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This study aims to explore the impact of dual learning on preschool teachers' thriving at work and creative performance, and whether preschool teachers' thriving at work acts as a mediating factor in the relationship between dual learning and teachers' creative work. The participants were preschool teachers from Taiwan. Convenience sampling was used, resulting in a sample size of 388 people. The study results found that preschool teachers' dual learning, which includes both exploitative and exploratory learning, can improve the novelty and usefulness of their work and creativity. Furthermore, the study found that preschool teachers' thriving at work mediates the relationship between dual learning and creativity. This study also discovered that dual learning should combine and complement both exploitative and exploratory learning to achieve balance and the most significant effect. Therefore, it is essential to first help preschool teachers engage in both exploitative and exploratory learning. Schools and kindergartens can also provide relevant courses to help teachers combine these two learning methods. By integrating and complementing their advantages and disadvantages, a balance in learning can be achieved, thereby promoting teachers' creativity in their work.

The combination of education and robots is becoming an increasingly important issue. Although researchers have conducted some studies on educational robotics in STEM education at the undergraduate level, no research examined the effects of gamified educational robotics on participants' motivation and creativity. Therefore, this study examines the effects of gamified educational robots on participants' learning motivation and creativity in STEM. A quasi-experimental research design was used in this study. A total of 108 students from two classes enrolled in the information technology course were involved as participants. Learning motivation and creativity scales were used to collect data. The participants were introduced to a gamified educational robot as the course objective, learning content, and game mechanism to increase motivation and help students solve problems. In contrast, students in the control group received conventional instruction consisting of group discussions and lectures. Activities in both groups were held for eighteen weeks in three phases. The results showed that gamified educational robots could enhance learning motivation and positively influence learners' creativity. The results also indicate that learning motivation has significant effects on creativity, and students with high motivation perform better in terms of creativity. The results strengthen interdisciplinary STEM teaching and promote students' learning outcomes.

This study examined Cho's dynamic system model of creative problem-solving ability in a sample of 112 gifted and non-gifted students. The cluster analysis and t-test results indicated that students should be categorized into high and low performance groups. Students who scored three points or more across all attributes also had a higher likelihood of possessing better mathematical creative problem-solving abilities. Furthermore, significant differences were found in the two groups' scores on the Creative Problem Solving Attributes Inventory and Mathematical Creative Problem Solving Ability Test. The environment attribute was the only one on which the two groups did not differ significantly; this may be the result of education fever in Asian societies. Finally, the results of this study not only indicated that creativity does not rely on a single factor but that a well-balanced environment is imperative to nurturing creativity.

The purpose of this research is to: (1) clarify the scope and connotation of the OPOP (One Product/Project/Performance, One Paper) model comprehensively; (2) show its application in design and creative teaching; (3) introduce this model to more people. First, the author reviews the design doctoral education system and its shortcomings and analyzes the similarities and differences between "Ph.D. of Design" and "Master of Design"; second, the researcher discusses the DIKW (Data, Information, Knowledge, Wisdom) pyramid, cognition and communication theory separately. The author also interviewed the two teachers who created the OPOP model to clarify its core meaning and goals. Finally, the author invited students who participated in an OPOP forum to fill out a questionnaire in order to analyze and understand their responses and suggestions. The OPOP model allows participants to realize that "creativity" and "interpretation" are equally important and to gradually learn to use academic papers to transform personal "tips" and "experience" into "knowledge" that can be imparted. The author hopes that the OPOP model and the general frameworks mentioned in this study can inspire all readers, enabling them to continuously explore the connotation and further possibilities of OPOP in light of the actual situation.

Creativity mindset (CM), grit, and self-determination have been defined as critical motivational variables affecting learners' self-efficacy. Therefore, this study pioneers the examination of the relationship between these motivational variables and creativity self-efficacy (CSE) during game-based learning. A Creativity Mindset Inventory (CMI) and a game-based learning intervention were employed. Participants for developing the CMI were 281 3rd to 6th graders, and those for the intervention were 114 3rd and 4th graders. The result revealed that the CMI included four constructs (growth-internal control, growth-external control, fixed-internal control, and fixed-external control). Moreover, the employed intervention enhanced the children's growth CM and CSE. Regression analysis results suggest that self-determination mediates the influence of growth CM and grit on CSE. Additionally, growth CM, especially the growth-internal control CM, is a powerful predictor of self-determination and CSE. In contrast, fixed CM (the overall fixed CM, the fixed-internal control CM, or the fixed-external control CM) does not have any significant influence on self-determination or CSE. Notably, the findings of this study support that growth CM can be enhanced through a well scaffolded educational game. This study contributes to the field of game-based learning by developing a CM inventory, demonstrating a growth CM intervention, and clarifying influential factors to CSE during game-based training. While game-based learning has become popular among elementary school students, the findings of this study provide important insights into the design of game-based learning and creativity training.

