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The topics of visual and audio quality assessment (QA) have been widely researched for decades, yet nearly all of this prior work has focused only on single-mode visual or audio signals. However, visual signals rarely are presented without accompanying audio, including heavy-bandwidth video streaming applications. Moreover, the distortions that may separately (or conjointly) afflict the visual and audio signals collectively shape user-perceived quality of experience (QoE). This motivated us to conduct a subjective study of audio and video (A/V) quality, which we then used to compare and develop A/V quality measurement models and algorithms. The new LIVE-SJTU Audio and Video Quality Assessment (A/V-QA) Database includes 336 A/V sequences that were generated from 14 original source contents by applying 24 different A/V distortion combinations on them. We then conducted a subjective A/V quality perception study on the database towards attaining a better understanding of how humans perceive the overall combined quality of A/V signals. We also designed four different families of objective A/V quality prediction models, using a multimodal fusion strategy. The different types of A/V quality models differ in both the unimodal audio and video quality prediction models comprising the direct signal measurements and in the way that the two perceptual signal modes are combined. The objective models are built using both existing state-of-the-art audio and video quality prediction models and some new prediction models, as well as quality-predictive features delivered by a deep neural network. The methods of fusing audio and video quality predictions that are considered include simple product combinations as well as learned mappings. Using the new subjective A/V database as a tool, we validated and tested all of the objective A/V quality prediction models. We will make the database publicly available to facilitate further research. [ABSTRACT FROM AUTHOR]

Virtual Reality (VR) and its applications have attracted significant and increasing attention. However, the requirements of much larger file sizes, different storage formats, and immersive viewing conditions pose significant challenges to the goals of acquiring, transmitting, compressing and displaying high quality VR content. Towards meeting these challenges, it is important to be able to understand the distortions that arise and that can affect the perceived quality of displayed VR content. It is also important to develop ways to automatically predict VR picture quality. Meeting these challenges requires basic tools in the form of large, representative subjective VR quality databases on which VR quality models can be developed and which can be used to benchmark VR quality prediction algorithms. Towards making progress in this direction, here we present the results of an immersive 3D subjective image quality assessment study. In the study, 450 distorted images obtained from 15 pristine 3D VR images modified by 6 types of distortion of varying severities were evaluated by 42 subjects in a controlled VR setting. Both the subject ratings as well as eye tracking data were recorded and made available as part of the new database, in hopes that the relationships between gaze direction and perceived quality might be better understood. We also evaluated several publicly available IQA models on the new database, and also report a statistical evaluation of the performances of the compared IQA models. [ABSTRACT FROM AUTHOR]

The great variations of videographic skills in videography, camera designs, compression and processing protocols, communication and bandwidth environments, and displays leads to an enormous variety of video impairments. Current no-reference (NR) video quality models are unable to handle this diversity of distortions. This is true in part because available video quality assessment databases contain very limited content, fixed resolutions, were captured using a small number of camera devices by a few videographers and have been subjected to a modest number of distortions. As such, these databases fail to adequately represent real world videos, which contain very different kinds of content obtained under highly diverse imaging conditions and are subject to authentic, complex, and often commingled distortions that are difficult or impossible to simulate. As a result, NR video quality predictors tested on real-world video data often perform poorly. Toward advancing NR video quality prediction, we have constructed a large-scale video quality assessment database containing 585 videos of unique content, captured by a large number of users, with wide ranges of levels of complex, authentic distortions. We collected a large number of subjective video quality scores via crowdsourcing. A total of 4776 unique participants took part in the study, yielding over 205 000 opinion scores, resulting in an average of 240 recorded human opinions per video. We demonstrate the value of the new resource, which we call the live video quality challenge database (LIVE-VQC), by conducting a comparison with leading NR video quality predictors on it. This paper is the largest video quality assessment study ever conducted along several key dimensions: number of unique contents, capture devices, distortion types and combinations of distortions, study participants, and recorded subjective scores. The database is available for download on this link: http://live.ece.utexas.edu/research/LIVEVQC/index.html. [ABSTRACT FROM AUTHOR]

