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Possible thermodynamic effects of global warming on the landfalling typhoons that affect South China and their associated storm surges over Pearl River Delta region are investigated, using the Weather Research and Forecasting (WRF) Model and the Sea, Lake, and Overland Surges from Hurricanes (SLOSH) model based on the pseudo–global warming (PGW) technique. Twenty intense historical TCs that brought extreme storm surges to Hong Kong since the 1960s are selected and replicated by the 3-km WRF Model, with the outputs to drive the SLOSH model in storm surge simulation. The tracks, intensities, storm structure, and induced storm surges are well simulated. The PGW technique is then used to build a warmer background climate for the 20 selected TCs in the period of 2075–99 under the RCP8.5 scenario. To obtain a better adjusted warming environment, a pre-PGW adjustment method is developed. Comparing the same TCs in PGW experiments and historical runs, the TC lifetime peak (landfall) intensity can be intensified by about 9% 6 8% (12% 6 13%), with a ∼3% increase of TC peak intensity per degree of SST warming being inferred. The TCs are projected to be more compact, with the radius of maximum wind (RMW) reduced by ∼7% 6 10%. TC precipitation is also expected to increase, with the extreme precipitation within the eyewall strengthened by 22% 6 12%. All the above characters have passed the Student’s t test at 0.05 significance level. Finally, the projected induced storm surges near the Hong Kong waters are not significantly tested, although a weak storm surge height increase tendency is revealed. [ABSTRACT FROM AUTHOR]

The painting is one of the most decorative elements of ancient Chinese architecture and it is sensitive to the natural environment. The outdoor painting is very easily to be affected by the natural environment and its color is easily to decay. In order to study the relationship between the painting decay and the physical environment, the two paintings on both east and west inner eaves of Jilan Pavilion beside the Kunming Lake in Summer Palace are taken as the research objects, because these two paintings are painted at the same period but their decay degrees are greatly different. Since 2013, the research group regularly monitors the color decay of these two paintings. Meanwhile, the physical environment around these two paintings has been monitored. Based on the analysis of the monitor data, it can be seen that the illumination is the major factor that causes the decay of the painting. Meanwhile, by using the ECOTECT software to stimulate the light environment around the Jilan Pavilion, it can be seen that it is the mirror reflection of the lake that causes the result that the illumination of the west eave (face east) is stronger than that of the east eave (face west). [ABSTRACT FROM AUTHOR]