This study investigated the effects of teaching via virtual reality (VR) on creative design performance and creative experiential learning processes by using a pretest--post-test nonequivalent group design to sample 138 seventh graders from a junior high school in Taipei City. The main conclusions from this study are: (1) VR has significant positive effects on creative design processes, particularly in the "design and planning," "testing and revision" and "thoughts and appreciation" stages. (2) VR has significant positive effects on creative design outcomes, with high- and low-level effects on "creative design" and "functional appropriateness," respectively. (3) The learning process for VR and creative experiential learning shifts from "concrete experiences" to "reflective observations," "abstract conceptualization" and, finally, "innovative applications." Behaviors of "reflective observation" and "innovative application" are active and vital to the performance of creative processes and outcomes.

Picture book reading is essential in the early stages of learning and development. The current study aimed to incorporate picture books to improve first graders' scientific thinking, including scientific reasoning and creativity. The study adopted a quasi-experimental research design. There were 24 students in the experimental group and 23 in the control group. The chi-square test was used to analyze the difference between the two groups. The teacher innovatively employed the 5E model strategies to aid students in the experimental group focus on the scientific knowledge and methods proposed in the picture books. The results revealed that students in the experimental group outperformed their counterparts in scientific thinking with small to large effect sizes. Besides, according to students' attitudes and the types of books borrowed, picture book teaching with the 5E model was appropriate for first graders to improve their scientific thinking.

This study aimed to foster development of the 21st-century five core competencies, including Creativity and innovation, Critical thinking and problem solving, Communication, Collaboration, and Computer-information literacy using Student-Centered Active Learning in an instructional design in which student groups created their own virtual reality content. Fifty humanities students participated. Mixed-methods data collection included a questionnaire, VR artifacts grades, student reflective journals, and focus group interviews. The most important findings were that (1) the instructional design of the study led to improvement in all of the five competencies of 0.01 significance or better (2) additional cycles of VR artifact production led to increases in empirical quality, and (3) the participants also found the hands-on VR creation projects to be distinctive and motivating. This VR content creation project provides detailed implications and guidance for instructors seeking to replicate a hands-on technology-oriented instructional design in order to strengthen the 21st-century core competencies.

Priming effect is, in a great part, an implicit learning mechanism; it may influence insight problem solving both consciously and unconsciously. The present study investigates interactions between personality traits and priming effects in insight problem solving involving novel object associations in complex situations over time. Based on the findings of past literature, a two-path (conscious vs. unconscious process) model exploring the moderation effects of two personality traits (emotional creativity and Big Five personality traits) were analyzed in this study. One hundred and fifteen college students participated in a randomized block design experiment (non-primed vs. primed) which included three runs of insight problem solving. During the experiment, the participants were exposed to partially direct priming with recognition memory tasks that associated novel objects (associative response priming) and then were challenged by situation-based insight problems; the interaction effects of priming manipulation and personality traits on insight problem solving were analyzed. The results showed that emotional creativity as well as extraversion, openness to experience, neuroticism, and conscientiousness play important moderating roles during the processes of insight problem solving when associative response priming was offered. Overall, the priming effects as well as the moderating effects of these personality traits on insight problem solving grew over time. The findings suggest that insight problem solving, although largely governed by an implicit learning mechanism, involves both conscious and unconscious cognitive processes; moreover, mindfulness, focused attention, persistence, positive emotion, and flexible thinking can be important mechanisms that facilitate insight problem solving in primed situations.

This study aims to unify the effect size of experimental studies that were carried out to determine the effect of teaching strategies, methods and techniques on creative thinking skills, and to find out whether this effect size was of significant differences for certain variables. A meta-analysis of 19 studies investigating the effect of teaching strategies, methods and techniques published between 2005-2019 on students' creative thinking skills was conducted. The study results revealed that teaching possessed a moderate effect on students' creative thinking skills varying considerably based on the grades the study group and the discipline dealt with in the study yet no meaningful difference in terms of the country it was carried at and no experimental effect for the applied teaching strategies, methods and techniques.

While inquiry-based pedagogy is expected to prepare students well for their future life and work in the modern world, research indicates that teachers still prefer the more traditional lecture-based teaching practices. To explore better the issues underpinning the adoption of inquiry-based teaching, this study hypothesized that inquiry-based teaching involves creative problem-solving behavior and therefore looked into an important but underexamined factor in teachers' choosing to take up inquiry-based teaching: their perception of their schools' culture of openness to seeking creative solutions in the field of teaching and learning. Analysis of data from the 2018 Teaching and Learning International Survey of junior high school teachers in Taiwan provided evidence of a relationship between teachers' perception of a school culture open to creative solutions and teachers' inquiry-based teaching practices, with the teachers' self-efficacy in inquiry-based teaching serving as a mediating factor. The findings suggest that inquiry-based teaching is enhanced by cultivating a school environment characterized by openness to creative solutions.

