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Copyright of Theatre Research in Canada is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article engages movement as a methodology for understanding the creative coalition work that we carried out for a project series called Into the Light (ITL) that used research from university archives to mount a museum exhibition and then develop an interactive public education site that counters histories and ongoing realities of colonial eugenics and their exclusionary ideas of what it means to be human in Canada's educational institutions. We address different movement practices, both those initiated by ableist-colonial forces to destroy difference and by our coalition of co-resistors to affirm difference. We apply a decolonizing and Anishinaabe philosophical lens alongside a feminist disability-informed neomaterialist and dance studies one to theorize examples of ITL's "choreographies of co-resistance". Anishinaabe knowledge practices refuse and thus interfere with colonial-eugenic practices of erasure while enacting an ethic of self-determination and mutual respect for difference. The ripple effect of this decolonizing and difference-affirming interference reverberates through our words and moves at varying tempos through our bodies—traveling through flesh, holding up at bones, and passing through watery, stretchy connective tissue pathways. These are our choreographies of co-resistance as actions of mattering and world-building. [ABSTRACT FROM AUTHOR]

Copyright of Revista Canaria de Estudios Ingleses is the property of Universidad de La Laguna and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Native American powwows are among of the largest North American dance practices, comprising hundreds of yearly events throughout the United States and Canada. As the largest expression of Native American music and dance, powwows are deeply embedded cultural expressions that negotiate traditions, create and reflect identity, support individual dancers and Indigenous communities, and carry information and practices that are not available any other way. March 2020 ushered in vast disruptions to these practices. Ever resourceful and innovative, Native Americans found ways to continue online by creating socially distanced powwows. Socially distanced powwows reveal the various social, economic, and community-building functions that powwows fulfill and how critical they are for Native American communities. This article provides an introduction to intertribal powwows and demonstrates how dance educators can incorporate them into curricula. I then examine the changes to powwow practices that have occurred since March 2020, including how socially distanced powwows operate, and what they reveal about the embeddedness of dance practices to Native American communities. I then suggest ways that dance educators can include socially distanced powwows that are culturally appropriate and respectful in their curricula. [ABSTRACT FROM AUTHOR]

Describes the 50th anniversary of the National Ballet of Canada as a classically based ballet company. Absence from the repertoire of any full-length ballet choreographed by Marius Petipa; Importance of the ability to control the body for purposes of performing choreography in dance terms; Dances performed by the group.

Reproductive health care is characterized by pervasive cisnormativity and trans erasure. Trans people therefore must employ improvisational tactics to access and navigate these spaces, including deciding whether, when, and how to disclose their gender identities. Drawing on the experiences of four nonbinary people from British Columbia, Canada, this qualitative discourse analysis explores how identity disclosures created opportunities for ad hoc education of ill-prepared providers and how identity concealment may be used to mitigate the risks of being identifiable/identified as trans. This analysis demonstrates how identity disclosures alone are insufficient for ensuring that nonbinary people have affirming reproductive health care experiences. [ABSTRACT FROM AUTHOR]

The author presents his analysis of the dance works created by National Ballet of Canada's emerging choreographers. According to him, Peter Quanz composed classical configurations both pleasing to the eye and dramatic in context. Roberto Campanella, honored with a Fellowship Initiative grant from the New York Choreographic Institute, used visceral dance style in his ballet work. However, Sabrina Matthews, who started her choreography career in 1999, features dramatic juxtapositional ensembles in her work.

In health care clinics, problems are constructed through interactions, a choreography of human and non-human actors together enacting matters of concern. Studying the ways in which a body, person, family, or environment is objectified for clinical purposes opens discussion about advantages and disadvantages of different objectification practices, and exploration of creative ways to handle the diversity and tensions that exist. In this analysis, we explored objectifications in a Canadian neuromuscular clinic with young people with muscular dystrophy. This involved a close examination of clinical objectification practices across a series of 27 observed appointments. We identified the routinised clinical assessments, and argue these embed a default orientation to how to intervene in people's lives. In this setting, the routine focused on meeting demands of daily activities while protecting the at-risk-body, and working toward an abstract sense of an independent future for the person/body with muscular dystrophy. But the default could be disrupted; through our analysis of the routine and disruptions, we highlight how contesting visions for the present and future were consequential in ways that might be more than what is anticipated within rehabilitation practice. [ABSTRACT FROM AUTHOR]

