 93% compilation success rate for the netlist-to-LaTeX conversion task, surpassing the 26% rate scored by the state-of-the-art LLMs. Furthermore, our experiments show that Schemato generates schematics with a mean structural similarity index measure that is 3xhigher than the best performing LLMs, therefore closer to the reference human design.

Designing integrated circuits involves substantial complexity, posing challenges in revealing its potential applications - from custom digital cells to analog circuits. Despite extensive research over the past decades in building versatile and automated frameworks, there remains open room to explore more computationally efficient AI-based solutions. This paper introduces the graph composer GraCo, a novel method for synthesizing integrated circuits using reinforcement learning (RL). GraCo learns to construct a graph step-by-step, which is then converted into a netlist and simulated with SPICE. We demonstrate that GraCo is highly configurable, enabling the incorporation of prior design knowledge into the framework. We formalize how this prior knowledge can be utilized and, in particular, show that applying consistency checks enhances the efficiency of the sampling process. To evaluate its performance, we compare GraCo to a random baseline, which is known to perform well for smaller design space problems. We demonstrate that GraCo can discover circuits for tasks such as generating standard cells, including the inverter and the two-input NAND (NAND2) gate. Compared to a random baseline, GraCo requires 5x fewer sampling steps to design an inverter and successfully synthesizes a NAND2 gate that is 2.5x faster.

We demonstrate the efficacy of using intermediate representations from a single foundation model to enhance various music downstream tasks. We introduce SoniDo, a music foundation model (MFM) designed to extract hierarchical features from target music samples. By leveraging hierarchical intermediate features, SoniDo constrains the information granularity, leading to improved performance across various downstream tasks including both understanding and generative tasks. We specifically evaluated this approach on representative tasks such as music tagging, music transcription, music source separation, and music mixing. Our results reveal that the features extracted from foundation models provide valuable enhancements in training downstream task models. This highlights the capability of using features extracted from music foundation models as a booster for downstream tasks. Our approach not only benefits existing task-specific models but also supports music downstream tasks constrained by data scarcity. This paves the way for more effective and accessible music processing solutions., Comment: 41 pages with 14 figures

Music timbre transfer is a challenging task that involves modifying the timbral characteristics of an audio signal while preserving its melodic structure. In this paper, we propose a novel method based on dual diffusion bridges, trained using the CocoChorales Dataset, which consists of unpaired monophonic single-instrument audio data. Each diffusion model is trained on a specific instrument with a Gaussian prior. During inference, a model is designated as the source model to map the input audio to its corresponding Gaussian prior, and another model is designated as the target model to reconstruct the target audio from this Gaussian prior, thereby facilitating timbre transfer. We compare our approach against existing unsupervised timbre transfer models such as VAEGAN and Gaussian Flow Bridges (GFB). Experimental results demonstrate that our method achieves both better Fr\'echet Audio Distance (FAD) and melody preservation, as reflected by lower pitch distances (DPD) compared to VAEGAN and GFB. Additionally, we discover that the noise level from the Gaussian prior, $\sigma$, can be adjusted to control the degree of melody preservation and amount of timbre transferred.

We present GRAFX, an open-source library designed for handling audio processing graphs in PyTorch. Along with various library functionalities, we describe technical details on the efficient parallel computation of input graphs, signals, and processor parameters in GPU. Then, we show its example use under a music mixing scenario, where parameters of every differentiable processor in a large graph are optimized via gradient descent. The code is available at https://github.com/sh-lee97/grafx., Comment: Accepted to DAFx 2024 demo

Handling distribution shifts from training data, known as out-of-distribution (OOD) generalization, poses a significant challenge in the field of machine learning. While a pre-trained vision-language model like CLIP has demonstrated remarkable zero-shot performance, further adaptation of the model to downstream tasks leads to undesirable degradation for OOD data. In this work, we introduce Sparse Adaptation for Fine-Tuning (SAFT), a method that prevents fine-tuning from forgetting the general knowledge in the pre-trained model. SAFT only updates a small subset of important parameters whose gradient magnitude is large, while keeping the other parameters frozen. SAFT is straightforward to implement and conceptually simple. Extensive experiments show that with only 0.1% of the model parameters, SAFT can significantly improve the performance of CLIP. It consistently outperforms baseline methods across several benchmarks. On the few-shot learning benchmark of ImageNet and its variants, SAFT gives a gain of 5.15% on average over the conventional fine-tuning method in OOD settings.