Integrated learning of STEM (science, technology, engineering, and mathematics) has become a challenge in the field of technical education. To understand the effect of STEM learning, in this study, we first identified the components of STEM in relation to bag design, then asked students to learn STEM knowledge as they designed bags. In this context, we explored how learners' creative self-efficacy (CSE) related to two types of epistemic curiosity (EC) (i.e., interest type and deprivation type) and reflected the STEM knowledge they acquired and their creative performance (i.e., novelty, utility, and aesthetics). The data were subjected to confirmatory factor analysis with structural equation modeling. The results revealed that CSE was positively related to two types of EC, and knowledge acquired was positively related to creative performance. The indirect correlates between CSE and knowledge acquired, EC and creative performance, and CSE and creative performance were positively mediated by other constructs. The implication of this research is that integrating STEM into the study of fashion design can improve students' creative performance.

This study explored the influence of Virtual Reality (VR) on Engineering Design (ED) creativity. This study adopted a quasi-experimental design with a pre-test and post-test. A teaching experiment was conducted in a high school in Taipei City, Taiwan. The main findings were: 1) the use of VR in ED instruction moderately and positively affected ED competence among students in identifying constraints, 2) VR positively affected the cognitive and affective domains in the ED process, but the VR effects on the psychomotor domain were nonsignificant, and 3) the use of VR-based instruction positively affected the students' ED results with a medium effect regarding functionality and uniqueness.

Purpose: The content of training (art-based method) and instructional strategies (blended learning) can improve business school students' creativity and attempts to determine how training can be maintained using longitudinal tracking. The study aims to answer (1) whether the incorporation of art-based methods enhances the creativity of students compared to traditional face-to-face (F2F) teaching, and (2) whether such creative training and blended teaching methods have a higher transfer of training. Design/methodology/approach: This study adopted a two-stage design (1) it adopted a 2 x 2 (with or without art-based methods * blended teaching or F2F teaching) between-subject design of experiments with 221 participants and (2) a one-year follow-up study was conducted (participants who were employed for 6 months to one year after graduation) with 187 participants and their directors. Findings: The results showed that the inclusion of art-based methods in the creative training of students strengthens creative ability of the students; there were no significant differences between blended and traditional learning. The authors examined the effect of transferring creative training through a questionnaire analysis of participants and employers of the participants. Self-regulated and self-directed learning positively influence motivation to transfer, which positively influences creative performance. Originality/value: The higher the level of self-regulated and self-directed learning of students, the more effective the transfer of creative training is over time.

This research aimed to examine the differential effects of simile and metaphor on creativity. In the main study, 123 participants were recruited from a university in Taiwan. A within-subjects experimental design was used to investigate how variables related to simile and metaphor influenced these participants' fluency and originality scores. As revealed by the findings, typical placements had an advantage over atypical placements in both fluency and originality scores whether the stimulus word pairs were conventional or novel. Similes, compared with metaphors, did not register significantly higher fluency or originality scores when conventional word pairs were provided. However, similes posted significantly higher fluency and originality scores than did metaphors when novel word pairs were provided. It can be also inferred that simile combined with the typical placement, especially in the context of novel word pairs, led to better performance on creativity than all the other combinations.

As the world is changing and transforming at a fast pace, students today are expected to face more challenges in the future. For example, they need to prepare for jobs that do not yet exist, use technologies that have not been invented yet, or even solve problems that have not been discovered yet. The current study proposes that futures imagination is the key to better prepare students to face unknown challenges and an implementable education policy in Taiwan. This article introduces the development process and results of a futures imagination education program in compulsory education in Taiwan. In 2011, the Ministry of Education (MOE) in Taiwan started promoting the futures imagination program at all levels of education through different action plans for four consecutive years. The current study examines the 'Grades 1-9 Action Plan' and its teacher education workshops throughout this period. The Grades 1-9 Action Plan was implemented in compulsory education. The subjects of this study are teachers who participated in the action plan; they learned how to implement futures imaginative approaches in their classrooms. Through their cycle of planning, action, observation, and reflection from 2011 to 2015, they reported their findings through written reports, and then we collected their results through interviews and surveys. The results showed that students show higher learning interests and will have a more in-depth view of the future, which is expected to prepare students to adapt to their futures, and this contributes to their learning interests.

