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Few studies have combined the analysis of use-wear traces, traceology, and the proteomic taxonomic identification method Zooarchaeology by Mass Spectrometry (ZooMS). Traceology provides information on the usage, in this case, of bone artefacts, while ZooMS allows for taxonomic identifications where diagnostic features are otherwise gone. The approaches therefore offer complementary information on bone artefacts, allowing for insights into species selection strategies in bone tool manufacture and their subsequent use. Here we present a case study of 20 bone artefacts, mainly bone points, from the Early Neolithic cave site of Coro Trasito located on the southern slope of the Central Pyrenees. Hitherto, studies on Early Neolithic bone artefacts from the Iberian Peninsula have suggested based on morphological assessments that Ovis aries/Capra hircus constituted the majority of the bone material selected for bone tool production. However, the taxonomic identification in this study suggests that, at this site, Cervidae was selected equally to that of O. aries/C. hircus. Furthermore, bone artefacts made from Cervidae specimens seem to be utilised in a wider range of artefact types compared to O. aries/C. hircus. Coro Trasito's bone artefact species composition is probably site-specific to some degree, however, morphological assessments of bone artefacts might not be representative and could be biased towards certain species. Therefore, research on bone artefacts' usage could possibly gain new insights by implementing ZooMS in combination with traceology. [ABSTRACT FROM AUTHOR]

San Quirce is an open‐air archaeological site situated on a fluvial terrace in the Duero basin (Palencia, northern Iberia). This paper presents new and consistent chronologies obtained for the sedimentary sequence using post‐infrared infrared stimulated luminescence (pIR‐IR) dating of K‐feldspars and single‐grain thermally transferred optically stimulated luminescence (TT‐OSL) dating of quartz. The new dating results indicate that the sequence is older than ~200 000 years and place San Quirce Level III within marine isotope stages (MIS) 8 and 7, between 274 ± 13 ka and 238 ± 13 ka. The main lithic assemblage at San Quirce comes from Level III. The predominant tool types found in this level are hammerstones, manuports and flakes, with a small proportion of cores and a significant presence of denticulates. Adaptation to local environmental conditions resulted in distinctive cultural habits, which were embedded in the cultural tradition of hominins occupying the site during the final third of the Middle Pleistocene. San Quirce preserves a simple cultural tradition that was employed by local hominins to engage in a diverse array of activities, and highlights the cultural diversity that appears to have been a characteristic feature of the Lower to Middle Palaeolithic transition 300–200 ka. [ABSTRACT FROM AUTHOR]

In this paper, we provide new data on fish resource exploitation during the Mesolithic and Neolithic period on the Atlantic coast of the Iberian Peninsula. Evidence from four different sites is presented: Vale Marim I (end of the seventh/beginning of the sixth millennium cal BCE) and Vale Pincel I (2nd and 3rd quarters of the sixth millennium cal BCE), both located on the southwestern Portuguese coast, and La Esparragosa and SET Parralejos (fourth-third millennia cal BCE), both located on the southern Spanish coast. The analysis of the lithic assemblages by means of use-wear analysis provided evidence of fish-processing activities. The analysis of the archaeological tools has been based on a renewed experimental framework for fish-related use-wear traces. Despite data being still scarce and fragmentary, this study points out the necessity of a more integrating approach, including traceological analysis in the framework of a broader research on prehistoric fishing. [ABSTRACT FROM AUTHOR]

The production of sound is a significant human capacity that is used, through the generation of feelings and emotions, for conditioning social and biological reproduction. Despite this elevance and although several hundred instruments have been attributed to the production of sound along the Upper Paleolithic, our knowledge of how and in what contexts music was played during this period is still quite limited. In this paper, the aerophone found in the Davant Pau excavation, in the northeast part of the Iberian Peninsula, dated to 23,000 years cal BP, is studied to infer, through experimentation and microwear analysis, how it was made and used. It is a whistletype instrument that would have allowed the production of an almost monotonic sound, which could be acutely syncopated, generating a fast rhythm. This is a type of sound most probably used in collective ceremonies in which the coordination of the participants was important, as observed in several ethnographic studies of hunter-gatherer groups. [ABSTRACT FROM AUTHOR]