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Immediately after the Council of Trent, the image turns into an instrument of propaganda and instruction of the reformed Catholic Church. Ourense, Compostela and Lugo cathedralś choirs, raised in that new context, constitute an excellent example that, in addition, allows to appreciate, according to the shades and changes in their respective programs, as well as their language of expression, the different moments that, inside this common frame, the new Church goes through. [ABSTRACT FROM AUTHOR]