Design thinking is a human-centered creative method that can be used to seek innovative solutions for life and social topics. Moreover, design thinking can enable developing innovative ideas that can satisfy consumer needs. A packaging design course is a professional course that combines material application, design aesthetics, and branding. It is also a comprehensive science course that emphasizes developing students' creative thinking and the ability to use practical technologies. This study applied an experimental teaching method to introduce design thinking in a packaging design course. The aim was to guide students to identify problems from the perspectives of product packaging, brand image, spatial structure, and marketing. Students were expected to be able to reconsider the meaning and importance of packaging design and thus enhance their structural creativity, visual aesthetics, and design thinking, in addition to improving their rational analysis and design problem-solving abilities.

In order to test the feasibility of the curriculum system of TRIZ used in humanities and social science majors, this study will test whether it is effective to cultivate students' creativity and to train their ability to solve problems. This study designs the randomly experimental targets in the two control groups for pretest and post-test. This study tests creative thinking and student self-evaluation questionnaire by use of the China Taiwan scholar, Wu Jingji's design. The result indicates that the post-test, for the two groups of students, their creative thinking indicators have improved significantly. The results showed that TRIZ had a significant effect on improving students' creativity. Finally, this study has discussed the value of TRIZ Course contained in Humanities and Social Science Teaching and addressed the needs to improve.

Visual communication design (VCD) is a form of nonverbal communication. The application of relevant linguistic or semiotic theories to VCD education renders graphic design an innovative and scientific discipline. In this study, actual teaching activities were examined to verify the feasibility of applying narrative theory to graphic design courses. Matched group design was employed to equally divide 30 participants into experimental and control groups, who participated in distinct activities over a 4-week period. The results revealed that incorporating narrative theory into graphic design courses enabled increasing students' poster design capabilities across various dimensions, including thematic concept, image creativity, and visual aesthetic. Narrative is a storytelling method. Applying narrative techniques to VCD not only facilitates the creativity of designers, but also elicits the audience's visual memory, thereby encouraging a bidirectional communication between the two entities.

This paper is a critical systematic literature review of empirical work on creative pedagogies from 1990 to 2018. It responds to the increased international attention being afforded creativity and creative pedagogies in research, policy and practice and examines the evidence regarding creative pedagogical practices and the potential impact of these on students' creativity. The methodology encompassed four stages. Firstly, an educational database keyword search was undertaken and 801 papers identified, manual searches added 12 further papers. Secondly, through applying inclusion/exclusion criteria, 89 papers were identified for closer scrutiny; these papers focused on students aged 0-18 years in formal educational settings and were peer-reviewed reports of empirical work. Thirdly, these papers were subjected to in-depth review and rating, this reduced the included selection to 35 papers. Finally, these papers were subject to further analysis and synthesis. The findings reveal that seven interrelated features characterise creative pedagogical practice, namely generating and exploring ideas; encouraging autonomy and agency; playfulness; problem-solving; risk-taking; co-constructing and collaborating; and teacher creativity. The paper also reveals that the evidence for the impact of these pedagogical practices on students' creativity is inconclusive. It highlights the complexities and challenges of documenting creative pedagogies in the years of formal schooling and concludes with key recommendations and implications for research, policy and practice.

Conceptual combination is proposed as the mental activity by which imagination produces new ideas in creative processes. Two parallel forms of the imagination test were constructed based on conceptual combination theory. Each test comprises eighteen unrelated noun-noun pairs. For each pair, an original idea is required. The test-retest reliability and the predictive validity of these two parallel forms of imagination test were examined. The originality of the imagination was found to predict design students' performance in design projects. However, the originality of one's imagination had little relation to either divergent thinking ability or creative personality. Imagination appears to be a psychological construct distinct from divergent thinking ability and may serve as an alternative behavioral measure of creative potential. Imagination, as defined by a mental act of conceptual combination, may serve as an explanation for what happens in the incubation stage and how the "aha" experience is produced.

Asian culture has been test-centric for over 1,400 years. U.S. education has been since the 1990s. Based on Kim's creative Climates, Attitudes, and Thinking skills (CATs), creativity indicators were developed using the 2015 PISA questionnaires. Study I examined: (1) relationships between students' PISA science scores and CATs; (2) differences between Asian and U.S. students in PISA scores and CATs; and (3) relationships between teachers' years of teaching and nurturing CATs. Study I found: (1) negative relationships between students' PISA scores and CATs; (2) Asian students demonstrating higher PISA scores but lower CATs than U.S. students; and (3) U.S. teachers decreasingly nurture CATs. Study II examined how U.S. CATs changed from 1990 through 2017 by analyzing TTCT norming data (N = 273,441) and found continued declines in CATs, especially in imagination and in young children.

