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The article discusses a CD titled "Symphonies of Mother and Child" by Canadian composer Nova Pon. The first work on the CD, "World Within," is described as having a minimalist style but with more interest and variety than typical minimalist compositions. The second work, "Symphonies of Mother and Child," is inspired by the birth of Pon's child and explores the nature of motherhood. The reviewer praises Pon's orchestration and the variety and tonality of both works, ultimately recommending the CD to readers. The article also briefly mentions another CD featuring conductor Elim Chan and highlights her refined and beautiful performances. [Extracted from the article]

The article discusses a recording of composer Steven Holochwost's works, including "HOLOCHWOST Dialogues," "Shenandoah Rhapsody," "Symphony in Three Movements," "Theme and Variations on the Romanesca," and "Meditations." The author describes the compositions as restful, soothing, and beautifully crafted, with influences from Renaissance music and hints of a more modern style. The reviewer particularly praises the Symphony in Three Movements and recommends the recording. Another article in the same publication discusses a recording of sacred music by Marc'Antonio Ingegneri, including the Missa Gustate et videte and 12 motets. The performances are described as effective, although the choir of Girton College, Cambridge is noted to be not on the same level as the Choir of Trinity College, Cambridge. [Extracted from the article]

The article discusses various classical music recordings that were released in the past year. It highlights esoteric and lesser-known works, such as Terry Riley's "In C" and compositions by living composers Robert Groslot and Lera Auerbach. The article also mentions recordings of chamber music by Alfredo D'Ambrosio and a Sturm und Drang series by Ian Page's ensemble, The Mozartians. The author praises the performances and unique artistic approaches of these recordings. Additionally, the article briefly mentions other notable recordings and concludes with a mention of the dearth of recordings of Mussorgsky's "Pictures at an Exhibition." [Extracted from the article]

The article presents an interview with conductor Mike Fansler. Topics discussed include his views on coronavirus pandemic which has caused the cancellation of many musical (and other) events; significant influence of his mother on her musical life; and ways in which he become acquainted with the music of David Maslanka.

The article offers information related to music, highlighting critic Lynn René Bayley's critique regarding the use of the term straight tone or vibrato-free playing by stringed instruments in historically informed performances (HIP). It discusses a review of a performance of composer Johann Sebastian Bach's Goldberg Variations in a string quartet arrangement as well as the Nielsen First and Third Symphonies.

Thus, I do not believe that I ought to devote space to a discussion of how "successful" the music by these two composers is in portraying their political beliefs, but confine my comments to the quality and musical style of the works. Composers Malone and Whalley might be separated by nationality (they're American and English respectively) and chronology (born in 1958 and 1974), but they are certainly of a mind in both politics and musical style. The booklet notes do not mention whether Richard Whalley and Kevin Malone deliberately set out to write works based on the same tune, but it certainly seems appropriate that having done so, Whalley's setting of "When the World's on Fire" should complement the eponymous work by Malone. [Extracted from the article]

An interview with composer Judith Lang Zaimont is presented. Topics discussed include her "Fourth Symphony, Pure, Cool (Water)," her decision to temper her style in certain portions of "Pure, Cool (Water)" in deference to the musical tastes of her father who is a chemist specializing in hydrology, and her views about the essence of water and its life-giving characteristics.