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This article presents a detailed study of the stately palace of the Villa Giusti-Puttini, a building that, over the centuries, has undergone repeated transformations since its construction in the first half of the 15th century. For the study of this palace, owned between the 15th and 17th centuries by one of the most important families in the city of Verona (Italy), the authors have followed a methodology covering indirect sources (documentary and bibliographical) as well as direct ones (the building and constructive techniques, architectural and decorative elements, murals, etc.). This study expands the information available on the building as well as expanding knowledge on the history of architecture of the Veneto villa as a defining architectural phenomenon in 16th- and 17th-century architecture whose extensive influence was still felt in the 19th century. The history compiled through this research also contributes to a renewed interpretation of the phenomenon, which is viewed as a process for the transformation and adaptation of a pre-existing building to fit the needs of any given period. This methodology, which could potentially facilitate the interpretation of similar buildings, and its combination of documentary, material, constructive, decorative, and cultural elements could constitute an example for the historical and architectural reading of buildings and are not merely limited to Renaissance buildings.

This article presents a detailed study of the stately palace of the Villa Giusti-Puttini, a building that, over the centuries, has undergone repeated transformations since its construction in the first half of the 15th century. For the study of this palace, owned between the 15th and 17th centuries by one of the most important families in the city of Verona (Italy), the authors have followed a methodology covering indirect sources (documentary and bibliographical) as well as direct ones (the building and constructive techniques, architectural and decorative elements, murals, etc.). This study expands the information available on the building as well as expanding knowledge on the history of architecture of the Veneto villa as a defining architectural phenomenon in 16th- and 17th-century architecture whose extensive influence was still felt in the 19th century. The history compiled through this research also contributes to a renewed interpretation of the phenomenon, which is viewed as a process for the transformation and adaptation of a pre-existing building to fit the needs of any given period. This methodology, which could potentially facilitate the interpretation of similar buildings, and its combination of documentary, material, constructive, decorative, and cultural elements could constitute an example for the historical and architectural reading of buildings and are not merely limited to Renaissance buildings. [ABSTRACT FROM AUTHOR]