This study investigated how creative personality, psychological empowerment, and job stress affect creative self-efficacy and innovative behavior in hospitality employees. A hypothesized moderating role of knowledge-sharing role in the relationship between creative self-efficacy and innovative behavior was also tested. Three hundred and thirty-nine employees and 89 supervisors employed by International Tourist Hotels in Taiwan participated in the study. A structural equation modeling analysis indicated that creative self-efficacy significantly mediates the effects of creative personality and psychological empowerment on innovative behavior in the hospitality industry. The positive effect of creative self-efficacy on innovative behavior was larger in high knowledge-sharing work environments than in low knowledge-sharing work environments. Theoretical and practical implications are further discussed.

Creativity and innovation are considered important measures of core competence in Taiwan for students of all levels, including nursing students. Integrating creativity with interdisciplinary teaching modules could increase creativity for nursing students; however, this has not been empirically determined. The purpose of this study was to determine if incorporating interdisciplinary teaching into a teaching for creativity module (TCM) could enhance creative thinking and creative abilities of nursing students. Students enrolled in a capstone nursing course for the development of healthcare-related products were divided into 2 groups. Both groups participated in the 18-week course; however, one group received creativity training with interdisciplinary teaching during the course, which was taught by nursing faculty who completed a TCM workshop. Students who received the interdisciplinary TCM intervention scored significantly higher than controls on measures of creative thinking. Our findings suggest a TCM program, which incorporates interdisciplinary teaching, and instruction in techniques for creativity, such as brainstorming, attribute listing, assessment matrix, and paired comparison, can stimulate divergent thinking abilities of nursing students.

To date, no study has examined whether enhancing mindfulness in everyday life through varied smartphone-based interventions involving photo taking could improve creativity or whether the beliefs toward mobile-based learning would influence such mindfulness learning effect. This study, therefore, developed the inventory "Beliefs toward Mobile Devices for Creativity Learning" and designed four interventions to validate the feasibility of such a new approach. One hundred and eighty-three college students participated in the inventory development, and 149 college students, who were randomly assigned to a control group (Group 1) or one of the three experimental groups, participated in a one-week experimental instruction. While Group 1 did not receive any smartphone intervention, the experimental groups used their smartphones to take photos with different emphases for four days and to share the photos with imaginative narratives on a designated website. Group 2 emphasized free choices of photo taking (self-determination), Group 3 emphasized self-determination and idea sharing, and Group 4 emphasized self-determination in varied categories and idea sharing. The results suggest the developed inventory has good reliability and validity; moreover, incorporating both self-determination and knowledge sharing lead to the best learning effect. Notably, beliefs toward mobile-based learning influence intervention effects on the enhancement of creativity self-efficacy. Accordingly, even a small amount of mindful learning in everyday life using a smartphone lens may enhance creativity. This study provides a valid instrument and smartphone-based mindfulness approach for ubiquitous learning of creativity.

STEAM (Science, Technology, Engineer and Mathematics + Art/Design) education is presented to broaden interest in STEM fields, enhance the creativity of STEM students, and spur innovation. Although studies have explored the environment factors that influence individual creativity, few researches have investigated the role of students' savoring which might drive the demand-pull innovation in creativity cultivation. Therefore, this study aims to explore the effects of perceived support for creativity and the multiple mediation of savoring capacity on individual creativity in the context of undergraduate Design education. The instruments were administered to 851 Design-majored students in Taiwan. The collected data were tested against the research model using a path analysis-based procedure of multiple-mediators analysis. Research findings include: (1) Both students' perceived support for creativity and their ability to savor (through anticipation, enjoying the moment, and reminiscence) have significant positive effects on their individual creativity; (2) Among the three methods of savoring, savoring the moment alone has significant positive effects on individual creativity; (3) Students' perceived support for creativity mediated by their ability to savor the moment has significant positive effects on their individual creativity. The findings provide several important theoretical and practical implications regarding fostering students' creativity in the context of STEAM education.

Assisting every student with special needs to give scope to their talents and to possess healthy personality and mature social skill that advance their careers at their working places is far from being easy. Within the domains of special education, students are placed in relative disadvantage when they bear cultural differences, and mental or physical disabilities. Their development situation should be given more attention from educators, as the disadvantages they bear might jeopardize the full actualization of their potentials. An enrichment program was started at a university for 5 young artists with ASD during 2012 to 2014, courses include: Creative Design, Art Creation, and Expressive Art Therapy. This paper introduced the artworks of the young artists, their learning attitudes and behavior change after engaged the enrichment program are analyzed by qualitative approach. Data was collected with portfolios, classroom observations and interviews. Among the five artists, three of them were interviewed on the topic of class experiences. Teachers' observations on the learning behaviors were also interviewed. Followings listed the main findings: 1. the learning attitudes became more positive and active wherever in or out schools/universities after joining the enrichment program; 2. the program opened the space to manifest creativity, 3. the outstanding performances indicated the artists realized their potentials, and 4. the young artists were more confident and showed less anxiety than before, the interaction among the peers increased through expressive art therapy course.

