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Given the regression in empowering representations of queer women in the literary and, more generally, the cultural life of the modern Arab world, this article spotlights the hitherto under-researched literary portrayals of female homosexuality as a site of redemptive and/or reparative, queer(ed) home in 21st-century Syria. Through a close reading of Samar Yazbek's Ra'ihat al-Qirfa (2008), and, for added nuance, its English translation Cinnamon (2012), the study explores the novel's curation of home in and through the protagonist Aliyah's same-sex relationship with her employer Hanan al-Hashimi. Using Roberta Rubenstein's and Sara Ahmed's notions of fixing past homes, and of queer(ing) home, respectively, the article shows how the sense of home cushioned by the same-sex affair transcends social class and domination/submission binaries. I thus argue that even as the same-sex relationship in Yazbek's novel may not be performative from a contemporary lesbian feminist perspective, it kneads hope, not desolation, into the plot and the real-life setting it extrapolates, since it responds to the local context the characters inhabit. [ABSTRACT FROM AUTHOR]