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This paper analyzes Carlos Saura's film Tango through the theoretical lens of the Tie-Up Theory to explore how fictional narratives can serve as laboratories for investigating the embodied social cognition of romantic relationships. The study shows how dance, particularly tango, functions both as subject matter and cognitive metaphor in representing the complex dynamics of couple formation and maintenance. The film's meta-representational structure, combining the creation of a dance performance with the exploration of actual relationships, reveals how cultural forms serve as cognitive scaffolds for understanding complex social dynamics. The study contributes to our understanding of how artistic representation can reveal typically implicit aspects of relationship cognition by demonstrating the value of integrating multidisciplinary perspectives of cognitive theory, psychology of mating, and cultural theory., Competing Interests: Declarations. Competing Interests: The authors declare no competing interests., (© 2025. The Author(s).)

Fictional narratives cannot be considered as mere escapist entertainment, and have a significant social cognition potential. Their study is also important in understanding the mechanisms of behavioral change, as many fictions focus on processes of personal transformation of the main characters. Romantic fictions are of special interest in this regard, as the formation of a new couple entails negotiation and mutual adaptation between partners, with possible transformation of personal attitudes, value orientations, and behaviors: ‘marrying’ a new idea or cause is, tellingly, the strongest possible metaphorical statement of adoption. Korean TV series (K-dramas) are a particularly interesting source of case studies in this regard due to the specific characteristics of their production system. We analyze a K-drama, My Ajussi, where the lead characters go through a complex process of personal change, through the lens of the so-called Tie-Up Theory, which has proven useful in the analysis and interpretation of fictional representations of human mating processes, and show how the context provided by the potential formation of the couple between the two main characters provides us with valuable insights about human behavioral change and for policy design strategies to tackle societal challenges.

In this paper, we analyze a K-drama aired by the Korean TV network SBS in 2016, Jealousy Incarnate, as a case study of the application of the Tie-Up Theory to a romantic narrative as a form of simulation of human mating processes with social cognition valence. We find that this case provides us with an example of a mating process where the choice of the male partner by the female lead character does not privilege the one that should be preferable on the basis of the standard prediction of the experimental research on human mating. This discrepancy is a signal of a basic limitation of experimental research, that highlights the subjects’ preferences for abstract potential partners but is not able to fully account for the mechanisms that lead to the choice of a specific partner in a specific mating interaction. We argue that the narrative simulation viewpoint provides insights that are complementary to those of experimental research, and that a more comprehensive theoretical approach, such as the one offered by the Tie-Up Theory, may be helpful to account for both perspectives.

Fictional narratives cannot be considered as mere escapist entertainment, and have a significant social cognition potential. Their study is also important in understanding the mechanisms of behavioral change, as many fictions focus on processes of personal transformation of the main characters. Romantic fictions are of special interest in this regard, as the formation of a new couple entails negotiation and mutual adaptation between partners, with possible transformation of personal attitudes, value orientations, and behaviors: 'marrying' a new idea or cause is, tellingly, the strongest possible metaphorical statement of adoption. Korean TV series (K-dramas) are a particularly interesting source of case studies in this regard due to the specific characteristics of their production system. We analyze a K-drama, My Ajussi, where the lead characters go through a complex process of personal change, through the lens of the so-called Tie-Up Theory, which has proven useful in the analysis and interpretation of fictional representations of human mating processes, and show how the context provided by the potential formation of the couple between the two main characters provides us with valuable insights about human behavioral change and for policy design strategies to tackle societal challenges. [ABSTRACT FROM AUTHOR]

In this paper, we analyze a K-drama aired by the Korean TV network SBS in 2016, Jealousy Incarnate, as a case study of the application of the Tie-Up Theory to a romantic narrative as a form of simulation of human mating processes with social cognition valence. We find that this case provides us with an example of a mating process where the choice of the male partner by the female lead character does not privilege the one that should be preferable on the basis of the standard prediction of the experimental research on human mating. This discrepancy is a signal of a basic limitation of experimental research, that highlights the subjects' preferences for abstract potential partners but is not able to fully account for the mechanisms that lead to the choice of a specific partner in a specific mating interaction. We argue that the narrative simulation viewpoint provides insights that are complementary to those of experimental research, and that a more comprehensive theoretical approach, such as the one offered by the Tie-Up Theory, may be helpful to account for both perspectives. [ABSTRACT FROM AUTHOR]