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1. Musicians, Chariot Bearers, and Ghost Characters: The Spectrality of Black Slavery in Early Modern Mediterranean Drama.

2. DAS ZAUBERWORT HEISST MISCHKALKULATION.

3. What I Think about When I Think about the Future.

5. Das Paradoxon der Dissimulation – Über die Notwendigkeit der Täuschung zur Gestaltung von Natürlichkeit in Marivauxʼ Le Jeu de l'amour et du hasard.

6. Exploring the Editorial Philosophy and Contemporaneity of the Late Ming Qu Anthology Yichun Jin.

7. Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters.

8. TEATRO Y ARTES ESCÉNICAS EN EL ÁMBITO HISPÁNICO. SIGLO XXI: ESCENAS EN DIÁLOGO.

9. Building a SENSORY-INCLUSIVE Future.

11. Theater performances and their accessibility in Slovakia: Insights from the Deaf community.

12. "You Are against UK Law": Clean Break Theatre Company's Carceral Dramaturgy.

13. Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk's Sleep No More.

14. Staging: Intercultural Publics.

15. THE IMPACT OF ONGOING TECHNOLOGICAL CHANGES ON KEY ASPECTS OF THEATRE MANAGEMENT – THE DIRECTOR'S PERSPECTIVE.

16. Feminist Readings of Space, Body, and Performance: An Overview of Emerging Feminist Theatre in India.

18. The Other Side of SUMMER.

20. Let it Burn: Smell, Participation, and Solidarity in Travis Alabanza's Burgerz.

21. The Apolline, the Dionysiac, and Spectatorship in Punchdrunk's Masked Performances.

22. Rethinking Didactic Theatre for a Young Audience.

23. Dissensual Performances of Race and Community in Claudia Rankine's The White Card and Jackie Sibblies Drury's Fairview.

24. Der bon sens des versammelten Volks: Revolution – Theater – Gemeinwille, 1789.

25. КУЛЬТУРА SERIA ЗА ЇЇ ТЛУМАЧЕННЯМ Г. ГЕНДЕЛЕМ В ОПЕРІ «ЦЕЗАР В ЄГИПТІ»

26. A Long Essay on Shel Silverstein's Short Plays.

27. 'Somewhere. Some time. Somehow. Something has to change': Prima Facie and the cruel optimism of feminist legal advocacy.

29. The Concept of Work in Theater Performances.

30. Reflections on Co-Creativity in Early Modern Drama: Stylistic Adaptation and Practices of Collaboration.

31. The Interactive Verbal Network of Early Modern Theatre: The Case of John Marston.

33. THE NEXT STAGE.

34. Distance, disruption, and de-hierarchisation: negotiating care in the virtual space of Zoom theatre.

35. Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences.

36. (There Is) Nothing Like a Dane: Gertrudes at Elsinore and Elsewhere.

37. Falstaff's 'Play Extempore': Illegal Inn Performances and Local Politics in 1 Henry IV.

38. Theater der Welt 2023--Dreaming Plural Worlds along the River Main.

39. Stilled Tongues: Performance Protests Silence Surrounding Ghana's anti-LGBTQ+ Bill.

40. Immersive In/Sights: Performing the Cancer Experience.

41. Artaudian Writing, Imagery, and Sounds That Conjure the Sublime: Performances Nearing Philosophy.

42. The Features of the Minimum Level of Acting Performance in the Iraqi Theater, a Play of Rebuke as a Model.

46. A Touch of Magic.

49. SUSURRANTES, EL LUGAR DE ENCUENTRO DEL SUSURRO Y EL TEATRO TRANSMEDIA.

50. Closely Reading Community Audiences: A Simple Twist of Faith and Site-Specific Community Plays.

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