43 results on '"triads"'
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2. Above and beyond the Bass: Harmony and Texture in George Benjamin's 'Viola, Viola'
3. Max Reger Introduces Atonal Expressionism
4. The Role of Triadic Harmony in Ligeti's Recent Music
5. A Rudimentary Geometric Model for Contextual Transposition and Inversion
6. Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition
7. Perceived Triad Distance: Evidence Supporting the Psychological Reality of Neo-Riemannian Transformations
8. Alternative Interpretations of Some Measures from "Parsifal"
9. Transformational Aspects of Arvo Pärt's Tintinnabuli Music
10. Reconsidering Pitch Centricity
11. Structural Layers in Alfred Schnittke's Concerto Grosso No. 3
12. Musical Actions of Dihedral Groups
13. A Contextually Defined Approach to "Appalachian Spring"
14. Systems, Symbols, & Silence: The Tintinnabuli Technique of Arvo Pärt into the Twenty-First Century
15. Be Fruitful and Multiply: A Theoretical Explanation of Copland's 'In the Beginning'
16. Uniform Triadic Transformations and the Twelve-Tone Music of Webern
17. Two Neo-Riemannian Analyses
18. An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory
19. Rhythmic Process and Form in Bartók's "Syncopation"
20. Concepts of Prolongation and Bartók's Opus 20
21. Spectra as Chords
22. Tuning: At the Crossroads
23. Interval Cycles in Stravinsky's Early Ballets
24. The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid
25. Contextually Transformed Tonality in Britten
26. Letter to the Editor
27. Stravinsky's "Tonal Axis"
28. Some Characteristics of Stravinsky's Diatonic Music
29. Some Characteristics of Stravinsky's Diatonic Music (II)
30. Simplicity in Early Britten
31. Maw's 'Personae': Chromaticism and Tonal Allusion
32. Information as a Measure of the Experience of Music
33. Emerging Triadic Tonality in the Fifteenth Century
34. On the Physical Constitution and Relations of Musical Chords
35. Meta-Variations, Part IV: Analytic Fallout (I)
36. Ives' Quarter-Tone Impressions
37. Walter Piston: For His Seventieth Birthday
38. Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
39. Schenker and Schoenberg on Harmonic Tonality
40. Neighboring Motion as a Unifying Feature in Stravinsky's "Le Sacre du Printemps"
41. Perceived Structure of Triads
42. Detection of Implied Harmony Changes in Triadic Melodies
43. Ives's "Piano-Drum" Chords
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