The article analyses the current prospects for the use of Internet technologies in the area of study 'Choreography and Dance' in the field of higher education and professional e-Learning. The work aims to determine how students studying 'Choreography and Dance' perceive the impact of online education on the formation of subject-specific competencies and to identify those competencies that the ideal online training program instills. The study shows that the format of online dance training is a promising direction, but the quality control system of such training needs to be improved. The main result of the study is the development of a competence system of Master of Arts (Dance education). The system substantiates the necessity and expediency of implementing a competence-based approach in developing educational programs for students in the area 'Choreography and Dance'. The system defines groups of professional competences, qualities, knowledge, and skills that make up the profile of teachers working in the field of choreography and dance. The developments of the study are universal in nature and can be applied in both national (regional) and global educational management practices.

Purpose: This study aims to focus on the five most relevant and discursive emerging technologies in accounting (cloud computing, big data and data analytics, blockchain, artificial intelligence (AI) and robotics process automation [RPA]). It investigates the adoption and use of these technologies based on data collected from accounting professionals in a technology-developed country – Canada, through a survey. Design/methodology/approach: The study investigates the adoption and use of emerging technologies based on data collected from accounting professionals in a technology-developed country – Canada, through a survey. This study considers the said nature and characteristics of emerging technologies and proposes a model using the factors that have been found to be significant and most commonly investigated by existing prior technology-organization-environment (TOE)-related technology adoption studies. This survey applies the TOE framework and examines the influence of significant and most commonly known factors on Canadian firms' intention to adopt the said emerging technologies. Findings: Study results indicate that Canadian accounting professionals' self-assessed knowledge (about these emerging technologies) is more theoretical than operational. Cloud computing is highly used by Canadian firms, while the use of other technologies, particularly blockchain and RPA, is reportedly low. However, firms' intention about the future adoption of these technologies seems positive. Study results reveal that only the relative advantage and top management commitment are found to be significant considerations influencing the adoption intention. Research limitations/implications: Study findings confirm some results presented in earlier studies but provide additional insights from a new perspective, that of accounting professionals in Canada. The first limitation relates to the respondents. Although accounting professionals provided valuable insights, their responses are personal views and do not necessarily represent the views of other professionals within the same firm or the official position of their accounting departments or firms. Therefore, the exclusion of diverse viewpoints from the same firm might have negatively impacted the results of this study. Second, this study sample is limited to Canada-based firms, which means that the study reflects only the situation in that country. Third, considering the research method and the limit on the number of questions the authors could ask, respondents were only asked to rate the impact of these five technologies on the accounting field and to clarify which technologies are used. Practical implications: This study's findings confirm that the organizational intention to adopt new technology is not primarily based on the characteristics of the technology. In the case of emerging technology adoption, the decision also depends upon other factors related to the internal organization. Furthermore, although this study found no support for the effect of environmental factors, it fills a gap in the literature by including the factor of vendor support, which has received little attention in prior information technology (IT)/ information system (IS) adoption research. Moreover, in contrast to most prior adoption studies, this study elaborates on accounting professionals' experience and perceptions in investigating the organizational adoption and use of emerging technologies. Thus, the findings of this study are valuable, providing insights from a new perspective, that of professional accountants. Social implications: The study findings may serve as a guide for researchers, practitioners, firms and other stakeholders, particularly technology providers, interested in learning about emerging technologies' adoption and use in Canada and/or in a relevant context. Contrary to most prior adoption studies, this study elaborates on accounting professionals' experience and perceptions in investigating the organizational adoption and use of emerging technologies. Thus, the findings of this study are valuable, providing insights from a new perspective, that of professional accountants. Originality/value: The study provides insights into the said technologies' actual adoption and improves the awareness of firms and stakeholders to the effect of some constructs that influence the adoption of these emerging technologies in accounting. [ABSTRACT FROM AUTHOR]