We announce a new video quality model (VQM) that accounts for the perceptual impact of variable frame delays (VFD) in videos with demonstrated top performance on the laboratory for image and video engineering (LIVE) mobile video quality assessment (VQA) database. This model, called VQM_VFD, uses perceptual features extracted from spatial-temporal blocks spanning fixed angular extents and a long edge detection filter. VQM_VFD predicts video quality by measuring multiple frame delays using perception based parameters to track subjective quality over time. In the performance analysis of VQM_VFD, we evaluated its efficacy at predicting human opinions of visual quality. A detailed correlation analysis and statistical hypothesis testing show that VQM_VFD accurately predicts human subjective judgments and substantially outperforms top-performing image quality assessment and VQA models previously tested on the LIVE mobile VQA database. VQM_VFD achieved the best performance on the mobile and tablet studies of the LIVE mobile VQA database for simulated compression, wireless packet-loss, and rate adaptation, but not for temporal dynamics. These results validate the new model and warrant a hard release of the VQM_VFD algorithm. It is freely available for any purpose, commercial, or noncommercial at http://www.its.bldrdoc.gov/vqm/. [ABSTRACT FROM PUBLISHER]

Finding ways to monitor and control the perceptual quality of digital visual media has become a pressing concern as the volume being transported and viewed continues to increase exponentially. This paper discusses the principles and methods of modern algorithms for automatically predicting the quality of visual signals. By casting the problem as analogous to assessing the efficacy of a visual communication system, it is possible to divide the quality assessment problem into understandable modeling subproblems. Along the way, we will visit models of natural images and videos, of visual perception, and a broad spectrum of applications. [ABSTRACT FROM PUBLISHER]

It is generally recognized that severe video distortions that are transient in space and/or time have a large effect on overall perceived video quality. In order to understand this phenomena, we study the distribution of spatio-temporally local quality scores obtained from several video quality assessment (VQA) algorithms on videos suffering from compression and lossy transmission over communication channels. We propose a content adaptive spatial and temporal pooling strategy based on the observed distribution. Our method adaptively emphasizes “worst” scores along both the spatial and temporal dimensions of a video sequence and also considers the perceptual effect of large-area cohesive motion flow such as egomotion. We demonstrate the efficacy of the method by testing it using three different VQA algorithms on the LIVE Video Quality database and the EPFL-PoliMI video quality database. [ABSTRACT FROM PUBLISHER]

Our approach to blind image quality assessment (IQA) is based on the hypothesis that natural scenes possess certain statistical properties which are altered in the presence of distortion, rendering them un-natural; and that by characterizing this un-naturalness using scene statistics, one can identify the distortion afflicting the image and perform no-reference (NR) IQA. Based on this theory, we propose an (NR)/blind algorithm—the Distortion Identification-based Image Verity and INtegrity Evaluation (DIIVINE) index—that assesses the quality of a distorted image without need for a reference image. DIIVINE is based on a 2-stage framework involving distortion identification followed by distortion-specific quality assessment. DIIVINE is capable of assessing the quality of a distorted image across multiple distortion categories, as against most NR IQA algorithms that are distortion-specific in nature. DIIVINE is based on natural scene statistics which govern the behavior of natural images. In this paper, we detail the principles underlying DIIVINE, the statistical features extracted and their relevance to perception and thoroughly evaluate the algorithm on the popular LIVE IQA database. Further, we compare the performance of DIIVINE against leading full-reference (FR) IQA algorithms and demonstrate that DIIVINE is statistically superior to the often used measure of peak signal-to-noise ratio (PSNR) and statistically equivalent to the popular structural similarity index (SSIM). A software release of DIIVINE has been made available online: xlink:type="simple" xlink:href="http://live.ece.utexas.edu/research/quality/DIIVINE_release.zip" xmlns:xlink="http://www.w3.org/1999/xlink"http://live.ece.utexas.edu/research/quality/DIIVINE_release.zip for public use and evaluation. [ABSTRACT FROM AUTHOR]

