85 results on '"Diehl, Travis"'
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2. KAWS, the Collector, Says, ‘I Don’t Feel Like Anything Is Mine.’
3. Galleries
4. Common Ground, and Conflict, Between Two Land Artists
5. Galleries
6. What to See in N.Y.C. Galleries in August
7. How Young Artists Take Inspiration From Religion in Uncertain Times
8. Galleries
9. What to See in N.Y.C. Galleries in July
10. Worlds Built Online Begin to Fade Away
11. Digital Art as Sultry Love Stories,Without Neat Endings
12. Want to Find Success As an Artist? Click Here
13. Galleries
14. In Brutal Ordeals, a Performance Artist Embodies the Oppressed
15. Galleries
16. What to See in N.Y.C. Galleries in April
17. What to See in N.Y.C. Galleries in April
18. A Life's Work
19. Whitney Biennial: Thriving On Argument
20. Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
21. A New York Loft Where the Art Comes First
22. Technology as Muse, the Metaverse as Playground
23. Off the Board Game, Onto the Digital Canvas
24. A.I. Paintings That Are More Than a Gimmick
25. Galleries
26. A.I. Art That’s More Than a Gimmick? Meet AARON
27. Competitions Reinterpreted And Reframed
28. Frame by Frame, an Artist Distills What Sports Cameras Blur
29. Forceful Protests, Less Scary Than Reality
30. What to See in N.Y.C. Galleries in February
31. For Thomas Hirschhorn, Handmade Art Keeps Us Human
32. Outsider vs. Insider: Does It Matter?
33. At White Columns Annual, Outsiders Mix With Insiders
34. Alexis Smith, Artist Who Interrogated American Culture, Dies at 74
35. Prescient Environmental Posters Sound Alarm
36. Told Ya So: The Prescient Posters of the Environmental Movement
37. There's Lots of Pad Thai, But People Are the Point
38. Rirkrit Tiravanija: Can Pad Thai Diplomacy Change the World?
39. What to See in N.Y.C. Galleries in December
40. A Career Cut Short Still Burns Bright
41. What to See in N.Y.C. Galleries in November
42. A Meteoric Career Cut Short, Still Burns Bright
43. Indigenous Provocation
44. New Red Order: Artists With a Call to ‘Give It Back’
45. An Artist's Masterwork Made Out of Chocolate
46. Not Just Cowboys and Bulldozers Anymore
47. Ed Ruscha’s ‘Chocolate Room’ Still Tantalizes
48. Propaganda and an Ambiguous Message Are Both on View
49. Propaganda with an Ambiguous Message? That’s Art
50. What to See in N.Y.C. Galleries in July
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