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The article discusses the role of sculptor John Colt to the refurbishment of the Charterhouse Chapel in London, England. It is stated that the chapel is a combination of medieval priory, Renaissance mansion and Jacobean almshouse and school. According to the authors, Colt created some of the artistic masterpieces of the chapel including the sculpture depicting the figures of Moses and Aaron. They denote that other arrangements for the chapel reflects the concept of Laudian pattern. Details and photographs of the remaining sculpture of the chapel are also presented.

The article offers information about the east window of the chapel at Hampton Court Palace, which is discovered through the exposure of the external face of the chapel's east wall in London, England. The exposed part of the Tudor east elevation of the chapel has revealed the remains of a triple window. The investigation of the area has suggested that there may have been a pentice against the west wall of the chapel. It traces who and when the construction of the chapel is initiated, as well as the clues as to the glazing schemes for the chapel windows. In addition, it describes the actual design of the window and the block plan of the palace.