55 results on '"triads"'
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2. The Role of Triadic Harmony in Ligeti's Recent Music
3. Ligeti's 'Third Way': 'Non-Atonal' Elements in the Horn Trio
4. Schenker's Mysterious Five
5. Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective
6. Alternative Interpretations of Some Measures from "Parsifal"
7. Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
8. Scoring Loss in Some Recent Popular Film and Television
9. Harmony and Voice Leading in the Music of Stravinsky
10. Semitonal Succession-Classes in Prokofiev's Music and Their Influence on Diatonic Voice-leading Backgrounds in the Op. 94 Scherzo
11. WALTON'S FINAL WORK: HARMONY AND THE ART OF (MAKE-BELIEVE) FUGUE
12. Transformational Aspects of Arvo Pärt's Tintinnabuli Music
13. Reconsidering Pitch Centricity
14. A Contextually Defined Approach to "Appalachian Spring"
15. The Psychoacoustics of Harmony Perception: Centuries after three-part harmony entered Western music, research in starting to clarify why different chords sound tense or resolved, cheerful or melancholy
16. The Triad as Place and Action
17. Functional Harmony Revisited: A Prototype-Theoretic Approach
18. An Effective Computer-Assisted Learning Environment for Aural Skill Development
19. The Seventeenth-Century Theory of Triadic Generation and Invertibility and Its Application in Contemporaneous Rules of Composition
20. 'Twisted Relations': Method and Meaning in Britten's "Billy Budd"
21. On the Origin of the Tone System and the Theory of Harmony
22. Major-Minor Concepts and Modal Theory in Germany, 1592-1680
23. Root-Position and Inverted Triads in Theory around 1600
24. The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid
25. The Alto Parts in the "True Dispersed Harmony" of "The Sacred Harp" Revisions
26. Contextually Transformed Tonality in Britten
27. Berg's 'Scheideweg': Analytical Issues in Op. 2/ii
28. Letter to the Editor
29. Stravinsky's "Tonal Axis"
30. Alternatives to Monotonality in Early Nineteenth-Century Music
31. The "Isagoge" (1581) of Johannes Avianius: An Early Formulation of Triadic Theory
32. "Pour les Sixtes": An Analysis
33. Sound and Syntax: An Introduction to Schoenberg's Harmony
34. Modes and Chord Progressions in Equal Tunings
35. The Progress of a Motive in Stravinsky's the Rake's Progress
36. The "Anxiety of Influence" in Twentieth-Century Music
37. Musical Synthesis as Expounded by Heinrich Schenker [1935]
38. Maw's 'Personae': Chromaticism and Tonal Allusion
39. Ferenc Liszt, the Innovator
40. Rehearsing Contemporary Music
41. Monteverdi's G Minor Mass: An Experiment in Construction
42. On the Physical Constitution and Relations of Musical Chords
43. Re: Chromatic Mediants: A Facet of Musical Romanticism
44. Re: A New Concept of Tonality (?)
45. Ives' Quarter-Tone Impressions
46. Walter Piston: For His Seventieth Birthday
47. The Mode and the Key
48. Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
49. Tips in Four-Part Harmony (Continued)
50. Schenker and Schoenberg on Harmonic Tonality
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