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The article presents the author's insights regarding the restoration of the 101 Spring Street building in SoHo in New York City, in which American minimalist sculptor Donald Judd lived and worked on. It states that the building has undergone $23 million renovation for three years. It adds that the building will be opened for small public tours on June 3, 2013 in celebration of Judd's 85th birthday.

The article reviews the exhibition entitled "The St. Petersburg Paradox" at the Swiss Institute Contemporary Art in SoHo, New York City until August 17, 2014, which features art works of artists including Douglas Gordon, Sarah Ortmeyer, and Ericka Beckman.

The article reviews the exhibition "Face Paintings" featuring the works of Lui Shtini at the Kate Werble Gallery in Soho, New York which runs until January 4, 2014.

Swiss Institute Contemporary Art 18 Wooster Street, near Grand Street, SoHo [ABSTRACT FROM PUBLISHER]

'THE HUMAN FACE IS A MONUMENT' Titled after a 1965 movie by the underground filmmaker Stan VanDerBeek (1927-1984), ''The Human Face Is a Monument'' is a lively group show at Guild & Greyshkul that could be subtitled ''And Glossy Magazines Are a Feminist Gold Mine.'' May Wilson (1905-1986) is represented by several little-known collages from the late 1960s, whose latticelike layering of images create a kaleidoscopic mix of voyeurism, patterning and interior. In Sarah Charlesworth's ''Figure Drawings,'' a work initiated 20 years ago, 40 small, individually framed figurative silhouettes -- mostly sculptures -- catalog poses, gestures and meanings. [ABSTRACT FROM PUBLISHER]

The article reviews an exhibition featuring paintings, drawings and sculptures of Gardar Eide Einarsson held at Team Gallery, SoHo, New York City

The article reviews the exhibitions "Equilibres," by Peter Fischli and David Weiss at the Matthew Marks Gallery in Chelsea, Manhattan, New York City from April 27, 2007-June 30, 2007, and "Books, Editions and the Like," at the Swiss Institute in SoHo, New York City from May 23, 2007-July 14, 2007.

The article reviews the art exhibition "Yes and Not Yes," by Tauba Auerbach at Deitch Projects art gallery in Soho, New York City through November 4, 2006.

The article reviews an exhibition at the Spencer Brownstone Gallery in SoHo, New York City.

The article reviews an exhibition of painter Alex Katz's paintings by Peter Blum at 99 Wooster Street, SoHo, New York City, through November 12.

The article reviews the exhibition "International Geographic," at Artists Space in Soho, New York City.

The article presents a reprint of the article "Mass Productions: Jean-Michel Basquiat and the Contemporary Art Scene," by Roberta Smith, which appeared in the March 23, 1982 issue of "The Village Voice." It highlights the art exhibition work, an overwhelming production by Basquiat in Soho, New York City.

Reviews the art exhibition "Let the Good Times Roll," by Erik Parker at Leo Koenig in SoHo, New York City, through January 22, 2005.

Focuses on the art scene in New York City, and rapid growth of galleries in the Chelsea neighborhood. Increase in anti-Chelsea backlash from visitors and dealers; Comment of Lower East Side gallerist, Michele Maccarone; The reason art museums, the Drawing Center and the New Museum for Contemporary Art, decided not to move to Chelsea; The author's perception of the Chelsea gallery scene and the quality of the exhibitions; Williamsburg, Brooklyn galleries that have moved to the neighborhood; Mention of Chelsea dealers, including Betty Cuningham and Tony Shafrazi; Artists who are represented in Chelsea art galleries; Competition between big galleries; Locations of various galleries in New York; The transition in SoHo; Expansion of Chelsea's residential population.

Reviews the photography exhibition "Photographs of British Algae," shown at the Drawing Center in SoHo, New York.

Reviews "Constructed Photographs," an art exhibition of Keith Cottingham at Ronald Feldman Gallery in SoHo, New York through April 17, 2004.

Reviews the art exhibit by Adam Kalkin, titled "Suburban House Kit," at the Deitch Projects, SoHo, New York.

Reviews the art exhibit by Jane South held at the Spencer Brownstone Gallery in Soho, New York. Features of the exhibition; Artworks displayed; Comments on the art pieces.

Reviews several art exhibitions at the 2001 Outsider Art Fair in SoHo, New York.

Reviews two art exhibits. `Apogamy Pods,' by painter Robert Rauschenberg at Pace Wildenstein in SoHo, New York City through December 23, 2000; `American Bricolage' at the Sperone Westwater in SoHo through December 22, 2000.

Reviews the art exhibition of Kaffe Fassett and Steve Lovi entitled `Two About Color,' at Luise Ross Gallery in SoHo, New York.

Reviews three exhibitions about Irish art. `When Time Began to Rant and Rage: Figurative Painting From 20th-Century Ireland' at the Grey Art Gallery and Study Center at New York University; `0044' at P.S. 1 Contemporary Art Center in Long Island City; `A Measured Quietude: Contemporary Irish Drawings' at the Drawing Center in SoHo.

Comments on the transfer of the locus of New York city's downtown art gallery community from SoHo to Chelsea. Rachel Whiteread's sculpture `Water Tower' as a memorial to the departing art scene; Discussion of the sculpture; Overview of the art scene in SoHo; Comparison of the virtual invisibility of the Whiteread sculpture to the invisibility of SoHo's history.

Reviews the art exhibition `Imaginary Journeys,' by Didier Massard at the Julie Saul Gallery in SoHo, New York City through July 3, 1998.

Reviews the art exhibition `African Faces, African Figures: The Arman Collection,' shown by the Museum for African Art in SoHo, New York City, until April 19, 1998.