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Over the last fifteen years scholarship on postcolonial literatures has increasingly turned to readers as the focus of empirical study. While such research has helped make visible the agency of postcolonial readers in global literary exchanges, it has tended to overlook the many ways in which postcolonial subjects’ encounters with texts can exceed or circumvent literal reading. The Asian-African-Canadian novelist M.G. Vassanji has been particularly attuned to the physicality of paper, most definitively in two of his novels set in East Africa, The Gunny Sack (1989) and The Book of Secrets (1994). In this article I analyse how Vassanji’s characters, both literate and illiterate, engage paper’s physical properties to ground their everyday practices of memory, valuation, and interpretation. By attending to paper’s materiality in Vassanji’s work postcolonial studies can situate its own reading practices in the context of material ways of doing things with texts. [ABSTRACT FROM PUBLISHER]