Copyright of Theatre Research in Canada is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Playful approaches are recommended to enhance wheelchair skills training with young people. Inclusive dance allows participants to discover motor skills and improve social participation. Integrating wheelchair skills training into dance has not been evaluated. This study aimed to explore participants' experiences in dance while integrating wheelchair skills, and the influence of dance on wheelchair skills and wheelchair use confidence in young people. A convergent mixed-methods design was used during a one-week dance camp. Data collection combined observations, two focus groups (with young dancers who used manual wheelchairs and with professional dancers without disabilities), and evaluation of wheelchair skills and confidence. Data analyses included deductive thematic analysis guided by the Quality Parasport Participation Framework, merged with pre–post comparisons in wheelchair skills and confidence. Three young female dancers were 11, 12 and 15 years of age and three professional female dancers were 22, 27 and 27 years of age. Emergent themes included skill mastery, belongingness, and supportive environments. There were improvements in wheelchair skills and confidence (16.7%, 19.4%, 16.7%; 0.8%, 11.4%, 4.5%, respectively). Participants described overall positive experiences with the dance camp and perceived enhanced skills and confidence. This study advances knowledge about innovative approaches to integrate wheelchair skills training for young people. Future larger-scale controlled studies are needed to determine efficacy. [ABSTRACT FROM AUTHOR]

The article explores the role of The Maritime Labor Herald (1921-1926) in the development of socialist feminism in Canada, focusing on its "Women's Column" as a significant but overlooked part of this history. It examines how the Herald, published in Glace Bay, Nova Scotia, provided a platform for socialist and feminist writers. It highlights the contributions of women like Rose Henderson, Lucy Woodsworth, and Becky Buhay, who used the column to address women's roles in industrial capitalism.

Mountain guides play an important role in the provision of nature-based tourism activities, such as mountaineering, in alpine environments around the world. However, these locales are uniquely sensitive to climate change, and despite extensive documentation of bio-geophysical changes, there are few studies evaluating the impacts of these changes on mountaineering routes and the livelihood of mountain guides. This constrains adaptation planning and limits awareness of potential loss and damage in the mountain tourism sector. In response, our study explored mountain guides' lived experiences of working on Mt. Athabasca in Jasper National Park, Canada, to reveal the effects of climate change on mountaineering routes and implications for the mountain guiding community. To do this, we used a mixed methods approach that combined spatio-temporal trend analysis, repeat photography, and semi-structured interviews with mountain guides. We found that rising temperatures and changing precipitation regimes in the Mt. Athabasca area are driving glacial retreat and loss of semi-permanent snow and ice, which is impacting climbing conditions and objective hazards on mountaineering and guiding routes. Guides' experiences of these changes varied according to socio-economic conditions (e.g., financial security, livelihood flexibility), with late-career guides tending to experience loss of guiding opportunities and early-career guides facing increased pressure to provide services in more challenging conditions. Our findings offer novel insights that identify salient issues and bolster support for actions in response to the concerns of the mountain guide community. This study also underscores the need for further research, as the underlying issues are likely present in mountaineering destinations globally. [ABSTRACT FROM AUTHOR]

Today, few are able to read the monumental texts of the past; texts that lie clouded in the mists of periods of commemorative zeal, developing senses of nation, and the need to recognise, in monumental forms, a Golden Age. Our ability to read these texts relies on an understanding of not only the historical personages or events being commemorated but the various contexts in which they came to acquire meaning: the circumstances in which the commemorative events took place; the artistic conventions, symbolism and iconography of the time; and the scripting and choreography of the ceremonial performance. In particular, we may also come to understand them in the geographical settings in which they perform. This paper will review these ideas through an understanding of the situation, design, and the 1912 opening ceremonies of the Halifax Memorial Tower, in Halifax, Nova Scotia. [ABSTRACT FROM AUTHOR]

