Search

This article proposes to add Instagram photography to a historical visual mapping of Havana during a period of renewed visibility. Further enabled by the features of Instagram's format to 'age' photos and highlight specific textures and colours, These images draw on and contribute to a nostalgic vision of an exotic, underdeveloped Havana. Instagram photography emerges as an important touristic mode of imagining and experiencing the city. Yet despite the aesthetic overdetermination of these images, their captions and hashtags often stymie any suggestion of political meaning. Nevertheless, the networked image, organized and anchored by metadata such as the geotag and hashtag, further cements the signifier 'Havana' to the photographic image, and confirms the city as worthy of the gaze. Lastly, the paper reflects on the broader profile of those creating and circulating Instagram images of the city, arguing that a relative lack of access to digital technologies in Cuba has resulted in a strongly asymmetric gaze from the outside in. [ABSTRACT FROM AUTHOR]

Record numbers of international visitors to Cuba in recent years amidst dramatic political and economic shifts have reinforced the island's reputation as a destination to visit urgently, 'before it changes'. In foregrounding a normalised framework of affect and authenticity and directing tourists towards intimate experiences and encounters, bestselling English-language guidebooks contribute towards a selective interpretation of Cuba and of Cubans. However, their recommendations obscure the work, stresses, inequalities and political implications on which touristic encounters rest. This study emphasises the influence of texts in the mediation and management of affect in tourism, challenging the dominance of ethnographic methods in this field. [ABSTRACT FROM AUTHOR]