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The paper examines the integration of born-digital and digitized content into an outdated classification system within the Museum of European Cultures in Berlin. It underscores the predicament encountered by smaller to medium-sized cultural institutions as they navigate between adhering to established knowledge management systems and preserving an expanding array of contemporary cultural artifacts. The perspective of infrastructure studies is employed to scrutinize the representation of diverse viewpoints and voices within the museum's collections. The study delves into museum personnel's challenges in cataloging and classifying ethnographic objects utilizing a numerical-alphabetical categorization scheme from the 1930s. It presents an analysis of the limitations inherent in this method, along with its implications for the assimilation of emerging forms of born-digital and digitized objects. Through an exploration of the case of category 74, as observed at the Museum of European Cultures, the study illustrates the complexities of replacing pre-existing systems due to their intricate integration into the socio-technical components of the museum's information infrastructure. The paper reflects on how resource-constrained cultural institutions can take a proactive and ethical approach to knowledge management, re-evaluating their knowledge infrastructure to promote inclusion and ensure adaptability. [ABSTRACT FROM AUTHOR]