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This essay concerns my reflection, thoughts, and feelings from the foundations and movements between my heartfelt autobiographical experiences and the fieldwork with Colombian women refugees or asking for refugee status in the current Chilean society. Inspired from the Three Words Workshop, as Performative Writing of Healing and Resistance, I wish to connect my I from a humanity way with the international audience to talk about “Otherness” racism, gender, and social injustice in a border place in Northern Chile. Thus, to connect and provoke audiences, wondering about WHERE WE ARE in the fieldwork with people suffering seen as other people far from us vs. close people as us. At the same time, I ask about WHAT IS our position from the academia to the street. To finish, I reflect about HOW Interpretive Autoethnography could be a way to promote social transformation for a better world. [ABSTRACT FROM AUTHOR]

Through a three words poem, I share my constructed color voice developed from looking for and sensing my ‘I’ through the lens of worldwide international students in my learning experiences in different international “white” universities. At the same time, my ‘I’ is embodied from my fieldwork with Colombian women refugees or seeking for refuge, and as a Latin American woman living in northern Chile. In this way, interpretive [auto] ethnography is a path to situate my ‘I’ in a context where silences, forgetfulness, and “whiteness” behind our voices are consequences of social, political, and historical forces that have erased our indigenous and multicultural heritage in Chile. Today, the tendency in education is teaching, learning, and acting as if we are White people. This piece is an invitation to think-reflect-look-feel-remember and ask ourselves about what the color of our voice is and what the consequences of this standpoint in the academia are. [ABSTRACT FROM AUTHOR]