The present study aims to incorporate a group leadership promotion approach into collaborative learning tasks in the hope of developing students' creativity, problem-solving, and critical thinking. In order to evaluate the effectiveness of the proposed approach, we recruited 59 cross-professional students from a university in northern Taiwan, and divided them into an experimental group (6 sub-groups) and a control group (6 sub-groups). The experimental group students learned with the group leadership promotion approach, while the control group learned with conventional blended learning approach. The results show that the students could better develop their creativity, problem-solving, critical thinking, and learning achievement via the group leadership promotion approach. Lastly, sequential analysis of their behaviors indicated that students' interaction with group leadership in online collaborative learning can promote many more creative ideas and comments, enhance reaching a consensus and making conclusions, and finally, facilitate completion of the group learning tasks.

An English reading class of 10th graders (N = 50) was asked to self-construct English word cards for unknown vocabulary incidentally encountered when completing textbook readings. The students were assigned this task to determine what linguistic and nonlinguistic elements they would self-select to include on the cards and whether the appearance of those particular self-selected elements affect English vocabulary growth. Learners' second language (L2) vocabulary size was assessed before and after the investigation, and learners' self-constructed word cards were subjected to qualitative analysis uncovering additional "elements" included on the cards that were not suggested by the classroom teacher. Among the uncovered "element" themes (i.e., Formulaic Language, Word Formation, Additional Language Features, Creativity, Misunderstanding, and Carelessness), Word Formation was found to correlate significantly with L2 vocabulary growth. A multiple regression model accounted for 15.8% of the variance in vocabulary growth of which word formation explained the most variance, yielding a medium effect. A critical discussion of findings is provided in connection with previous literature to elucidate the feasibility of incorporating word card construction into L2 classroom instruction while also providing teachers suggestions on implementing a word card construction component into their classes.

The main purpose of this study is to analyze the effects of using Pokémon GO for 10 weeks on the cognitive performance (memory, selective attention, concentration, and creative imagination) and emotional intelligence (well-being, self-control, emotionality, and sociability) of Taiwanese primary students in the fifth and sixth grade. A mixed experimental design was used, with a control group (CG; n = 62) that did not use Pokémon GO, and an experimental group (n = 61) that used Pokémon GO for 10 weeks. Confounders were age, sex, education level of the family, number of computers in the home, daily study time, and Internet access. The results showed that the players spent about 40 minutes/day on this game during this period. Boys played more and won more points in the game than girls. Compared against their peers, the players playing Pokémon GO showed a significant increase in their selective attention (p = 0.025), concentration levels (p = 0.004), creative imagination (p < 0.001), emotionality (p = 0.001), and sociability levels (p = 0.005) but not memory, well-being, or self-control (all p > 0.05). It is concluded that Pokémon GO, in a playful way, could positively affect their cognitive performance (selective attention, concentration levels, and creative imagination) and improve their social relationships. However, if future researchers would like to ascertain whether Pokémon GO is a useful viable cognitive and social approach or not, more randomized controlled trial studies will be needed to compare Pokémon GO with traditional teaching approaches and educational methods.

The participation of parents-shared reading with children is a topic that has generated a lot of attention among many researchers in the world. For the use of picture story books, which have caused positive impact on the child's learning process, has also been recommended as the best strategies to develop children's aesthetic ability. The purpose of the study aims to investigate the effectiveness of parent-child shared reading in developing children's learning; and to investigate the key virtues of parent-child shared learning that are critical in development of child's aesthetic abilities. Ten pairs of mother-child shared reading aesthetic wordless storybook in preschool and at home were observed and interviewed. The results show the positive effects of quality accompany time, environment setting up, and skills to scaffold children within parent-child shared reading. Finally, according to conclusion of this research, suggestions for relative practical application were proposed.

The goal of the study is to explore the opportunities and challenges associated with Project-Based Learning strategy in a global context on the aspects of both fostering learning community of practices and nurturing the 21st century skills. For collecting empirical data, the study implements and administers an online international project-based learning program for high school students. Since it is claimed that interpersonal interaction is key to the success of online project-based learning programs, the study first focuses on investigating patterns of community of practice, which is a combination of online learning behaviors and interpersonal interaction, among students against a claimed theoretical framework. For unveiling the impacts on fertilizing the 21st century skills, the study examines the perceptions of students and teachers participating in the online international project-based learning program. Results of the study confirm the asserted theoretical framework regarding the community of practices and reveal that students of various countries perform differently in terms of community of practices in virtual learning space. As to building the 21st century skills on students, the study credits the project-based learning strategy deploying in a global context for providing intuitive and essential aspects of learning ingredients to students for pursuing skills related to Communication, Collaboration, Complex Problem-solving, Critical Thinking, and Creativity.