We study the efficiency of deblocking algorithms for improving visual signals degraded by blocking artifacts from compression. Rather than using only the perceptually questionable PSNR, we instead propose a block-sensitive index, named PSNR-B, that produces objective judgments that accord with observations. The PSNR-B modifies PSNR by including a blocking effect factor. We also use the perceptually significant SSIM index, which produces results largely in agreement with PSNR-B. Simulation results show that the PSNR-B results in better performance for quality assessment of deblocked images than PSNR and a well-known blockiness-specific index. [ABSTRACT FROM AUTHOR]

We propose a new video quality assessment (VQA) algorithm—the motion compensated structural similarity index—that assesses not only spatial quality but also quality along temporal trajectories. Drawing inspiration from the motion-compensated approach followed for video compression, we propose a motion-compensated approach to temporal quality assessment. The proposed algorithm is computationally efficient as compared to other VQA algorithms that utilize motion information from extracted optical flow and correlates well with human perception of quality. In order to exemplify the utility of the algorithm in a practical setting, we evaluate the quality of H.264/AVC compressed videos. Efficiency of computation is enabled by the novel motion-vector re-use concept. [ABSTRACT FROM PUBLISHER]

Evaluating the perceptual quality of video is of tremendous importance in the design and optimization of wireless video processing and transmission systems. In an endeavor to emulate human perception of quality, various objective video quality assessment (VQA) algorithms have been developed. However, the only subjective video quality database that exists on which these algorithms can be tested is dated and does not accurately reflect distortions introduced by present generation encoders and/or wireless channels. In order to evaluate the performance of VQA algorithms for the specific task of H.264 advanced video coding compressed video transmission over wireless networks, we conducted a subjective study involving 160 distorted videos. Various leading full reference VQA algorithms were tested for their correlation with human perception. The data from the paper has been made available to the research community, so that further research on new VQA algorithms and on the general area of VQA may be carried out. [ABSTRACT FROM AUTHOR]

There has recently been a great deal of interest in the development of algorithms that objectively measure the integrity of video signals. Since video signals are being delivered to human end users in an increasingly wide array of applications and products, it is important that automatic methods of video quality assessment (VQA) be available that can assist in controlling the quality of video being delivered to this critical audience. Naturally, the quality of motion representation in videos plays an important role in the perception of video quality, yet existing VQA algorithms make little direct use of motion information, thus limiting their effectiveness. We seek to ameliorate this by developing a general, spatio-spectrally localized multiscale framework for evaluating dynamic video fidelity that integrates both spatial and temporal (and spatio-temporal) aspects of distortion assessment. Video quality is evaluated not only in space and time, but also in space-time, by evaluating motion quality along computed motion trajectories. Using this framework, we develop a full reference VQA algorithm for which we coin the term the MOtion-based Video Integrity Evaluation index, or MOVIE index. It is found that the MOVIE index delivers VQA scores that correlate quite closely with human subjective judgment, using the Video Quality Expert Group (VQEG) FRTV Phase 1 database as a test bed. Indeed, the MOVIE index is found to be quite competitive with, and even outperform, algorithms developed and submitted to the VQEG FRTV Phase 1 study, as well as more recent VQA algorithms tested on this database. [ABSTRACT FROM AUTHOR]

Multimedia communication has become one of the main applications in commercial wireless systems. Multimedia sources, mainly consisting of digital images and videos, have high bandwidth requirements. Since bandwidth is a valuable resource, it is important that its use should be optimized for image and video communication. Therefore, interest in developing new joint source-channel coding (JSCC) methods for image and video communication is increasing. Design of any JSCC scheme requires an estimate of the distortion at different source coding rates and under different channel conditions. The common approach to obtain this estimate is via simulations or operational rate-distortion curves. These approaches, however, are computationally intensive and, hence, not feasible for real-time coding and transmission applications. A more feasible approach to estimate distortion is to develop models that predict distortion at different source coding rates and under different channel conditions. Based on this idea, we present a distortion model for estimating the distortion due to quantization and channel errors in MPEG-4 compressed video streams at different source coding rates and channel bit error rates. This model takes into account important aspects of video compression such as transform coding, motion compensation, and variable length coding. Results show that our model estimates distortion within 1.5 dB of actual simulation values in terms of peak-signal-to-noise ratio. [ABSTRACT FROM AUTHOR]