How does one mitigate the misappropriations of bayok in performance projects and voice training? Interweaving various positionalities and praxes of performance pedagogy and creation using the Meranaw bayok, this essay instigates a conversation on a decolonial and ethical appropriation of Indigenous voice style within the Philippines and Canada that seeks to connect various intercultural pedagogic and theatre praxes. By building a discourse on entwining the Philippine bayok in our theatre creation and voice training, the authors deploy a shared positionality and autoethnographic inquiry as critical approach of intersubjectivity, collaboration, and historical contextualization as interventions to misappropriation and other appropriative acts of Indigenous performance forms. In doing such, the authors enmesh three frameworks to cultivate a nascent but ongoing practice of decolonizing cultural appropriation through historical grounding, social-political contextualization, and informed collaboration. In shaping a discourse on ethical appropriation of bayok, the authors engage intercultural methods and predispositions of using bayok in teaching and performing theatrical projects while tackling certain socio-political goals like peace building, climate justice, and other global issues with self-reflexivity and collaboration. [ABSTRACT FROM AUTHOR]

Epidemiological evidence suggests that regular physical activity (PA) positively impacts individuals' mental health (MH). The PA-MH relationship may be critical among immigrants owing to psycho-social-cultural influences. This scoping review of 61 studies employed a holistic bio-psycho-socio-cultural framework to thoroughly investigate the complex relationship between PA (across life domains) and immigrants' MH in Western countries. A systematic search of five electronic databases (Medline, PubMed, Embase, PsycINFO and Anthropology Plus) was conducted to locate relevant articles. No limitations were applied to study design, age, gender, home country, MH condition or PA type. A bio-psycho-socio-cultural-informed conceptual model guided the analysis of the multi-domain PA-MH relationship. Immigrant PA-MH studies were conducted and reported most commonly in the USA (38%), Australia (18%), and Canada (11%). Overall, PA was positively related to MH. Each domain-specific PA appeared to be associated with unique MH-promoting pathways/mechanisms. Leisure-related PA may support MH by enhancing self-agency and minimizing risky behaviors, whilst travel- and domestic-related PA may promote self-accomplishment and physical engagement. Ethnic sports appeared to enhance resilience. Occupational-related PA was associated with either positive or negative MH, depending on the type of occupation. A bio-psycho-socio-cultural-informed model is required to gain an encompassing and integrated understanding of immigrants' health. The first iteration of such a model is presented here, along with an illustration of how the model may be used to deepen analysis and understanding of the multi-domain PA-MH relationship among immigrants and inform public health planners and practitioners. [ABSTRACT FROM AUTHOR]

In efforts to prevent the spread of COVID-19, jurisdictions across the globe, including Canada, enacted containment measures that affected intimacy and sexual relations. This article examines how public health measures during COVID-19 impacted the sexual practices of sexual minority men— gay, bisexual, queer and other men who have sex with men—and how they adopted and modified guidelines to prevent the transmission of COVID-19, HIV and other sexually transmitted infections (STIs). We conducted 93 semi-structured interviews with men (n = 93) in Montreal, Toronto and Vancouver, Canada, between November 2020 to February 2021 (n = 42) and June to October 2021 (n = 51). Across jurisdictions, participants reported changes to sexual practices in response to public health measures and shifting pandemic contexts. Many men indicated that they applied their HIV/STI risk mitigation experiences and adapted COVID-19 prevention strategies to continue engaging in casual sexual behaviours and ensure sexual safety. 'Social bubbles' were changed to 'sex bubbles'. Masks were turned into 'safer' sex tools. 'Outdoor gathering' and 'physical distancing' were transformed into 'outdoor sex' and 'voyeuristic masturbation'. These strategies are examined in connection to the notion of 'reflexive mediation' to illustrate how sexual minority men are simultaneously self-responsibilising and resistant, self-monitoring and creative. [ABSTRACT FROM AUTHOR]

Background: Care workers practice different approaches to facilitating social participation and managing (non-)responsiveness in activities for people living with dementia. Utilizing an on-screen dance activity in a foreign language, carers in this study draw on multimodal resources and shift their footings in participation frameworks to demonstrate and reformulate expectations in pursuit of responses. Method: Data were collected as part of a test pilot for a dance program designed for people with cognitive and physical challenges. The program was remotely delivered from Canada to a private, assisted living facility in Finland during the COVID-19 pandemic. Video recordings of five consecutive weekly dance classes were transcribed and analyzed using an ethnomethodology and conversation analysis (EMCA) approach to multimodal interaction, looking at directive-response sequences. Results: Our preliminary results explore how co-present facilitators encouraged participation of a non-responsive participant through embodied directives in three ways: through demonstrations and reformulations in co-participation; through repetition and emphasis in response to non-compliance; and through a subsequent proposal of a change in the interactional frame. Discussion/conclusion: There are various recipient-designed ways in which care workers facilitate participation in on-screen arts-based programs, including how they address non-compliance. [ABSTRACT FROM AUTHOR]

