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The article offers information on the poetic engagement of Yiddish poet Moyshe Kulbak to the Weimar Republic poetry culture in Berlin Jew. It explores the journey of Kulbak on the way to Berlin, Germany in his search for political refuge from violence and civil war mentioning that Kulbak also come to Berlin to immerse himself to the traditions of novelists Johann Wolfgang von Goethe and Johann Christoph Friedrich von Schiller. It states that the poem of Kulbak entitled "Naye lider" which is considered as one of Kulbak's poetic work from Berlin is concerned on White Russian poetry. It says that the Soviet era style of writing of Kulbak reflects on his two fold estrangement personality.

The article deals with the problem of artistic interaction between Ales Ryazanovs and Sigitas Geda's poetries. Using the method of comparative analysis we define analogies between the Byelorussian poet's works and works of the Lithuanian poet. The author of the article comes to the conclusion that the new-making genres such as "dotted lines" (пунктиры) are very similar with miniatures of Sigitas Geda. They have a lot of general in the structure (absence of rhyme, minimum form, monostrophe, several rhythmical groups, and causal-resulting syntax) and substance, poetic figures, refiection of the external world and multiplanned description. The main feature of both poets is the conceptual character of substance. Creating the artistic reality the authors resort to using such poetic figures as rhetorical questing, rhetorical address, epithet, comparison, metaphor, graphic breaking of the text into lines with apportionment in the separate line an accentual word. [ABSTRACT FROM AUTHOR]

The author of the report "Special features of space organization in Byelorussian lyric poetry in 1960-70th (taking works of Aleksey Pisin as the example)" analyzes some characteristics of space in the lyrics of Byelorussian poet Aleksey Pisin. On this basis following conclusions about features of space organization in the national poetry of 1960-70th are made: the space in the works of the given period is open in a vertical direction; there is no steady vector in a vertical axis "bottom-top" (it means that the lyrical character is oriented both to sky and to the ground); spatial images of "bottom" and "top" approach with the purpose to show aspiration to harmony in the world; and finally mythological sacralization is also one of space characteristics. [ABSTRACT FROM AUTHOR]