Music mixing is compositional -- experts combine multiple audio processors to achieve a cohesive mix from dry source tracks. We propose a method to reverse engineer this process from the input and output audio. First, we create a mixing console that applies all available processors to every chain. Then, after the initial console parameter optimization, we alternate between removing redundant processors and fine-tuning. We achieve this through differentiable implementation of both processors and pruning. Consequently, we find a sparse mixing graph that achieves nearly identical matching quality of the full mixing console. We apply this procedure to dry-mix pairs from various datasets and collect graphs that also can be used to train neural networks for music mixing applications., Comment: Accepted to DAFx 2024; demo page: https://sh-lee97.github.io/grafx-prune

This paper summarizes the cinematic demixing (CDX) track of the Sound Demixing Challenge 2023 (SDX'23). We provide a comprehensive summary of the challenge setup, detailing the structure of the competition and the datasets used. Especially, we detail CDXDB23, a new hidden dataset constructed from real movies that was used to rank the submissions. The paper also offers insights into the most successful approaches employed by participants. Compared to the cocktail-fork baseline, the best-performing system trained exclusively on the simulated Divide and Remaster (DnR) dataset achieved an improvement of 1.8 dB in SDR, whereas the top-performing system on the open leaderboard, where any data could be used for training, saw a significant improvement of 5.7 dB. A significant source of this improvement was making the simulated data better match real cinematic audio, which we further investigate in detail., Comment: Accepted for Transactions of the International Society for Music Information Retrieval

This paper summarizes the music demixing (MDX) track of the Sound Demixing Challenge (SDX'23). We provide a summary of the challenge setup and introduce the task of robust music source separation (MSS), i.e., training MSS models in the presence of errors in the training data. We propose a formalization of the errors that can occur in the design of a training dataset for MSS systems and introduce two new datasets that simulate such errors: SDXDB23_LabelNoise and SDXDB23_Bleeding. We describe the methods that achieved the highest scores in the competition. Moreover, we present a direct comparison with the previous edition of the challenge (the Music Demixing Challenge 2021): the best performing system achieved an improvement of over 1.6dB in signal-to-distortion ratio over the winner of the previous competition, when evaluated on MDXDB21. Besides relying on the signal-to-distortion ratio as objective metric, we also performed a listening test with renowned producers and musicians to study the perceptual quality of the systems and report here the results. Finally, we provide our insights into the organization of the competition and our prospects for future editions., Comment: Published in Transactions of the International Society for Music Information Retrieval (https://transactions.ismir.net/articles/10.5334/tismir.171)

This paper presents the crossing scheme (X-scheme) for improving the performance of deep neural network (DNN)-based music source separation (MSS) with almost no increasing calculation cost. It consists of three components: (i) multi-domain loss (MDL), (ii) bridging operation, which couples the individual instrument networks, and (iii) combination loss (CL). MDL enables the taking advantage of the frequency- and time-domain representations of audio signals. We modify the target network, i.e., the network architecture of the original DNN-based MSS, by adding bridging paths for each output instrument to share their information. MDL is then applied to the combinations of the output sources as well as each independent source; hence, we called it CL. MDL and CL can easily be applied to many DNN-based separation methods as they are merely loss functions that are only used during training and do not affect the inference step. Bridging operation does not increase the number of learnable parameters in the network. Experimental results showed that the validity of Open-Unmix (UMX), densely connected dilated DenseNet (D3Net) and convolutional time-domain audio separation network (Conv-TasNet) extended with our X-scheme, respectively called X-UMX, X-D3Net and X-Conv-TasNet, by comparing them with their original versions. We also verified the effectiveness of X-scheme in a large-scale data regime, showing its generality with respect to data size. X-UMX Large (X-UMXL), which was trained on large-scale internal data and used in our experiments, is newly available at https://github.com/asteroid-team/asteroid/tree/master/egs/musdb18/X-UMX., Comment: Acceptedt by EURASIP Journal on Audio, Speech, and Music Processing (under CC BY)