Copyright of Circuit: Musiques Contemporaines is the property of Circuit: Musiques Contemporaines and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines the overt and covert racism Black professors experience within the context of mainstream university teacher education programs. Informed by literature from Canadian sources and the authors' personal experiences, the paper challenges the perception that Canadian postsecondary teacher education is amenable to honest, open discussion and debates regarding racism. The common view of Canada as an inclusive and welcoming society needs re-examining given the degree of resistance that is encountered by racialized professors while teaching contentious topics, including racism and antiracism. A call is made for teacher education programs to revamp their curricula and to embed critical race and antiracist literature in all courses, in addition to recruiting, mentoring and retaining Black professors, senior administrators, staff and students. [ABSTRACT FROM AUTHOR]

Scholars have documented the transformation of modern motherhood, as mothering practices have been a target of medical knowledge that comes to define correct modes of conduct for women caring for their pregnant bodies, undergoing childbirth and childrearing. Such accounts usually set scientific knowledge and medical authority in opposition to women's autonomy. Drawing on the interviews with immigrant Chinese mothers in Canada, we offer a different account of knowledge and agency in new motherhood. These women's often‐intense experiences of intergenerational care‐giving associated with the practice of zuo yuezi reveal a more fluid relationship between medical authority and mothering agency. We find that the central tension during the postpartum experience lies in intergenerational and family relationships. In this context, new mothers draw on alternative sources of knowledge—and medical professionals are one such key source—to demonstrate within the family their competence to make care decisions for themselves and their babies. These women's use of medical knowledge to counter a familial and intergenerational authority complicates dominant accounts about medicalisation, demonstrating that women's relationship to medical knowledge and authority maybe be far more fluid and complex than a standard account of medicalisation and loss of women's agency would predict. [ABSTRACT FROM AUTHOR]

Practices of creativity and compliance intersect in interaction when directing local dances remotely for people living with dementia and their carers in institutional settings. This ethnomethodological study focused on how artistic mechanisms are understood and structured by participants in response to on-screen instruction. Video data were collected from two long-term care facilities in Canada and Finland in a pilot study of a dance program that extended internationally from Canada to Finland at the onset of COVID-19. Fourteen hours of video data were analyzed using multimodal conversation analysis of initiation–response sequences. In this paper, we identify how creative instructed actions are produced in compliance with multimodal directives in interaction when mediated by technology and facilitated by copresent facilitators. We provide examples of how participants' variably compliant responses in relation to dance instruction, from following a lead to coordinating with others, produce different creative actions from embellishing to improvising. Our findings suggest that cocreativity may be realized at intersections of compliance and creativity toward reciprocity. This research contributes to interdisciplinary discussions about the potential of arts-based practices in social inclusion, health, and well-being by studying how dance instruction is understood and realized remotely and in copresence in embodied instructed action and interaction. [ABSTRACT FROM AUTHOR]

In recent years, more media attention has been given to the routinisation of police strip-searches in Canada. As with many violent policing practices, the routine use of strip-searching disproportionately affects Black, Indigenous, and racialised women. This article investigates the legal archives of two cases of the strip-searching of Black women and girls in Canada – the case of S.B. who was violently strip-searched by four Ottawa police officers in 2008 and the case of three 12-year-old girls who were strip-searched in a Halifax public school in 1995. This article demonstrates that the exposure of Black women's and girls' bodies that occurs in the strip-search encounter is part of the matrix of gendered anti-Blackness. In tracing the moves that the state makes to erase the sexualised violence of the strip-search, this paper suggests that the strip search be understood as a form of gendered anti-Black terror – a technology of violence that functions to evict Black women and girls from personhood. The disciplinary technology of the strip-search is one way in which the state exercises its sovereign power and marks Black women's and girls' bodies as violable bodies. I argue that the weaponisation of bodily exposure has a long legacy, and as a highly visual and spectacular encounter, the strip-search cases point to a particular kind of persistent corporeal violence. [ABSTRACT FROM AUTHOR]

