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The author discusses her career as a papercut artist in New York City. She started from illustration to book arts, fine arts, architectural works and public art, allowing her to locate stories about shared or overlapping memories in a broader social space. She indicates that she creates silhouettes by cutting paper or Tyvek and coordinate with fabricators to cut her designs. She also presents photographs of her paper cutouts.

This section presents photographs of paper fashion and sculpture entries at the "Pratt + Paper & Ralph Pucci" competition and exhibition at the Ralph Pucci showroom in New York including a paper cape by Diana Darett, a laser-cut paper dress by Dana Otto, and paper sea urchins by Su Ting Chen and Samantha Johnson.

The article focuses on the artworks created by using a plain sheet of paper. As discussed, several paper and artwork's shows are being referred here including the one recently held at the Museum of Modern Art, New York that presented an inventive way to use paper and the Swiss German scissor cuts, which was started in 1500s. The article also informs about the book full of artworks, named "Papercraft," by design publisher Die Gestalten Verlag and famous cut-paper artists including Rob Ryan.

Describes trends and developments in paper architecture citing the works of the Manhattan, New York-based architectural firm, Cooper, Robertson and Partners for a summer and weekend residence on a potato farm in Sagaponack, New York. Design of the residence by a team headed by project architect, John R. Kirk; Architectural plan; Areas and spaces of the house; Furnishings and accessories; Considerations in domestic architecture.

The article discusses the art works of paper artist Mia Pearlman of New York. It states that she started paper art when she and her husband rented a house and a studio in Woodstock and found that her tacked collages on the wall were bending forward three-dimensionally into space. Pearlman thinks her work is a lot about chance and control just like clouds which are visible and have destructive power.

The article deals with Mobile Service, a service launched by Expert Service Solutions to give customers access to timely and accurate information without the need to handle paper. It details how the service works. It relates the implications of the paper-driven process for elevator companies. It explores how the implementation of Mobile Service benefited Transel Elevator Inc. of New York.

The article reviews the exhibition featuring the artworks of artist Stephen Antonakos at the Lori Bookstein Fine Art in New York.

The article reviews the paper cutting exhibition of Swoon at Deitch Projects museum in New York City.

The article reports on New York-based architect Jeffrey Milstein's design and production of note cards die cut from photographs of facade models of classic American house styles. The paper models are five-to-six inches high and feature front doors that open. The design includes New England Colonial and Gothic Revival Houses.

The article reviews the "Paper Exhibition" at the Artists Space in New York.

The article reviews the exhibition at Zwirner & Wirth gallery in New York City, which features a selection of three-dimensional constructions and works on paper made by Al Taylor between 1985 and 1990.

The article focuses on the exhibit entitled "Cutting Across Cultures: The Art of Papercutting, Then and Now," at the Rye Arts Center in Rye, New York from January 7 to February 17, 2007. The show will feature more than thirty detailed artworks from different medium of cut paper. It will exhibit the works of various artists including Archie Granot Doris Sokorsky and Aurelia Fernandez.

The article features cut-paper floral shadow box by Myra Bates Willcutt, which is part of the collection in the Metropolitan Museum of Art in New York City. According to the article, the shadow box is a 19th-century example of the female accomplishment known as "quillwork," the art of fancy paperwork. It describes the fancy paperwork process.

The article reviews the art exhibition "Poem (Music Drawings)," by Ga Hae Park at Bronx River Art Center gallery in New York City.

The article reviews the art exhibition "Anthem," by Dylan Graham at the RARE gallery in New York City.

The article reports that authors Matthew Reinhart and Robert Sabuda will demonstrate the art of paper engineering at the 92nd Street Y in New York City. Sabuda, who creates pop-up books, will show to children how these books were made. According to Reinhart, the process involved in this kind of craft involves a lot of tricky geometry and physics. The authors will demonstrate in a slide show that includes a shot of their messy West Side studio.

Announces that the Katonah Museum of Art (KMA) is seeking volunteers for a public art paper project during October 2004. Commissioning of artist Jennifer Zackin by the KMA and Katonah Village Improvement Society (KVIS); Description of the work to be done by Zackin; Benefits of public art; Contact information.

Focuses on an exhibition of works on paper by Dana Schutz, Amy Sillman and Kara Walker at the Sikkema gallery in New York City. Works done with gouache; Jointed cut-paper silhouettes by Walker; Schutz’s faux-naive creatures; Sillman’s improvisational landscapes; Contact information.

Focuses on the paper art of Kirsten Hassenfeld for her first solo show "Objects of Virtue" at New York City's Bellwether Gallery in September 2004.

Reviews the art exhibition 'About Paper,' several artists at the Kristen Frederickson Contemporary Art gallery in New York City.

The article provides information on the coming art exhibition of Galerie Enatsu Co. Ltd. in the Artexpo New York 2008 at the Jacob K. Javits Convention Center on February 28 to March 3 in New York City. According to the author, the company will display there powdered mineral pigments on washi paper and the work of Japanese artist Satoshi Itoh in the exhibition. The author adds that the company had joined the Artexpo exhibition for a year now.