Self-supervised learning (SSL) has recently shown remarkable results in closing the gap between supervised and unsupervised learning. The idea is to learn robust features that are invariant to distortions of the input data. Despite its success, this idea can suffer from a collapsing issue where the network produces a constant representation. To this end, we introduce SELFIE, a novel Self-supervised Learning approach for audio representation via Feature Diversity and Decorrelation. SELFIE avoids the collapsing issue by ensuring that the representation (i) maintains a high diversity among embeddings and (ii) decorrelates the dependencies between dimensions. SELFIE is pre-trained on the large-scale AudioSet dataset and its embeddings are validated on nine audio downstream tasks, including speech, music, and sound event recognition. Experimental results show that SELFIE outperforms existing SSL methods in several tasks., Comment: ICASSP 2023

The estimation of the generalization error of classifiers often relies on a validation set. Such a set is hardly available in few-shot learning scenarios, a highly disregarded shortcoming in the field. In these scenarios, it is common to rely on features extracted from pre-trained neural networks combined with distance-based classifiers such as nearest class mean. In this work, we introduce a Gaussian model of the feature distribution. By estimating the parameters of this model, we are able to predict the generalization error on new classification tasks with few samples. We observe that accurate distance estimates between class-conditional densities are the key to accurate estimates of the generalization performance. Therefore, we propose an unbiased estimator for these distances and integrate it in our numerical analysis. We empirically show that our approach outperforms alternatives such as the leave-one-out cross-validation strategy.

We propose an end-to-end music mixing style transfer system that converts the mixing style of an input multitrack to that of a reference song. This is achieved with an encoder pre-trained with a contrastive objective to extract only audio effects related information from a reference music recording. All our models are trained in a self-supervised manner from an already-processed wet multitrack dataset with an effective data preprocessing method that alleviates the data scarcity of obtaining unprocessed dry data. We analyze the proposed encoder for the disentanglement capability of audio effects and also validate its performance for mixing style transfer through both objective and subjective evaluations. From the results, we show the proposed system not only converts the mixing style of multitrack audio close to a reference but is also robust with mixture-wise style transfer upon using a music source separation model.

Music mixing traditionally involves recording instruments in the form of clean, individual tracks and blending them into a final mixture using audio effects and expert knowledge (e.g., a mixing engineer). The automation of music production tasks has become an emerging field in recent years, where rule-based methods and machine learning approaches have been explored. Nevertheless, the lack of dry or clean instrument recordings limits the performance of such models, which is still far from professional human-made mixes. We explore whether we can use out-of-domain data such as wet or processed multitrack music recordings and repurpose it to train supervised deep learning models that can bridge the current gap in automatic mixing quality. To achieve this we propose a novel data preprocessing method that allows the models to perform automatic music mixing. We also redesigned a listening test method for evaluating music mixing systems. We validate our results through such subjective tests using highly experienced mixing engineers as participants., Comment: 23rd International Society for Music Information Retrieval Conference (ISMIR), December, 2022. Source code, demo and audio examples: https://marco-martinez-sony.github.io/FxNorm-automix/ - added acknowledgements

Parallel text-to-speech (TTS) models have recently enabled fast and highly-natural speech synthesis. However, they typically require external alignment models, which are not necessarily optimized for the decoder as they are not jointly trained. In this paper, we propose a differentiable duration method for learning monotonic alignments between input and output sequences. Our method is based on a soft-duration mechanism that optimizes a stochastic process in expectation. Using this differentiable duration method, we introduce AutoTTS, a direct text-to-waveform speech synthesis model. AutoTTS enables high-fidelity speech synthesis through a combination of adversarial training and matching the total ground-truth duration. Experimental results show that our model obtains competitive results while enjoying a much simpler training pipeline. Audio samples are available online., Comment: ICASSP 2023

Given the recent advances in music source separation and automatic mixing, removing audio effects in music tracks is a meaningful step toward developing an automated remixing system. This paper focuses on removing distortion audio effects applied to guitar tracks in music production. We explore whether effect removal can be solved by neural networks designed for source separation and audio effect modeling. Our approach proves particularly effective for effects that mix the processed and clean signals. The models achieve better quality and significantly faster inference compared to state-of-the-art solutions based on sparse optimization. We demonstrate that the models are suitable not only for declipping but also for other types of distortion effects. By discussing the results, we stress the usefulness of multiple evaluation metrics to assess different aspects of reconstruction in distortion effect removal., Comment: Audio examples available at https://joimort.github.io/distortionremoval/

