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Reviews the art exhibition "Outsider Art Fair" at the Puck Building in New York City.

Reviews an art exhibition by Steve McQueen at the Marian Goodman Gallery in New York City.

Reviews the art exhibition "The Wonder: Portraits of a Remembered City," by Tony Pitzpatrick at the Pierogi Gallery in New York City.

Focuses on the exhibition, entitled "A Master Returns," featuring the furniture, ceramics and lamps from Ettore Sottsass, at the Barry Friedman museum in New York City. Design style; Horizontally striped Superbox cabinets; Translucent fiberglass forms of Mobili Grigio bedroom.

Features the exhibition "Form Follows Fashion," at the Fashion Institute of Technology in New York City.

Focuses on the ivory art objects in the collection of the Metropolitan Museum of Art in New York City. History on the use of ivory in art; Features of the ivory material; Pair of Amarna period cosmetix boxes in the shape of trussed ducks; Statuette of a coiffed Nubian tribute bearer wearing a patterned sarong.

Previews the exhibit "Josef and Anni Alberg: Designs for Living," scheduled at the Cooper-Hewitt National Design Museum in New York City through February 27, 2005. Juxtaposition of the design efforts of the Albergs featuring furniture and textiles; Description of the objects on exhibit.

Focuses on the exhibit "Rescue Archaeology, a Project for the Museum of Modern Art," showcasing the works of Mark Dion, at the Museum of Modern Art in New York City, scheduled through March 14, 2005. Description of Dion's installation piece.

Previews the exhibit "Comic Grotesque: Wit and Mockery in German Art. 1870-1940," at the Neue Gallery, Fifth Avenue, New York City, through February 14, 2005. Showcase of paintings by Arnold Brocklin from the 1870s, the influences of satiric illustrator Thomas Theodor Heine and works of places artists like Lionel Feininger and Alfred Kubin.

Highlights the art exhibition of painter Dana Schutz in New York City. Use of art's prevailing influences and themes; Description of some of the paintings; Schutz's approach to color and brushwork.

Focuses on the exhibition of videos and video installations of Albanian artist Anri Sala in New York City. Theme of the videos; Music, explosions and lights in the art works.

Focuses on the exhibition of the video works of artist Oliver Herring at Max Protetch Gallery in Chelsea, Manhattan, NEw York City.

Discusses the exhibition of the works of Dutch painter Gerard ter Borch at the National Gallery of Art in New York City. Borch's art works based on satin; Career highlights; Painting style.

Focuses on the exhibition of the paintings and sculptures of Minimalist artists Donald Judd and Robert Mangold at Pace Wildenstein gallery in Chelsea, Manhattan, New York City

Focuses on the exhibition of the Freedom of Expression National Monument, an interactive outdoor sculpture, at Foley Square in Manhattan, New York City.

Focuses on the exhibition of Native North American jewelry arts at the American Museum of Natural History in New York City.

Focuses on the show of Japanese artist Tomoko Sawada at Zabriskie Gallery in New York City.

Focuses on the exhibition of Neue Sachlichkeit realist-style photographs about Germany, at Ubu Gallery in New York City.

Reports on the exhibition "Squint" in New York City.

Comments on the art exhibition of Pipilotti Rist in New York City.

Comments on the art exhibition of On Kawara in New York City.

Comments on the art exhibition "Vasemania: Neoclassical Form and Ornament: Selections From the Metropolitan Museum of Art" in New York City.

Comments on the art exhibition "Memorials of War" in New York City.

Comments on the art exhibition "Andy Goldsworthy on the Roof" in New York City.

Comments on the art exhibition "Design Is Not Art: Functional Objects From Donald Judd to Rachel Whiteread" in New York City.

Comments on the art exhibition "Colonial Andes: Tapestries and Silverwork, 1530-1830" in New York City.

Comments on the art exhibition "Austria West: New Alpine Architecture and New Alpine Residences" in New York City.

Reports on the exhibition of Shannon Plumb in New York City.

Reports on the exhibition of Richard Long in New York City.

Reviews the exhibition of Allan McCollum's artworks at the Friedrich Petzel Gallery, New York City.

Reviews the exhibit “Design Is Not Art: Functional Objects From Donald Judd to Rachel Whiteread” at the Smithsonian Cooper-Hewitt, National Design Museum, New York City.

Reviews the art exhibition "Slouching Towards Bethlehem," scheduled in August 2004, organized by Jeffrey Uslip, the associate director at the Project art gallery in New York City.

Reviews the art exhibition entitled "Plan B," featuring the works of Rudolf Stingel scheduled for August 2004 at the Vanderbilt Hall of the Grand Central Terminal in New York City.

Reviews the exhibition entitled "Vasemania: Neoclassical Form and Ornament in Europe: Selections From the Metropolitan Museum of Art," scheduled in August 2004 at the Bard Graduate Center for Studies in the Decorative Arts, Design and Culture in New York City.

Reviews the art exhibition entitled "Ground-Field-Surface," scheduled in August 2004 at the Robert Miller Gallery in New York City.

Reviews the art exhibition of Adam Pendleton titled “Being Here,” presented at Wallspace in Chelsea, New York City until July 31, 2004.

Reviews the art exhibition “Hung, Drawn and Quartered,” presented at the Team Gallery in Chelsea, New York City until July 30, 2004.

Reports on the exhibition of the art works of Carrie Yamaoka entitled “World Hotel” in New York City.

Reports on the exhibition “Jewel in the Heart.” Art works of Emily Cheng and Lois Connor; Schedule; Venue.

Reports on the exhibition “I Am the Walrus” in New York City. Schedule; Venue.

Reports on the exhibition “Speaking With Hands: Photographs From the Buhl Collection” at the Guggenheim Museum in New York City. Description of the artworks exhibited.

The article reviews the art exhibition "The Jazz Age: American Style in the 1920s" at the Smithsonian Design Museum in Manhattan, New York City until August 20, 2017.

The article reviews the exhibition "Georgia O'Keeffe: Living Modern" at the Brooklyn Museum in New York in March 2017 which features the art, wardrobe and photographic portraits of Georgia O'Keeffe.

The article announces that Laura Hoptman, 56-year-old New York curator has been appointed as executive director for Drawing Center, a non-collecting museum in Manhattan, New York.

The article reviews the exhibition "Stanley Whitney: Dance in the Orange" featuring paintings by Stanley Whitney at the Studio Museum in Harlem, New York City until October 25, 2015.

The article discusses the Brooklyn Museum's announcement that it has hired Anne Pasternak, the former president and artistic director of the Creative Time arts organization, as its director. Topics addressed include Pasternak's career history and outlook on the job, as well as the success of exhibits such as "A Subtlety, or the Marvelous Sugar Baby" and "Tribute in Light" organized by Creative Time under Pasternak's direction.

The article discusses the impact of the Whitney Museum of American Art's opening of a new location in New York City in terms of the New York City art scene. The author discusses architect Renzo Piano's design of the building and describes how art works appear in the new building. He also discusses the potential of the Whitney's new building as a destination for visitors.