Undergraduate science, technology, engineering, and mathematics (STEM) curriculum emphasize project-based learning (PBL) with peer assessment/on-line peer assessment (PA/OPA). Many studies have stressed that students did not improve over two rounds in PBL with OPA studies and PBL with PA have to adopt team mutual cooperation to reap effective learning. This study proposed an innovative approach that incorporate OPA with TQM as a macrolevel instructional tool to guide students in teacher's directing of collaborative project development as well as seeking continuous improvement to elevate Project-Based Learning Performance in a STEM course. The effects of OPA with TQM were examined through an experiment with PBL performances hypotheses. A total of 63 junior students in an university of Taiwan voluntarily participated in this study and a quasiexperimental approach with a two-group design was adopted. The results revealed that the team members using the OPA with TQM approach tended to have higher design skill performance, better cohesive teamwork and creative problem solving attitude. Thus, the proposed approach facilitated team members to collaborate for seeking continuous improvement. However, no significant difference was reported on the influence of enhancing students' design concept. Implication and suggestions for educators to promote the PBL with OPA and TQM were also provided in the study.

Drawing on Dewey's pragmatic perspective on talent cultivation and previous research on promoting employee creativity in industry, this study investigates student creativity performance in relation to teacher's encouragement, intrinsic motivation, and creative process engagement. Based on survey data collected from 140 vocational high school students who participated in a nation-wide contest in Taiwan, path analyses were performed using structure equation modeling techniques. The results indicate that both teacher's encouragement and intrinsic motivation have a significant, although indirect, effect on student creativity, and that creative process engagement, as opposed to teacher encouragement or intrinsic motivation, has a direct and significant mediating effect on student creativity. This finding is in partial agreement with prior research which reports student creativity is positively associated with teacher encouragement and intrinsic motivation, highlighting the mediating role of creative process engagement in facilitating student creative performance.

This study investigated how a literacy buddy approach may influence the English learning and creative writing of adolescent learners in a rural Taiwanese school. A group of seventh-grade and eighth-grade students took part in a winter camp, wherein they read and wrote picture books collaboratively. Based on the students' feedback, this approach stimulated their English reading skills, motivation to read picture books, and creative thinking. Analysis of their creative stories further shows that this approach led them to produce coherent texts and obtain a concept of narrative writing. Moreover, the students integrated the plot structure and key phrases they had learned from the picture books into their own stories, which suggests that reading the picture books might have facilitated their creative writing. Overall, this study shows that using picture books facilitated the integration of reading and writing instruction in the target rural English classroom.

Environmental education is intended to increase public awareness and knowledge about environmental issues and enhance individuals' problem-solving and decision-making skills by tackling problems in the real world. "Maker education," on the contrary, mostly relies on "problem-based" and "project-based learning" approaches with hands-on activities and collaborative learning experiences to engage students in solving authentic problems. The current study proposes an innovative curriculum design to integrate maker-centered learning with environmental thematic teaching. It then develops a series of project-based maker-centered learning activities aspiring to lead students to cultivate their creative problem solving (CPS) abilities in dealing with the environmental issues they encounter in their daily life. The developed information platform enables learners to access class materials and techniques, including 3D modeling, printing, and programming, to provide and nurture learners' CPS abilities, and facilitates their information-, product-, and resource sharing. This study adopted a quasi-experimental design, and the developed curriculum was implemented in the teaching of two classes of a university in Taiwan (N = 73). Multiple scales were developed and applied to measure maker self-efficacy and environmental attitude to determine students' learning outcomes. In conclusion, the study provided empirical evidence of how to design an effective maker-centered environmental curriculum to cultivate environmental awareness and attitude. Also, it provides a framework, a "comprehensive maker education model," to develop better teaching and learning strategies and improve the effectiveness of a maker curriculum in higher education.

This study explored how a 2-year, maker-centered science, technology, engineering, and mathematics (STEM) project-based learning (M-STEM-PjBL) curriculum aimed at leading students to be makers changed students, science teachers, and a rural middle school in Taiwan, where teachers were stressed due to the low birth rate and low grades in the Comprehensive Assessment Program for Junior High School Students (CAP). This practical action research study utilized data collected from 24 students in a maker class, their peers, 4 teachers, and administrative documents related to school enrollment and student competitions' records. Results showed that teachers had shifted their teaching from being teacher-centered to student-centered. The students who participated in the M-STEM-PjBL curriculum actively assisted peer learning and initiated active teacher-student interactions. Both teacher and student participants improved their practical skills during the process. Students in the maker science class had more positive attitudes toward science and science learning and changed their peers' attitudes in the regular science class. The problematic rate of not meeting the required standard in the science subtest of the CAP was reduced from 36 to 26%. Moreover, student participants' products recommended to the county or national level competitions frequently won awards. Student participants' creativity and the science teachers' teaching efforts were recognized in the media. Parent endorsement of the school was increased, the threat of losing students to other schools was decreased, and the crisis of cutting the number of classes was reduced.

