Before most mainstream museums acknowledged that they must integrate African American history and culture into their exhibits and programs, the leaders of the postwar "black museum movement" stood at the forefront of contesting and reinterpreting traditional narrative depictions of African American history and culture. African American neighborhood museums took root in cities such as Chicago and Detroit during the early-mid 1960s. Through their promotion of a uniquely black identity and consciousness, their emphasis on the interdependent relationship between the museum and the city's African American neighborhoods, and their efforts to maintain "black" institutional autonomy, African American museum leaders grounded their institutions in the radical ideology of the black power movement. Linking the black museum movement with the black power movement necessitates an extension of the black power movement's chronology beyond its traditional narrative parameters, however, and a more expansive definition of "black power." By necessity, African American museum leaders confronted and negotiated with those who wielded power on a municipal, state, and federal level. Although African American neighborhood museum leaders often reluctantly made these alliances, black power's supposed mandate for complete separation from white America simply did not mesh with the environments in which they worked. Thus, my exploration of the black museum movement seeks to complicate the popular definition of "black power" as primarily an anti-white, militant separatist movement by drawing attention to what has generally been a neglected, but crucial, form of African American institutional activism. [ABSTRACT FROM AUTHOR]