The article provides information about the Global World Dance Alliance Assembly which was held in Toronto, Canada on July 17-21. The theme of the assembly was "Dance/Diversity/Dialogue: Bridging Communities and Cultures." The gathering featured evening and lunchtime performances by over 30 dance companies and artists and presentations by over 100 speakers.

Investment treaty arbitration has become politically "toxic" even in states that pioneered the development of investment treaties. There is consensus on the need for reform. But there is a dearth of historical research on what went wrong with investment treaties, when it happened, or how to find the way forward in light of the past. As a result, reform efforts have a stumbling quality. One can see this in multilateral fora, such as the United Nations Commission on International Trade Law (UNCITRAL), where over four years of study and negotiations have produced little consensus. One can also see it in the investment treaty practice of individual states, such as Canada, which has recently lurched across the spectrum from investment treaty arbitration to a permanent international investment court, to the abandonment of investor-state dispute settlement (ISDS), and back to investment treaty arbitration. This article fills the gap in understanding by explaining what went wrong with investment treaty arbitration and when it happened. It demonstrates that the customary international law on state responsibility for injuries to aliens evolved during the 19th century to protect foreign investors against exceptional failures of the nightwatchman and rule-of-law states. As the consensus regarding customary international law standards of treatment unraveled during the 20th century due to the spread of communism, decolonization, and economic nationalism, capital-exporting states turned in bilateral investment treaties (BITs) to uphold traditional principles regarding the protection of foreign investment. Starting in the late 1990s, however, an unexpected surge of claims brought under NAFTA's investment chapter fortuitously opened the door to the central problem of modern investment treaty practice: the rise of "imperial arbitrators" who do not merely police exceptional failures of the nightwatchman and rule-of-law states, but who choose to second-guess the normal operations of modern regulatory states without any meaningful checks or balances. Although the NAFTA Parties nipped that development in the bud, the rise of imperial arbitrators leapt to the broader universe of investment treaty arbitration, where it flourished until claims against developed states for measures such as the phaseout of nuclear power brought investment treaty arbitration to a crisis point. Seeking a way forward in light of the past, the article examines Canada's recent experimentation with investment treaty reforms, including the development of a permanent international investment court in relations with the EU, the complete elimination of ISDS in relations with the United States, and a return to traditional investment treaty arbitration in a new model investment treaty coupled with substantive reforms that virtually eliminate opportunities to second-guess the normal operations of modern regulatory states. The article describes the last option as the most brilliant because it is the only one that substantively eliminates toeholds for imperial arbitrators while preserving arbitration as a safeguard against the exceptional failures of the nightwatchman and rule-of-law states. Seeking a way forward in light of the past, the article examines Canada's recent experimentation with investment treaty reforms, including the development of a permanent international investment court in relations with the EU, the complete elimination of ISDS in relations with the United States, and a return to traditional investment treaty arbitration in a new model investment treaty coupled with substantive reforms that virtually eliminate opportunities to second-guess the normal operations of modern regulatory states. The article describes the last option as the most brilliant because it is the only one that substantively eliminates toeholds for imperial arbitrators while preserving arbitration as a safeguard against the exceptional failures of the nightwatchman and rule-of-law states. [ABSTRACT FROM AUTHOR]