While deep neural network-based music source separation (MSS) is very effective and achieves high performance, its model size is often a problem for practical deployment. Deep implicit architectures such as deep equilibrium models (DEQ) were recently proposed, which can achieve higher performance than their explicit counterparts with limited depth while keeping the number of parameters small. This makes DEQ also attractive for MSS, especially as it was originally applied to sequential modeling tasks in natural language processing and thus should in principle be also suited for MSS. However, an investigation of a good architecture and training scheme for MSS with DEQ is needed as the characteristics of acoustic signals are different from those of natural language data. Hence, in this paper we propose an architecture and training scheme for MSS with DEQ. Starting with the architecture of Open-Unmix (UMX), we replace its sequence model with DEQ. We refer to our proposed method as DEQ-based UMX (DEQ-UMX). Experimental results show that DEQ-UMX performs better than the original UMX while reducing its number of parameters by 30%., Comment: 5 pages, 4 figures, accepted for publication in IEEE ICASSP 2022

In recent years, many deep learning techniques for single-channel sound source separation have been proposed using recurrent, convolutional and transformer networks. When multiple microphones are available, spatial diversity between speakers and background noise in addition to spectro-temporal diversity can be exploited by using multi-channel filters for sound source separation. Aiming at end-to-end multi-channel source separation, in this paper we propose a transformer-recurrent-U network (TRUNet), which directly estimates multi-channel filters from multi-channel input spectra. TRUNet consists of a spatial processing network with an attention mechanism across microphone channels aiming at capturing the spatial diversity, and a spectro-temporal processing network aiming at capturing spectral and temporal diversities. In addition to multi-channel filters, we also consider estimating single-channel filters from multi-channel input spectra using TRUNet. We train the network on a large reverberant dataset using a combined compressed mean-squared error loss function, which further improves the sound separation performance. We evaluate the network on a realistic and challenging reverberant dataset, generated from measured room impulse responses of an actual microphone array. The experimental results on realistic reverberant sound source separation show that the proposed TRUNet outperforms state-of-the-art single-channel and multi-channel source separation methods.

Music source separation has been intensively studied in the last decade and tremendous progress with the advent of deep learning could be observed. Evaluation campaigns such as MIREX or SiSEC connected state-of-the-art models and corresponding papers, which can help researchers integrate the best practices into their models. In recent years, the widely used MUSDB18 dataset played an important role in measuring the performance of music source separation. While the dataset made a considerable contribution to the advancement of the field, it is also subject to several biases resulting from a focus on Western pop music and a limited number of mixing engineers being involved. To address these issues, we designed the Music Demixing (MDX) Challenge on a crowd-based machine learning competition platform where the task is to separate stereo songs into four instrument stems (Vocals, Drums, Bass, Other). The main differences compared with the past challenges are 1) the competition is designed to more easily allow machine learning practitioners from other disciplines to participate, 2) evaluation is done on a hidden test set created by music professionals dedicated exclusively to the challenge to assure the transparency of the challenge, i.e., the test set is not accessible from anyone except the challenge organizers, and 3) the dataset provides a wider range of music genres and involved a greater number of mixing engineers. In this paper, we provide the details of the datasets, baselines, evaluation metrics, evaluation results, and technical challenges for future competitions.

Recently, deep neural network (DNN)-based speech enhancement (SE) systems have been used with great success. During training, such systems require clean speech data - ideally, in large quantity with a variety of acoustic conditions, many different speaker characteristics and for a given sampling rate (e.g., 48kHz for fullband SE). However, obtaining such clean speech data is not straightforward - especially, if only considering publicly available datasets. At the same time, a lot of material for automatic speech recognition (ASR) with the desired acoustic/speaker/sampling rate characteristics is publicly available except being clean, i.e., it also contains background noise as this is even often desired in order to have ASR systems that are noise-robust. Hence, using such data to train SE systems is not straightforward. In this paper, we propose two improvements to train SE systems on noisy speech data. First, we propose several modifications of the loss functions, which make them robust against noisy speech targets. In particular, computing the median over the sample axis before averaging over time-frequency bins allows to use such data. Furthermore, we propose a noise augmentation scheme for mixture-invariant training (MixIT), which allows using it also in such scenarios. For our experiments, we use the Mozilla Common Voice dataset and we show that using our robust loss function improves PESQ by up to 0.19 compared to a system trained in the traditional way. Similarly, for MixIT we can see an improvement of up to 0.27 in PESQ when using our proposed noise augmentation., Comment: 5 pages, 3 figures, submitted to WASPAA2021

