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Anecdotal experience and qualitative accounts suggest that singing groups, classes or choirs specifically for people with COPD (henceforth referred to as COPD-SGs) are effective in improving health. However, this is not reflected in the quantitative evidence. This meta-ethnography deployed phenomenological methods to explore this discrepancy. Analysis identified the phenomena of being together , being uplifted and being involved as central benefits of COPD-SGs. When viewed through the phenomenological lens of body-social as distinct from body-subject and body-object , findings demonstrated that the qualitative effectiveness of COPD-SGs is greatest on a collective basis. Qualitative research into the effectiveness of COPD-SGs offers more favourable results because phenomenological approaches can identify collective benefits that quantitative methods cannot. COPD-SGs should seek to maximise these collective benefits by rediscovering their cultural and artistic heritage within the national and global Arts in Health (AiH) movement, which has long emphasised the radical creative and healing power of group activity.

Anecdotal experience and qualitative accounts suggest that singing groups, classes or choirs specifically for people with COPD (henceforth referred to as COPD-SGs) are effective in improving health. However, this is not reflected in the quantitative evidence. This meta-ethnography deployed phenomenological methods to explore this discrepancy. Analysis identified the phenomena of being together, being uplifted and being involved as central benefits of COPD-SGs. When viewed through the phenomenological lens of body-social as distinct from body-subject and body-object, findings demonstrated that the qualitative effectiveness of COPD-SGs is greatest on a collective basis. Qualitative research into the effectiveness of COPD-SGs offers more favourable results because phenomenological approaches can identify collective benefits that quantitative methods cannot. COPD-SGs should seek to maximise these collective benefits by rediscovering their cultural and artistic heritage within the national and global Arts in Health (AiH) movement, which has long emphasised the radical creative and healing power of group activity. [ABSTRACT FROM AUTHOR]

Within arts and health, participatory songwriting is recognized as an enjoyable and effective way to encourage emotional connectedness and social cohesion. This study used phenomenological ethnography to consider how collaborative songwriting might enhance the participatory experience of a Singing for Breathing group for people with breathlessness and chronic lung disease. Participants used the songwriting process to celebrate and develop their shared identity, musical and cultural heritage. Songwriting enabled participants to share their lived experiences of the anxiety and social isolation of chronic lung disease, and thereby to explore their being 'all in the same boat' musically, culturally and existentially. When considered within the context of similar singing-based and writing-based research, this study suggests that participatory and collaborative songwriting projects might confer psychosocial benefits to a group and to its members. While further research is needed, we propose that singing groups aiming to improve health should include songwriting. [ABSTRACT FROM AUTHOR]