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The recognition of cultural practices around the archaeological assets documented in the Cundiboyacense highlands, eastern Andes of Colombia, allowed to identify narratives that account for possible relationships between myths, rites, and recorded archaeological assets. Through an ethnoarchaeological and iconographic study in 31 archaeological glasses and 20 ethnographic vessels of the Archaeological Museum of Tunja, it was possible to identify discursive, typological and morphological relationships between the rite of sowing water that is still practiced by highland peasants and the myth of Muisca origin Bachue. [ABSTRACT FROM AUTHOR]

Objective/context: This paper once again brings the iconographies of Tiwanaku (Titicaca high plateau, Bolivia) and La Aguada (Northwest of Argentina) into discussion, more than 40 years after the works of Rex González and Ponce Sanginés. It does so in an entirely different context with a decolonial emphasis. Objects, images, ethnographic information and archaeologists from both sides of a border between "nations" are assembled with the clear intention of questioning very deep underlying assumptions of archaeology. Methodology: Beginning with the paths posed by images and colors, these knots also bind humans and things, shamanic experiences and meteorological phenomena. Conclusions: After bringing La Aguada and Tiwanaku into dialogue, based on our research trajectories, the discussion leads to a reflection on the present consequences of naturalizing segmented and functionalist gazes of the animal and plant worlds in the past, which originate in the ontological underpinnings of our own modernity. Originality: The text aims to approach decolonial criticism from the study of concrete cases and to contribute to these debates on the basis of archaeological materiality. [ABSTRACT FROM AUTHOR]