Low-bit quantization of network weights and activations can drastically reduce the memory footprint, complexity, energy consumption and latency of Deep Neural Networks (DNNs). However, low-bit quantization can also cause a considerable drop in accuracy, in particular when we apply it to complex learning tasks or lightweight DNN architectures. In this paper, we propose a training procedure that relaxes the low-bit quantization. We call this procedure \textit{DNN Quantization with Attention} (DQA). The relaxation is achieved by using a learnable linear combination of high, medium and low-bit quantizations. Our learning procedure converges step by step to a low-bit quantization using an attention mechanism with temperature scheduling. In experiments, our approach outperforms other low-bit quantization techniques on various object recognition benchmarks such as CIFAR10, CIFAR100 and ImageNet ILSVRC 2012, achieves almost the same accuracy as a full precision DNN, and considerably reduces the accuracy drop when quantizing lightweight DNN architectures.

While there exist a plethora of deep learning tools and frameworks, the fast-growing complexity of the field brings new demands and challenges, such as more flexible network design, speedy computation on distributed setting, and compatibility between different tools. In this paper, we introduce Neural Network Libraries (https://nnabla.org), a deep learning framework designed from engineer's perspective, with emphasis on usability and compatibility as its core design principles. We elaborate on each of our design principles and its merits, and validate our attempts via experiments., Comment: https://nnabla.org

This paper proposes several improvements for music separation with deep neural networks (DNNs), namely a multi-domain loss (MDL) and two combination schemes. First, by using MDL we take advantage of the frequency and time domain representation of audio signals. Next, we utilize the relationship among instruments by jointly considering them. We do this on the one hand by modifying the network architecture and introducing a CrossNet structure. On the other hand, we consider combinations of instrument estimates by using a new combination loss (CL). MDL and CL can easily be applied to many existing DNN-based separation methods as they are merely loss functions which are only used during training and which do not affect the inference step. Experimental results show that the performance of Open-Unmix (UMX), a well-known and state-of-the-art open source library for music separation, can be improved by utilizing our above schemes. Our modifications of UMX are open-sourced together with this paper., Comment: The both implementations of our code, i.e., NNabla and PyTorch, are available on this latest paper

Recently, deep neural networks (DNNs) have been successfully used for speech enhancement, and DNN-based speech enhancement is becoming an attractive research area. While time-frequency masking based on the short-time Fourier transform (STFT) has been widely used for DNN-based speech enhancement over the last years, time domain methods such as the time-domain audio separation network (TasNet) have also been proposed. The most suitable method depends on the scale of the dataset and the type of task. In this paper, we explore the best speech enhancement algorithm on two different datasets. We propose a STFT-based method and a loss function using problem-agnostic speech encoder (PASE) features to improve subjective quality for the smaller dataset. Our proposed methods are effective on the Voice Bank + DEMAND dataset and compare favorably to other state-of-the-art methods. We also implement a low-latency version of TasNet, which we submitted to the DNS Challenge and made public by open-sourcing it. Our model achieves excellent performance on the DNS Challenge dataset.

In recent years generative adversarial network (GAN) based models have been successfully applied for unsupervised speech-to-speech conversion.The rich compact harmonic view of the magnitude spectrogram is considered a suitable choice for training these models with audio data. To reconstruct the speech signal first a magnitude spectrogram is generated by the neural network, which is then utilized by methods like the Griffin-Lim algorithm to reconstruct a phase spectrogram. This procedure bears the problem that the generated magnitude spectrogram may not be consistent, which is required for finding a phase such that the full spectrogram has a natural-sounding speech waveform. In this work, we approach this problem by proposing a condition encouraging spectrogram consistency during the adversarial training procedure. We demonstrate our approach on the task of translating the voice of a male speaker to that of a female speaker, and vice versa. Our experimental results on the Librispeech corpus show that the model trained with the TF consistency provides a perceptually better quality of speech-to-speech conversion.