Copyright of Canadian Historical Review is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Theatre Research in Canada is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Theatre Research in Canada is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The recent proliferation of multispecies research contains a conspicuous gap when it comes to the methodological and ethical dimensions of navigating relations with more-than-human participants. Although codified protocols can be a useful starting point, the ethical tensions that inevitably emerge during fieldwork are often fetishized in final outputs. Whilst calls to 'stay with the trouble' are important, they often remain descriptive and un-actionable. In contrast, this paper offers a method for working through these tensions, asking what obligations they place on researchers and how they might be negotiated in practice, without slipping into advancing prescriptive rules or guidelines. We discuss this in the context of a range of 'ethically important moments' that we each encountered in the field, which were both complex and ambiguous. During our respective periods of fieldwork with dogs in Chornobyl and urban coyotes in Canada, we have each faced moments in which rapid decisions must be made as we navigate the affective intensities that move us as geographers, participant observers, and community members. In this paper, we perform and reflect upon Kohl and McCutcheon's (2015) 'kitchen table reflexivity' as one approach for working through these moments, not just staying with them. Here, ethical tensions are worked through via dialogue. This paper is both method and product, as stories from our individual research are brought into dialogue around three fraught dimensions of multispecies research: negotiating expertise and positionality, making visible or concealing the animal, and intervening in animal worlds. [ABSTRACT FROM AUTHOR]

Copyright of Theatre Research in Canada is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In a time of increased patient loads and emergency department (ED) exit block, the need for strategies to manage patient flow in the ED has become increasingly important. In March 2002 we contacted all 1282 members of the Canadian Association of Emergency Physicians and asked them to delineate strategies for enhancing ED patient flow and ED productivity without increasing stress levels, reducing care standards or compromising patient safety. Thirty physicians responded. Their suggested flow management strategies, which ranged from clinical decision-making to communication to choreography of time, space and personnel, are summarized here. [ABSTRACT FROM AUTHOR]

The focus of this paper is on the complex and sometimes contradictory effects of generating films with and about young people who have experienced homelessness, through participatory research. Drawing on two projects – one in Ottawa, Canada, and the other in Manchester, UK – we scrutinise two key aspects of participatory research projects that use film: first, how to appropriately communicate the complexity of already-stigmatised lives to different publics, and second, which publics we prioritise, and how this shapes the stories that are told. Through a theoretical framework that combines Pierre Bourdieu's account of authorised language with Arthur Frank's socio-narratology, we analyse the potential for generating justice versus reproducing symbolic violence through participatory research and film with homeless young people. In particular, we scrutinise the distinct role played by what we are calling first, second and third publics – each with their own level of distance and relationship to the participatory research process. [ABSTRACT FROM AUTHOR]

Organizations in a sport system compete against one another while working together to sustain a competitive environment and to provide opportunities for competition at the provincial/state, national, or international level. This paper is a multicase study comparison of the elite sport development systems of Canada and Sweden to explore the differences and similarities between their approaches to the delivery of ice hockey. Semistructured interviews took place with participants from North America and Europe. Additional data came from media articles from Canada and Sweden. Findings revealed six themes/characteristics: the cost of hockey, residential boundaries, the player selection process, skill development, early specialization, and coaching. The results suggest that Canadian and Swedish hockey systems offer two different approaches to elite player development (closed vs. open systems), resulting in different trajectories regarding international success in the World Junior Championships and in the number of players drafted into the National Hockey League. [ABSTRACT FROM AUTHOR]

To conclude this Special Issue 'Re-Fashioning Stories for Celebrity Counterpublics' of the Journal of Applied Journalism & Media Studies (AJMS), I am delighted to share an interview with Samita Nandy, celebrity scholar, filmmaker and director of the Centre for Media and Celebrity Studies (CMCS). Her research focuses on the cultural dimensions of fame, with a specific interest in celebrity activism, storytelling and the performance of authenticity and intimacy in glamorous narratives. In addition to her academic work, Nandy is also a certified broadcast journalist from Canada and media critic. I had the opportunity to assist her and Kiera Obbard with the organization of the 8th CMCS Conference, which inspired this Special Issue. This interview is thus an opportunity to further expand our reflection on the political possibilities of storytelling and celebrity counterpublics. Our discussion builds on the themes and arguments developed throughout this issue to further explore what popular storytelling means in practice. She reflects on her engagement with celebrity culture and life-writing in her feminist research and artistic endeavours, and how it has empowered her to tell personal and collective stories. The interview format and its themes provide a unique opportunity to contemplate the affordances of a reflective practice paradigm and the artistic applications of disciplinary knowledge, one which bridges academic work with media professions, and which we hope will resonate with AJMS readers. [ABSTRACT FROM AUTHOR]