This study explored cultural influences on English language teachers' judgments of English metaphors created by Taiwanese learners of English. Based on a mixed-methods approach, it delved into the rating severity and implicit evaluation criteria of two cultural groups of teachers: Taiwanese and Americans. Ten Taiwanese teachers and 10 American teachers evaluated 120 novel metaphoric expressions using the Consensual Assessment Technique (Amabile, 1996). "Creativity in context: Update to the social psychology of creativity." They further filled out a creativity evaluation survey, which was designed to bring to light what qualities within the metaphors influenced their judgments of metaphoric creativity. With the teachers' ratings being analyzed by means of many-facet Rasch measurement, this study first indicated that the American teachers were more severe raters than the Taiwanese teachers, but no significant difference was found between them. Analysis of the evaluation survey further demonstrated that both cultural groups shared largely similar evaluation criteria; yet, two contrasts emerged between them. Specifically, the American teachers seemed to favor metaphors that expressed the creator's thoughts; by contrast, the Taiwanese teachers preferred metaphors that relied on readers' imagination to work out the meanings. These findings shed light on implications for teaching creativity in English L2 classrooms and assessing learners' creative language artifacts in an English L2 context.

Effective energy education depends on continuing research designed to identify instructional strategies that will proof effective in particular learning contexts. The aim of this study was to help Taiwanese students learn about energy-saving related concepts through idea-centered, collaborative knowledge-building activities carried out in an online environment. The participants were 34 fifth-grade Taiwanese students. The data were taken mainly from students' online interaction logs and discourse content. We found that knowledge-building activities helped to transform students into more collaborative, autonomous and creative learners, capable of working innovatively with ideas to address the energy-related issues under discussion. The students also demonstrated deeper understanding of the energy-related topics they explored. This study suggests that knowledge-building, an innovative pedagogical approach, was conducive to collaborative learning even in young students.

Promoting green socioentrepreneurship is crucial for sustainable economic development in the Asia-Pacific region, particularly in highly urbanised areas such as Taiwan and Hong Kong. However, little research has focused on this topic. Therefore, we conducted two studies to analyse how personality traits, entrepreneurial creativity, and social capital affect green socioentrepreneurial intentions among university students in Taiwan and Hong Kong. The results of Study 1 confirmed the factor structures of the four scales used in this study. The results of Study 2 revealed that though the effects of predictor variables on the outcome variable were varied, the mediation models of entrepreneurial creativity across contexts were partially supported. The major differences between Taiwan and Hong Kong lay in the effects resulting from usefulness, openness, agreeableness, conscientiousness, and bonding social capital.

This study aimed to explore different scientific creativity tests' prediction of students' science performance and domain-general creativity abilities. Two scientific creativity tests were chosen: the "Scientific Creativity Test" and the "Creative Scientific Ability Test (C-SAT)". The Science Performance Test (SPT) and Domain-General Creativity Test (DGCT) were also adapted to allow a check of the correlation between students' scientific creativity, science performance, and general creativity. Sixty junior high school students participated in this study by taking these four tests. Each test needed to be completed within 30 minutes, and the interval between each test was 2 weeks. The results showed that both the students' science performance and domain-general creativity could reflect their performance of scientific creativity better in the scores of the "Scientific Creativity Test" than in those of the C-SAT. Limitations are discussed.

The research purpose was to investigate kindergarten parents' selection of after-school art education settings in Taiwan. A review of the literature and interviews with parents were conducted to identify several possible factors that would impact on parents' selection of after-school art education settings for their children. Then, the researcher self-compiled a survey and distributed 550 copies to parents and 515 copies were obtained. The effective return rate was 93.6%. The findings were as follows: 1. The majority of parents believed children can attend after-school art education settings at the age of four years, and parents also believed that art specialists have a great impact on children's drawings. 2. Type of kindergarten attended by children (public or private), mother's age, mother's occupation, and education level of mother and father have significant effects on decision making regarding the selection of after-school art education settings for their children. 3. The effects on learning: More than 85% of the parents believed that their children have achieved their expectation, which was to enrich creativity, patience, and attention. And, over 80% of the children discussed what they had learned with their parents. 4. The most popular way to teach is to combine teacher-directed and student-directed methods. 5. The most frequently used art materials are markers and crayons in after-school art education settings.