Operating deep neural networks (DNNs) on devices with limited resources requires the reduction of their memory as well as computational footprint. Popular reduction methods are network quantization or pruning, which either reduce the word length of the network parameters or remove weights from the network if they are not needed. In this article we discuss a general framework for network reduction which we call `Look-Up Table Quantization` (LUT-Q). For each layer, we learn a value dictionary and an assignment matrix to represent the network weights. We propose a special solver which combines gradient descent and a one-step k-means update to learn both the value dictionaries and assignment matrices iteratively. This method is very flexible: by constraining the value dictionary, many different reduction problems such as non-uniform network quantization, training of multiplierless networks, network pruning or simultaneous quantization and pruning can be implemented without changing the solver. This flexibility of the LUT-Q method allows us to use the same method to train networks for different hardware capabilities., Comment: Copyright 2019 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works

This paper improves the deep attractor network (DANet) approach by closing its gap between training and inference. During training, DANet relies on attractors, which are computed from the ground truth separations. As this information is not available at inference time, the attractors have to be estimated, which is typically done by k-means. This results in two mismatches: The first mismatch stems from using classical k-means with Euclidean norm, whereas masks are computed during training using the dot product similarity. By using spherical k-means instead, we can show that we can already improve the performance of DANet. Furthermore, we show that we can fully incorporate k-means clustering into the DANet training. This yields the benefit of having no training/inference gap and consequently results in an scale-invariant signal-to-distortion ratio (SI-SDR) improvement of 1.1dB on the Wall Street Journal corpus (WSJ0).

Efficient deep neural network (DNN) inference on mobile or embedded devices typically involves quantization of the network parameters and activations. In particular, mixed precision networks achieve better performance than networks with homogeneous bitwidth for the same size constraint. Since choosing the optimal bitwidths is not straight forward, training methods, which can learn them, are desirable. Differentiable quantization with straight-through gradients allows to learn the quantizer's parameters using gradient methods. We show that a suited parametrization of the quantizer is the key to achieve a stable training and a good final performance. Specifically, we propose to parametrize the quantizer with the step size and dynamic range. The bitwidth can then be inferred from them. Other parametrizations, which explicitly use the bitwidth, consistently perform worse. We confirm our findings with experiments on CIFAR-10 and ImageNet and we obtain mixed precision DNNs with learned quantization parameters, achieving state-of-the-art performance., Comment: International Conference on Learning Representations (ICLR) 2020; Source code at https://github.com/sony/ai-research-code

Operating deep neural networks on devices with limited resources requires the reduction of their memory footprints and computational requirements. In this paper we introduce a training method, called look-up table quantization, LUT-Q, which learns a dictionary and assigns each weight to one of the dictionary's values. We show that this method is very flexible and that many other techniques can be seen as special cases of LUT-Q. For example, we can constrain the dictionary trained with LUT-Q to generate networks with pruned weight matrices or restrict the dictionary to powers-of-two to avoid the need for multiplications. In order to obtain fully multiplier-less networks, we also introduce a multiplier-less version of batch normalization. Extensive experiments on image recognition and object detection tasks show that LUT-Q consistently achieves better performance than other methods with the same quantization bitwidth., Comment: NIPS 2018 workshop on Compact Deep Neural Networks with industrial applications

Music source separation with deep neural networks typically relies only on amplitude features. In this paper we show that additional phase features can improve the separation performance. Using the theoretical relationship between STFT phase and amplitude, we conjecture that derivatives of the phase are a good feature representation opposed to the raw phase. We verify this conjecture experimentally and propose a new DNN architecture which combines amplitude and phase. This joint approach achieves a better signal-to distortion ratio on the DSD100 dataset for all instruments compared to a network that uses only amplitude features. Especially, the bass instrument benefits from the phase information., Comment: 7 pages, 9 figures, Joint Workshop on Machine Learning for Music at ICML, IJCAI/ECAI and AAMAS, 2018